tag:blogger.com,1999:blog-51728558884555341812024-03-13T14:29:30.292-04:00Martian GardensMartian Gardens is a weekly radio program featuring the finest in contemporary classical and experimental musics.Martian Gardenshttp://www.blogger.com/profile/03674178692741987194noreply@blogger.comBlogger451125tag:blogger.com,1999:blog-5172855888455534181.post-24621471544450454102016-12-06T14:41:00.000-05:002016-12-08T14:36:44.738-05:00Martian Gardens Episode 868 (December 8-9, 2016)<b style="color: red;">Host: Max Shea</b><span style="color: red;"> </span><br />
online playlists:<br />
<a href="http://www.martiangardens.blogspot.com/">Martian Gardens blog</a><br />
email: martiangardens@gmail.com<br />
<br />
<a href="http://valleyfreeradio.org/"><span style="font-size: x-small;">WXOJ-LP 103.3 FM</span></a><br />
<span style="font-size: x-small;">Valley Free Radio</span><br />
<span style="font-size: x-small;">Northampton, Mass.</span><br />
<span style="font-size: x-small;"><a href="http://valleyfreeradio.org/listen/">Webcast</a>/Broadcast</span><br />
<span style="font-size: x-small;">Fridays Noon -- 2:00 p.m. EST</span><br />
<span style="font-size: x-small;">Webcast/Broadcast date: December 9, 2016</span><br />
<span style="font-size: x-small;">Length: Two hours</span><br />
<span style="font-size: x-small;"><a href="http://globalcommunityradio.blogspot.com/"><br /></a><a href="http://globalcommunityradio.blogspot.com/">GLOBAL COMMUNITY RADIO</a></span><br />
<span style="font-size: x-small;">Webcast: Fridays 3:00 a.m. -- 5: a.m. EST</span><br />
<span style="font-size: x-small;">Webcast December 9, 2016</span><br />
<span style="font-size: x-small;">Length: Two hours</span><br />
<span style="font-size: x-small;"><br /></span><a href="http://tunein.com/radio/WMNB-LP-1071-s264151/"><span style="font-size: x-small;">WMNB-LP 107.1 FM</span></a><br />
<span style="font-size: x-small;">North Adams, Mass.</span><br />
<span style="font-size: x-small;">Webcast/Broadcast</span><br />
<span style="font-size: x-small;">Thursdays 7:00 p.m. to 10:00 p.m. EST</span><br />
<span style="font-size: x-small;">Webcast/Broadcast date: December 8, 2016</span><br />
<span style="font-size: x-small;">Length: Three hours</span><br />
<span style="font-size: x-small;"><br /></span><a href="http://kows107-3.org/"><span style="font-size: x-small;">KOWS 107.3 FM</span></a><br />
<span style="font-size: x-small;">Occidental, CA</span><br />
<span style="font-size: x-small;">Webcast/Broadcast</span><br />
<span style="font-size: x-small;">Biweekly, Mondays 11:00 p.m. to 12:00 a.m. PST</span><br />
<span style="font-size: x-small;">Next Webcast/Broadcast: December 26, 2016</span><br />
<span style="font-size: x-small;">Length: One hour</span><br />
<span style="font-size: x-small;"><br /></span><a href="http://www.radio4all.net/"><span style="font-size: x-small;">RADIO4ALL</span></a><br />
<span style="font-size: x-small;">Podcast: Download <b>all three hours</b> at your convenience!</span><br />
<span style="font-size: x-small;">Latest upload: December 1, 2016</span><br />
<span style="font-size: x-small;">Length: Three hours</span><br />
<b><br /></b><b>PLAYLIST </b><br />
<b><br /></b><b>Hour I</b><br />
<b><br /></b>SET ONE<br />
Roger Kleier: We Speak of Deep Night<br />
Deep Night, Deep Autumn<br />
<a href="http://www.starkland.com/st211/">Starkland Records</a>/2001<br />
<span style="font-size: x-small;">electric guitars, processing: Roger Kleier; recorded at Harvestworks/PASS Studios, Master Element Studios, December 1998; composition year: 1998; time: 8:36</span><br />
<br />
Annie Gosfield: The Harmony of the Body-Machine<br />
Lost Signals and Drifting Satellites<br />
<a href="http://www.anniegosfield.com/">Tzadik</a>/2004<br />
<span style="font-size: x-small;">cello: Joan Jeanrenaud; electronics: Annie Gosfield; recorded at Different Fur Recording, San Francisco, December, 2003; composition year: 2003; time: 13:14</span><br />
<br />
SET TWO<br />
Alvin Lucier: Counting People<br />
<span style="font-size: x-small;">from Three Translations of the Works of <a href="http://www.mauriziomochetti.it/">Maurizio Mochetti</a></span><br />
Two Circles<br />
<a href="http://www.hbdirect.com/album/3210171-alvin-lucier-b1931-two-circles-alter-ego.html">Mode Records</a>/2016<br />
<span style="font-size: x-small;">(for flute, clarinet, violin, cello, and piano); Alter Ego -- flute: Manuel Zurria; clarinet: Paolo Ravaglia; violin: Aldo Campagnari; cello: Francesco Dillon; piano: Oscar Pizzo); recorded at Studio Acusticum, Piteå, Sweden, <a href="http://www.moderecords.com/profiles/alvinlucier.html">composition</a> year: 2008; time: 3:54</span><br />
<br />
Alvin Lucier: Fideliotrio<br />
Wind Shadows<br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=80628">New World Records</a>/2005<br />
<span style="font-size: x-small;">members of the <a href="http://www.bartonworkshop.org/">Barton Workshop</a> (viola: Mariecke Keser; cello: Judith Van Swaay; piano: Frank Denyer); recorded at the Bethanienklooster, Amsterdam, June 12, 2003; composition year: 1987; time: 12:03</span><br />
<br />
SET THREE<br />
Frank Denyer: Out of the Shattered Shadows I<br />
Faint Traces -- Chamber Works 1973-2001<br />
<a href="http://www.moderecords.com/catalog/151denyer.html">Mode Records</a>/2005<br />
<span style="font-size: x-small;">members of the Barton Workshop -- flutes: Jos Zwaanenburg; spinet & harmonium: Catherine Laws; banjo: Alan Thomas; percussion: Damien Harron; recorded at Dartington Hall, UK, July 7, 2000; composition year: 1996; time: 13:43</span><br />
<br />
Morton Feldman: Projection V<br />
Composing by Numbers -- The Graphic Scores 1950-1967<br />
<a href="http://www.moderecords.com/catalog/146feldman.html">Mode Records</a>/2005<br />
<span style="font-size: x-small;">The Barton Workshop, conductor: James Fulkerson; recorded at the Hilversum Conservatorium, Hilversum, The Netherlands; composition year: 1951; time: 2:27</span><br />
<br />
<b>Hour II</b><br />
<br />
SET FOUR<br />
Lisa Bielawa: Wait<br />
The Lay of Love<br />
<a href="https://www.innova.mu/albums/lisa-bielawa/lay-love">Innova Recordings</a>/2015<br />
<span style="font-size: x-small;">piano: Evelyne Luest; drone: Adam Abeshouse; voice: Lisa Bielawa; text: Aleksandr Pushkin (<a href="https://static1.squarespace.com/static/5484a37be4b0213f74373e82/t/54c022a6e4b0a1a744d6d1fe/1421877932818/Wait+Notes">Eugene Onegin</a>), recorded at the Recital Hall, SUNY Purchase, 2007; composition year: 2002; time: 7:31</span><br />
<br />
Somei Satoh: Kisetsu<br />
From the Depth of Silence<br />
<a href="http://www.moderecords.com/catalog/135satoh.html">Mode Records</a>/2004<br />
<span style="font-size: x-small;">baritone: Thomas Buckner; The Janáček Philharmonic, conductor: Petr Kotik; recorded at Philharmonic Hall, Ostrava, Czech Republic, May 16, 2002; composition year: 1999; time: 14:22</span><br />
<br />
SET FIVE<br />
David Starobin: Variations on a theme by Carl Nielsen, "Underlige Aftenlufte" (W. Bland)<br />
New Music with Guitar, Volume 10 (various composers)<br />
<a href="http://bridgerecords.com/products/9458">Bridge Records</a>/2016<br />
<span style="font-size: x-small;">guitar: David Starobin; piano: Vassily Primakov; recorded at Carl Nielsen Concert Hall, Odense, Denmark, December 2011; composer: William Bland; composition year: 2010; time: 15:02</span><br />
<br />
James Moore & Andie Springer: Look Like (J. Moore)<br />
Gertrudes (various composers)<br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=93935">New World Records</a>/2015<br />
<span style="font-size: x-small;">resonator guitar: James Moore; violin: Andie Springer; recorded at Future-Past Studios, 2015, composition year: 2014; time: 3:02</span><br />
<br />
SET SIX<br />
Andrew Cyrille Quartet: Kaddish<br />
The Declaration of Musical Independence<br />
<a href="http://player.ecmrecords.com/cyrille-2430">ECM Records</a>/2016<br />
<span style="font-size: x-small;">guitar: Bill Frisell; recorded at Brooklyn Recordings, July 2014; composer: Bill Frisell; time: 5:10</span><br />
<br />
Tim Brady: Chromatics, Harmonics, Recidivist Thirds, and Pulsing Fifths<br />
<span style="font-size: x-small;">Playing Guitar -- Symphony #1, Movement 5.1</span><br />
Playing Guitar: Symphony #1<br />
<a href="http://www.actuellecd.com/en/cat/am_125/">Ambiances Magnetiques</a>/2004<br />
<span style="font-size: x-small;">solo guitar: <a href="http://www.timbrady.ca/index_eng.html">Tim Brady</a>; recorded at Oscar Peterson Concert Hall, Concordia University, Montreal, June 2, 2003; time: 5:57</span><br />
<br />
<b>Hour III</b><br />
<br />
SET SEVEN<br />
Philip Mantione: Dusk<br />
Drainage Music<br />
<a href="http://philipmantione.com/">Scattered Music</a>/2004<br />
<span style="font-size: x-small;">music for Drainage (interactive mechanical art installation; sound: Philip Mantione; video: Alysse Stephanian); composition year: 2004; time: 8:58</span><br />
<br />
Ensemble SuerMusique: Tempest (J. Rea)<br />
Jeux de pistes<br />
<a href="http://www.supermusique.qc.ca/fr/evenements/34828/">Ambiances Magnetiques</a>/2016<br />
<span style="font-size: x-small;">Ensemble SuperMusique, director: Joane Hétu; recorded at the Amphithéâtre du Gesù, Montreal, April 8, 2016; composer: John Rea; composition year: 1969; time: 11:53</span><br />
<br />
SET EIGHT<br />
Natasha Barrett: Glacial Loop (Microclimates III)<br />
Bouteilles de Klein<br />
<a href="http://www.electrocd.com/en/cat/imed_10104/">empreintes DIGITALes</a>/2010<br />
<span style="font-size: x-small;">field recordings from Briksdal glacier, Stryn, Norway; April 2007; time: 5:48</span><br />
<br />
Jonty Harrison: Going/Places (Parts 6-8)<br />
<span style="font-size: x-small;">a. Subterranean glacial activities, Sólheimajökull glacier; resonating radio cables, Snæfellsnes peninsula, Iceland (2:09) </span><br />
<span style="font-size: x-small;">b. Sounds from the Kuranda Scenic Railway, Queensland, Australia (3:23) </span><br />
<span style="font-size: x-small;">c. Geothermal pools, Seltún, Iceland, and Rotorua, New Zealand (2:07) </span><br />
Voyages<br />
<a href="http://www.electrocd.com/en/cat/imed_16139/">empreintes DIGITALes</a>/2015<br />
<span style="font-size: x-small;">electroacoustic music on 32-track tape; premiered at hcmf// 2015: 16. Jonty Harrison, Phipps Concert Hall, University of Huddersfield, UK, November 25, 2015; total selections time: 7:49</span><br />
<br />
Annea Lockwood: Fridingen to Ulm<br />
A Sound Map of The Danube<br />
<a href="http://www.annealockwood.com/recordings.htm">Lovely Music, Ltd.</a>/2008<br />
<span style="font-size: x-small;">field recordings: Annea Lockwood </span><span style="font-size: x-small;">(Fridingen, sheep shearing, May 1, 2002; Beuron, May 2, 2002; Ulm, Blau tributary, May 4, 2002; Münster bells, May 5, 2002); time: 7:20</span><br />
<br />
SET NINE<br />
Tod Dockstader: Two Fragments from Apocalypse<br />
<span style="font-size: x-small;">a. First Fragment (3:05)</span><br />
<span style="font-size: x-small;">b. Second Fragment (3:00)</span><br />
Apocalypse<br />
<a href="http://www.starkland.com/st202/">Starkland</a>/1993<br />
<span style="font-size: x-small;">musique concrète (sound sources: spring, switch arcs, metal plate, electrical generator, bell-tree, piano, voice): Tod Dockstader; composition year: 1961; total time: 6:05</span><br />
<br />
Delia Derbyshire: Science and Health<br />
BBC Radiophonic Workshop -- A Retrospective (various artists)<br />
<a href="https://www.discogs.com/BBC-Radiophonic-Workshop-A-Retrospective/release/1530728">The Grey Area -- BBC Music</a>/2008<br />
<span style="font-size: x-small;">electronic music: Delia Derbyshire; composition year: 1964; time: 0:55</span><br />
<br />
-- FIN --Martian Gardenshttp://www.blogger.com/profile/03674178692741987194noreply@blogger.com0tag:blogger.com,1999:blog-5172855888455534181.post-67737818229155889122016-11-29T21:02:00.001-05:002016-12-04T09:55:47.235-05:00Martian Gardens Episode 867 (December 1-2, 2016)<b style="color: red;">Host: Max Shea</b><span style="color: red;"> </span><br />
online playlists:<br />
<a href="http://www.martiangardens.blogspot.com/">Martian Gardens blog</a><br />
email: martiangardens@gmail.com<br />
<br />
<a href="http://valleyfreeradio.org/"><span style="font-size: x-small;">WXOJ-LP 103.3 FM</span></a><br />
<span style="font-size: x-small;">Valley Free Radio</span><br />
<span style="font-size: x-small;">Northampton, Mass.</span><br />
<span style="font-size: x-small;"><a href="http://valleyfreeradio.org/listen/">Webcast</a>/Broadcast</span><br />
<span style="font-size: x-small;">Fridays Noon -- 2:00 p.m. EST</span><br />
<span style="font-size: x-small;">Webcast/Broadcast date: December 2, 2016</span><br />
<span style="font-size: x-small;">Length: Two hours</span><br />
<span style="font-size: x-small;"><a href="http://globalcommunityradio.blogspot.com/"><br /></a><a href="http://globalcommunityradio.blogspot.com/">GLOBAL COMMUNITY RADIO</a></span><br />
<span style="font-size: x-small;">Webcast: Fridays 3:00 a.m. -- 5: a.m. EST</span><br />
<span style="font-size: x-small;">Webcast December 2, 2016</span><br />
<span style="font-size: x-small;">Length: Two hours</span><br />
<span style="font-size: x-small;"><br /></span><a href="http://tunein.com/radio/WMNB-LP-1071-s264151/"><span style="font-size: x-small;">WMNB-LP 107.1 FM</span></a><br />
<span style="font-size: x-small;">North Adams, Mass.</span><br />
<span style="font-size: x-small;">Webcast/Broadcast</span><br />
<span style="font-size: x-small;">Thursdays 7:00 p.m. to 10:00 p.m. EST</span><br />
<span style="font-size: x-small;">Webcast/Broadcast date: December 1, 2016</span><br />
<span style="font-size: x-small;">Length: Three hours</span><br />
<span style="font-size: x-small;"><br /></span><a href="http://kows107-3.org/"><span style="font-size: x-small;">KOWS 107.3 FM</span></a><br />
<span style="font-size: x-small;">Occidental, CA</span><br />
<span style="font-size: x-small;">Webcast/Broadcast</span><br />
<span style="font-size: x-small;">Biweekly, Mondays 11:00 p.m. to 12:00 a.m. PST</span><br />
<span style="font-size: x-small;">Next Webcast/Broadcast: December 5, 2016</span><br />
<span style="font-size: x-small;">Length: One hour</span><br />
<span style="font-size: x-small;"><br /></span><a href="http://www.radio4all.net/"><span style="font-size: x-small;">RADIO4ALL</span></a><br />
<span style="font-size: x-small;">Podcast: Download <b>all three hours</b> at your convenience!</span><br />
<span style="font-size: x-small;">Latest upload: November 17, 2016</span><br />
<span style="font-size: x-small;">Length: Three hours</span><br />
<b><br /></b><b>PLAYLIST </b><br />
<b><br /></b><b>Hour I</b><br />
<b><br /></b>SET ONE<br />
Pauline Oliveros: Bye Bye Butterfly<br />
Women in Electronic Music 1977 (various artists)<br />
<span style="font-size: x-small;">New Music for Electronic and Recorded Media</span><br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=17117">New World Records</a>/1997 (orig. 1750 Arch LP/1977)<br />
<span style="font-size: x-small;">(for electronics and phonograph record); recorded at the San Francisco Tape Music Center, 1965; time: 8:08</span><br />
<br />
Pauline Oliveros:<br />
<span style="font-size: x-small;">a. Procession/Peregrinacion (10:35)</span><br />
<span style="font-size: x-small;">b. Ghosting/Relaciones (2:25)</span><br />
Ghostdance<br />
<a href="https://www.discogs.com/Pauline-Oliveros-Ghostdance/release/658887">Deep Listening</a>/1998<br />
<span style="font-size: x-small;">accordion, <a href="http://deeplistening.org/site/content/expandedmusicalinstruments">Expanded Instrument System</a>: Pauline Oliveros; djembe, EIS; voice, EIS: Julie Lyon Rose; choreographer: Paula Josa-Jones; commissioned by Lincoln Center Out-of-Doors and the US/Mexico Fund for Culture; total selections time: 13:00</span><br />
<span style="font-size: x-small;"><br /></span>
<br />
In Memory of <a href="http://www.nytimes.com/2016/11/27/arts/music/pauline-oliveros-composer-who-championed-deep-listening-dies-at-84.html?_r=0">Pauline Oliveros</a> (May 30, 1932 -- November 24, 2016), part one of a six-part tribute.<br />
<br />
SET TWO<br />
Gerard Pape: Deux Chimères I -- El Desdichado<br />
Lux Fugit<br />
<a href="https://www.discogs.com/Gerard-Pape-Lux-Fugit/release/7511675">Stradivarius</a>/2015<br />
<span style="font-size: x-small;">reciter: Michel de Maulne; text: <a href="https://en.wikipedia.org/wiki/G%C3%A9rard_de_Nerval">Gerard de Nerval</a>; soprano: Olga Krashenko; recorder: Robin Troman; flute: Erik Drischer; recorded in Paris, 2012; composition year: 2006; time: 8:19</span><br />
<br />
Joker:<br />
<span style="font-size: x-small;">a. Un étendard multicolore (5:05)</span><br />
<span style="font-size: x-small;">b. Nous étions la (1:59)</span><br />
Où est-il donc ce rêve?<br />
<a href="http://www.actuellecd.com/en/bio/hetu_jo/">Ambiances Magnetiques</a>/2016<br />
<span style="font-size: x-small;">Joker -- voices: Marie-Neige Besner, Isaiah Ceccarelli, Gabriel Dharmoo, Jean Derome, Gerarldine Eguiluz, Eric Forget, Lori Freedman, Kathy Kennedy, Diane Labrosse, Elizabeth Lima, Alexandre St-Onge, Ida Torntato; narration, ambient sounds: Michel F. Côté; director, compositions, texts: Joane Hétu; recorded December 12, 2014, Studio 270, Montreal; total selections time: 7:04</span><br />
<br />
Vladimir Ussachevsky: selections from Suite from No Exit<br />
<span style="font-size: x-small;">a. Part 5 (1:41)</span><br />
<span style="font-size: x-small;">b. Part 6 (2:42)</span><br />
Film Music<br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=80389">New World Records</a>/1990<br />
<span style="font-size: x-small;">tape and computer music: Vladimir Ussachevsky; recorded at the Columbia-Princeton Electronic Music Center, 1962; total selections time: 4:11</span><br />
<br />
SINGLE PLAY<br />
Alvin Lucier: Arrows<br />
<span style="font-size: x-small;">from Three Translations of the Works of <a href="http://www.giacomoguidi.it/en/maurizio-mochetti/">Maurizio Mochetti</a></span><br />
Two Circles<br />
<a href="http://www.hbdirect.com/album_detail.php?pid=3210171">Mode Records</a>/2016<br />
<span style="font-size: x-small;">(for alto flute, clarinet, violin, cello, and piano); Alter Ego -- flute: Manuel Zurria; clarinet: Paolo Ravaglia; violin: Aldo Campagnari; cello: Francesco Dillon; piano: Oscar Pizzo); recorded at Studio Acusticum, Piteå, Sweden, composition year: 2008; time: 10:01</span><br />
<br />
<b>Hour II</b><br />
<br />
SET THREE<br />
Iannis Xenakis: La Déesse Athena<br />
Volume 3 -- Xenakis & Varese<br />
<a href="http://www.moderecords.com/catalog/058xenakis.html">Mode Records</a>/1997<br />
<span style="font-size: x-small;">(for baritone, percussion solo, and chamber orchestra; text: Aeschylus -- <a href="http://classics.mit.edu/Aeschylus/eumendides.html">Eumenides</a>); baritone: Philip Larson; soloist: Timothy Adams; Carnegie-Mellon Philharmonic, conductor: Juan Pablo Izquierdo; recorded in Pittsburgh, April 1996; composition year: 1992; time: 7:55</span><br />
<br />
Åke Parmerud: Necropolis -- City of the Dead<br />
Necropolis<br />
<a href="http://www.electrocd.com/en/cat/imed_16137/">empreintes DIGITALes</a>/2016<br />
<span style="font-size: x-small;">(electroacoustic music on 8-track tape); realized in 2011 at the studio of the GRM, Paris, premiered at the Auditorium Saint-Germain of the Maison des pratiques artistiques amateurs, September 23, 2011; time: 13:45
</span><br />
<br />
SET FOUR<br />
Jonty Harrison: Going/Places (Parts 1-5)<br />
<span style="font-size: x-small;">a. Railway Stations in Florence, Pisa, Rome, and Castlefiorentino (4:59)</span><br />
<span style="font-size: x-small;">b. Crickets on the Red Ocean Road, Victoria; events in Red Center and Queensland (3:05)</span><br />
<span style="font-size: x-small;">c. Buskers in Jemaa-el-Fnaa, Marrakech, Morocco (1:16)</span><br />
<span style="font-size: x-small;">d. SkyRail passing over birds in tropical canopy, Queensland (0:52)</span><br />
<span style="font-size: x-small;">e. Wind, tourists, and arctic birds, Snæfellsnes peninsula, Iceland (1:50)</span><br />
Voyages<br />
<a href="http://www.electrocd.com/en/cat/imed_16139/">empreintes DIGITALes</a>/2015<br />
<span style="font-size: x-small;">electroacoustic music on 32-track tape; premiered at hcmf// 2015: 16. Jonty Harrison, Phipps Concert Hall, University of Huddersfield, UK, November 25, 2015; total selections time: 12:02</span><br />
<br />
Coil: Going Up<br />
The Ape of Naples<br />
<a href="https://www.discogs.com/Coil-The-Ape-Of-Naples/release/583381">Threshold House</a>/2006<br />
<span style="font-size: x-small;">vocals: François Testory, Jhonn Balance; keyboards: Thighpaulsandra (Timothy Lewis); synthesizer: Ossian Brown; marimba: Tom Edwards; hurdy-gurdy: Cliff Stapleton; original composition/lyrics: David Croft/Ronnie Hazlehurst (theme from "Are You Being Served?"); time: 8:30</span><br />
<br />
SET FIVE<br />
Tod Dockstader: Chinese Morf<br />
From the Archives<br />
<a href="http://www.starkland.com/st202/">Starkland</a>/2016<br />
<span style="font-size: x-small;">electronic sounds from the archives of Tod Dockstader; recorded in 2007; time: 2:39</span><br />
<br />
Tod Dockstader: Two Moons of Quatermass<br />
<span style="font-size: x-small;">a. First Moon (4:17)</span><br />
<span style="font-size: x-small;">b. Second Moon (4:37)</span><br />
Water Music/Quatermass<br />
<a href="http://www.starkland.com/st202/">Starkland</a>/1992<br />
<span style="font-size: x-small;">electronic music: Tod Dockstader; composition year: 1964; total time: 8:53</span><br />
<span style="font-size: x-small;"><br /></span>
David Toop: A Second Nature<br />
Museum of Fruit (Architettura Series Volume 3)<br />
<a href="https://www.discogs.com/David-Toop-Museum-Of-Fruit/release/47205">Caipirinha Productions</a>/1999<br />
<span style="font-size: x-small;">synthesizers, electronics, keyboards, flutes, percussion: David Toop; recorded in London, Fall 1998; time: 041</span><br />
<br />
<b>Hour III</b><br />
<br />
SET SIX<br />
Rune Lindblad: Evening<br />
Death of the Moon -- Electronic & Concrète Music (1953-1960)<br />
<a href="http://www.pogus.com/21011.html">Pogus Productions</a>/1997<br />
<span style="font-size: x-small;">electronic music recorded at the composer's studio, Gothenberg, Sweden; composition year: 1956; time: 8:11</span><br />
<br />
Walter Ruttmann: Weekend<br />
An Anthology of Noise & Electronic Music [various artists]<br />
<span style="font-size: x-small;">first a-chronology 1921-2001</span><br />
<a href="https://www.discogs.com/Various-An-Anthology-Of-Noise-Electronic-Music-First-A-Chronology-1921-2001/release/137749">Sub Rosa</a>/2001<br />
<span style="font-size: x-small;">sound collage via <a href="https://en.wikipedia.org/wiki/Tri-Ergon">Tri-Ergon</a> processing: Walter Ruttman; presented in Berlin, June 13, 1930; composition year: 1930; time: 11:10</span><br />
<br />
SET SEVEN<br />
Miya Masaoka: The Clattering of Life<br />
The Triangle of Resistance<br />
<a href="https://www.innova.mu/albums/miya-masaoka/triangle-resistance">Innova Recordings</a>/2016<br />
<span style="font-size: x-small;">violins: Jennifer Choi, Esther Nah; viola: David Wallace; cello: Alex Waterman; percussion, Buddhist prayer singing bowls, gongs, taiko, changgu: Satoshi Takeishi; koto: Miya Masaoka; analog modular synthesizer: Ben Vida; conductor: Richard Carrick; recorded at the Roulette, Brooklyn, New York, November 17, 2013; time: 19:57</span><br />
<br />
Jin Hi Kim: Dancing in the Deep Blue Sea<br />
Jin Hi Kim's Sound Universe<br />
<a href="http://www.jinhikim.com/">Living Tones</a>/2009<br />
<span style="font-size: x-small;">komungo: Jin Hi Kim; daxophone: Hans Reichel; accordion: Rudiger Carl; performed for Hans Reichel's Stadtsparkasse Award Ceremony, Wuppertal, Germany; time: 9:45</span><br />
<br />
SINGLE PLAY<br />
Paul Lansky: from Threads<br />
<span style="font-size: x-small;">a. Prelude (Aria I) (2:54)</span><br />
<span style="font-size: x-small;">b. Recitative I (1:57)</span><br />
Textures & Threads<br />
<a href="http://bridgerecords.com/products/9435">Bridge Records</a>/2014<br />
<span style="font-size: x-small;">(for four percussionists); percussion 1: Gwendolyn Burgett; percussion 2: Svet Stoyanov; percussion 3: Ian Rosenbaum; percussion 4: Ayano Kataoka; recorded at Sprague Hall, Yale University, May 21 & 22, 2012; composition year: 2005; total excerpts time: 7:52 </span><br />
<br />
-- FIN --Martian Gardenshttp://www.blogger.com/profile/03674178692741987194noreply@blogger.com0tag:blogger.com,1999:blog-5172855888455534181.post-10192925076460163382016-11-24T13:22:00.000-05:002016-11-29T15:18:15.456-05:00Martian Gardens Episode 866 (November 24-25, 2016)<b style="color: red;">Host: Max Shea</b><span style="color: red;"> </span><br />
online playlists:<br />
<a href="http://www.martiangardens.blogspot.com/">Martian Gardens blog</a><br />
email: martiangardens@gmail.com<br />
<br />
<a href="http://valleyfreeradio.org/"><span style="font-size: x-small;">WXOJ-LP 103.3 FM</span></a><br />
<span style="font-size: x-small;">Valley Free Radio</span><br />
<span style="font-size: x-small;">Northampton, Mass.</span><br />
<span style="font-size: x-small;"><a href="http://valleyfreeradio.org/listen/">Webcast</a>/Broadcast</span><br />
<span style="font-size: x-small;">Fridays Noon -- 2:00 p.m. EST</span><br />
<span style="font-size: x-small;">Webcast/Broadcast date: November 25, 2016</span><br />
<span style="font-size: x-small;">Length: Two hours</span><br />
<span style="font-size: x-small;"><a href="http://globalcommunityradio.blogspot.com/"><br /></a><a href="http://globalcommunityradio.blogspot.com/">GLOBAL COMMUNITY RADIO</a></span><br />
<span style="font-size: x-small;">Webcast: Fridays 3:00 a.m. -- 5: a.m. EST</span><br />
<span style="font-size: x-small;">Webcast date: November 25, 2016</span><br />
<span style="font-size: x-small;">Length: Two hours</span><br />
<span style="font-size: x-small;"><br /></span>
<a href="http://tunein.com/radio/WMNB-LP-1071-s264151/"><span style="font-size: x-small;">WMNB-LP 107.1 FM</span></a><br />
<span style="font-size: x-small;">North Adams, Mass.</span><br />
<span style="font-size: x-small;">Webcast/Broadcast</span><br />
<span style="font-size: x-small;">Thursdays 7:00 p.m. to 10:00 p.m. EST</span><br />
<span style="font-size: x-small;">Webcast/Broadcast date: November 24, 2016</span><br />
<span style="font-size: x-small;">Length: Three hours</span><br />
<span style="font-size: x-small;"><br /></span>
<a href="http://kows107-3.org/"><span style="font-size: x-small;">KOWS 107.3 FM</span></a><br />
<span style="font-size: x-small;">Occidental, CA</span><br />
<span style="font-size: x-small;">Webcast/Broadcast</span><br />
<span style="font-size: x-small;">Biweekly, Mondays 11:00 p.m. to 12:00 a.m. PST</span><br />
<span style="font-size: x-small;">Next Webcast/Broadcast: December 5, 2016</span><br />
<span style="font-size: x-small;">Length: One hour</span><br />
<span style="font-size: x-small;"><br /></span>
<a href="http://www.radio4all.net/"><span style="font-size: x-small;">RADIO4ALL</span></a><br />
<span style="font-size: x-small;">Podcast: Download <b>all three hours</b> at your convenience!</span><br />
<span style="font-size: x-small;">Latest upload: November 17, 2016</span><br />
<span style="font-size: x-small;">Length: Three hours</span><br />
<b><br /></b><b>PLAYLIST </b><br />
<b><br /></b><b>Hour I</b><br />
<b><br /></b>SET ONE<br />
Eric Lyon: Liberation #1<br />
Ex Cathedra<br />
<a href="http://www.centaurrecords.com/store/albums/electro-acoustic/eric-lyon-ex-cathedra-sacred-amnesia.html">Centaur Records</a>/2004<br />
<span style="font-size: x-small;">computer music, sampling, processing: <a href="http://www.performingarts.vt.edu/faculty-staff/view/eric-lyon">Eric Lyon</a>; composition year: 2003; time: 9:11</span><br />
<br />
Neil Rolnick: WakeUp<br />
Ex Machina<br />
<a href="https://www.innova.mu/albums/neil-rolnick/ex-machina">Innova Recordings</a>/2016<br />
<span style="font-size: x-small;">laptop computer, sampling, processing: <a href="http://www.neilrolnick.com/#composer">Neil Rolnick</a>; composition year: 2013; time: 11:49</span><br />
<br />
SINGLE PLAY<br />
Jorge Antunes: Vivaldia MCMLXXV<br />
Works by Jorge Antunes eo GeMUnB<br />
<a href="http://mp3-searchengine.xyz/mp3/jorge-antunes-inutilemfa.html">UnB Discos</a>/2002<br />
<span style="font-size: x-small;">GeMUnB (Group of Musical Experimentation of the University of Brasilia) -- voice: Laura Conde; flute: Geraldo Moreira; English horn/French horn: Raimundo Martins; viola: Fernando: Vasques; cello: Jorge Armando Nunes; piano: Mariuga Lisbôa Antunes; dancer: Maria Salma; magnetic tape, conductor: <a href="http://www.pogus.com/21027.html">Jorge Antunes</a>; recorded at University of Brasilia, 1975; composition year: 1975; time: 21:18</span><br />
<br />
SET TWO<br />
Barney Childs: Music for Bass Drum<br />
Heaven to clear when day did close<br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=94385">New World Records</a>/2016<br />
<span style="font-size: x-small;">(for single bass drum manually percussed by three players); bass drum: Ron George, Chris Corman, Blake Van Vilet; recorded at the University of Redlands, Redlands, California, January 2001; composition year: 1964; time: 3:41</span><br />
<br />
Joseph Bertolozzi: Evening Harmonies<br />
Tower Music<br />
<span style="font-size: x-small;">Bertolozzi Plays the Eiffel Tower</span><br />
<a href="https://www.innova.mu/albums/joseph-bertolozzi/tower-music-musique-de-la-tour">Innova Recordings</a>/2015<br />
<span style="font-size: x-small;">percussion, samples: Joseph Bertolozzi (samples from The Audio Library of the Eiffel Tower, Paris), composition year: 2014; time: 2:45</span><br />
<br />
Fred Frith: Trains & Boats & Planes (Bacharach/David)*<br />
Prints<br />
<span style="font-size: x-small;">Snapshots, Postcards, Messages, and Miniatures 1987-2001 </span><br />
<a href="https://www.discogs.com/Fred-Frith-Prints-Snapshots-Postcards-Messages-And-Miniatures-1987-2001/release/684389">ReR Megacorp</a>/2003<br />
<span style="font-size: x-small;">(composition: Burt Bacharach/Hal David, published 1965); guitar, percussion, piano, keyboards, noises, voice: Fred Firth; recorded 1996 for the release "Great Jewish Music: Burt Bacharach," Tzadik Records; time: 5:07
</span><br />
<b><br /></b>
<b>Hour II</b><br />
<br />
SET THREE<br />
Jean-Claude Risset: Mutations<br />
Sud/Dialogues/Inharmonique/Mutations<br />
<a href="https://www.discogs.com/Risset-Sud-Dialogues-Inharmonique-Mutations/release/3818513">INA-GRM</a>/1987<br />
<span style="font-size: x-small;">FM synthesis realized at Bell Laboratories; composition year: 1969; time: 10:31</span><br />
<br />
In memory of <a href="http://cdm.link/2016/11/jean-claude-risset-reimagined-digital-sound-europe-abroad/">Jean-Claude Risset</a> (March 18, 1938 -- November 21, 2016)<br />
<br />
Christian Bouchard: Trois Miniatures en Suite<br />
<span style="font-size: x-small;">a. Sacréboules (Holy Balls!) (3:26)</span><br />
<span style="font-size: x-small;">b. The Point of View of the Parking Meter (2:51)</span><br />
<span style="font-size: x-small;">c. Tonicity (3:52)</span><br />
Fractures<br />
<a href="http://www.electrocd.com/en/cat/imed_0474/">empreintes DIGITALes</a>/2003<br />
<span style="font-size: x-small;">electroacoustic music realized at Conservatoire de musique de Montreal, 1997; premiered at the Concert Hautes Tensions presented by the ACREQ at the Usine C, Montreal, January 29, 1999; total time: 10:09</span><br />
<br />
SINGLE PLAY<br />
Alvin Lucier: <a href="https://en.wikipedia.org/wiki/I_Am_Sitting_in_a_Room">I Am Sitting in a Room</a><br />
Two Circles<br />
<a href="http://www.moderecords.com/profiles/alvinlucier.html">Mode Records</a>/2016<br />
<span style="font-size: x-small;">(for speaking voice and electronics); voice: Alvin Lucier; electronics: Simone Comforti; recorded at Biennale Musica 2012; Teatro alle Tese, Venice, Italy; composition year: 1968 (45-minute version realized at Brandeis University, 1969); time: 18:18</span><br />
<br />
SET FOUR<br />
John Bischoff: Local Color<br />
Audio Combine<br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=90499">New World Records</a>/2012<br />
<span style="font-size: x-small;">electroacoustic music: <a href="http://www.johnbischoff.com/index.html">John Bischoff</a>; recorded at Littlefield Concert Hall, Mills College, Oakland, 2010-2011; composition year: 2004; time: 11:47</span><br />
<br />
Brian Belet: An Abstract--Difference<br />
Electroacoustic Music<br />
<a href="http://www.beletmusic.com/">CD-R</a>/2006<br />
<span style="font-size: x-small;">Kyma programming: Brian Belet; from the <a href="http://www.frogpeak.org/fpprojectsfront.html">Frog Peak Collective Project</a>, 1998; time: 1:00</span><br />
<br />
<b>Hour III</b><br />
<br />
SET FIVE<br />
Jon Christopher Nelson: Waves of Refraction<br />
Electroacoustic Works<br />
<a href="http://jcnelson.music.unt.edu/">CD-R</a>/2005<br />
<span style="font-size: x-small;">(for acoustic guitar and tape); guitar: <a href="http://bostonguitar.org/william-buonocore/">William Buonocore</a>; electroacoustic tape generated at the Florida International University Electronic Music Studio; composition year: 1992; time: 7:56</span><br />
<br />
Tim Brady: Colorless Green Ideas Sleep Furiously<br />
Scenarios<br />
<a href="https://www.discogs.com/Tim-Brady-Scenarios/release/1721299">Justin Time Records</a>/1994<br />
<span style="font-size: x-small;">electric guitar, live electronics: <a href="http://www.timbrady.ca/Bradyworks_productions_eng.html">Tim Brady</a>; recorded at Maison Radio Canada, Montreal, December 1993; composition year: 1993; time: 7:59
</span><br />
<br />
Marco Capelli: A Bright Moon Makes a Little Daytime ((N. Didkovsky)<br />
<span style="font-size: x-small;">a. Hammertones (3:03)</span><br />
<span style="font-size: x-small;">b. Poker Face Alters (1:51)</span><br />
<span style="font-size: x-small;">c. The Ass's Demise (1:44)</span><br />
EGP -- Extreme Guitar Project (various composers)<br />
<span style="font-size: x-small;">Music from Downtown New York</span><br />
<a href="http://www.moderecords.com/catalog/157cappelli.html">Mode Records</a>/2006<br />
<span style="font-size: x-small;">(for modified acoustic guitar and live electronics); modified acoustic guitar: Marco Capelli; composer: <a href="http://www.didkovsky.com/">Nick Didkovsky</a>; recorded in New York City, 2005; composition year: 2003 total time: 6:36</span><br />
<br />
SET SIX<br />
Edgard Varèse: Ecuatorial<br />
Works by Carter and Varèse<br />
<a href="https://www.discogs.com/Carter-Var%C3%A8se-Pierre-Boulez-New-York-Philharmonic-Ensemble-InterContemporain-A-Symphony-Of-Three-Or/release/2495008">Sony Classical</a>/1995<br />
<span style="font-size: x-small;">(for brass, organ, piano, percussion and theremins); Ensemble InterContemporain; conductor: Pierre Boulez; Chœur de Radio France, director: Jacques Juoinneau; text: Francisco Ximénez (<a href="https://en.wikipedia.org/wiki/Popol_Vuh">Popol Vuh</a>) ; recorded October 3, 1983, IRCAM, Paris; composition year: 1934; time: 12:04</span><br />
<br />
Tristan Murail: <a href="https://en.wikipedia.org/wiki/Gondwana_(Murail)">Gondwana</a><br />
Gondwana/Désintégrations/Time and Again
<br />
<a href="http://www.classicalarchives.com/album/822186821756.html">Montaigne</a>/2012<br />
<span style="font-size: x-small;">(for FM synthesis and large orchestra); Orchestre de National France, conductor: Yves Prin; recorded 1980; composition year: 1980; time: 16:36</span><br />
<br />
SINGLE PLAY<br />
John Cage: Six Short Inventions for Seven Instruments<br />
The 25-Year Retrospective Concert of the Music of John Cage<br />
<span style="font-size: x-small;">Recorded at Town Hall, New York City, May 15, 1958</span><br />
<a href="https://www.discogs.com/John-Cage-The-25-Year-Retrospective-Concert-Of-The-Music-Of-John-Cage/release/106667">Wergo</a>/1994<br />
<span style="font-size: x-small;">violin: Anahid Ajemian; violas: Burton Fisch, William Gromko; cello: Joan Brockway; alto flute: Andrew Loyla; trumpet: Melvyn Broiles; clarinet: Albert Kaufman; recorded at Town Hall, New York City, May 15, 1958; composition year: 1934; time: 5:24</span><br />
<br />
-- FIN --<br />
<br />Martian Gardenshttp://www.blogger.com/profile/03674178692741987194noreply@blogger.com0tag:blogger.com,1999:blog-5172855888455534181.post-23571114887983243042016-11-16T16:15:00.001-05:002016-11-17T17:14:53.345-05:00Martian Gardens Episode 865 (November 2016)<b style="color: red;">Host: Max Shea</b><span style="color: red;"> </span><br />
online playlists:<br />
<a href="http://www.martiangardens.blogspot.com/">Martian Gardens blog</a><br />
email: martiangardens@gmail.com<br />
<br />
<a href="http://valleyfreeradio.org/">WXOJ-LP 103.3 FM</a><br />
Valley Free Radio<br />
Northampton, Mass.<br />
<a href="http://valleyfreeradio.org/listen/">Webcast</a>/Broadcast<br />
Fridays Noon -- 2:00 p.m. EST<br />
Webcast/Broadcast date: November 18, 2016<br />
Length: Two hours<br />
<a href="http://globalcommunityradio.blogspot.com/"><br /></a><a href="http://globalcommunityradio.blogspot.com/">GLOBAL COMMUNITY RADIO</a><br />
Webcast: Fridays 3:00 a.m. -- 5: a.m. EST<br />
Webcast date: November 18, 2016<br />
Length: Two hours<br />
<br />
<a href="http://tunein.com/radio/WMNB-LP-1071-s264151/">WMNB-LP 107.1 FM</a><br />
North Adams, Mass.<br />
Webcast/Broadcast<br />
Thursdays 7:00 p.m. to 10:00 p.m. EST<br />
Webcast/Broadcast date: November 17, 2016<br />
Length: Three hours<br />
<br />
<a href="http://www.radio4all.net/">RADIO4ALL</a><br />
Podcast: Download at your convenience!<br />
Latest upload: November 17, 2016<br />
Length: Three hours<br />
<b><br /></b><b>PLAYLIST </b><br />
<b><br /></b><b>Hour I</b><br />
<b><br /></b>SET ONE<br />
Reconnaissance Fly: The Party Constraint<br />
Cage
Flower Futures<br />
<a href="http://www.edgetonerecords.com/catalog/4139.html">Edgetone Records</a>/2014<br />
<span style="font-size: x-small;">voice, flute, guitar: Polly Moller; keyboards: Amanda Chaudhary; clarinet, bass clarinet, soprano saxophone, tenor saxophone: Rich Lesnick; bass guitar, electronics: Tim Walters; drums: Larry the O; recorded in San Francisco; time: 5:24</span><br />
<br />
Nicola Caloia: Condensation<br />
Les Bonnes Histoires<br />
<a href="http://www.ambiancesmagnetiques.com/doc.e/">Ambiances Magnetiques</a>/2016<br />
<span style="font-size: x-small;">double bass, percussion, drum machine: Nicolas Caloia; piccolo, bass flute, tenor saxophone: Jean Derome; voice: Gabriel Dharmoo; clarinets, bells: Lori Freedman; voice, texts Genevieve LeTarte; recorded in Montreal, July 2015; time: 6:03</span><br />
<br />
Areon Flutes: Dry Wind (from Summer Sketches) (E. Lillios)<br />
Thrive (various composers)<br />
<a href="https://www.innova.mu/albums/areon-flutes/thrive">Innova Recordings</a>/2016<br />
<span style="font-size: x-small;">Areon Flutes (Jill Heinke Moen, Sasha Louner, Kassey Plaha); recorded at San Francisco Conservatory of Music; composer: <a href="http://elillios.com/">Elainie Lillios</a>; composition year: 2013; time: 5:30</span><br />
<br />
Paula Matthusen: Limerence<br />
Pieces for People<br />
<a href="https://www.innova.mu/albums/paula-matthusen/pieces-people">Innova Recordings</a>/2015<br />
<span style="font-size: x-small;">electronics, processing: Paula Matthusen; banjo: James Moore; mastered at the Vault Recording Studios, New York City, composition year: 2008; time: 6:14</span><br />
<br />
SET TWO<br />
Meredith Monk:<br />
<span style="font-size: x-small;">a. Dark/Light 1 (4:27)</span><br />
<span style="font-size: x-small;">b. High Realm (1:26)</span><br />
On Behalf of Nature<br />
<a href="http://www.meredithmonk.org/store/storemain.html">ECM</a>/2016<br />
<span style="font-size: x-small;">a. voices: Katie Geissinger, Bruce Rameker, Ellen Fisher, Sidney Chen, Meredith Monk; keyboard, violin: Allison Sniffin; Burmese piccolo, clarinets: Bohdan Hilash; marimba, prepared marimba, prepared vibraphone: John Hollenbeck; b. voices: Katie Geissinger, Ellen Fisher, Bruce Raemker, Allison Sniffin; violin: Allen Sniffin; vibraphone, marimba, toy glockenspiel: John Hollenbeck; recorded at Avatar Studios, New York City, June 2015; total time: 5:53</span><br />
<br />
Roland Dahinden: Lichtweiss 1<br />
Silberen<br />
<a href="http://www.moderecords.com/catalog/138dahinden.html">Mode Records</a>/2004<br />
<span style="font-size: x-small;">vibraphone: Bernd Thurner; recorded at IEM Graz, Austria; composition year: 1999; time: 4:36</span><br />
<br />
Stuart Saunders Smith: Links No. 8 (Witness to 48 Things)<br />
Double Image<br />
<a href="https://www.discogs.com/Stuart-Smith-Double-Image/release/7485671">11 West Records</a>/2006<br />
<span style="font-size: x-small;">vibraphone: Bernd Thurner; flute: Gisela Mashayekhi-Beer; composition years: 1990, 1991; time: 8:51</span><br />
<br />
Jane Rigler: Mukta<br />
Rarefactions<br />
<a href="http://www.neuma-music.com/jane_rigler_rarefactions.htm">Neuma Records</a>/2015<br />
<span style="font-size: x-small;">piccolo: Jane Rigler; recorded at Immersive Studios, Boulder, Colorado, 2013, 2014; time: 3:17</span><br />
<br />
SINGLE PLAY<br />
Morton Feldman: In Search of an Orchestration<br />
Composition by Numbers -- The Graphic Scores 1950-1967<br />
<a href="http://www.moderecords.com/catalog/146feldman.html">Mode Records</a>/2005<br />
<span style="font-size: x-small;">The Barton Workshop, conductor: Jos Zwananenberg; recorded in the Netherlands, 1993-1994; composition year: 1967; time: 7:44 </span><br />
<br />
<b>Hour II</b><br />
<br />
SINGLE PLAY<br />
Philip Perkins: Wreath<br />
It Gets the Corners<br />
<span style="font-size: x-small;">Still Alive in the Studio 2014-2016</span><br />
<a href="http://www.philper.com/">Fun Music</a>/2016<br />
<span style="font-size: x-small;">electronic music, found sounds, processing: Philip Perkins; recorded at the composer's studio, San Francisco; time: 20:14</span><br />
<br />
SINGLE PLAY<br />
Robert Scott Thompson: Of Natural Magic and the Breathing of Trees<br />
<a href="https://robert-scott-thompson.bandcamp.com/">MP3</a><br />
<span style="font-size: x-small;">electroacoustic music: Robert Scott Thompson; composed at the Atlanta Center for the Arts in a residency with Natasha Barrett; recorded at the composer's studio, Roswell, Georgia; composition year: 2016; time: 20:00</span><br />
<br />
SINGLE THREE<br />
Natasha Barrett: Three Fictions (Northern Mix)<br />
<span style="font-size: x-small;">a. In the Rain (3:57)</span><br />
<span style="font-size: x-small;">b. Midnight Sun Midday Moon (3:35)</span><br />
<span style="font-size: x-small;">c. Outside the Snow Falls (3:02)</span><br />
Isostasie<br />
<a href="http://www.electrocd.com/en/cat/imed_0262/">empreintes DIGITALes</a>/2002<br />
<span style="font-size: x-small;">electroacoustic music, software programming, field recordings: Natasha Barrett; premiered at Synthèse 2000: Concert, IMEB, Bourges Cher. France, June 2000; revised at the composer's studio, Norway, fall 2000; composition year: 2000; total time: 10:34</span><br />
<br />
Laurie Spiegel: Hurricane's Eye (Two Archetypes II)<br />
Unseen Worlds<br />
<a href="https://www.discogs.com/Laurie-Spiegel-Unseen-Worlds/release/1820935">Scarlet Records</a>/1991<br />
<span style="font-size: x-small;">Music Mouse, MIDI, FM, DSP, digital processing, digital editing: <a href="https://unseenworlds.bandcamp.com/">Laurie Spiegel</a>; composition year: 1990; time: 3:36</span><br />
<b><br /></b>
<b>Hour III</b><br />
<br />
SET THREE<br />
Jon Gibson: Relative Calm (Rising)<br />
Relative Calm<br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=94461">New World Records</a>/2016<br />
<span style="font-size: x-small;">wind instruments, autoharp, keyboards, ambient recordings: Jon Gibson; keyboards: Joseph Kubera; percussion: David Van Tieghem; recorded at Big Apple Recording Studio, New York City, 1980-1981; composition years: 1980, 1981; time: 16:58</span><br />
<br />
Philip Glass: Three Truths<br />
1000 Airplane on the Roof<br />
<a href="https://www.discogs.com/Philip-Glass-1000-Airplanes-On-The-Roof/master/33248">Virgin Records</a>/1989<br />
<span style="font-size: x-small;">synthesizer, special effects: Miles Green; keyboards, music director: Martin Goldray; saxophone, flute, wind synthesizer: Jon Gibson, Jack Kripl; saxophones: Richard Peck; vocals: Linda Ronstadt; text: David Henry Hwang; conductor: Michael Riesman; recorded at the Living Room, New York City; composition year: 1988; selection time: 3:52</span><br />
<br />
SET FOUR<br />
"Blue" Gene Tyranny: She Wore Red Shoes<br />
Detours<br />
<a href="http://www.unseenworlds.net/releases/detours">Unseen Worlds</a>/2012<br />
<span style="font-size: x-small;">piano, electronics: BGT; recorded at the Chapel of the Chimes, Oakland, California, February 20, 2005; composition year: 2004; time: 11:27</span><br />
<br />
Carey Nutman: Wonderful Causing Tears<br />
Rivers Run Through It<br />
<a href="https://itunes.apple.com/us/album/diamond-haze-2/id1153283433?i=1153283493&ign-mpt=uo%3D4">MPS Music & Video</a>/2016<br />
<span style="font-size: x-small;">piano, electronics: Carey Nutman; recorded at the composer's studio, Houghton-le-Spring, UK; composition year: 2016; time: 8:20</span><br />
<br />
Brian Eno: Pierre in Mist<br />
Nerve Net<br />
<a href="https://www.discogs.com/Brian-Eno-Nerve-Net/master/32678">Warner Bros</a>/1992<br />
<span style="font-size: x-small;">synthesizers, organ, percussion, piano, sound treatments: Brian Eno; recorded in London and Los Angeles; time: 3:47</span><br />
<br />
SINGLE PLAY<br />
Jon Christopher Nelson: They Wash Their Ambassadors in Citrus and Fennel<br />
Electroacoustic Works<br />
<a href="https://music.unt.edu/faculty-and-staff/jon-nelson">CD-R</a>/2005<br />
<span style="font-size: x-small;">(for voice and tape); electroacoustic music realized at the Electroacoustic Music Studio of Sweden, Stockholm, fall of 1994; voice: Joan La Barbara; text: <a href="http://jcnelson.music.unt.edu/wash">Robert Gregory</a>; composition year: 1994; time: 12:51</span><br />
<br />
-- FIN--Martian Gardenshttp://www.blogger.com/profile/03674178692741987194noreply@blogger.com0tag:blogger.com,1999:blog-5172855888455534181.post-6836616933738498032016-11-09T14:40:00.000-05:002016-11-09T14:45:44.579-05:00Martian Gardens Episode 864 (November 2016)<b style="color: red;">Host: Max Shea</b><span style="color: red;"> </span><br />
online playlists:<br />
<a href="http://www.martiangardens.blogspot.com/">Martian Gardens blog</a><br />
email: martiangardens@gmail.com<br />
<br />
<a href="http://valleyfreeradio.org/">WXOJ-LP 103.3 FM</a><br />
Valley Free Radio<br />
Northampton, Mass.<br />
<a href="http://valleyfreeradio.org/listen/">Webcast</a>/Broadcast<br />
Fridays Noon -- 2:00 p.m. EST<br />
Webcast/Broadcast date: November 11, 2016<br />
Length: Two hours<br />
<a href="http://globalcommunityradio.blogspot.com/"><br /></a><a href="http://globalcommunityradio.blogspot.com/">GLOBAL COMMUNITY RADIO</a><br />
Webcast: Fridays 3:00 a.m. -- 5: a.m. EST<br />
Webcast date: November 11, 2016<br />
Length: Two hours<br />
<br />
<a href="http://tunein.com/radio/WMNB-LP-1071-s264151/">WMNB-LP 107.1 FM</a><br />
North Adams, Mass.<br />
Webcast/Broadcast<br />
Thursdays 7:00 p.m. to 10:00 p.m. EST<br />
Webcast/Broadcast date: November 10, 2016<br />
Length: Three hours<br />
<br />
<a href="http://www.radio4all.net/">RADIO4ALL</a><br />
Podcast: Download at your convenience!<br />
Latest upload: November 9, 2016<br />
Length: Three hours<br />
<b><br /></b>
<b>PLAYLIST </b><br />
<b><br /></b><b>Hour I</b><br />
<b><br /></b>SINGLE PLAY<br />
György Ligeti: Continuum für Cembalo<br />
(Six Works by Ligeti)<br />
<a href="https://www.discogs.com/Gy%C3%B6rgy-Ligeti-Continuum-Zehn-St%C3%BCcke-F%C3%BCr-Bl%C3%A4serquintett-Artikulation-Glissandi-Et%C3%BCden-F%C3%BCr-Orgel/release/340585">Wergo</a>/1988<br />
<span style="font-size: x-small;">harpsichord: Antoinette Vischer; composition year: 1968; time: 3:26</span><br />
<br />
SINGLE PLAY<br />
Gérard Grisey: Talea<br />
MP3<br />
<span style="font-size: x-small;"><a href="https://www.youtube.com/watch?v=dN9OTaZX8Hc">Ensemble Dal Niente</a> (flutes: Emma Hospelhorn; clarinets: Katie Schoepfin; violin: Ming Huan Xu; cello: Chris Wild; piano: Winston Choi); recorded at Western Michigan University, March 18, 2015; composition year: 1986; time: 18:12</span><br />
<br />
SET ONE<br />
Joel Gressel: Is it Serious?<br />
Milton Babbitt -- A Composers' Memorial (various composers)<br />
<a href="http://the-open-space.org/babbitt/">Open Space</a>/2012<br />
<span style="font-size: x-small;">computer music: Joel Gressel; composition year: 2010; time: 9:58</span><br />
<br />
Robert Morris: Odds and Ends (I & II)<br />
Milton Babbitt -- A Composers' Memorial (various composers)<br />
<a href="http://the-open-space.org/babbitt/">Open Space</a>/2012<br />
<span style="font-size: x-small;">piano: Ashlee Mack; composition year: 1996; time: 3:30</span><br />
<br />
J.C. Combs: The De-evolution of Adam & Eve<br />
Bats in the Belfry -- 18 Bagatelles<br />
<a href="https://jccombs.bandcamp.com/album/bats-in-the-belfry-18-bagatelles">NetNewMusic</a>/2009<br />
<span style="font-size: x-small;">electric piano roll: J.C. Combs; composition year: 2009; time: 3:22</span><br />
<br />
Noah Creshevsky: Talea<br />
Man & Superman<br />
<a href="http://www.centaurrecords.com/store/albums/electro-acoustic/noah-creshevsky-man-and-superman-electro-acoustic-music.html">Centaur Records</a>/1992<br />
<span style="font-size: x-small;">electroacoustic music: Noah Creshevsky; composition year: 1991; time: 8:15</span><br />
<br />
SINGLE PLAY<br />
Roland Auzet: Mecano 1 (P. Jodlowski)<br />
Percussion (s) (various composers)<br />
<a href="http://www.moderecords.com/catalog/189_192auzet.html">Mode Records</a>/2008<br />
<span style="font-size: x-small;">percussion, machines: Roland Auzet; recorded at IRCAM, Théâtre de Chaville, La Muse en Circuit, Paris; composer: Pierre Jodlowski; composition year: 2004; time: 6:37 </span><br />
<span style="font-size: x-small;"><br /></span>
<b>Hour II</b><br />
<br />
SET TWO<br />
Carey Nutman: Colour Variations 1<br />
Rivers Run Through It<br />
<a href="https://itunes.apple.com/gb/artist/carey-nutman/id264174769">MPS Music & Video</a>/2016<br />
<span style="font-size: x-small;">electroacoustic music: Carey Nutman; composition year: 2016; time: 3:30</span><br />
<br />
Matthew Burtner: Anemoi<br />
MICE World Tour<br />
<a href="http://matthewburtner.com/">EcoSono</a>/2009<br />
<span style="font-size: x-small;">Mobile Interactive Computer Ensemble created by Matthew Burtner; cello: Zoe Kinney; soprano saxophone: M. Burtner; voice: W. Aniseh Khan Burtner; texts: Anaximenes of Miletus, Democritus, Aristotle, Theophrastus of Eresus, Titus Lucretius; real-time wind performance in the middle of the Atlantic Ocean; composition year: 2009; time: 5:11</span><br />
<br />
Laurie Anderson: The Bardo<br />
Heart of a Dog<br />
<a href="http://www.nonesuch.com/artists/laurie-anderson">Nonesuch</a>/2015<br />
<span style="font-size: x-small;">voice, words, music: Laurie Anderson; recorded in New York City, 2015; time: 8:24</span><br />
<br />
Triple Point: Several Other Notions<br />
Phase/Transitions<br />
<a href="http://www.pogus.com/">Pogus Productions</a>/2014<br />
<span style="font-size: x-small;">instruments, electronics: Pauline Oliveros, Jonas Braasch, Doug Van Noort; recorded at EMPAC, Troy, New York, August 2012; time: 3:18</span><br />
<br />
SET THREE<br />
Michael Vincent Waller: Anthems<br />
The South Shore<br />
<a href="http://michaelvincentwaller.com/the-south-shore/">XI Records</a>/2015<br />
<span style="font-size: x-small;">cello: Christine Kim; piano: Yael Manor; recorded at Oktaven Studios, Yonkers; composition year: 2014; time: 2:31</span><br />
<br />
Meredith Monk: Water/Sky Rant<br />
On Behalf of Nature<br />
<a href="https://www.ecmrecords.com/catalogue/1473672193/on-behalf-of-nature-meredith-monk-ensemble">ECM</a>/2016<br />
<span style="font-size: x-small;">voice: Meredith Monk; E-flat clarinet, Macauan bird calls, Burmese whistles, <a href="http://www.naturinstrumenter.no/Instrumenter/Seljefloyte/Seljefloyte.htm">sallow flute</a>: Bohdan Hilash; prepared vibraphone, <a href="https://en.wikipedia.org/wiki/Cu%C3%ADca">cuica</a> drum: John Hollenbeck; keyboard, violin: Allison Sniffin; harp: Laura Sherman; composition year: 2013; recorded at Avatar Studios, New York City, June 2015; time: 5:48</span><br />
<br />
Karen Gottlieb: In a Landscape (J. Cage)<br />
Music for Harp<br />
<a href="https://www.innova.mu/albums/karen-gottlieb/music-harp">Innova Recordings</a>/2015<br />
<span style="font-size: x-small;">harp: Karen Gottlieb; recorded 2014; composer: John Cage; composition year: 1949; time: 7:23</span><br />
<br />
Musicians of Burma: Chauk Lon Bat Let Swan Bya<br />
<span style="font-size: x-small;">Improvisation on <a href="https://myanmargamelan.wordpress.com/instruments/">Chauk Lon Bat</a> Drums</span><br />
White Elephants and Golden Ducks<br />
<a href="https://www.amazon.com/White-Elephants-Golden-Ducks-Enchanting/dp/B000000E49">Shanachie</a>/1997<br />
<span style="font-size: x-small;">chauk lon bat, siwa, cymbals; recorded at Khin Sabe Oo Studios, Rangoon, Burma, November 1996; time: 5:01
</span><br />
<br />
SINGLE PLAY<br />
DuoJalal: Lamentatio (G. Sollima)<br />
Shadow & Light -- The Rumi Experience<br />
<a href="http://bridgerecords.com/products/9469">Bridge Records</a>/2016<br />
<span style="font-size: x-small;">viola: Kathryn Lockwood; percussion: Yousif Sheronick; composer: Giovanni Sollima; recorded at Kaleidoscope Sound, Union City, New Jersey, composition year: 1998; time: 8:43 </span><br />
<br />
<b>Hour III</b><br />
<br />
SET FOUR<br />
John Gibson: Day Trip<br />
Traces<br />
<a href="https://www.innova.mu/albums/john-gibson/traces">Innova Recordings</a>/2016<br />
<span style="font-size: x-small;">electroacoustic music: John Gibson (source materials: field recordings of Chinatown, New York City); composition year: 2000; time: 8:52</span><br />
<br />
Jon Gibson: Return (Return)<br />
Relative Calm<br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=94461">New World Records</a>/2016<br />
<span style="font-size: x-small;">saxophone: Jon Gibson; keyboards: Joseph Kubera; percussion: David Van Tieghem; recorded at Big Apple Recording Studio, New York City, 1980-1981; composition years: 1980, 1981; time: 16:54</span><br />
<br />
SET FIVE<br />
George Todd: Romance<br />
Green Ideas Furiously Asleep<br />
<a href="https://www.amazon.com/Green-Ideas-Furiously-Asleep-Electroacoustic/dp/B00005YRGE">EMF</a>/1996<br />
<span style="font-size: x-small;">Synclavier: George Todd; composition year: 1987; time: 8:29</span><br />
<br />
Philip Glass: Spaceship<br />
Einstein on the Beach<br />
Elektra-<a href="http://www.nonesuch.com/albums/einstein-on-the-beach">Nonesuch</a>/1993<br />
<span style="font-size: x-small;">solo voice: Kristin Norderval; flute: Jon Gibson; tenor saxophone: Richard Peck; bass clarinet: Andrew Sterman; violin: Gregory Fulkerson; keyboard: Michael Riesman; chorus; recorded at Looking Glass Studios, New York City, 1993; time: 12:51</span><br />
<br />
SET SIX<br />
John Adams: Short Ride in a Fast Machine<br />
The Minimalists (various composers)<br />
<a href="http://www.moderecords.com/catalog/214minimalists.html">Mode Records</a>/2009<br />
<span style="font-size: x-small;">Orkest de Volharding, conductor: Jussi Jaatinen; percussion: Tatiana Koleva; bass clarinet: Fie Schouten; clarinet: Dominique Zwartelé; arr. Anthony Fiumara; recorded at MCO Studios in Hilversum, The Netherlands, April 2009; composition year: 1986; time: 4:07</span><br />
<br />
"Blue" Gene Tyranny: Decertified Highway of Dreams II<br />
Go, Blue<br />
<a href="https://www.amazon.com/Go-Blue-Compositions-Gene-Tyranny/dp/B000059T4D">O.O. Discs</a>/2000<br />
<span style="font-size: x-small;">Digital Music Ensemble of the University of Michigan; (soloists -- electric bassoon: Steve Newton, electric flute: Jessica Johnson), conductor: Stephen Rush; recorded at Ann Arbor, 2000; composer: <a href="http://www.bluegenetyranny.com/">BGT</a>; composition year: 2000; time: 3:43 </span><br />
<br />
-- FIN --Martian Gardenshttp://www.blogger.com/profile/03674178692741987194noreply@blogger.com0tag:blogger.com,1999:blog-5172855888455534181.post-34842392001593663012016-10-30T13:00:00.003-04:002016-11-05T16:21:50.235-04:00Martian Gardens Episode 863 (November 2016)<b style="color: red;">Host: Max Shea</b><span style="color: red;"> </span><br />
online playlists:<br />
<a href="http://www.martiangardens.blogspot.com/">Martian Gardens blog</a><br />
email: martiangardens@gmail.com<br />
<br />
<a href="http://valleyfreeradio.org/">WXOJ-LP 103.3 FM</a><br />
Valley Free Radio<br />
Northampton, Mass.<br />
<a href="http://valleyfreeradio.org/listen/">Webcast</a>/Broadcast<br />
Fridays Noon -- 2:00 p.m. EDT<br />
Webcast/Broadcast date: November 4, 2016<br />
<a href="http://globalcommunityradio.blogspot.com/"><br /></a><a href="http://globalcommunityradio.blogspot.com/">GLOBAL COMMUNITY RADIO</a><br />
Webcast: Fridays 3:00 a.m. -- 5: a.m. EDT<br />
Webcast date: November 4, 2016<br />
<br />
<a href="http://tunein.com/radio/WMNB-LP-1071-s264151/">WMNB-LP 107.1 FM</a><br />
North Adams, Mass.<br />
Webcast/Broadcast<br />
Thursdays 7:00 p.m. to 10:00 p.m. EDT<br />
Webcast/Broadcast date: November 3, 2016<br />
<br />
<a href="http://www.radio4all.net/">RADIO4ALL</a><br />
Podcast: Download at your convenience!<br />
Latest upload: October 31, 2016<br />
Length: Three hours<br />
<b><br /></b>
<b>PLAYLIST </b><br />
<b><br /></b>
<b>hour one</b><br />
<b><br /></b>
SET ONE<br />
William Duckworth: Prelude II<br />
The Time Curve Preludes<br />
<a href="http://www.lovely.com/titles/cd2031.html">Lovely Music, Ltd.</a>/1990<br />
<span style="font-size: x-small;">piano: Neely Bruce; composition year: 1983; time: 2:40</span><br />
<br />
George Crumb: Makrokosmos Volume 1, Part One<br />
<span style="font-size: x-small;">a. Primeval Sounds (4:07)</span><br />
<span style="font-size: x-small;">b. Proteus (1:16)</span><br />
<span style="font-size: x-small;">c. Pastorale (from the Kingdom of Atlantis c. 10,000 B.C.) (1:56)</span><br />
<span style="font-size: x-small;">d. Crucifix [Symbol] (2:55)</span><br />
Makrokosmos I & II<br />
<span style="font-size: x-small;">24 pieces after the Zodiac for amplified piano</span><br />
<a href="http://www.moderecords.com/catalog/142crumb.html">Mode Records</a>/2004<br />
<span style="font-size: x-small;">piano: Margaret Leng Tan; recorded at Lang Concert Hall, Swarthmore College, July 2003; composition years: 1972-1973; total time: 10:16</span><br />
<br />
J.C. Combs: Drifting Lanterns<br />
Bats in the Belfry -- 18 Bagatelles<br />
<a href="https://jccombs.bandcamp.com/album/bats-in-the-belfry-18-bagatelles">NetNewMusic</a>/2009<br />
<span style="font-size: x-small;">electric piano roll: J.C. Combs; time: 2:12</span><br />
<br />
Ben Johnston: Special Plates<br />
<span style="font-size: x-small;">from The Tavern</span><br />
Ruminations<br />
<a href="http://microfestrecords.com/ruminations-notes/">MicroFest Records</a>/2014<br />
<span style="font-size: x-small;">microtonal guitar, voice: John Schneider; text: <a href="http://www.poetseers.org/spiritual-and-devotional-poets/contemp/rumibarks/special-plates/">Rumi</a>; recorded at Studio 34, Los Angeles, 2010; composition year: 1998; time: 3:09</span><br />
<br />
SET TWO<br />
Stephen Dickman: Dissolver of Sugar<br />
<span style="font-size: x-small;">from Four for Tom</span><br />
Who Says Words<br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=80573">New World Records</a>/1999<br />
<span style="font-size: x-small;">baritone: Thomas Buckner; piano: Joseph Kubera; text: <a href="http://rumidays.blogspot.com/2010/03/dissolver-of-sugar.html">Rumi</a>; recorded at Systems II, Brooklyn, composition year: 1997; time: 4:41</span><br />
<br />
DuoJalal: Honey from Alast (E. Ziporyn)<br />
<span style="font-size: x-small;">a. Part I (4:20)</span><br />
<span style="font-size: x-small;">b. Part II (6:54)</span><br />
Shadow & Light -- The Rumi Experience<br />
<a href="http://bridgerecords.com/products/9469">Bridge Records</a>/2016<br />
<span style="font-size: x-small;">viola: Kathryn Lockwood; percussion: Yousif Sheronick; composer: <a href="http://www.ziporyn.com/">Evan Ziporyn</a>; recorded at Kaleidoscope Sound, Union City, New Jersey, composition year: 2016; total time: 11:16</span><br />
<br />
Mari Kimura: Mièle (H. Lash)<br />
Harmonic Constellations (various composers)<br />
<span style="font-size: x-small;">Works for Violin & Electronics</span><br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=94280">New World Records</a>/2016<br />
<span style="font-size: x-small;">violin, resonator patch: Mari Kimura; composer: <a href="http://hannahlash.com/">Hannah Lash</a>; recorded at Harvestworks Media Arts Center, New York City, June 2015, composition year: 2014; time: 4:24</span><br />
<br />
SINGLE PLAY<br />
Dieter Kaufmann: Le ciel et la terre<br />
IMEB Opus 30 Ans Musiques Compositeurs (various artists)<br />
<span style="font-size: x-small;">Volume Two (1984--1999)</span><br />
<a href="http://www.mnemosyne-musique.com/index.php?page=shop.browse&category_id=6&option=com_virtuemart&Itemid=7&lang=fr&vmcchk=1&Itemid=7">Mnémosyne Musique Media</a>/2003<br />
<span style="font-size: x-small;">electroacoustic music realized at GMEB (IMEB -- Bourges International Institute of Electroacoustic Music), Bourges, France, 1985; time: 11:00</span><br />
<br />
<b>hour two</b><br />
<br />
SET THREE<br />
Carey Nutman: 61st Parallel<br />
Rivers Run Through It<br />
<a href="https://itunes.apple.com/gb/artist/carey-nutman/id264174769">MPS Music and Video</a>/2016<br />
<span style="font-size: x-small;">electroacoustic music: Carey Nutman; time: 4:25</span><br />
<br />
Tod Dockstader & James Reichert: Movement 3<br />
Omniphony I<br />
<a href="https://www.discogs.com/Tod-Dockstader-James-Reichert-Omniphony-1/release/262352">ReR Megacorp</a>/2001<br />
<span style="font-size: x-small;">(musique concrete for chamber ensemble, processed ensemble, magnetic tape, and loudspeakers); instrumentalists: bassoon: Elias Carmen; cello: Harvey Shapiro; b-flat clarinet: Stanley Drucker; flute: Harvey Estrin; French horn: Joseph Singer; baritone horn: Abraham Pearlstein; oboe: Harry Shulman; percussion: Walter Rosenberger, Herbert Harris; piano, celesta: John Carter; timpani: Morris Lang; bass trombone: Richard Hixon; trumpet: Raymond Crisara. conductor: James Reichert; composed and recorded in 1966; time: 2:30</span><br />
<br />
SET FOUR<br />
Francis Dhomont: Drôles d’oiseaux<br />
Jalons<br />
<a href="http://www.electrocd.com/en/cat/imed_0365/">empreintes DIGITALes</a>/2001<br />
<span style="font-size: x-small;">electroacoustic music: Francis Dhomont; realized at GMEB (<a href="http://portal.unesco.org/culture/en/ev.php-URL_ID=7149&URL_DO=DO_TOPIC&URL_SECTION=201.html">IMEB</a>), Bourges, Cher, France, and at the composer's studio, Avignon, France, 1985-1986; first version premiered at Festival Synthèse, Bourges, June 2, 1985; composition years: 1985, 1986, revised 2001; time: 14:51</span><br />
<br />
(Happy 90th birthday, Francis Dhomont! b. November 2, 1926)<br />
<br />
Gen Ken Montgomery: Birds & Machines (Bird Suite)<br />
Birds + Machines (1980--1989)<br />
<a href="https://www.discogs.com/Gen-Ken-Montgomery-Birds-Machines/release/2416176">Pogus Productions</a>/2010<br />
<span style="font-size: x-small;">electronics, processors, noises: Gen Ken Montgomery; recorded in New York City, 1989; time: 8:05</span><br />
<br />
SET FIVE<br />
Steve Reich: Octet<br />
Steve Reich -- The ECM Recordings<br />
<a href="https://www.ecmrecords.com/artists/1435045897/steve-reich">ECM</a>/2016<br />
<span style="font-size: x-small;">pianos: Nuritt Tilles, Edmund Niemann; clarinets, bass clarinets, flutes, piccolos: Virgil Blackwell, Mort Silver; violins: Shem Guibbory, Robert Chausow; viola: Ruth Siegler; cello: Chris Finckel; recorded at Columbia Recordings Studios, New York City, February 1980; composition year: 1979 time: 17:29</span><br />
<br />
Daniel Goode: Six Fractal Fingers<br />
Clarinet Songs<br />
<a href="http://xirecords.org/113.shtml">XI Records</a>/1993<br />
<span style="font-size: x-small;">clarinet: Daniel Goode; composition year: 1979; time: 3:14</span><br />
<br />
<b>hour three</b><br />
<br />
SET FIVE<br />
Steven Ricks: Geometria Situs<br />
Young American Inventions<br />
<a href="http://stevericks.com/discography/">New Focus Recordings</a>/2015<br />
<span style="font-size: x-small;">Hexnut band (mezzo-soprano: Michaela Riener; flutes: Ned McGowan; recorders: Susanna Borsch; trumpet: Anton Weeren; piano: Ere Lievonen); text: <a href="https://issuu.com/highresaudio/docs/steven_ricks_-_young_american_inven">Stephen Tuttle</a>; recorded at de Jong Concert Hall, Brigham Young University; September 25, 2013; time: 8:43</span><br />
<br />
Patti Monson: Under the Rainbow (M. Rosenblum)<br />
High Art<br />
<a href="http://www.albanyrecords.com/mm5/merchant.mvc?Screen=PROD&Store_Code=AR&Product_Code=TROY629&Category_Code=a-BS">Albany Records</a>/2003<br />
<span style="font-size: x-small;">(for flute, bass flute, piccolo, and computer-processed sound); flutes: Patti Monson; recorded at Joseph Patrych Sound Studios; composer: <a href="http://www.mathewrosenblum.com/">Mathew Rosenblum</a>; composition year: 2002; time: 13:37</span><br />
<span style="font-size: x-small;"><br /></span>
SINGLE PLAY<br />
Neil Rolnick: Dynamic RAM & Concert Grand<br />
Ex Machina<br />
<a href="https://www.innova.mu/albums/neil-rolnick/ex-machina">Innova Recordings</a>/2016<br />
<span style="font-size: x-small;">piano: <a href="http://www.supove.com/">Kathleen Supové</a>; laptop: Neil Rolnick; recorded at Oktaven Audio, Yonkers; composition year: 2014; time: 30:13</span><br />
<br />
SINGLE PLAY<br />
Neil Rolnick: selections from ElecrtiCity<br />
<span style="font-size: x-small;">a. Connecticut Power & Light (4:11)</span><br />
<span style="font-size: x-small;">b. Central Vermont Public Service (2:35)</span><br />
<span style="font-size: x-small;">c. Boston Edison (2:00)</span><br />
ElectriCity<br />
<a href="https://www.discogs.com/Neil-B-Rolnick-ElectriCity/release/4049201">O.O. Discs</a>/1992<br />
<span style="font-size: x-small;">(for ensemble with digital processing); New York New Music Ensemble (flute: Jayn Rosenfeld; clarinet: Jean Kopperud; violin: Linda Quan; cello: Chris Finckel; synthesizers: James Winn, Daniel Druckman; digital processing: Neil Rolnick; conductor: Linda Bouchard); composition year: 1991; recorded at the iEAR Studios, Troy, New York, December 17, 1991; total selections time: 8:46</span><br />
<br />
-- FIN --Martian Gardenshttp://www.blogger.com/profile/03674178692741987194noreply@blogger.com0tag:blogger.com,1999:blog-5172855888455534181.post-36176135666556612892016-10-19T15:04:00.000-04:002016-10-22T17:30:04.825-04:00Martian Gardens Episode 862 (October 2016)<b style="color: red;">Host: Max Shea</b><span style="color: red;"> </span><br />
online playlists:<br />
<a href="http://www.martiangardens.blogspot.com/">Martian Gardens blog</a><br />
email: martiangardens@gmail.com<br />
<br />
<a href="http://valleyfreeradio.org/">WXOJ-LP 103.3 FM</a><br />
Valley Free Radio<br />
Northampton, Mass.<br />
<a href="http://valleyfreeradio.org/listen/">Webcast</a>/Broadcast<br />
Fridays Noon -- 2:00 p.m. EDT<br />
Webcast/Broadcast date: October 28, 2016<br />
<a href="http://globalcommunityradio.blogspot.com/"><br /></a><a href="http://globalcommunityradio.blogspot.com/">GLOBAL COMMUNITY RADIO</a><br />
Webcast: Fridays 3:00 a.m. -- 5: a.m. EDT<br />
Webcast date: October 28, 2016<br />
<br />
<a href="http://tunein.com/radio/WMNB-LP-1071-s264151/">WMNB-LP 107.1 FM</a><br />
North Adams, Mass.<br />
Webcast/Broadcast<br />
Thursdays 7:00 p.m. to 10:00 p.m. EDT<br />
Webcast/Broadcast date: October 27, 2016<br />
<br />
<a href="http://www.radio4all.net/">RADIO4ALL</a><br />
Podcast: Download at your convenience!<br />
Latest upload: October 22, 2016<br />
Length: Three hours<br />
<b><br />hour one</b><br />
<br />
SINGLE PLAY<br />
Otto Luening: Fantasy in Space<br />
Pioneers of Electronic Music (various artists)<br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=15389">New World Records</a>/2006 (orig. CRI/1991)<br />
<span style="font-size: x-small;">created at the home of Henry Cowell, Woodstock, NY, 1952; time: 2:51</span><br />
<br />
SET ONE<br />
Beatriz Ferreyra: Les chemins du vent des glaces (Path of the icy wind)<br />
Les Saisons (GMEB 1972 -- IMEB 2002) [various artists]<br />
<a href="http://www.mnemosyne-musique.com/index.php?page=shop.product_details&flypage=flypage.tpl&product_id=38&category_id=6&option=com_virtuemart&Itemid=5&lang=en&vmcchk=1&Itemid=5">Mnémosyne Musique Media</a>/2002<br />
<span style="font-size: x-small;">electroacoustic music realized at IMEB, Bourges, France, 2002; time: 11:00</span><br />
<br />
Jon Christopher Nelson: Flights of Fancy<br />
Electroacoustic Works<br />
<a href="http://jcnelson.music.unt.edu/flights">CD-R</a>/2005<br />
<span style="font-size: x-small;">for tape and fireworks; composition year: 1999; premiered at the Murcheson Performing Arts Complex, University of North Texast, Denton, February 20, 1999; time: 6:46</span><br />
<br />
Leopoldo La Rosa: Andes No. 1 (fragment)<br />
Tensions at the Edge (various artists)<br />
<span style="font-size: x-small;">New Music from Peru (1948-1979)</span><br />
<a href="http://www.pogus.com/">Pogus Productions</a>/2012<br />
<span style="font-size: x-small;">(for orchestra); National Symphony Orchestra, conductor: Leopoldo La Rosa; premiered in Lima, 1970; composition year: 1969; time: 4:17
</span><br />
<br />
SET TWO<br />
Roxanne Turcotte: Poussière d’étoiles (Stardust)<br />
<span style="font-size: x-small;">a. Regard étoilé [Starry Look] (3:25)</span><br />
<span style="font-size: x-small;">b. Regard intérieur [Inner Look] (3:51)</span><br />
<span style="font-size: x-small;">c. Regard en voyage [Travelling Look] (2:09)</span><br />
Libellune<br />
<a href="http://www.electrocd.com/en/cat/imed_0370/">empreintes DIGITALes</a>/2003<br />
<span style="font-size: x-small;">electroacoustic music on stereo tape; realized at the composer’s studio (Productions RTM), Montreal, 2002, with the help of the Conseil des arts et des lettres du Québec. It was premiered on the <a href="https://roxanneturcotte.com/">composer’s website</a>, June 2002; total time: 9:23
</span><br />
<br />
Triple Point: Morphotropic<br />
Phase/Transistions<br />
<a href="http://www.pogus.com/">Pogus Productions</a>/2014<br />
<span style="font-size: x-small;">instruments, electronics: Pauline Oliveros, Jonas Braasch, Doug Van Noort; recorded at EMPAC, Troy, New York, August 2012; time: 3:28</span><br />
<br />
Joane Hétu:
La Territoire<br />
La Femme territoire ou 21 fragments d’humus<br />
<a href="http://www.actuellecd.com/en/bio/hetu_jo/discog/">Ambiances Magnétiques</a>/2012<br />
<span style="font-size: x-small;">conductor, voice, objects, melodica: Joane Hétu; voice, objects: Susanna Hood; accordion, voice: Alice Tougas St-Jak; voice, flutes, alto saxophone, keyboards, objects: Jean Derome; percussions, objects, voice: Isaiah Ceccarelli; text (b): Joane Hétu; recorded at Studio 270, Montreal, 2012</span><br />
<br />
Tom Hamilton: Girnar<br />
Pieces for Kohn/Formal & Informal Music<br />
<a href="http://kvistrecords.com/releases/kvist-006-formal-and-informal-musicpieces-for-kohn/">Kvist Records</a>/2009<br />
<span style="font-size: x-small;">electronics: Tom Hamilton; recorded at Professional Artist Recordings, St. Louis, 1975; time: 7:23</span><br />
<br />
<b>hour two</b><br />
<br />
SET THREE<br />
Carey Nutman: Slow Flight Over the Aletsch Glacier<br />
Rivers Run Through It<br />
<a href="https://www.amazon.co.uk/Rivers-Run-Through-Carey-Nutman/dp/B01LXTRT6U/ref=sr_1_1?s=dmusic&ie=UTF8&qid=1476914287&sr=1-1-mp3-albums-bar-strip-0&keywords=mps+music+and+video">MPS Music & Video</a>/2016<br />
<span style="font-size: x-small;">electroacoustic music: Carey Nutman; time: 14:23</span><br />
<br />
Phil Kline: The Housatonic at Henry Street<br />
Around the World in a Daze<br />
<a href="http://www.starkland.com/s2015/index.htm">Starkland</a>/2009<br />
<span style="font-size: x-small;">electronica + boombox orchestra: Phil Kline; time: 4:46</span><br />
<br />
SET FOUR<br />
Shartse College of Ganden Monastery: Kabsumpa --<br />
<span style="font-size: x-small;">The Three Occasions, Tribute to Buddha by <a href="https://en.wikipedia.org/wiki/Je_Tsongkhapa">Tsongkhapa</a></span><br />
Tibetan Buddhism<br />
<a href="http://bridgerecords.com/products/9015">Bridge Records</a>/1989<br />
<span style="font-size: x-small;">Shartse College of Ganden Monastery, chant master: Ven. Lobsang Tenzin; recorded at Shartse Dratsang, Ganden Monastery, Mundgod, Karnataka, South India, February 1987; time: 9:02</span><br />
<br />
Miya Masaoka: The Long Road<br />
Triangle of Resistance<br />
<a href="https://www.innova.mu/albums/miya-masaoka/triangle-resistance">Innova Recordings</a>/2016<br />
<span style="font-size: x-small;">violins: Jennifer Choi, Esther Nah; viola: David Wallace; cello: Alex Waterman; percussion, Buddhist prayer singing bowls, gongs, taiko, changgu: Satoshi Takeishi; koto: Miya Masaoka; analog modular synthesizer: Ben Vida; conductor: Richard Carrick; recorded at the Roulette, Brooklyn, New York, November 17, 2013; time: 12:23</span><br />
<br />
SET FIVE<br />
John Cage:<br />
<span style="font-size: x-small;">a. Souvenir (6:50)</span><br />
<span style="font-size: x-small;">b. Chester L.M. (1:09)</span><br />
The Works for Organ<br />
<a href="http://www.moderecords.com/catalog/253_cage.html">Mode Records</a>/2013<br />
<span style="font-size: x-small;">pipe organ: Gary Verkade; recorded at the Nederluleå Church, Gammelstad, Luleå, Sweden, 2007; a. composition year: 1983; b. from "Some of 'The Harmony of Maine,'" composer: Supply Belcher, arr. John Cage (1978); total selections time: 8:00</span><br />
<br />
<b>hour three</b><br />
<br />
Walter Zimmermann: 10 Fränkische Tänze<br />
Songs of Innocence & Experience<br />
<a href="http://www.moderecords.com/catalog/245_246_zimmermann.html">Mode Records</a>/2012<br />
<span style="font-size: x-small;">(sublimated for string quartet); string quartet/drone quartet: Sonar Quartett (violins: Suanne Zapf, Kirsten Harms; viola: Nikolaus Schlierf; cello: Cosima Gerhardt); recorded at Siemens-Villa Berlin-Lankowitz, Germany, February 2011; composition year: 1977; time: 12:56</span><br />
<br />
SINGLE PLAY
<br />
Robert Carl: The Geography of Loss<br />
<span style="font-size: x-small;">a. Anxiety Overture (1:49)</span><br />
<span style="font-size: x-small;">b. Chorale 1 (1:32)</span><br />
<span style="font-size: x-small;">c. Portrait 1/Chorale 2a/Portrait 2/Chorale 2b (3:53)</span><br />
<span style="font-size: x-small;">d. Fear No (5:27)</span><br />
<span style="font-size: x-small;">e. Last Words (3:51)</span><br />
<span style="font-size: x-small;">f. Chorale 3 (1:35)</span><br />
<span style="font-size: x-small;">g. Double Portrait (1:41)</span><br />
<span style="font-size: x-small;">h. Going Solo (6:02)</span><br />
The Geography of Loss<br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=94322">New World Records</a>/2016<br />
<span style="font-size: x-small;">KHORIKOS ensemble, conductor: Jesse Mark Peckham; recorded at the Shrine Church of St. Anthony of Padua, New York City, March 9, 2013; composition year: 2010; texts: Robert A. Carl; William Shakespeare, "Cymbeline," Act IV, Scne II; total time: 25:51</span><br />
<br />
SINGLE PLAY<br />
Gunther Schuller: Concerto No. 2 (for contrabass tuba and orchestra)<br />
<span style="font-size: x-small;">I. Adagio (4:04)</span><br />
<span style="font-size: x-small;">II. Allegro moderato (3:33)</span><br />
<span style="font-size: x-small;">III. Adagio (Arioso) (4:02)</span><br />
<span style="font-size: x-small;">IV. Molto moderato; Allegro energico (7:24)</span><br />
Transformations (various composers)<br />
<a href="http://bridgerecords.com/products/9471">Bridge Records</a>/2016<br />
<span style="font-size: x-small;">tuba: Aaron Tindall; Ithaca College Symphony Orchestra, conductor: Jeffrey Meyer; recorded at Ford Hall, Ithaca College, New York, November 2014; composition year: 2008; total time: 19:04</span><br />
<br />
-- FIN --<br />
<br />Martian Gardenshttp://www.blogger.com/profile/03674178692741987194noreply@blogger.com0tag:blogger.com,1999:blog-5172855888455534181.post-84172007858758997962016-10-10T15:51:00.000-04:002016-10-13T11:12:46.475-04:00Martian Gardens, Episode 861 (October 2016)<b style="color: red;">Host: Max Shea</b><span style="color: red;"> </span><br />
online playlists:<br />
<a href="http://www.martiangardens.blogspot.com/">Martian Gardens blog</a><br />
email: martiangardens@gmail.com<br />
<br />
<a href="http://valleyfreeradio.org/">WXOJ-LP 103.3 FM</a><br />
Valley Free Radio<br />
Northampton, Mass.<br />
<a href="http://valleyfreeradio.org/listen/">Webcast</a>/Broadcast<br />
Fridays Noon -- 2:00 p.m. EDT<br />
Webcast/Broadcast date: October 14, 2016<br />
<a href="http://globalcommunityradio.blogspot.com/"><br /></a><a href="http://globalcommunityradio.blogspot.com/">GLOBAL COMMUNITY RADIO</a><br />
Webcast: Fridays 3:00 a.m. -- 5: a.m. EDT<br />
Webcast date: October 14, 2016<br />
<br />
<a href="http://tunein.com/radio/WMNB-LP-1071-s264151/">WMNB-LP 107.1 FM</a><br />
North Adams, Mass.<br />
Webcast/Broadcast<br />
Thursdays 7:00 p.m. to 10:00 p.m. EDT<br />
Webcast/Broadcast date: October 13, 2016<br />
<br />
<a href="http://www.radio4all.net/">RADIO4ALL</a><br />
Podcast: Download at your convenience!<br />
Latest upload: October 14, 2016<br />
Length: Three hours<br />
<b><br />hour one</b><br />
<br />
SINGLE PLAY<br />
John Cage: Five<br />
The Number Pieces 6<br />
<a href="http://www.moderecords.com/catalog/239_cage.html">Mode Records</a>/2012<br />
<span style="font-size: x-small;">(for unspecified instruments or voices); blown bottles: Essential Music (Judith Gordon, Maya Guniji, John Kennedy, Eric Kivnick; Charles Wood); recorded at SUNY Purchase, 1993-1994; composition year: 1988; time: 5:00</span><br />
<br />
SET ONE<br />
Ralph Samuelson: Three Songs of Shide (Bun-Ching, L.)<br />
The Universal Flute<br />
<a href="https://www.innova.mu/albums/ralph-samuelson/universal-flute">Innova Recordings</a>/2016<br />
<span style="font-size: x-small;">shakuhachi: Ralph Samuelson; kugo harp: Tomoko Sugwara; recorded at EastSide Sound, New York City, 2015; composer: Bun-Ching Lam; composition year: 2; time: 6:26</span><br />
<br />
Karen Gottlieb: Suite for Cello and Harp (L. Harrison)<br />
<span style="font-size: x-small;">a. Chorale (1:43)</span><br />
<span style="font-size: x-small;">b. Pastorale (3:12)</span><br />
<span style="font-size: x-small;">c. Interlude (1:14)</span><br />
<span style="font-size: x-small;">d. Aria (5:30)</span><br />
<span style="font-size: x-small;">e. Chorale (1:50)</span><br />
Music for Harp<br />
<a href="https://www.innova.mu/albums/karen-gottlieb/music-harp">Innova Recordings</a>/2015<br />
<span style="font-size: x-small;">harp: Karen Gottlieb; cello: Dan Reiter; composer: Lou Harrison; composition year: 1949; recorded in 2014; time: 13:34</span><br />
<br />
SET TWO<br />
Elizabeth Brown: Piranesi<br />
Mirage<br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=91864">New World Records</a>/2013<br />
<span style="font-size: x-small;">(for theremin and string quartet); theremin: Elizabeth Brown; The Momenta Quartet (violins: Annaliessa Place; Sharon Roffman; viola: Stephanie Griffin; cello: Joanne Lin; recorded March 27, 2008, Issue Project Room, Brooklyn; composition year: 2007; time: 13:50</span><br />
<br />
Christopher Shultis: Gesturing Hands<br />
An Illusion of Desire<br />
<a href="http://www.neuma-music.com/christopher_shultis_an_illusion_of_desire.htm">Neuma Records</a>/2016<br />
<span style="font-size: x-small;">theremin: Christopher Shultis; composition year: 1992; time: 7:35</span><br />
<br />
SET THREE<br />
Darren Copeland: They're Trying to Save Themselves<br />
Perdu et Retrouve<br />
<a href="http://www.electrocd.com/en/bio/copeland_da/discog/">empreintes DIGITALes</a>/2007<br />
<span style="font-size: x-small;">commissioned by CBC Radio One for the first anniversary of the 9/11 attacks; all sounds sourced from CNN immediately following the bombings of the World Trad Center towers, September 11, 2001; realized at the composer's studio, 2002, premiered on CBC Radio One, 9/11/02; time: 3:53</span><br />
<br />
Daniel Eichenbaum: Car Accident<br />
60 x 60 2004 (various artists)<br />
Capstone Records -- <a href="http://www.voxnovus.com/60x60/">Vox Novus</a>/2004<br />
<span style="font-size: x-small;">sound collage: Daniel Eichenbaum; time: 1:00</span><br />
<b><br /></b>
<b>hour two</b><br />
<br />
Sarah Boothroyd: Power and Freedom<br />
<a href="http://sarahboothroyd.com/artwork/2055257_POWER_AND_FREEDOM.html">MP3</a><br />
<span style="font-size: x-small;">sound collage (recordings of protests, protest marches): Sarah Boothroyd; composition year: 2010; time: 5:40</span><br />
<br />
Coil: Herald<br />
Horse Rotorvator<br />
<a href="https://www.discogs.com/Coil-Horse-Rotorvator/release/1975037">Some Bizzare</a>/1997 (orig. Force & Form LP/1986)<br />
<span style="font-size: x-small;">sound collage (Mexican marching band, crowd noises): John Balance, Peter Christopherson; time: 1:03</span><br />
<br />
Emmanuel Madan: Freedom Highway (excerpt)<br />
Deep Wireless 2 -- Radio Arts Compilation (various artists)<br />
<a href="http://naisa.ca/media-archive/compactdiscs/">New Adventures in Sound Art</a>/2005<br />
<span style="font-size: x-small;">sound collage (Christian radio broadcasts, American religious commentary): Emmanuel Madan; composition year: 2003; time: 6:46</span><br />
<br />
Steven Ricks: Ossifying (Keeping us from...)<br />
Young American Inventions<br />
<a href="http://www.newfocusrecordings.com/">New Focus Recordings</a>/2015<br />
<span style="font-size: x-small;">electroacoustic music; composition year: 2012; time: 3:00</span><br />
<br />
SET FOUR<br />
Matthew Burtner and MICE: Sandprints<br />
MICE World Tour<br />
<a href="http://matthewburtner.com/albums/">EcoSono</a>/2009<br />
<span style="font-size: x-small;">Mobile Interactive Computer Ensemble created by Matthew Burtner; sounds on Sandprints: Microphones in the Nambian Desert, performers whistling; composition year: 2009; time: 6:59</span><br />
<br />
Philip Mantione: Earthquake V2<br />
Salvatore<br />
<a href="http://philipmantione.com/">Philip Mantione</a>/2013<br />
<span style="font-size: x-small;">synthesizer, MAX/MSP programming, earthquake data: Philip Mantione; composition year: 2013</span><br />
<span style="font-size: x-small;">time: 10:03</span><br />
<br />
Philip Perkins: Water4<br />
It Gets the Corners<br />
<a href="http://www.philper.com/">Fun Music</a>/2016<br />
<span style="font-size: x-small;">electroacoustic music: Philip Perkins; recorded at the composer's studio, San Francisco; composition years: 2014-2015; time: 2:17</span><br />
<br />
SINGLE PLAY<br />
Annea Lockwood: Ear-Walking Woman<br />
Ground of Being<br />
<a href="http://www.recitalprogram.com/annea-lockwood/">Recital Records</a>/2014<br />
<span style="font-size: x-small;">prepared piano with amplification: Lois Svard; composition year: 1996; time: 16:56</span><br />
<br />
<b>hour three</b><br />
<br />
SINGLE PLAY<br />
Ulrich Krieger: V.<br />
[urban dreamings]<br />
<a href="http://www.moderecords.com/catalog/282-krieger.html">Mode Records</a>/2015<br />
<span style="font-size: x-small;">(for church organ with mechanical registers); organ: Johannes Uhle; recorded at Evangelische Stadtkirche Böblingen, Germany, 2001; composition year: 2001; time: 21:00</span><br />
<br />
SET FIVE<br />
Sten Hanson: La Ultima Palabra De Amor<br />
Electroacoustic Music by Sten Hanson<br />
<a href="http://www.mnemosyne-musique.com/index.php?keyword=Sten+Hanson&Search=Search&Itemid=1&option=com_virtuemart&page=shop.browse">Mnémosyne Musique Media</a>/2001<br />
<span style="font-size: x-small;">electroacoustic music, tango samples: Sten Hanson; realized at IMEB, Bourges; composition year: 1994; time: 7:40</span><br />
<br />
Robert Scott Thompson: Radiance<br />
Lachrymose<br />
<span style="font-size: x-small;">In Memoriam János Négyesy</span><br />
<a href="https://robert-scott-thompson.bandcamp.com/album/lachrymose">Aucourant Records</a>/2014<br />
<span style="font-size: x-small;">electroacoustic music: Robert Scott Thompson; composition year: 2013; time: 16:00</span><br />
<br />
SET SIX<br />
Barney Childs: Any Five<br />
Heaven to Clear when Day did Close<br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=94385">New World Records</a>/2016<br />
<span style="font-size: x-small;">flute, piccolo: Nancy Turetzky; bass clarinet, bassoon: Philip Rehfeldt; contrabass: Bertram Turetzky; percussion: Ron George; piano: David Ward-Steinman; recorded at the University of California Redlands, January 2001; composition year: 1965; time: 7:58</span><br />
<br />
George Crumb: The Sleeper<br />
Complete Crumb Edition, Vol. 17<br />
<a href="http://bridgerecords.com/products/9445">Bridge Records</a>/2016<br />
<span style="font-size: x-small;">mezzo-soprano: Ann Crumb; amplified piano: Marcantonio Barone; recorded at Swarthmore College, July 28, 2013; composition year: 1984; time: 4:50</span><br />
<br />
-- FIN --Martian Gardenshttp://www.blogger.com/profile/03674178692741987194noreply@blogger.com0tag:blogger.com,1999:blog-5172855888455534181.post-23381894164062344912016-10-05T13:41:00.000-04:002016-10-06T14:45:36.452-04:00Martian Gardens, October 7, 2016<b style="color: red;">Host: Max Shea</b><span style="color: red;"> </span><br />
online playlists:<br />
<a href="http://www.martiangardens.blogspot.com/">Martian Gardens blog</a><br />
email: martiangardens@gmail.com<br />
<br />
<a href="http://valleyfreeradio.org/">WXOJ-LP 103.3</a><br />
Valley Free Radio<br />
Northampton, Mass.<br />
<a href="http://valleyfreeradio.org/listen/">Webcast</a>/Broadcast<br />
Fridays Noon -- 2:00 p.m. EDT<br />
Webcast date: October 7, 2016<br />
<a href="http://globalcommunityradio.blogspot.com/"><br /></a><a href="http://globalcommunityradio.blogspot.com/">GLOBAL COMMUNITY RADIO</a><br />
Webcast: Fridays 3:00 a.m. -- 5: a.m. EDT<br />
Webcast date: October 7, 2016<br />
<br />
<a href="http://tunein.com/radio/WMNB-LP-1071-s264151/">WMNB-LP</a><br />
North Adams, Mass.<br />
Webcast/Broadcast<br />
Thursdays 7:00 p.m. to 10:00 p.m. EDT<br />
<br />
<a href="http://www.radio4all.net/">RADIO4ALL</a><br />
Podcast: Download at your convenience!<br />
Latest upload: October 6, 2016<br />
Length: Two hours<br />
<b><br />hour one</b><br />
<br />
SINGLE PLAY<br />
Lee Noyes & J.C. Combs: Girl in the Wave<br />
Confessions of a Deviant Machine<br />
<a href="http://www.con-v.org/cnv68.html">Con-V Edition</a>/2011<br />
<span style="font-size: x-small;">percussion, prepared piano, electronics, processing: Lee Noyes; electronics, piano, processing: J.C. Combs; recorded in Dunedin, Arizona, and Seattle, Washington, 2009-2011; time: 3:16</span><br />
<br />
SET ONE<br />
Philip Perkins: Egg3<br />
It Gets the Corners<br />
<a href="http://www.philper.com/">Fun Music</a>/2016<br />
<span style="font-size: x-small;">electroacoustic music; composition years: 2014-2016; time: 1:31</span><br />
<br />
Philip Corner: At Cambridge, MA<br />
Metal Meditations<br />
<a href="https://www.discogs.com/Philip-Corner-Metal-Meditations/release/377133">Alga Marghen</a>/1997<br />
<span style="font-size: x-small;">percussion, objects, noises: Philip Corner; recorded at the Avant Garde Festival, Cambridge, Massachusetts, May 20, 1978; time 4:23</span><br />
<br />
Adrian Moore: Junky<br />
Traces<br />
<a href="http://www.electrocd.com/en/cat/imed_0053/">empreintes DIGITALes</a>/2000<br />
<span style="font-size: x-small;">electroacoustic music on stereo tape; realized at the Electroacoustic Music Studios of the University of Birmingham, UK, April - June, 1996; premiered at Darlington International Summer School, 1996; time: 12:13</span><br />
<br />
SET TWO<br />
Josef Tal: Piano Concerto No. 6<br />
Israeli Electroacoustic Music (various artists)<br />
<a href="http://www.folkways.si.edu/israeli-electroacoustic-music/contemporary-electronic-judaica/album/smithsonian">Folkways</a>/1981<br />
<span style="font-size: x-small;">(for piano and electronic sounds); piano: Jonathan Zak; recorded at the Hebrew University of Jerusalem; produced by Robin Julian Heifetz; composition year: 1962; time: 14:11</span><br />
<br />
Mario Davidovsky: Synchronism No. 6<br />
MP3<br />
<span style="font-size: x-small;">(for piano and electronic sounds) piano: <a href="https://soundcloud.com/hmcrecluse">Chen-Hui Jen</a>; recorded at the FIU Music Hall, Florida International University, Miami, February 20, 2014; <a href="https://en.wikipedia.org/wiki/Synchronisms_(Davidovsky)">composition</a> year: 1970; time: 7:14</span><br />
<br />
SET THREE<br />
Orlando Jacinto Garcia: El sonido dulce de tu voz<br />
Exchange Latin America (various artists)<br />
<a href="http://www.orlandojacintogarcia.com/cri-exchange-latin-america/">CRI</a>/2000<br />
<span style="font-size: x-small;">The Florida International University Concert Choir, conductor: John Augenblick; recorded at the Wertheim Performing Arts Center, Miami, March 9, 1999; composition year: 1991; time: 6:45</span><br />
<br />
Philip Blackburn: Habanera, part 11 (excerpt)<br />
Habanera -- A Sound Walk Through Old Havana<br />
<a href="https://www.innova.mu/albums/philip-blackburn/habanera">Innova Recordings</a>/2004<br />
<span style="font-size: x-small;">field recordings: Philip Blackburn; excerpt time: 0:46</span><br />
<br />
<b>hour two</b><br />
<br />
Tania León: Horizon<br />
Singin' Sepia<br />
<a href="http://bridgerecords.com/products/9231">Bridge Records</a>/2008<br />
<span style="font-size: x-small;">NDR Sinfonie Orchester; conductor: Peter Ruzicka; recorded in Hamburg, Germany, July 2, 1999; composition year: 1999; time: 8:56</span><br />
<br />
SET FOUR<br />
David Mahler:<br />
selections from Day Creek Piano Music and The Teams Are Waiting in the Field<br />
<span style="font-size: x-small;">a. Chorale (Godspeed the Plough!, verse 2) (0:25)</span><br />
<span style="font-size: x-small;">b. Cascades (Day Creek Piano Music V) (14:35)</span><br />
Only Music Can Save Me Now<br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=84646">New World Records</a>/2010<br />
<span style="font-size: x-small;">voices: Julie Hanify; David Mahler, Nurit Tilles; piano: Nurit Tilles; chorale excerpted from "Songs and Ballads for People, VIII. God Speed the Plough!," Rev. John Mason Neale, published 1843, arr. David Mahler; Day Creek Piano Music, composition year: 1995; total time: 15:00</span><br />
<br />
Iannis Xenakis: Mélanges (<a href="http://www.poetryintranslation.com/PITBR/Latin/OvidFastiBkFive.htm#anchor_Toc69367924">Pléïades</a> movement I)<br />
Percussion Works<br />
<a href="http://www.moderecords.com/catalog/171_173xenakis.html">Mode Records</a>/2006<br />
<span style="font-size: x-small;">percussion: red fish blue fish -- Gustavo Aguillar, Rob Esler, Ross Karre, Don Nichols, Morris Palter, Lisa Tolentino, director: Steven Schick; recorded at Warren Studios, University of California, San Diego; composition year: 1978; time: 8:52</span><br />
<br />
SET FIVE<br />
Henry Brant: October 10, 1780, The Great Hurricane<br />
The Henry Brant Collection, Vol. 5 -- Autumn Hurricanes<br />
<a href="https://www.innova.mu/albums/henry-brant/henry-brant-collection-vol-5">Innova Recordings</a>/2007<br />
<span style="font-size: x-small;">from Autumn Hurricanes: A special cantata for widely separated vocal and instrumental groups performed by musicians and vocalists of Stetson University, chief conductor: Henry Brant; performed at Stetson University, Deland, Florida, April 26, 1986; composition year: 1986; time: 7:28</span><br />
<br />
Luigi Nono: <a href="https://en.wikipedia.org/wiki/Lemuria_(festival)">Lemuria</a> (after <a href="http://www.poetryintranslation.com/PITBR/Latin/OvidFastiBkFive.htm#anchor_Toc69367924">Ovid</a>)<br />
<span style="font-size: x-small;">from Gua si gelidi mostri (Woe betide cold monsters)</span><br />
Luigi Nono 3<br />
<a href="https://www.discogs.com/Luigi-Nono-ensemble-recherche-Experimentalstudio-der-Heinrich-Strobel-Stiftung-des-S%C3%BCdwestfunks-Fre/release/1226497">Montaigne</a>/1995<br />
<span style="font-size: x-small;">(for flute, clarinet, tuba, two contralto voices, viola, cello, double bass, and live electronic processing); directors: Roberto Cecconi, Luigi Nono; recorded at the West German Radio Studios, Cologne, October 23, 1983; text: <a href="https://en.wikipedia.org/wiki/Massimo_Cacciari">Massimo Cacciari</a>; inspired by the works of <a href="https://en.wikipedia.org/wiki/Emilio_Vedova">Emilio Vedova</a>, Ovid, Ezra Pound, Nietzsche, Rainer Rilke, Gottfried Benn,Carlo Michelstaedter, Lucretius, and Franz Rosenzweig; composition year: 1983; excerpt time: 8:01</span><br />
<br />
Heiner Goebbels: In the Country of Last Things<br />
Surrogate Cities<br />
<a href="https://ecmreviews.com/2010/02/16/surrogate-cities/">ECM Records</a>/2000<br />
<span style="font-size: x-small;">(for vocals and orchestra) vocals: Jocelyn B. Smith ; narrator: David Moss; text: <a href="https://www.nytimes.com/books/99/06/20/specials/auster-country.html">Paul Auster</a> (Le Voyage D'Anna Blume); Junge Deutsche Philharmonie, conductor: Peter Rundel; recorded at Bayerischer Rundfunk, Munich, 1996; composition year: 1994; time: 5:14</span><br />
<br />
-- FIN--Martian Gardenshttp://www.blogger.com/profile/03674178692741987194noreply@blogger.com0tag:blogger.com,1999:blog-5172855888455534181.post-53021161433981447592016-09-28T22:13:00.000-04:002016-09-29T16:57:12.647-04:00Martian Gardens, September 30, 2016<b style="color: red;">Host: Max Shea</b><span style="color: red;"> </span><br />
online playlists:<br />
<a href="http://www.martiangardens.blogspot.com/">Martian Gardens blog</a><br />
email: martiangardens@gmail.com<br />
<br />
<a href="http://valleyfreeradio.org/">WXOJ-LP 103.3</a><br />
Valley Free Radio<br />
Northampton, Mass.<br />
<a href="http://valleyfreeradio.org/listen/">Webcast</a>/Broadcast<br />
Fridays Noon -- 2:00 p.m. EDT<br />
Webcast date: September 30, 2016<br />
<a href="http://globalcommunityradio.blogspot.com/"><br /></a><a href="http://globalcommunityradio.blogspot.com/">GLOBAL COMMUNITY RADIO</a><br />
Webcast: Fridays 3:00 a.m. -- 5: a.m. EDT<br />
Webcast date: September 30, 2016<br />
<br />
Coming soon: Downloadable Martian Gardens podcast<br />
<b><br />hour one</b><br />
<br />
First four selections in memoriam <a href="https://www.bostonglobe.com/metro/obituaries/2016/09/20/don-buchla-electronic-music-maverick/qWammub5pUPhoDSBapGlXJ/story.html">Don Buchla</a>,<br />
April 18, 1937 -- September 16, 2016<br />
<br />
SET ONE<br />
Arthur Kreiger: Voyage<br />
Meeting Places<br />
<a href="http://www.albanyrecords.com/mm5/merchant.mvc?Screen=PROD&Store_Code=AR&Product_Code=TROY609&Category_Code=a-Brass">Albany Records</a>/2003<br />
<span style="font-size: x-small;"></span><span style="font-size: x-small;">Buchla Synthesizers, electronics: Arthur Kreiger; premiered at the WBAI Free Music Store, New York City, October 10, 1976; time: 5:00</span><br />
<br />
David Rosenboom:<br />
<span style="font-size: x-small;">a. Nazca Liftoff (2:20)</span><br />
<span style="font-size: x-small;">b. Desert Night Touchdown (5:10)</span><br />
Future Travel<br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=81485">New World Records</a>/2007 (orig. Street LP 1981)<br />
<span style="font-size: x-small;">voice: Jacqueline Humbert; keyboards, computers, text: David Rosenboom; recorded at Zoetrope Studios, San Francisco, 1981; composition year: 1981; time: 7:30</span><br />
<br />
SINGLE PLAY<br />
Suzanne Ciani: Concert at Phil Niblock's Loft<br />
Buchla Concerts 1975<br />
<a href="https://www.discogs.com/Suzanne-Ciani-Buchla-Concerts-1975/master/992273">Finders Keepers Records</a>/2016<br />
<span style="font-size: x-small;">Buchla synthesizers: Suzanne Ciani: time: 20:00</span><br />
<br />
SET TWO<br />
<span style="font-size: small;">Joan La Barbara: Autumn Signal</span><br />
<span style="font-size: small;">Voice is the Original Instrument -- Early Works 1974 - 1980</span><br />
<span style="font-size: small;"><a href="http://www.lovely.com/">Lovely Music, Ltd.</a>/2003</span><br />
<span style="font-size: small;"><span style="font-size: x-small;">extended vocals, electroacoustic vocals, respirations, Buchla synthesizer: Joan La Barbara; premiered at Metamusic Festival, Berlin, October 22, 1978; time: 13:18</span></span><br />
<br />
David Behrman: ...for nearly an hour... (excerpt)<br />
Music for Merce boxed-set (various artists)<br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=86954">New World Records</a>/2010<br />
<span style="font-size: x-small;">voices: Valda Setterfeld, Carolyn Brown, Barbara Dilley Lloyd, Beverly Emmons; recorded at SUNY Buffalo, March 10, 1968, for the dance <a href="http://mercecunningham.org/blog/walkaround-time-workshop-showing/">Walkaround Time</a>, choreographer: Merce Cunningham; excerpt time: 3:23</span><br />
<br />
Meredith Monk: Chinook Whispers<br />
Facing North<br />
<a href="https://www.discogs.com/Meredith-Monk-W-Robert-Een-Facing-North/release/1096448">ECM</a>/1992<br />
<span style="font-size: x-small;">vocalizations: Meredith Monk; time: 0:32</span><br />
<br />
<b>hour two</b><br />
<br />
SET FOUR<br />
Eric Chasalow: Variations 5 (from Seven Variations on Three Spaces)<br />
Are You Radioactive, Pal?<br />
<a href="http://www.ericchasalow.com/">Suspicious Motives Records</a>/2015<br />
<span style="font-size: x-small;">electroacoustic music; composition year: 1999; time: 0:57</span><br />
<br />
Noah Creshevsky: Independence Day<br />
To Know and Not To Know<br />
<a href="https://www.discogs.com/Noah-Creshevsky-To-Know-And-Not-To-Know/release/1802243">Tzadik Records</a>/2007<br />
<span style="font-size: x-small;">electroacoustic music; composition year: 1997; time: 6:29</span><br />
<br />
Philip Perkins: Q6153<br />
It Gets the Corners<br />
<a href="http://www.philper.com/">Philip Perkins</a>/2016<br />
<span style="font-size: x-small;">electroacoustic music; composition years: 2014-2016; time: 2:36</span><br />
<br />
Philip Mantione: Climatology<br />
Random 26<br />
<a href="http://philipmantione.com/">Scattered Music</a>/1999<br />
<span style="font-size: x-small;">samples, sound collage, recorder: Philip Mantione; composition year: 1999; time: 6:01</span><br />
<br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="line-height: 18px;">R. Weis: Dog Choir</span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="line-height: 18px;">Dog Choir CD-R</span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="line-height: 18px;"><a href="http://www.rweis.com/">R. Weis</a>/2003</span></span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: x-small;"><span style="line-height: 18px;">dog noises recorded by Robert Weis; processing: Robert Weis; premiered at the Pour L'Amour des Chiens," Mona Bismarck Foundations, Paris, summer 2003; time: 3:00</span></span><br />
<br />
George Hurd: All Falling Apart<br />
Navigation Without Numbers<br />
<a href="https://www.innova.mu/albums/george-hurd/navigation-without-numbers">Innova Recordings</a>/2016<br />
<span style="font-size: x-small;">prepared pianos: George Hurd; recorded in San Francisco; time: 2:12</span><br />
<br />
SET FIVE<br />
Manuella Blackburn: Kitchen Alchemy<br />
Formes Audibles<br />
<a href="http://www.electrocd.com/en/cat/imed_12117/">empreintes DIGITALes</a>/2012<br />
<span style="font-size: x-small;">electroacoustic music (sound sources: kitchen utensils and devices); realized at the electroacoustic music studios of the University of Manchester; premiered at the MANTIS South-North Festival, March 11, 2007; composition year: 2007; time: 11:31</span><br />
<br />
Andrew Cyrille Quartet: Sanctuary<br />
The Declaration of Musical Independence<br />
<a href="https://ecmreviews.com/tag/andrew-cyrille/">ECM</a>/2016<br />
<span style="font-size: x-small;">guitar: Bill Frissell; double bass: Ben Street; drums, percussion: Andrew Cyrille; synthesizer, piano: Richard Teitelbaum; recorded at Brooklyn Recording, July 2014; time: 4:16</span><br />
<br />
Adam Rudolph/Go: Organic Orchestra: Dance Drama Part 3 (Green)<br />
Can You Imagine...The Sound of a Dream<br />
<a href="http://www.metarecords.com/Can_You_Imagine.html">Meta Records</a>/2011<br />
<span style="font-size: x-small;">Go: Organic Orchestra, conductor: Adam Rudolph; recorded live at Roulette Intermedium, New York City, 2010; time: 6:06</span><br />
<br />
SET SIX<br />
Marc Chan: My Wounded Head 3<br />
<span style="font-size: x-small;">a. mm. 36-49 (2:44)</span><br />
<span style="font-size: x-small;">b. mm. 50-70 (3:57)</span><br />
My Wounded Head 3<br />
<a href="https://www.facebook.com/ModeRecords/photos/pb.43065080905.-2207520000.1472577082./10153742936395906/?type=3">Mode Records</a>/2016<br />
<span style="font-size: x-small;">piano: Robert Haskins; recorded at System II, Brooklyn, November 2011; composition year: 2009; time: 5:11</span><br />
<span style="font-size: x-small;"><br /></span>
<span style="font-size: xx-small;"><span style="font-size: x-small;"><span style="font-size: small;">George Crumb: Charade</span></span></span><br />
<span style="font-size: xx-small;"><span style="font-size: x-small;"><span style="font-size: x-small;">from Eine Kleine Mitternachtmusik (A Little Midnight Music) (I-IX)</span></span></span><br />
<span style="font-size: x-small;">Ruminations on 'Round Midnight by Thelonius Monk</span><br />
<span style="font-size: xx-small;"><span style="font-size: x-small;"><span style="font-size: small;">Complete Crumb Edition, Volume Nine</span></span></span><br />
<span style="font-size: xx-small;"><span style="font-size: x-small;"><span style="font-size: small;"><a href="http://www.bridgerecords.com/">Bridge Records</a>/2005</span></span></span><br />
<span style="font-size: x-small;">piano: Emanuele Arciuli; composition year: 2001 (orig. Thelonius Monk, published 1944); time: 1:22</span><br />
<br />
-- FIN --<br />
<br />Martian Gardenshttp://www.blogger.com/profile/03674178692741987194noreply@blogger.com0tag:blogger.com,1999:blog-5172855888455534181.post-5331580372914845442016-09-21T13:48:00.002-04:002016-09-22T14:44:46.541-04:00Martian Gardens, September 23, 2016<b style="color: red;">Host: Max Shea</b><span style="color: red;"> </span><br />
online playlists:<br />
<a href="http://www.martiangardens.blogspot.com/">Martian Gardens blog</a><br />
email: martiangardens@gmail.com<br />
<br />
<a href="http://valleyfreeradio.org/">WXOJ-LP 103.3</a><br />
Valley Free Radio<br />
Northampton, Mass.<br />
<a href="http://valleyfreeradio.org/listen/">Webcast</a>/Broadcast<br />
Fridays Noon -- 2:00 p.m. EDT<br />
Webcast date: September 16, 2016<br />
<a href="http://globalcommunityradio.blogspot.com/"><br /></a><a href="http://globalcommunityradio.blogspot.com/">GLOBAL COMMUNITY RADIO</a><br />
Webcast: Fridays 3:00 a.m. -- 5: a.m. EDT<br />
Webcast date: September 16, 2016<br />
<br />
Coming soon: Downloadable Martian Gardens podcast<br />
<b><br />hour one</b><br />
<br />
SET ONE<br />
Marc Chan: My Wounded Head 3, mm. 1-35<br />
My Wounded Head 3<br />
<a href="https://www.facebook.com/ModeRecords/photos/pb.43065080905.-2207520000.1472577082./10153742936395906/?type=3">Mode Records</a>/2016<br />
<span style="font-size: x-small;">piano: Robert Haskins; recorded at System II, Brooklyn, November 2011; composition year: 2009; time: 9:27</span><br />
<br />
Olly Wilson: Piano Piece<br />
CDCM Computer Music Series Volume 37 (various artists)<br />
<span style="font-size: x-small;">Music from the Oberlin Conservatory of Music <a href="http://www.timara.oberlin.edu/">TIMARA</a> Studios</span><br />
<a href="http://www.centaurrecords.com/store/albums/electro-acoustic/cdcm-computer-music-series-volume-37-music-from-the-oberlin-conservatory-of-music-timara-studios-olly-wilson-piano-piece-for-prepared-piano-and-stereo-tape.html">Centaur Records</a>/2008<br />
<span style="font-size: x-small;">(for prepared piano and stereo tape); prepared piano: Thomas Fosnocht; electronic score realized at the Electronic Music Studio of the Oberlin Conservatory, Oberlin, Ohio; composition year: 1969; time: 11:50</span><br />
<br />
SET TWO<br />
David Lang: selections from Are You Experienced?<br />
<span style="font-size: x-small;">a. Adagio (4:04)</span><br />
<span style="font-size: x-small;">b. Adagio Moderato (3:03)</span><br />
Transformations (various composers)<br />
<a href="https://bridge-records.myshopify.com/collections/catalog-all/products/9471">Bridge Records</a>/2016<br />
<span style="font-size: x-small;">(for electric tuba, narrator, and chamber orchestra); tuba: Aaron Tindall; narrator: Steven Stucky; Ithaca College Chamber Orchestra, conductor: Jeffery Meyer; recorded at Ford Hall, Ithaca School of Music, Ithaca, New York, December 13, 2014; total selections time: 7:07</span><br />
<br />
James Mobberley: selections from Icarus Wept<br />
<span style="font-size: x-small;">a. Eleven Feet from the Sun (6:29)</span><br />
<span style="font-size: x-small;">b. Climbing the Blue Staircase (3:51)</span><br />
Music of James Mobberley<br />
<u>CD-R</u>/2009<br />
<span style="font-size: x-small;">trumpet: Keith Benjamin; fixed media: <a href="https://jamesmobberleymusic.com/">James Mobberley</a>; composition years: 1995-1997; total selections time: 9:20</span><br />
<br />
Philip Mantione: Track 3<br />
Fourteen<br />
<a href="http://philipmantione.com/">Scattered Music</a>/2003<br />
<span style="font-size: x-small;">field recordings from New York City, computer-generated noise, samples: Philip Mantione; total time: 4:24</span><br />
<br />
Chris Cutler: Atlanta<br />
Solo<br />
<a href="https://www.discogs.com/Chris-Cutler-Solo/release/2363657">ReR Megacorp</a>/2002<br />
<span style="font-size: x-small;">electrified drum kit: Chris Cutler; recorded at PLACE, April 10, 2001; time: 3:55</span><br />
<br />
Joseph Bertolozzi: Glass Floor Rhythms<br />
Tower Music<br />
<span style="font-size: x-small;">Bertolozzi Plays the Eiffel Tower</span><br />
<a href="http://www.innova.mu/albums/joseph-bertolozzi/tower-music-musique-de-la-tour">Innova Recordings</a>/2015<br />
<span style="font-size: x-small;">percussion, samples: Joseph Bertolozzi (samples from The Audio Library of the Eiffel Tower, Paris), composition year: 2014; time: 2:45</span><br />
<b><br /></b>
<b>hour two</b><br />
<br />
In memoriam <a href="https://www.bostonglobe.com/metro/obituaries/2016/09/20/don-buchla-electronic-music-maverick/qWammub5pUPhoDSBapGlXJ/story.html">Don Buchla</a>, April 18, 1937 -- September 16, 2016<br />
<br />
SINGLE PLAY<br />
David Rosenboom: In the Beginning I: (Electronic)<br />
In The Beginning [1978-1981]<br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=91267">New World Records</a>/2012<br />
<span style="font-size: x-small;">David Rosenboom: <a href="http://buchla.com/">Buchla & Associates</a> 300 Series Electric Music Box; recorded at the Music Gallery, Toronto, January 19, 1979; composition year: 1978; time: 23:48</span><br />
<br />
SINGLE PLAY<br />
Pauline Oliveros: Beautiful Soop<br />
Alien Bog/Beautiful Soop<br />
<a href="http://www.pogus.com/catalogue.html">Pogus Productions</a>/1997<br />
<span style="font-size: x-small;">recorded at the San Francisco Tape Music Center, Mills College, 1966, using the <a href="http://www.straylandings.co.uk/articles/1937-2016">Buchla Box 100 synthesizer</a> and tape delay system; time: 27:49</span><br />
<br />
-- FIN --Martian Gardenshttp://www.blogger.com/profile/03674178692741987194noreply@blogger.com0tag:blogger.com,1999:blog-5172855888455534181.post-4227586738047284522016-09-13T16:00:00.000-04:002016-09-16T09:43:07.136-04:00Martian Gardens, September 16, 2016<b style="color: red;">Host: Max Shea</b><span style="color: red;"> </span><br />
online playlists:<br />
<a href="http://www.martiangardens.blogspot.com/">Martian Gardens blog</a><br />
email: martiangardens@gmail.com<br />
<br />
<a href="http://valleyfreeradio.org/">WXOJ-LP 103.3</a><br />
Valley Free Radio<br />
Northampton, Mass.<br />
<a href="http://valleyfreeradio.org/listen/">Webcast</a>/Broadcast<br />
Fridays Noon -- 2:00 p.m. EDT<br />
Webcast date: September 16, 2016<br />
<a href="http://globalcommunityradio.blogspot.com/"><br /></a><a href="http://globalcommunityradio.blogspot.com/">GLOBAL COMMUNITY RADIO</a><br />
Webcast: Fridays 3:00 a.m. -- 5: a.m. EDT<br />
Webcast date: September 16, 2016<br />
<br />
Coming soon: Downloadable Martian Gardens podcast<br />
<b><br />hour one</b><br />
<br />
SINGLE PLAY<br />
Steve Reich: Double Sextet<br />
<span style="font-size: x-small;">a. Fast (8:33)</span><br />
<span style="font-size: x-small;">b. Slow (6:43)</span><br />
<span style="font-size: x-small;">c. Fast (6:56)</span><br />
Double Sextet/2x5<br />
<a href="http://www.nonesuch.com/artists/steve-reich">Nonesuch Records</a>/2010<br />
<span style="font-size: x-small;">Eighth Blackbird (flute: Tim Munro; clarinet: Michael J. Maccaferri; violin: Matt albert; cello: Nicholas Photinos; vibraphone: Matthew Duvall; piano: Lisa Kaplan; recorded at WFMT Studio, Chicago, August 28-29, 2009; composition year: 2007; time: 22:18</span><br />
<br />
SET ONE<br />
Barney Childs: Stances for Flute and Silence<br />
Heaven to Clear When Day Did Close<br />
<a href="http://www.newworldrecords.org/">New World Records</a>/2016<br />
<span style="font-size: x-small;">flute: Nancy Turetzky; recorded at the University of Redlands, January 2001; composition year: 1963; time: 6:47</span><br />
<br />
Barney Childs: London Rice Wine<br />
A Music; That it might be<br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=80595">New World Records</a>/2002<br />
<span style="font-size: x-small;">flute, live electronics: Philip Rehfeldt; recorded at the University of Redlands, 1996; composition year; 1973; time: 4:30</span><br />
<br />
Paula Matthusen: The Days are Nouns<br />
Pieces for People<br />
<a href="https://www.innova.mu/albums/paula-matthusen/pieces-people">Innova Recordings</a>/2015<br />
<span style="font-size: x-small;">(for two amplified vibraphones, feedback, and soprano); vibraphones: Manta Percussion; soprano: Jamie Jordan; text: common table prayer in Norwegian (fragmented); recorded at Traxler Studios, New York City, and Notre Dame of Mount Carmel Church, Ceder Knolls, New Jersey; July 2013; composition year: 2013: time: 6:33</span><br />
<br />
SET TWO<br />
John Luther Adams: ....Dust to Dust...<br />
Strange & Sacred Noise<br />
<a href="http://www.moderecords.com/catalog/153adams.html">Mode Records</a>/2005<br />
<span style="font-size: x-small;">(for two snare drums and two field drums); Percussion Group Cincinnati; recorded at Patricia Corbett Theater, University of Cincinnati, Ohio, November 1998; time: 9:15</span><br />
<br />
Stephen Vitiello: Light Readings<br />
Bright and Dusty Things<br />
<a href="https://www.discogs.com/Stephen-Vitiello-Bright-And-Dusty-Things/release/818909">New Albion Records</a>/2001<br />
<span style="font-size: x-small;">photocell light readings, sound processing: Stephen Vitiello; recorded at Harvestworks, New York City, and the Institute for Electroic Arts, Alfred University; time: 2:42</span><br />
<br />
Bischoff/Brown/Erbe/Payne: CCM Flotsam #18, #19<br />
CDCM Computer Music Series Volume 17 (various artists)<br />
<span style="font-size: x-small;">Music from the Center for Contemporary Music (CCM) at Mills College </span><br />
<a href="http://www.centaurrecords.com/store/albums/electro-acoustic/cdcm-computer-music-series-volume-17-music-from-the-center-for-contemporary-music-ccm-at-mills-college-works-by-john-bischoof-chris-brown-alvin-curran-tom-erbe-and-maggi-payne.html">Centaur Records</a>/1994<br />
<span style="font-size: x-small;">computer music: John Bischoff, Chris Brown, Tom Erbe, Maggi Payne; recorded at CCM, Mills College, Oakland, California, 1993; total time: 0:31</span><br />
<div>
<span style="font-size: x-small;"><br /></span></div>
<b>hour two</b><br />
<br />
Herbert Brün: More Dust with percussion<br />
Sawdust Computer Music Project<br />
<u>EMF</u>--<a href="http://www.smith-publications.com/html/cds.html">Smith Publications</a>/1998<br />
<span style="font-size: x-small;">SAWDUST computer program: Herbert Brün; Percussion Group Cincinnati; recorded c. 1984; composition year: 1977; time: 13:15</span><br />
<br />
SET THREE<br />
TriAngular Bent: Set 1<br />
TriAngular Bent<br />
<a href="http://philipmantione.com/">TriAngular Bent Records</a>/2016<br />
<span style="font-size: x-small;">gong, computer, electronics: Don Preston; cello, bent circuits: Jeff Boynton; computer, electronics: Philip Mantione; time: 9:34</span><br />
<br />
Bill Alves: Time Auscultations<br />
The Terrain of Possibilities<br />
<u>EMF</u>--<a href="http://www.billalves.com/terrainofpossibilities.html">Bill Alves</a>/1988<br />
<span style="font-size: x-small;">Synclavier II computer music system: Bill Alves; composition year: 1987; time: 8:28</span><br />
<br />
Vladimir Ussachevsky: Of Wood and Brass<br />
Music for Electronic and Older Instruments (Luening/Ussachevsky/Powell)<br />
<a href="https://www.discogs.com/Mel-Powell-Vladimir-Ussachevsky-Otto-Luening-Music-For-Electronic-Older-Instruments/release/1352276">CRI</a>/1968 (vinyl-to-CD flat transfer 2010/<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=85386">New World Records</a>)<br />
<span style="font-size: x-small;">electronic music on tape realized at the Columbia-Princeton Electronic Music Center, 1965; time: 4:26</span><br />
<br />
SINGLE PLAY<br />
Benjamin Boretz: Black/Noise I<br />
BENJAMINBORETZ9X9 (various artists)<br />
<a href="http://the-open-space.org/cds-dvds/">Open Space</a>/2015<br />
<span style="font-size: x-small;">computer-processed piano: Benjamin Boretz; composition year: 1998; time: 12:57</span><br />
<br />
Paul Lansky: Wish in the Dark<br />
Things She Carried<br />
<a href="http://bridgerecords.com/products/9076">Bridge Records</a>/1997<br />
<span style="font-size: x-small;">computer music: Paul Lansky; voice: Hannah McKay; created at Princeton University, 1995, 1996; time: 2:51</span><br />
<br />
Noah Creshevsky: Shadow of a Doubt (ending)<br />
Hyperrealism in Music<br />
<span style="font-size: x-small;">Electroacoustic Music by Noah Creshevsky 1992-2005</span><br />
<u>CD-R compilation</u>/2006<br />
<span style="font-size: x-small;">electroacoustic music: <a href="http://www.voxnovus.com/composer/Noah_Creshevsky.htm">Noah Creshevsky</a>; composition years: 1999, 2000; time: 1:58</span><br />
<br />
-- FIN --<br />
<br />Martian Gardenshttp://www.blogger.com/profile/03674178692741987194noreply@blogger.com0tag:blogger.com,1999:blog-5172855888455534181.post-52388408190692071692016-09-07T15:02:00.000-04:002016-09-15T23:20:47.245-04:00Martian Gardens, September 9, 2016<b style="color: red;">Host: Max Shea</b><span style="color: red;"> </span><br />
online playlists:<br />
<a href="http://www.martiangardens.blogspot.com/">Martian Gardens blog</a><br />
email: martiangardens@gmail.com<br />
<br />
<a href="http://valleyfreeradio.org/">WXOJ-LP 103.3</a><br />
Valley Free Radio<br />
Northampton, Mass.<br />
<a href="http://valleyfreeradio.org/listen/">Webcast</a>/Broadcast<br />
Fridays Noon -- 2:00 p.m. EDT<br />
Webcast date: September 9, 2016<br />
<a href="http://globalcommunityradio.blogspot.com/"><br /></a><a href="http://globalcommunityradio.blogspot.com/">GLOBAL COMMUNITY RADIO</a><br />
Webcast: Fridays 3:00 a.m. -- 5: a.m. EDT<br />
Webcast date: September 9, 2016<br />
<br />
Coming soon: Downloadable Martian Gardens podcast<br />
<b><br />hour one</b><br />
<b><br /></b>
SET ONE<br />
Barney Childs: Sonata for Solo Clarinet<br />
<span style="font-size: x-small;">a. Movement I (3:27)</span><br />
<span style="font-size: x-small;">b. Movement II (3:03)</span><br />
<span style="font-size: x-small;">c. Movement III (2:25)</span><br />
Heaven To Clear When Day Did Close<br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=94385">New World Records</a>/2016<br />
<span style="font-size: x-small;">clarinet: Phillip Rehfeldt; recorded at the University of Redlands, Redlands, California, January 2001; composition year: 1951; total time: 9:05</span><br />
<br />
Marty Walker: London Rice Wine (B. Childs)<br />
For BC -- The Redlands Sessions (various composers)<br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=17642">CRI</a>/2000<br />
<span style="font-size: x-small;">bass clarinet: Marty Walker; recorded at the Frederick Loewe Performance Hall, University of Redlands, Redlands, California, 1999; composition year: 1973; time: 4:48</span><br />
<br />
Jean Derome: Les cheminées<br />
<span style="font-size: x-small;">a. Les cheminées I (1:41)</span><br />
<span style="font-size: x-small;">b. Les cheminées II (1:37)</span><br />
<span style="font-size: x-small;">c. Les cheminées III (1:56)</span><br />
<span style="font-size: x-small;">d. Les cheminées IV (1:45)</span><br />
Musiques de Chambres 1992--2012<br />
<a href="http://www.ambiancesmagnetiques.com/doc.e/">Ambiances Magnétiques</a>/2014<br />
<span style="font-size: x-small;">(for eight flutes); Ensemble de flûtes Alizé (piccolos: Ann-Marie Saint-Jacques, Jocelyne Roy; flutes: Genieviève Deraspes, Yuki Isami; alto flutes: François Gosselin, Diane Caplette; bass flutes: Daniel Harnois, Josée Désautels); recorded at Foufounes Électroniques, Montreal, September 25, 1997; composition year: 1997; total time: 6:59</span><br />
<br />
SET TWO<br />
Ulrich Krieger: Sternenjäger I (Starfighter)<br />
[Urban Dreamings]<br />
<a href="http://www.moderecords.com/catalog/282-krieger.html">Mode Records</a>/2015<br />
<span style="font-size: x-small;">bass flute: Erik Drescher; bass clarinet: Christian Vogel; tenor saxophone, electronics: Ulrich Krieger; recorded at Pi Farm, Berlin, Germany, 2007; composition year: 2005; time: 12:04</span><br />
<br />
Arturo Parra: La basilique fantôme (Parra/Roy)<br />
Parr(A)cousmatique -- Works for Guitar and Tape (various composers)<br />
<a href="http://www.electrocd.com/en/cat/imed_0264/">empreintes DIGITALes</a>/2002<br />
<span style="font-size: x-small;">acoustic guitar: Arturo Parra; electroacoustic material: Stéphane Roy; premiered at the 15th Festival international de musique actuelle de Victoriaville, Victoriaville, Quebec, May 15, 1998; composition years: 1998, 2000; time: 9:51</span><br />
<br />
SET THREE<br />
Ralph Samuelson: Afterimage (E. Brown)<br />
The Universal Flute<br />
<a href="https://www.innova.mu/albums/ralph-samuelson/universal-flute">Innova Recordings</a>/2016<br />
<span style="font-size: x-small;">shakuhachi: Ralph Samuelson; <a href="https://en.wikipedia.org/wiki/Shamisen">shamisen</a>: Yoko Hiraoka; recorded at EastSide Sound, New York City, 2014, 2015; composer: Elizabeth Brown; composition year: 2011; time: 9:21</span><br />
<br />
Lida Zhang: Raymond Banished<br />
Shadow Magic (motion picture soundtrack)<br />
<a href="http://www.moderecords.com/catalog/096smagic.html">Mode Records</a>/2001<br />
<span style="font-size: x-small;">performed by the China National Symphony Orchestra; recorded June, 1999; time: 1:22</span><br />
<br />
<b>hour two</b><br />
<b><br /></b>
SET FOUR<br />
Alan Licht: Muhammed Ali & The Crickets<br />
A New York Minute<br />
<a href="https://www.discogs.com/Alan-Licht-A-New-York-Minute/release/1016072">XI Records</a>/2003<br />
<span style="font-size: x-small;">tape collage: Alan Licht; edited at Quakebasket, New York City, by Alan Licht and Tim Barnes, 2001; time: 6:51</span><br />
<br />
Ingram Marshall: The Emperor's Birthday<br />
Ikon and Other Early Works<br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=80577">New World Records</a>/2000<br />
<span style="font-size: x-small;">tape phasing: Ingram Marshall; voices: American ethnographer, Ethiopian man, BBC presenters; recorded in Ethiopia during a celebration for Emperor Haile Selassie; composition years 1974-1975, time: 13:36</span><br />
<br />
SINGLE PLAY<br />
Michael Byron: Evaporated Pleasure<br />
Awakening at the Inn of the Birds<br />
<a href="http://www.coldbluemusic.com/">Cold Blue Music</a>/2003<br />
<span style="font-size: x-small;">piano: Sarah Cahill; recorded at Passport Studios, New York City, December 2002; composition year: 2001; time: 18:25</span><br />
<br />
SET FIVE<br />
Meredith Monk: St. Petersburg Waltz<br />
Piano Songs<br />
<a href="http://player.ecmrecords.com/meredith-monk--piano-songs">ECM Records</a>/2014<br />
<span style="font-size: x-small;">piano: Ursula Oppens; recorded at Jordan Hall, New England Conservatory, Boston, April 2016; composition year: 1993; time: 7:03</span><br />
<br />
Michael Vincent Waller: Capo Finale (I. Capo)<br />
The South Shore<br />
<a href="http://michaelvincentwaller.com/">XI Records</a>/2015<br />
<span style="font-size: x-small;">viola: Daniel Penner; piano: Marija Ilic; recorded at Temple Saint-Marcel, Paris, France, composition year: 2012; time: 4:56</span><br />
<br />
Bischoff/Brown/Erbe/Payne: CCM Flotsam #11<br />
CDCM Computer Music Series Volume 17 (various artists)<br />
<span style="font-size: x-small;">Music from the Center for Contemporary Music (CCM) at Mills College </span><br />
<a href="http://www.centaurrecords.com/store/albums/electro-acoustic/cdcm-computer-music-series-volume-17-music-from-the-center-for-contemporary-music-ccm-at-mills-college-works-by-john-bischoof-chris-brown-alvin-curran-tom-erbe-and-maggi-payne.html">Centaur Records</a>/1994<br />
<span style="font-size: x-small;">computer music: John Bischoff, Chris Brown, Tom Erbe, Maggi Payne; recorded at CCM, Mills College, Oakland, California, 1993; time: 0:23</span><br />
<br />
-- FIN --Martian Gardenshttp://www.blogger.com/profile/03674178692741987194noreply@blogger.com0tag:blogger.com,1999:blog-5172855888455534181.post-8315832302332754492016-09-01T12:51:00.000-04:002016-09-01T16:19:38.065-04:00Martian Gardens, September 2, 2016<b style="color: red;">Host: Max Shea</b><span style="color: red;"> </span><br />
online playlists:<br />
<a href="http://www.martiangardens.blogspot.com/">Martian Gardens blog</a><br />
email: martiangardens@gmail.com<br />
<br />
<a href="http://valleyfreeradio.org/">WXOJ-LP 103.3</a><br />
Valley Free Radio<br />
Northampton, Mass.<br />
<a href="http://valleyfreeradio.org/listen/">Webcast</a>/Broadcast<br />
Fridays Noon -- 2:00 p.m. EDT<br />
Webcast date: September 2, 2016<br />
<a href="http://globalcommunityradio.blogspot.com/"><br /></a><a href="http://globalcommunityradio.blogspot.com/">GLOBAL COMMUNITY RADIO</a><br />
Webcast: Fridays 3:00 a.m. -- 5: a.m. EDT<br />
Webcast date: September 2, 2016<br />
<br />
Coming soon: Downloadable Martian Gardens podcast<br />
<b><br />hour one</b><br />
<br />
SET ONE<br />
Marco Capelli & Art Spiegelman:<br />
selections from In the Shadow of No Towers<br />
<span style="font-size: x-small;">a. Burning Towers 1 (1:31)</span><br />
<span style="font-size: x-small;">b. Bush vs. Bin Laden (0:48)</span><br />
<span style="font-size: x-small;">c. Nadja's Story I (1:57)</span><br />
<span style="font-size: x-small;">d. Maus I (0:56)</span><br />
<span style="font-size: x-small;">e. Nadja's Story 2 (1:33)</span><br />
<span style="font-size: x-small;">f. Maus 2 (1:06)</span><br />
<span style="font-size: x-small;">g. Nadja's Story 3 (4;22)</span><br />
<span style="font-size: x-small;">h. Burning Tower 2 (0:50)</span><br />
In The Shadow of No Towers (DVD)<br />
<a href="http://www.moderecords.com/catalog/236_towers.html">Mode Records/</a>2011<br />
<span style="font-size: x-small;">art, story: <a href="https://en.wikipedia.org/wiki/Art_Spiegelman">Art Spiegelman</a>; narration: John Turturro; concept: Marco Capelli;</span><br />
<span style="font-size: x-small;">music composed and performed by SINTAX ERROR (guitars, music box, live electronics: Marco Cappelli; keyboards, live electroics: Danielle Ledda; drums, percussion: Roberto Pellegrini); recorded at Musicisti Associati, Naples, and Harvestworks, New York City, 2008-2011; total selections time: 13:00</span><br />
<br />
Laurie Anderson: From the Air<br />
Heart of a Dog<br />
<a href="http://www.nonesuch.com/artists/laurie-anderson">Nonesuch Records</a>/2015<br />
<span style="font-size: x-small;">voice, words, music: Laurie Anderson; recorded in New York City, 2015; time: 7:07</span><br />
<br />
SET TWO<br />
Ingram Marshall: September Canons<br />
September Canons<br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=83034">New World Records</a>/2009<br />
<span style="font-size: x-small;">violin, electronic processing: Todd Reynolds; a lamentation on the events of September 11, 2001; composition year: 2002; time: 13:19</span><br />
<br />
ETHEL: Ephemeral Geometry -- Points (M.E. Childs)<br />
Documerica<br />
<a href="https://www.innova.mu/albums/ethel/documerica">Innova Recordings</a>/2015<br />
<span style="font-size: x-small;">ETHEL string quartet (violins: Kip Jones, Terma Watstein; viola: Ralph Farris; cello: Dorothy Lawson); composer: Mary Ellen Childs; composition year: 2013; recorded at Lavender Bridge Studios, Red Hook, New York, July 2014; time: 6:01</span><br />
<span style="font-size: x-small;"><br /></span>
SET THREE<br />
Francis Dhomont: Je te salue, vieil océan!
<br />
...et autres utopies<br />
<a href="http://www.electrocd.com/en/cat/imed_0682/">empreintes DIGITALes</a>/2006<br />
<span style="font-size: x-small;">electroacoustic music on stereo tape realized in the studios of the Institut international de musique électroacoustique de Bourges (IMEB, France), 1998, revised at the composer's studio Montreal, 2000-2004; text: <a href="https://en.wikipedia.org/wiki/Comte_de_Lautr%C3%A9amont">Comte de Lautréamont</a>, "Les Chants Maldoror," reader: Marc-Henri Boisse; premiered at the Synthèse Festival of Electroacoustic Music, Bourges, France, June 5, 2005; time: 14:54</span><br />
<br />
<b>hour two</b><br />
<b><br /></b>
Juan Blanco: Música para Danza<br />
Nuestro Tiempo (Our Time)<br />
<a href="https://www.innova.mu/albums/juan-blanco/nuestro-tiempo-our-time">Innova Recordings</a>/2013<br />
<span style="font-size: x-small;">sine-wave generator, tape dubbing: Juan Blanco; composition year: 1961; time: 5:28</span><br />
<br />
SET FOUR<br />
Halim El Dabh:<br />
<span style="font-size: x-small;">a. Electronics and the Word (2:46)</span><br />
selections from Leiyla Visitations --<br />
<span style="font-size: x-small;">b. Leiyla Visitations I (2:26)z</span><br />
<span style="font-size: x-small;">c. Leiyla Visitations II (3:26)</span><br />
<span style="font-size: x-small;">d. Leiyla Visitations III (0:20)</span><br />
Crossing Into the Electric Magnetic<br />
<a href="https://www.discogs.com/Halim-El-Dabh-Crossing-Into-The-Electric-Magnetic/master/345107">Without Fear</a>/2001<br />
<span style="font-size: x-small;">electronic music on tape: <a href="http://www.halimeldabh.com/">Halim El-Dabh</a>; poetry recitation: Halim El-Dabh; text: "<a href="https://en.wikipedia.org/wiki/Layla_and_Majnun">Layla and Manjun</a>," as adapted by Nizami Ganjavi, 12th century CE" ; recorded at the Columbia-Princeton Electronic Music Center, 1959; composition years: a. no date; b,c,d. 1959; total selections time (a.-d.): 9:00</span><br />
<br />
Charles Dodge:<br />
<span style="font-size: x-small;">a. Speech Songs -- When I Am With You (1:36)</span><br />
<span style="font-size: x-small;">b. The Waves (12:42)</span><br />
Any Resemblance is Purely Coincidental<br />
<a href="https://www.discogs.com/Charles-Dodge-Any-Resemblance-Is-Purely-Coincidental/release/2075017">New Albion Records</a>/1992<br />
<span style="font-size: x-small;">a. computer-speech synthesis; realized at Bell Telephone Laboratories, 1972; text: <a href="https://www.poetryfoundation.org/poems-and-poets/poets/detail/mark-strand">Mark Strand</a>; b. soprano: Joan La Barbara; text: <a href="https://en.wikipedia.org/wiki/The_Waves">Virginia Woolf</a>; computer music realized at the M.I.T Experimental Music Studio; premiered at Kresge Auditorium, M.I.T, Cambridge, March 1984; total selections time: 13:18</span><br />
<br />
SET FIVE<br />
Gonzalo Biffarella: Orígenes
<br />
Mestizaje<br />
<a href="https://www.discogs.com/Gonzalo-Biffarella-Mestizaje/release/634906">Mnémosyne Musique Media</a> (Chrysopée Électronique series)/1997<br />
<span style="font-size: x-small;">electroacoustic music realized at the Institut international de musique électroacoustique de Bourges (IMEB), Bourges, France; composition years: 1995, 1996; time: 8:10</span><br />
<br />
Jane Rigler:<br />
<span style="font-size: x-small;">a. Internally Rarefied (3:21)</span><br />
<span style="font-size: x-small;">b. Undertow (4:56)</span><br />
<span style="font-size: x-small;">c. Rewound (3:59)</span><br />
Rarefactions<br />
<a href="http://www.neuma-music.com/jane_rigler_rarefactions.htm">Neuma Records</a>/2015<br />
<span style="font-size: x-small;">piccolo, flutes, live electronics: prepared guitar, banjo, piano innards, other objects: Janet Feder; piano, farfisa organ, Nintendo DS game device, keyboards, accordion: Shoko Nagai; percussion, electronics: Satoshi Takeishi; recorded at Immersive Studios, Boulder, Colorado, 2013, 2014; total time: 12:15</span><br />
<br />
-- FIN --Martian Gardenshttp://www.blogger.com/profile/03674178692741987194noreply@blogger.com0tag:blogger.com,1999:blog-5172855888455534181.post-10853428247919860902016-08-24T16:23:00.002-04:002016-08-25T16:43:11.898-04:00Martian Gardens, August 26, 2016<b style="color: red;">Host: Max Shea</b><span style="color: red;"> </span><br />
online playlists:<br />
<a href="http://www.martiangardens.blogspot.com/">Martian Gardens blog</a><br />
email: martiangardens@gmail.com<br />
<br />
<a href="http://valleyfreeradio.org/">WXOJ-LP 103.3</a><br />
Valley Free Radio<br />
Northampton, Mass.<br />
<a href="http://valleyfreeradio.org/listen/">Webcast</a>/Broadcast<br />
Fridays Noon -- 2:00 p.m. EDT<br />
Webcast date: August 26, 2016<br />
<a href="http://globalcommunityradio.blogspot.com/"><br /></a><a href="http://globalcommunityradio.blogspot.com/">GLOBAL COMMUNITY RADIO</a><br />
Webcast: Fridays 3:00 a.m. -- 5: a.m. EDT<br />
Webcast date: August 26, 2016<br />
<br />
Coming soon: Downloadable Martian Gardens podcast<br />
<b><br />hour one</b><br />
<br />
SET ONE<br />
Nick Didkovsky: Ice Cream Time Tango<br />
Ice Cream Time<br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=81499">New World Records</a>/2007<br />
<span style="font-size: x-small;">electric guitar, laptop: Nick Didkovsky; sampling: Thomas Dimuzio; saxophones: ARTE Quartett; recorded at SRG (Swiss National Radio) Studio 2, Zürich, September 2006; composition year: 2003; selection time: 4:20</span><br />
<br />
ETHEL: Epic Soda<br />
Documerica<br />
<a href="https://www.innova.mu/albums/ethel/documerica">Innova Recordings</a>/2015<br />
<span style="font-size: x-small;">ETHEL string quartet (violins: Kip Jones, Terma Watstein; viola: Ralph Farris; cello: Dorothy Lawson); composer: Dorothy Lawson; recorded at Lavender Bridge Studios, Red Hook, New York, July 2014; time: 4:58</span><br />
<br />
Miranda Cuckson/Blair McMillen: selections from Partita (W. Lutoslawski)<br />
<span style="font-size: x-small;">I. Allegro giusto (4:11)</span><br />
<span style="font-size: x-small;">II. Ad libitum (1:10)</span><br />
Bartók/Schnittke/Lutoslawski<br />
<a href="https://www.ecmrecords.com/catalogue/1458055737/bela-bartok-alfred-schnittke-witold-lutoslawski-miranda-cuckson-blair-mcmillen">ECM</a>/2016<br />
<span style="font-size: x-small;">violin: Miranda Cuckson; piano: Blair McMillen; recorded at Stelio Molo RSI, Lugano, Switzerland, January 2015: composer: Witold Lutoslawski; composition year: 2014; total selections time: 5:21</span><br />
<br />
Quartetski: selections from Quartetski Does Bartók<br />
<span style="font-size: x-small;">a. Gamme pentalonique #78 (1:22)</span><br />
<span style="font-size: x-small;">b. Quatre mélodies à l’unisson (IV) #21 (0:18)</span><br />
<span style="font-size: x-small;">c. Imitation et Inversion #25 (1:47)</span><br />
<span style="font-size: x-small;">d. Répétition #26 (1:07)</span><br />
Quartetski Does Bartók<br />
<a href="http://www.ambiancesmagnetiques.com/doc.e/">Ambiances Magnétiques</a>/2016<br />
<span style="font-size: x-small;">Quartetski (electric guitar, melodica: Bernard Falaise; bass clarinette, soprano saxophone, melodica; electric bass, synthesizer: Pierre-Yves Martel; violin: Joshua Zubot; drums: Isaiah Ceccarelli), director: Pierre-Yves Martel; recorded at Studio Resther; Montreal, March 2015; composer: Bela Bartók, "Mikrokosmos"; composition years: 1926-1939; total selections time: 4:34</span><br />
<br />
SINGLE PLAY<br />
Robert Carl: Chamber Concerto for Guitar and 10 Instruments<br />
<i>The Calm Bee in the Busy Hive --</i><br />
<span style="font-size: x-small;">I. Building the Hive (8:00)</span><br />
<span style="font-size: x-small;">II. Songs, Dances, and Laments of the Hive (8:16)</span><br />
The Geography of Loss<br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=94322">New World Records</a>/2016<br />
<span style="font-size: x-small;">solo guitar: Christopher Ladd; guitar 2: Don Hartington; vibraphone: Michael Anderson; flute: Michelle Stockman; clarinet: Brian Nekoloff; trumpet: Jess Turner; harp: Haley Hewitt; piano: Cihan Yucel; violin: Gwyneth Haydock; viola: Laura Krentzman; cello: Haeyoon Shin; conductor: Matthew Aubin; recorded at the Hartt School, Hartford, January 19, 2011; composition years: 2009, 2010; total time: 16:16</span><br />
<br />
SET TWO<br />
Jonty Harrison: ReCycle, Part 4 -- Streams<br />
Environs<br />
<a href="http://www.electrocd.com/en/cat/imed_0788/">empreintes DIGITALes</a>/2007<br />
<span style="font-size: x-small;">(electroacoustic music on 8-track tape); composed at Electroacoustic Music Studios of the University of Birmingham, UK, 1999; premiered at the Sonorities Festival, Belfast, Northern Ireland, May 4, 1999; composition year: 1999 (included as part 4 of the 4 part "ReCycle" cycle, completed 2006, premiered at the Klangfest, Birmingham, UK, May 25, 2007); time: 16:02</span><br />
<span style="font-size: x-small;"><br /></span>
Bischoff/Brown/Erbe/Payne: CCM Flotsam #15<br />
CDCM Computer Music Series Volume 17 (various artists)<br />
<span style="font-size: x-small;">Music from the Center for Contemporary Music (CCM) at Mills College </span><br />
<a href="http://www.centaurrecords.com/store/albums/electro-acoustic/cdcm-computer-music-series-volume-17-music-from-the-center-for-contemporary-music-ccm-at-mills-college-works-by-john-bischoof-chris-brown-alvin-curran-tom-erbe-and-maggi-payne.html">Centaur Records</a>/1994<br />
<span style="font-size: x-small;">computer music: John Bischoff, Chris Brown, Tom Erbe, Maggi Payne; recorded at CCM, Mills College, Oakland, California, 1993; time: 0:39</span><br />
<br />
<b>hour two</b><br />
<br />
SET THREE<br />
Sten Hanson: Rycyclings<br />
<i>Suite Brasiliera</i> --<br />
<span style="font-size: x-small;">a. Apito (1:25)</span><br />
<span style="font-size: x-small;">b. Iemanjá (2:44)</span><br />
<span style="font-size: x-small;">c. Piranha (2:40)</span><br />
<span style="font-size: x-small;">d. Guerra (1:35)</span><br />
<span style="font-size: x-small;">e. Jogo de bicho (2:55)</span><br />
<span style="font-size: x-small;">f. Samba (2:29)</span><br />
Sten Hanson -- Chrysopée Electronique series<br />
<a href="http://www.mnemosyne-musique.com/index.php?page=shop.product_details&flypage=flypage.tpl&product_id=36&category_id=6&keyword=Sten+Hanson&option=com_virtuemart&Itemid=1&lang=en">Mnémosyne Musique Media</a>/2001<br />
<span style="font-size: x-small;">electroacoustic music realized at IMEB, Bourges, 1993; total time: 13:35</span><br />
<br />
The Har-You Percussion Group: Ngoma<br />
Sounds of the Ghetto Youth<br />
<a href="https://www.discogs.com/Har-You-Percussion-Group-The-Har-You-Percussion-Group/master/177834">ESP-Disk, Ltd.</a>/2009 (orig. ORO LP/1967)<br />
<span style="font-size: x-small;">Gordon "Spider" Jones, Myles Matthews, Sam Turner, Billy King, Antonio Santa Cruz; percussion; Antonio Santa Cruz; voice; director: Roger "Montego Joe" Sanders; studio recording, New York City, 1967; time: 5:58</span><br />
<br />
John Cage: Imaginary Landscape No. 4, "March No. 2"<br />
The Works for Percussion I<br />
<a href="http://www.moderecords.com/catalog/229_cage.html">Mode Records</a>/2011<br />
<span style="font-size: x-small;">(for 12 radios, first version); CCM Percussion Ensemble, conductor: James Culley; recorded at Werner Concert Hall, College-Conservatory of Music, University of Cincinnati; May 25, 2006; composition year: 1942; time: 4:26</span><br />
<span style="font-size: x-small;"><br /></span>
SET FOUR<br />
Daniel Koppelman: Quintuple Escapement (W. <a href="http://wkleinsasser.net/">Kleinsasser</a>)<br />
Escapement (CD/DVD) (various composers)<br />
<a href="http://upc.host/everglade_records_inc">Everglade</a>/2008<br />
<span style="font-size: x-small;">(for interactive software instrument); MIDI controller, computer: <a href="http://www.furman.edu/academics/music/meet-our-faculty/Pages/Daniel-Koppelman.aspx">Daniel Koppelman</a>; recorded at Ball State University's Center for Music, Muncie, Indiana, February 2003; composer: William Kleinsasser; time: 5:12</span><br />
<br />
Douglas Doherty: Pacific 462<br />
On the Edge of Chaos<br />
<a href="https://itunes.apple.com/gb/album/on-the-edge-of-chaos/id506769876">MPS Music & Video</a>/2012<br />
<span style="font-size: x-small;">(electroacoustic music); recorded at the University of Birmingham, UK; composition year: 1997; time: 8:50</span><br />
<br />
Paul Koonce: Hothouse<br />
Walkabout & Back<br />
<a href="http://www.moderecords.com/catalog/090koonce.html">Mode Records</a>/2000<br />
<span style="font-size: x-small;">(electroacoustic music); composition year: 1992; time: 8:22</span><br />
<br />
Marvin Johnson: Compendium II<br />
Florida Electroacoustic Music Festival, Volume 1 (various artists)<br />
<a href="http://www.parallaxrecords.jp/index.php?main_page=index&manufacturers_id=185&language=en&page=1&sort=6a">EMF</a>/2002<br />
<span style="font-size: x-small;">electroacoustic music realized on the New England Synclavier II at the Electronic Music Studios, University of Alabama, premiered at the 3rd Florida Electroacoustic Music Festival, Gainesville, March 1994; time: 3:19</span><br />
<br />
Frank Zappa: Whatever Happened to All the Fun in the World<br />
Sheikh Yerbouti<br />
<a href="https://www.discogs.com/Frank-Zappa-Sheik-Yerbouti/release/7095410">Rykodisc</a>/1995 (orig. Zappa LP/1979)<br />
<span style="font-size: x-small;">tape collage: Frank Zappa; time: 0:33</span><br />
<br />
-- FIN --<br />
<br />Martian Gardenshttp://www.blogger.com/profile/03674178692741987194noreply@blogger.com0tag:blogger.com,1999:blog-5172855888455534181.post-14054144825923103952016-08-17T16:10:00.000-04:002016-08-18T15:08:50.386-04:00Martian Gardens, August 19, 2016<b style="color: red;">Host: Max Shea</b><span style="color: red;"> </span><br />
online playlists:<br />
<a href="http://www.martiangardens.blogspot.com/">Martian Gardens blog</a><br />
email: martiangardens@gmail.com<br />
<br />
<a href="http://valleyfreeradio.org/">WXOJ-LP 103.3</a><br />
Valley Free Radio<br />
Northampton, Mass.<br />
<a href="http://valleyfreeradio.org/listen/">Webcast</a>/Broadcast<br />
Fridays Noon -- 2:00 p.m. EDT<br />
Webcast date: August 19, 2016<br />
<a href="http://globalcommunityradio.blogspot.com/"><br /></a><a href="http://globalcommunityradio.blogspot.com/">GLOBAL COMMUNITY RADIO</a><br />
Webcast: Fridays 3:00 a.m. -- 5: a.m. EDT<br />
Webcast date: August 19, 2016<br />
<br />
Coming soon: Downloadable Martian Gardens podcast<br />
<b><br /></b><span style="font-weight: bold;">HOUR</span><b> ONE</b><br />
<br />
SET ONE<br />
Michael Gatonska: Shinrin-yoku (Forest Bathing)<br />
Harmonic Constellations (various composers)<br />
<span style="font-size: x-small;">Works for Violin & Electronics</span><br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=94280">New World Records</a>/2016<br />
<span style="font-size: x-small;">violin: <a href="http://www.marikimura.com/">Mari Kimura</a>; recorded at Harvestworks Media, New York City; June 2015; composition year: 2013, revised 2015; time: 16:37</span><br />
<br />
Colby Leider: Taedet animam meam (I am weary of my life)<br />
Music from SEAMUS Volume 11 (various artists)<br />
<a href="https://www.seamusonline.org/">Society for Electro Acoustic Music in the United States</a>/2002<br />
<span style="font-size: x-small;">computer, electroacoustic processing: <a href="http://www.miami.edu/frost/index.php/frost/frost_profiles/mue-0-leider_colby_n_bio/">Colby Leider</a>; source material: <a href="https://en.wikipedia.org/wiki/Officium_Defunctorum">Officium Defunctorium</a>; composition year: 1999; time: 5:24</span><br />
<br />
SET TWO<br />
Conrad Cummings: Zephyr's Lesson<br />
CDCM Computer Music Series Volume 37 (various artists)<br />
<span style="font-size: x-small;">Music from the Oberlin Conservatory of Music TIMARA Studio</span><br />
<a href="http://www.centaurrecords.com/store/albums/electro-acoustic/cdcm-computer-music-series-volume-37-music-from-the-oberlin-conservatory-of-music-timara-studios-olly-wilson-piano-piece-for-prepared-piano-and-stereo-tape.html">Centaur Records</a>/2008<br />
<span style="font-size: x-small;">(for flute, cello, percussion, and stereo tape); flute: Elise Roy; cello: Steuart Pincombe; percussion: Jennifer Torrence; composition year: 1984; time: 11:45</span><br />
<br />
Paula Matthusen: Sparrows in Supermarkets<br />
Pieces for People<br />
<a href="https://www.innova.mu/albums/paula-matthusen/pieces-people">Innova Recordings</a>/2015<br />
<span style="font-size: x-small;">(for soloist and 8-track tape); recorder: Terri Hron; recorded at Wesleyan University; composition year: 2011; time: 6:16</span><br />
<br />
Jane Rigler: Pulsar 2<br />
Rarefactions -- Compositions via Improvisations<br />
<a href="http://www.neuma-music.com/jane_rigler_rarefactions.htm">Neuma Records</a>/2015<br />
<span style="font-size: x-small;">bass flute, voice, electronics: Jane Rigler; recorded at Immersive Studios, Boulder, Colorado, 2013-2014; time: 4:40</span><br />
<br />
SET THREE<br />
Karlheinz Stockhausen: Schlagtrio<br />
Complete Early Percussion Works<br />
<a href="http://www.moderecords.com/catalog/274_stockhausen.html">Mode Records</a>/2014<br />
<span style="font-size: x-small;">piano: Katalin Lukács; timpanis: Justin DeHart, Fabio Oliveira; recorded at Theater A, University of California San Diego, October 2008; composition year: 1952, revised 1973; time: 16:08</span><br />
<br />
<b>HOUR TWO</b><br />
<br />
George Crumb: Madrigals, Book II<br />
<span style="font-size: x-small;">I. Bebe el agua tranquila la canción añeja (1:57)</span><br />
<span style="font-size: x-small;">II. La muertre entre y sale de la taberna (3:05)</span><br />
<span style="font-size: x-small;">III. Cabillito negro ¿Dónde llevas tu jinete muerto? (3:10)</span><br />
Complete Crumb Edition Volume 9<br />
<a href="http://bridgerecords.com/products/9170">Bridge Records</a>/2005<br />
<span style="font-size: x-small;">soprano: Tony Arnold; flute, alto flute, piccolo: Rachel Rudich; percussion: David Colson; texts: Federico Garcia <a href="http://www.poemas-del-alma.com/casida-de-la-mujer-tendida.htm">Lorca</a>; recorded at the American Academy of Arts and Letters; composition year: 1965; total time: 6:32</span><br />
<br />
SET FOUR<br />
Philip Mantione:<br />
<span style="font-size: x-small;">a. Track 8 (4:30)</span><br />
<span style="font-size: x-small;">b. Track 9 (excerpts) (2:00)</span><br />
Fourteen<br />
<a href="http://philipmantione.com/">Scattered Music</a>/2003<br />
<span style="font-size: x-small;">field recordings from New York City, computer-generated noise, samples: Philip Mantione; total time: 6:32</span><br />
<br />
Maggi Payne: Apparent Horizon<br />
Arctic Winds<br />
<a href="https://www.innova.mu/albums/maggi-payne/arctic-winds">Innova Recordings</a>/2010<br />
<span style="font-size: x-small;">outer space manned craft and satellite transmissions, short wave radio signals, environmental sounds, processing: Maggi Payne; composition year: 1996; time: 11:52</span><br />
<br />
SET FIVE<br />
Amy Horvey: This one and that one side by side<br />
Catchment<br />
<a href="http://www.amyhorvey.com/">Paved Arts</a>/2010<br />
<span style="font-size: x-small;">trumpet, trumpet harmonics: Amy Horvey; recorded at Paved Arts, Saskatoon; August 2010; time: 11:12</span><br />
<br />
Michael Vogt: Kirke?<br />
Argonautika<br />
<a href="https://www.discogs.com/Michael-Vogt-Argonautika/release/684687">ReR Megacorp</a>/1997<br />
<span style="font-size: x-small;">2 electrified tubas, 2 effects units, vocoders, tapes: Michael Vogt; time: 3:56</span><br />
<br />
-- FIN --<br />
<br />Martian Gardenshttp://www.blogger.com/profile/03674178692741987194noreply@blogger.com0tag:blogger.com,1999:blog-5172855888455534181.post-77483984816680462352016-08-10T17:06:00.002-04:002016-08-17T13:48:55.489-04:00Martian Gardens, August 12, 2016<b style="color: red;">Host: Max Shea</b><span style="color: red;"> </span><br />
online playlists:<br />
<a href="http://www.martiangardens.blogspot.com/">Martian Gardens blog</a><br />
email: martiangardens@gmail.com<br />
<br />
<a href="http://valleyfreeradio.org/">WXOJ-LP 103.3</a><br />
Valley Free Radio<br />
Northampton, Mass.<br />
<a href="http://valleyfreeradio.org/listen/">Webcast</a>/Broadcast<br />
Fridays Noon -- 2:00 p.m. EDT<br />
Webcast date: August 12, 2016<br />
<a href="http://globalcommunityradio.blogspot.com/"><br /></a><a href="http://globalcommunityradio.blogspot.com/">GLOBAL COMMUNITY RADIO</a><br />
Webcast: Fridays 3:00 a.m. -- 5: a.m. EDT<br />
Webcast date: August 12, 2016<br />
<br />
Coming soon: Downloadable Martian Gardens podcast<br />
<b><br /></b><span style="font-weight: bold;">HOUR</span><b> ONE</b><br />
<b><br /></b>SET ONE<br />
David Starobin: Steps<br />
New Music with Guitar, Volume 10 (various composers)<br />
<a href="http://bridgerecords.com/">Bridge Records</a>/2016<br />
<span style="font-size: x-small;">soprano: Rosiland Rees; guitar: David Starobin; text: <a href="https://people.creighton.edu/~mlm22940/writings/ohara/steps.html">Frank O'Hara</a>; recorded at the American Academy of Arts and letters, New York City, April 1976; time: 10:02</span><br />
<br />
Bernadette Speach: Woman Without Adornment, part II<br />
Reflections<br />
<a href="http://www.moderecords.com/catalog/105speach.html">Mode Records</a>/2002<br />
<span style="font-size: x-small;">reciter, <a href="https://www.dramonline.org/albums/bernadette-speach-reflections/notes">text</a>: Thulani Davis; voice: Alva Rogers; guitar: Jeffrey Schanzer; bass: Mark Dresser; piano, conductor: Bernadette Speach; recorded at LRP Studios, New York City, 2000-2001, composition year: 1995; selection time: 5:27</span><br />
<br />
ZNR: Le grande compositeur vu du face<br />
Barricade 3<br />
<a href="https://www.discogs.com/ZNR-Barricade-3/release/2461560">ReR Megacorp</a>/1993 (orig. Isadora LP/1976)<br />
<span style="font-size: x-small;">piano, electric piano: Hector Zazou; piano, electric piano with echo: Joseph Racaille; ARP 2600 synthesizer: Gilly Bell; clarinets: Patick Portella; recorded at Gilly Bell's studio, Ventabren, France, January 1976; time: 2:55</span><br />
<br />
Meredith Monk: Railroad (Travel Song)<br />
Piano Songs<br />
<a href="http://player.ecmrecords.com/meredith-monk--piano-songs">ECM</a>/2014<br />
<span style="font-size: x-small;">solo piano: Bruce Brubaker; recorded at Jordan Hall, New England Conservatory, Boston, April 2012; composition year: 1981; time: 2:12</span><br />
<br />
SET TWO<br />
Paula Matthusen: in absentia<br />
Pieces for People<br />
<a href="https://www.innova.mu/albums/paula-matthusen/pieces-people">Innova Recordings</a>/2015<br />
<span style="font-size: x-small;">(for violin, piano, and miniature electronics); violin: Todd Reynolds; piano: Yvonne Troxler; composition year: 2008; time: 4:32</span><br />
<br />
Jenny Olivia Johnson: Starling<br />
Don't Look Back<br />
<a href="http://www.innova.mu/albums/jenny-olivia-johnson/dont-look-back">Innova Recordings</a>/2015<br />
<span style="font-size: x-small;">vocals: P. Lucy McVeigh, spoken vocals: Adam Weiner; clarinets: Eileen Mack; bassoon: Andrew Delcios; violin: Todd Reynolds; cellos: Peter Gregson, David Russell, Melinda Menzes; guitars: Lisa Liu; electric guitar, didgeridoo: Dan Kozak; pianos: Isabelle O'Connell, Eliko Akahori, Jake Penn Kozak; percussion: Jude Traxler; electronics, percussion, synthesizer, lyrics: Jenny Olivia Johnson; conductor: Nathaniel Berman; recorded at Oktaven Audio, Yonkers, New York; time: 16:48</span><br />
<br />
SET THREE<br />
Judith Shatin: Piping the Earth<br />
Piping the Earth<br />
<a href="http://www.capstonerecords.org/CPS-8727.html">Captone Record/</a>2003<br />
<span style="font-size: x-small;">The Moravian Philharmonic, conductor Joel Suben; recorded at Olomouc Cocert Hall, Czech Republic, September 2002; composition year: 1990; time: 8:27</span><br />
<b><br /></b>
Christian Wolff: Incidental Music 44<br />
Incidental Music and Keyboard Miscelany<br />
<a href="http://www.moderecords.com/catalog/286-87-wolff.html">Mode Records</a>/2015<br />
<span style="font-size: x-small;">piano: Christian Wolff; recorded at Radiohuset, Stockholm, Sweden, October 2005; composition years: 2003, 2004; time: 0:35</span><br />
<b><br /></b>
<b>HOUR TWO</b><br />
<b><br /></b>
Robert Carl: The World Turned Upside Down<br />
The Geography of Loss<br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=94322">New World Records</a>/2016<br />
<span style="font-size: x-small;">Hartt Symphony Orchestra, conductor: Christopher Zimmermann; recorded at Belding Theater, Hartford, March 31, 2005; time: 9:43; based on the English ballad "<a href="https://en.wikipedia.org/wiki/The_World_Turned_Upside_Down">The World Turned Upside Down</a>"</span><br />
<br />
SINGLE PLAY<br />
Elainie Lillios: Earth Ascending<br />
<span style="font-size: x-small;">I. Earth Body, Light Body (4:48)</span><br />
<span style="font-size: x-small;">II. Wringcliff Beach (6:05)</span><br />
<span style="font-size: x-small;">III. Pool (4:22)</span><br />
Music from SEAMUS Volume 11 (various artists)<br />
<a href="http://elillios.com/home/index.php/en/about/recordings/70-cds/143-earth-ascending-seamus-vol-11">SEAMUS</a>/2002<br />
<span style="font-size: x-small;">(for female voice and fixed media); soprano: Deborah Norin-Kuehn; composition year: 2001; total time: 15:20</span><br />
<br />
SET FOUR<br />
Richard Lainhart: Staring at the Moon<br />
Ten Thousand Shades of Blue<br />
<a href="http://xirecords.org/115.shtml">XI Records</a>/2001<br />
<span style="font-size: x-small;">(for realtime interactive computer with bowed and struck vibraphone); vibraphone, computer: <a href="http://www.otownmedia.com/RichardLainhart/">Richard Lainhart</a>; recorded at SUNY Albany Electronic Music Studio and O-Town Studio; composition year: 1987; time: 8:30</span><br />
<br />
Johanna M. Beyer: Music of the Spheres<br />
Women in Electronic Music -- 1977 (various artists)<br />
<span style="font-size: x-small;">New Music for Electronic and Recorded Media</span><br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=17117">New World Records</a>/2007 (orig. 1750 Arch LP/1977)<br />
<span style="font-size: x-small;">(for three electrical musical instruments, or strings, triangle and lion's roar); The Electric Weasel Ensemble (music easel synthesizers: <a href="https://en.wikipedia.org/wiki/Allen_Strange">Allen Strange</a>, Stephen Ruppnthal, David Morse; pulse control: Brenda Hutchinson; frequency shifting, mix: Brenda Hutchinson; triangle: Charles Amirkhanian; recorded by Robert Shumaker, 1750 Arch Studios, 1977; composition year: <a href="https://en.wikipedia.org/wiki/Johanna_Beyer">1938</a>; time: 5:59</span><br />
<br />
Laurie Spiegel: <a href="https://en.wikipedia.org/wiki/Harmonices_Mundi">Kepler</a>'s Harmony of the Worlds<br />
The Expanding Universe<br />
<a href="http://www.unseenworlds.net/releases/the-expanding-universe">Unseen Worlds</a>/2012<br />
<span style="font-size: x-small;"><a href="http://120years.net/groove-systems-max-mathews-usa-1970/">GROOVE</a> computer music system: Laurie Spiegel; recorded at Bell Labs, 1977; time: 10:38</span><br />
<br />
Curtis Roads: Sonal Atoms<br />
CCMIX Paris -- Xenakis- UPIC - Continuum (various artists)<br />
<a href="http://www.moderecords.com/catalog/098_9ccmix.html">Mode Records</a>/2001<br />
<span style="font-size: x-small;">computer music on tape, realized at Les Ateliers UPIC (CCMIX), Paris, 1998; 3:41</span><br />
<br />
-- FIN --<br />
<br />Martian Gardenshttp://www.blogger.com/profile/03674178692741987194noreply@blogger.com0tag:blogger.com,1999:blog-5172855888455534181.post-47054545903104411872016-08-03T19:06:00.003-04:002016-09-13T14:25:14.245-04:00Martian Gardens, August 5, 2016<b style="color: red;">Host: Max Shea</b><span style="color: red;"> </span><br />
online playlists:<br />
<a href="http://www.martiangardens.blogspot.com/">Martian Gardens blog</a><br />
email: martiangardens@gmail.com<br />
<br />
<a href="http://valleyfreeradio.org/">WXOJ-LP 103.3</a><br />
Valley Free Radio<br />
Northampton, Mass.<br />
<a href="http://valleyfreeradio.org/listen/">Webcast</a>/Broadcast<br />
Fridays Noon -- 2:00 p.m. EDT<br />
Webcast date: August 5, 2016<br />
<a href="http://globalcommunityradio.blogspot.com/"><br /></a><a href="http://globalcommunityradio.blogspot.com/">GLOBAL COMMUNITY RADIO</a><br />
Webcast: Fridays 3:00 a.m. -- 5: a.m. EDT<br />
Webcast date: August 5, 2016<br />
<br />
Coming soon: Downloadable Martian Gardens podcast<br />
<b><br /></b>
<span style="font-weight: bold;">HOUR</span><b> ONE</b><br />
<b><br /></b>SET ONE<br />
Ralph Samuelson: The Universal Flute (H. Cowell)<br />
The Universal Flute<br />
<a href="https://www.innova.mu/albums/ralph-samuelson/universal-flute">Innova Recordings</a>/2016<br />
<span style="font-size: x-small;">shakuhachi: Ralph Samuelson; recorded at EastSide Studio, New York City, 2014, 2015; composer: Henry Cowell; composition year: 1946; time: 4:47</span><br />
<br />
Henry Cowell: Suite for Wind Quintet<br />
<span style="font-size: x-small;">a. Allegretto (1:08)</span><br />
<span style="font-size: x-small;">b. Allegro (1:01)</span><br />
<span style="font-size: x-small;">c. Adagio cantibile (1:37)</span><br />
<span style="font-size: x-small;">d. Allegretto con moto (0:55)</span><br />
Dancing With Henry<br />
<a href="http://www.moderecords.com/catalog/101cowell.html">Mode Records</a>/2001<br />
<span style="font-size: x-small;">The Cowell Quartet (flute: Leta Miller; oboe: Roger Wiesmeyer; clarinet: Mark Brandenburg; bassoon: Jane Orzel; horn: Joshua Garrett); recorded at the recital hall of the University of California Santa Cruz, January 2000; composition year: 1934; total time: 4:44</span><br />
<br />
Hilda Paredes: Recuerdos del Porvenir<br />
Señales
<br />
<a href="http://www.hildaparedes.com/">Mode Records/</a>2016<br />
<span style="font-size: x-small;">Ensemble Recherche; recorded at SWR Freiburg, Heinrich Strobel Saal, Germany, April 24-25, 2012; composition year: 2006; time: 5:20</span><br />
<span style="font-size: x-small;"><br /></span>
Karen Gottlieb: selections from Music for Harp with Percussion (L. Harrison)<br />
<span style="font-size: x-small;">a. Sonata in Ishtartum (1:57)</span><br />
<span style="font-size: x-small;">b. Beverly's Troubadour Music (1:30</span>)<br />
Music for Harp<br />
<a href="https://www.innova.mu/albums/karen-gottlieb/music-harp">Innova Recordings</a>/2015<br />
<span style="font-size: x-small;">harp: Karen Gottlieb; percussion: William Winant, Daniel Kennedy; recorded 1994; composer: Lou Harrison; composition years; 1967-1977; total selections time: 3:27</span><br />
<br />
SET TWO<br />
Ben Johnston: selections from The Tavern<br />
<span style="font-size: x-small;">a. Prelude (0:45)</span><br />
<span style="font-size: x-small;">b.Who Says Words with My Mouth (3:41)</span><br />
Ruminations<br />
<a href="http://microfestrecords.com/">MicroFest Records</a>/2014<br />
<span style="font-size: x-small;">microtonal guitar, voice: John Schneider; text: <a href="https://allpoetry.com/Who-Says-Words-With-My-Mouth-">Rumi</a>; recorded at Studio 34, Los Angeles, 2010; composition year: 1998; total selections time: 4:26</span><br />
<br />
Stephen Dickman: Who Says Words<br />
Who Says Words<br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=80573">New World Records</a>/1999<br />
<span style="font-size: x-small;">baritone: Thomas Buckner; cello: Michael Finckel; text: Rumi; recorded at Weill Recital Hall, Carnegie Hall, New York City, 1996; composition year: 1992; time: 6:16</span><br />
<br />
Anouar Brahem Trio: Aube Rouge à Grozny<br />
Astrakhan Café<br />
<a href="https://ecmreviews.com/2013/06/19/astrakan-cafe/">ECM</a>/2000<br />
<span style="font-size: x-small;">clarinet: Barbaros Erköse; darbouka: Lassad Hosni; recorded at the Monastery of St. Gerold, Austria; time: 4:18</span><br />
<br />
Jerome Cooper & Thomas Buckner: All Out<br />
Alone, Together, Apart<br />
<a href="http://mutablemusic.com/mm/aloneinfo">Mutable Music</a>/2002<br />
<span style="font-size: x-small;">full-spectrum voice: Thomas Buckner; keyboard, tonal rhythmic generator; sock cymbal; Jerome Cooper; time: 4:06</span><br />
<br />
SET THREE<br />
Martin Supper: <a href="https://en.wikipedia.org/wiki/Eduard_Grell">g</a>EXX<a href="https://en.wikipedia.org/wiki/Benjamin_Boretz">b</a>*<br />
Benjamin Boretz 9x9 (various artists)<br />
<a href="http://the-open-space.org/open-space-magazine/">Open Space</a>/2015<br />
<span style="font-size: x-small;">tuning fork, computer processing (composition "EXX"): <a href="https://translate.google.com/translate?hl=en&sl=de&u=https://www.udk-berlin.de/en/people/detail/person/martin-supper-1/&prev=search">Martin Supper</a>; recorded in Berlin, Germany, composition year: 2004; time: 5:39</span><br />
<span style="font-size: x-small;">*g for Grell (August Eduard), German composer who developed a series of tuning forks; b for </span><br />
<span style="font-size: x-small;">Benjamin Boretz</span><br />
<br />
Warren Burt: Lucas (2-1) C Right Drone (excerpt)<br />
Four Microtonal Immersions for iPad<br />
<a href="http://www.warrenburt.com/discography-scarlet-aardvark/">Scarlet Aardvark</a>/2014<br />
<span style="font-size: x-small;">apps, iPad: Warren Burt; composition year: 2014; excerpt time: 5:00</span><br />
<br />
<b>HOUR TWO</b><br />
<br />
Brian Belet: Still Harmless [BASS]ically<br />
Electroacoustic Music<br />
<u>CD-R</u>/2006<br />
<span style="font-size: x-small;">(for <a href="http://www.symbolicsound.com/cgi-bin/bin/view/Products/WebHome">Kyma </a>interactive computer processing environment and electric bass); electric bass: <a href="http://www.beletmusic.com/">Brian Belet</a>; recorded at San Jose Stat University; composition year: 2000; time: 7:05</span><br />
<br />
SET FOUR<br />
Lee Noyes & J.C. Combs: Ominous Forecast<br />
Confessions of a Deviant Machine<br />
<a href="http://www.con-v.org/">Con-V Edition</a>/2011<br />
<span style="font-size: x-small;">percussion, prepared piano, electronics, processing: Lee Noyes; electronics, piano, processing: J.C. Combs; recorded in Dunedin, Arizona, and Seattle, Washington, 2009-2011; time: 4:05</span><br />
<br />
John Luther Adams: In the Rain<br />
In the Place We Began<br />
<a href="http://www.coldbluemusic.com/pages/CB0032.html">Cold Blue Music</a>/2009<br />
<span style="font-size: x-small;">environmental sounds, tapes, processing; mastered at Architecture Studios, Los Angeles, 2009; composition year: 2008; tapes recorded by John Luther Adams in the early 1970s; time: 8:53</span><br />
<br />
Jorge Antunes: Invocação em defesa da máquina<br />
<span style="font-size: x-small;">I. A máquina não desumanziza a música (2:35)</span><br />
<span style="font-size: x-small;">II. Reflexão (1:03)</span><br />
<span style="font-size: x-small;">III. A música humaniza a máquina (5:13)</span><br />
In Defense of the Machine<br />
<a href="http://www.pogus.com/21067.html">Pogus Productions/</a>2013<br />
<span style="font-size: x-small;">(for 4 percussionists, 4 metronomes, and electronic sounds); percussion: Adriano Letzel, Arturo Uribe, Bruno Cabrera, Catarina Percinio, Clenio Henrique, Rosângela Rhafaelle, Rubens Lopes, Sérgio Coutinho; recorded at Teatro Maria de Lourdes Sekeff, the Art Institute of UNESP, São Paulo, March 27, 2010; composition year: 1968; total time: 8:51
</span><br />
<br />
SET FIVE<br />
Robert Scott Thompson: S-Foam<br />
Sanctum<br />
<a href="http://robert-scott-thompson.bandcamp.com/album/sanctum">EMF</a>/2007<br />
<span style="font-size: x-small;">electroacoustic music processed from Styrofoam objects: Robert Scott Thompson; recorded at the composer's studio, Roswell, Georgia, 2006; time: 6:30</span><br />
<br />
R. Weis: The Reaper & Me<br />
Web of Illusion<br />
<a href="http://www.rweis.com/webof.html">R. Weis</a>/1998<br />
<span style="font-size: x-small;">samples, sampler: Robert Weis; mix: Paul Ruest, The Argot Network, New York City; time: 3:01</span><br />
<br />
TriAngular Bent: Set 1<br />
TriAngular Bent<br />
<a href="http://philipmantione.com/">TriAngular Bent Records</a>/2016<br />
<span style="font-size: x-small;">gong, computer, electronics: Don Preston; cello, bent circuits: Jeff Boynton; computer, electronics: Philip Mantione; time: 9:34</span><br />
<br />
Musicians of the Merce Cunningham Dance Company: Event, 12/14/04<br />
Music for Merce 1952--2009 (boxed set)<br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=86954">New World Records</a>/2010<br />
<span style="font-size: x-small;">laptop, violin, psalter: David Behrman; electric guitar, live electronics: John King; laptop: George Lewis; excerpt from December 14, 2004, performance, New York City; time: 3:54</span><br />
<br />
-- FIN --Martian Gardenshttp://www.blogger.com/profile/03674178692741987194noreply@blogger.com0tag:blogger.com,1999:blog-5172855888455534181.post-2558092485625708252016-07-27T16:51:00.000-04:002016-08-03T16:10:57.676-04:00Martian Gardens, July 29, 2016<b style="color: red;">Host: Max Shea</b><span style="color: red;"> </span><br />
online playlists:<br />
<a href="http://www.martiangardens.blogspot.com/">Martian Gardens blog</a><br />
email: martiangardens@gmail.com<br />
<br />
<a href="http://valleyfreeradio.org/">WXOJ-LP 103.3</a><br />
Valley Free Radio<br />
Northampton, Mass.<br />
<a href="http://valleyfreeradio.org/listen/">Webcast</a>/Broadcast<br />
Fridays Noon -- 2:00 p.m. EDT<br />
Webcast date: July 22, 2016<br />
<a href="http://globalcommunityradio.blogspot.com/"><br /></a><a href="http://globalcommunityradio.blogspot.com/">GLOBAL COMMUNITY RADIO</a><br />
Webcast: Fridays 3:00 a.m. -- 5: a.m. EDT<br />
Webcast date: July 22, 2016<br />
<br />
Coming soon: Downloadable Martian Gardens podcast<br />
<b><br /></b>
<span style="font-weight: bold;">HOUR</span><b> ONE</b><br />
<b><br /></b>
SET ONE<br />
Tõnu Kõrvits: Viimane Laev/The Last Ship<br />
Mirror<br />
<a href="https://www.ecmrecords.com/catalogue/1455097226/mirror-tonu-korvits">ECM</a>/2016<br />
<span style="font-size: x-small;">(for male choir, bass drum, and strings); Tallinn Chamber Orchestra and Estonian Philharmonic Chamber Choir, conductor: Tõnu Kaljuste; text: Juhan Smuul; recorded at Methodist Church, Tallinn, Estonia, February 2013; composition year: 2008; time: 6:26</span><br />
<br />
George Crumb: Poor Wayfaring Stranger (trad., arr. G. Crumb)<br />
<span style="font-size: x-small;">from Unto The Hills (An Appalachian Song Cycle), American Songbook III</span><br />
Complete Crumb Edition, Volume Seven<br />
<a href="http://bridgerecords.com/products/9139">Bridge Records</a>/2003<br />
<span style="font-size: x-small;">soprano: Ann Crumb; Orchestra 2001 (piano: Marcantonio Barone; percussion: Susan M. Jones, David Nelson, KIenneth Miller, William Paul Kerrigan), conductor: James Freeman; recorded at Lang Concert Hall, Swarthmore College, June 2003, composition year: 2002; time: 6:33</span><br />
<br />
Airi Yoshioka: For Airi (E. Wallen)<br />
Sueños Misticos<br />
<span style="font-size: x-small;">Contemporary Music by Latin American Composers</span><br />
<a href="http://www.neuma-music.com/neuma_home.htm">Neuma Recordings</a>/2015<br />
<span style="font-size: x-small;">violin: Airi Yoshioka; recorded at the American Academy of Arts and Letters, September 2011; composer: Errollyn Wallen; composition year: 2008; time: 5:16</span><br />
<br />
SET TWO<br />
Sumbawa musicians: Lopi Penge (excerpt)<br />
Music of Indonesia 16<br />
<span style="font-size: x-small;">Music from the Southeast -- Sumbawa, Sumba, Timor</span><br />
<a href="http://www.folkways.si.edu/music-of-indonesia-series/smithsonian">Smithsonian Folkways</a>/1988<br />
<span style="font-size: x-small;">violin with female vocals; recorded in Bima, Sumbawa, West Nusa Tenggara, Indonesia, 1997; time: 5:51</span><br />
<br />
Terry Jenoure:<br />
<span style="font-size: x-small;">a. Treasure (3:07)</span><br />
<span style="font-size: x-small;">b. Suspense (2:40)</span><br />
Purple & Silk<br />
<a href="http://www.randombargain.com/store.php/randombargain/pd8850866/purple_and_silk_by_terry_jenoure_on_audio_cd_album_2010">The Orchard</a>/1999<br />
<span style="font-size: x-small;">violin, voice: Terry Jenoure (a. words and music: Terry Jenoure; b. words: Frederick C. Tillis, music: Terry Jenoure); recorded at Sound Design Studios, Brattleboro, Vermont, 1999; total time: 5:47</span><br />
<br />
John Cage: Child of Tree<br />
The Works for Percussion 3<br />
<a href="http://www.moderecords.com/catalog/272-cage.html">Mode Records</a>/2014<br />
<span style="font-size: x-small;">amplified plant materials: D'Arcy Philip Gray; recorded at Sutton United Church, Sutton, Quebec, July 2008; composition year: 1975; time: 8:11</span><br />
<br />
Meredith Monk: Porch<br />
Key<br />
<a href="http://www.lovely.com/titles/cd1051.html">Lovely Music, Ltd.</a>/1995 (orig. Increase LP, 1971)<br />
<span style="font-size: x-small;">solo vocals: Meredith Monk; time: 2:16</span><br />
<br />
<b>HOUR TWO</b><br />
<br />
SET THREE<br />
The Vocal Constructivists: Treatise, movement 2, pages 111-135 (C. Cardew)<br />
Walking Still<br />
<a href="http://www.innova.mu/albums/vocal-constructivists/walking-still">Innova Recordings</a>/2014<br />
<span style="font-size: x-small;">The Vocal Constructivists, director: Jane Alden; recorded at Wesleyan University, 2011, composer: Cornelius Cardew; composition years: 1963-1967; arr. Jane Alden; time: 7:05</span><br />
<br />
Cornelius Cardew: <a href="http://www.blockmuseum.northwestern.edu/picturesofmusic/pages/anim.html">Treatise</a> (excerpt)<br />
Treatise<br />
<a href="http://www.moderecords.com/catalog/272-cage.html">Mode Records</a>/2009<br />
<span style="font-size: x-small;">The QUaX Ensemble, director: Petr Kotik; recorded live in Prague, 1967; composition years: 1963-1967; excerpt time: 8:05</span><br />
<br />
George Hurd: Navigation Without Numbers<br />
Navigation Without Numbers<br />
<a href="http://www.georgehurd.com/discography/navigation-without-numbers/">Innova Recordings</a>/2016<br />
<span style="font-size: x-small;">violin: Carla Kihlstedt; electronics: George Hurd; recorded at Ear Relevant Audio and Ex'Pression Studio; time: 4:53</span><br />
<br />
SET FOUR<br />
Chris Brown: 11-7-6-4<br />
Six Primes<br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=94309">New World Records</a>/2016<br />
<span style="font-size: x-small;">piano: Chris Brown; recorded at Littlefield Concert Hall, Mills College, Oakland, July 2015; composition year: 2015; time: 8:01</span><br />
<br />
Philip Mantione: Country Inn<br />
Containers<br />
<a href="http://philipmantione.com/">Scattered Music</a>/2000<br />
<span style="font-size: x-small;">samples, computer: Philip Mantione; composition year: 2000, for <a href="http://alyssestepanian.com/">Alysse Stepanian</a>'s video "<a href="http://alyssestepanian.com/v_countryinn.html">Country Inn</a>," time: 6:06</span><br />
<br />
Noah Creshevsky: The Kindness of Strangers<br />
Rounded with a Sleep<br />
<a href="http://www.pogus.com/21063.html">Pogus Productions</a>/2011<br />
<span style="font-size: x-small;">electroacoustic music: Noah Creshevsky; voice, guitar: <a href="https://en.wikipedia.org/wiki/Gary_Heidt">Gary Heidt</a>: composition year: 2009; time: 4:58</span><br />
<br />
SET FIVE<br />
Christopher Shultis: Friends<br />
An Illusion of Desire<br />
<a href="http://www.neuma-music.com/christopher_shultis_an_illusion_of_desire.htm">Neuma Records</a>/2016<br />
<span style="font-size: x-small;">voice, text: Christopher Shultis; piano: John Bartlett; crotales: Douglas Nottingham; composition years: 1990, 1991; time: 9:04</span><br />
<br />
Reconnaissance Fly: Oh! Goldfinch Cage<br />
Flower Futures<br />
<a href="http://www.edgetonerecords.com/reconnaissancefly.html">Edgetone Records</a>/2014<br />
<span style="font-size: x-small;">voice, flute, guitar: Polly Moller; keyboards: Amanda Chaudhary; clarinet, bass clarinet, soprano saxophone, tenor saxophone: Rich Lesnick; bass guitar, electronics: Tim Walters; drums: Larry the O; recorded in San Francisco; time: 8:13</span><br />
<br />
Steve Layton: The Projector's Celluloid Song<br />
Strange Neighborhoods<br />
<a href="https://stevelayton.bandcamp.com/">ImprovFriday</a>/2011<br />
<span style="font-size: x-small;">performers: Peter Thorn, Manu Zerbib, Jeff Duke, Kavin Allenson; mixed, mashed, mastered by Steve Layton; time: 6:45</span><br />
<br />
-- FIN --Martian Gardenshttp://www.blogger.com/profile/03674178692741987194noreply@blogger.com0tag:blogger.com,1999:blog-5172855888455534181.post-41061881673427263442016-07-19T16:31:00.001-04:002016-07-27T16:47:34.368-04:00Martian Gardens, July 22, 2016<b style="color: red;"><br /></b>
<b style="color: red;">Host: Max Shea</b><span style="color: red;"> </span><br />
online playlists:<br />
<a href="http://www.martiangardens.blogspot.com/">Martian Gardens blog</a><br />
email: martiangardens@gmail.com<br />
<br />
<a href="http://valleyfreeradio.org/">WXOJ-LP 103.3</a><br />
Valley Free Radio<br />
Northampton, Mass.<br />
<a href="http://valleyfreeradio.org/listen/">Webcast</a>/Broadcast<br />
Fridays Noon -- 2:00 p.m. EDT<br />
Webcast date: July 22, 2016<br />
<a href="http://globalcommunityradio.blogspot.com/"><br /></a><a href="http://globalcommunityradio.blogspot.com/">GLOBAL COMMUNITY RADIO</a><br />
Webcast: Fridays 3:00 a.m. -- 5: a.m. EDT<br />
Webcast date: July 22, 2016<br />
<br />
Coming soon: Downloadable Martian Gardens podcast<br />
<br />
<b>HOUR ONE</b><br />
<br />
SINGLE PLAY<br />
Meredith Monk: Ellis Island<br />
Piano Songs<br />
<a href="https://ecmreviews.com/2015/05/12/meredith-monk-piano-songs/">ECM New Series</a>/2014<br />
<span style="font-size: x-small;">pianos: Ursula Oppens, Bruce Brubaker; recorded at Jordan Hall, New England Conservatory, Boston, April 2012; composition year: 1981; time: 2:59</span><br />
<br />
SET ONE<br />
The Gregg Smith Singers: I Have Heard... (D. Hindman)<br />
Like Shining<br />
<a href="http://www.greggsmithsingers.com/recordings.php">Living Music Foundation</a>/2001<br />
<span style="font-size: x-small;">The Gregg Smith Singers, director: Gregg Smith; recorded at Canterbury Methodist Church, Birmingham, Alabama; composer: <a href="http://dorothyhindman.org/IHaveHeard.html">Dorothy Hindman</a>; composition year: 1993; text: Walt Whitman; time: 5:06</span><br />
<br />
Orlando Jacinto Garcia: On the Eve of the Second Year Anniversary of <a href="http://www.nytimes.com/1987/09/04/obituaries/morton-feldman-dies-at-61-an-experimental-composer.html">Morton</a>'s Death<br />
La Belleza del Silencio (The Beauty of Silence)<br />
<a href="http://www.orlandojacintogarcia.com/the-beauty-of-silence/">O.O. Discs</a>/1991<br />
<span style="font-size: x-small;">The Gregg Smith Singers, director: Gregg Smith; composition year: 1989; time: 12:55</span><br />
<br />
(In memory of <a href="http://www.nytimes.com/2016/07/17/arts/music/gregg-smith-choral-leader-who-elevated-standards-dies-at-84.html?_r=0">Gregg Smith</a>, August 21, 1931 -- July 12, 2016)<br />
<br />
Morton Feldman: Four Songs to e.e. cummings<br />
<span style="font-size: x-small;">a. !blac (0:41)</span><br />
<span style="font-size: x-small;">b. air (0:32)</span><br />
<span style="font-size: x-small;">c. (sitting in a tree-) (1:17)</span><br />
<span style="font-size: x-small;">d. moan (0:42)</span><br />
Voices and Instruments<br />
<a href="http://www.moderecords.com/catalog/107feldman.html">Mode Records</a>/2002<br />
<span style="font-size: x-small;">members of The Barton Workshop -- soprano: Claron McFadden; piano: Frank Denyer; cello: John Addison; texts: e.e. cummings; recorded in The Netherlands 1998-2000; composition year: 1951; total time: 3:05</span><br />
<br />
SET TWO<br />
Jenny Olivia Johnson: The After Time (Dancing)<br />
Don't Look Back<br />
<a href="http://www.innova.mu/albums/jenny-olivia-johnson/dont-look-back">Innova Recordings</a>/2015<br />
<span style="font-size: x-small;">vocals: Megan Schubert, Amanda Crider; ingredients may include: clarinets: Eileen Mack; bassoon: Andrew Delcios; violin: Todd Reynolds; cellos: Peter Gregson, David Russell, Melinda Menzes; guitars: Lisa Liu; electric guitar, didgeridoo: Dan Kozak; pianos: Isabelle O'Connell, Eliko Akahori, Jake Penn Kozak; percussion: Jude Traxler; electronics, percussion, synthesizer, lyrics: Jenny Olivia Johnson; conductor: Nathaniel Berman; recorded at Oktaven Audio, Yonkers, New York; time: 5:58</span><br />
<br />
Reconnaissance Fly: The Animal Trade in Canada<br />
Flower Futures<br />
<a href="http://reconnaissancefly.com/">Edgetone Records</a>/2014<br />
<span style="font-size: x-small;">voice, flute, guitar: Polly Moller; keyboards: Amanda Chaudhary; clarinet, bass clarinet, soprano saxophone, tenor saxophone: Rich Lesnick; bass guitar, electronics: Tim Walters; drums: Larry the O; recorded in San Francisco; time: 8:13</span><br />
<br />
Alan Sondheim:<br />
<span style="font-size: x-small;">a. 782 (1:57)</span><br />
<span style="font-size: x-small;">b. 770 (3:21)</span><br />
Ritual-All-7-70<br />
<a href="https://www.discogs.com/Alan-Sondheim-Ritual-All-770-Ritual-All-7-70/master/172924">ESP-Disk</a>/2008 (orig. LP/1967)<br />
<span style="font-size: x-small;">vocals: Ruth Ann Hutchinson; bass: Chris Mattheson; tabla: Barry Sugarman; suling, xylophone: Alan Sondheim; recorded in Providence, Rhode Island, January 1967; total selections time: 5:18</span><br />
<br />
Joseph Bertolozzi: Continuum<br />
Tower Music<br />
<span style="font-size: x-small;">Bertolozzi Plays the Eiffel Tower</span><br />
<a href="http://www.innova.mu/albums/joseph-bertolozzi/tower-music-musique-de-la-tour">Innova Recordings</a>/2015<br />
<span style="font-size: x-small;">percussion, samples: Joseph Bertolozzi (samples from The Audio Library of the Eiffel Tower, Paris), composition year: 2014; time: 3:19</span><br />
<br />
Steve Reich: Mallet Quartet, Movement 3 -- Fast<br />
Third Coast Percussion performs Steve Reich<br />
<a href="http://www.cedillerecords.org/">Çedille</a>/2016<br />
<span style="font-size: x-small;">Third Coast Percussion; recorded at the University of Notre Dame's DeBartolo Performing Arts Center, December 15-19, 2014; composition year: 2009; time: 5:03</span><br />
<br />
Jorge Reyes: Argol Sagrado<br />
The Flayed God<br />
<a href="https://www.discogs.com/Jorge-Reyes-The-Flayed-God/release/255707">Staalplaat</a>/1994<br />
<span style="font-size: x-small;">percussion: Jorge Reyes; recorded El Cuarto de Maquinas, Mexico City, 1990; remixed by Steve Roach and Jorge Reyes, The Timeroom, Tucson, Arizona; time: 1:30</span><br />
<br />
<b>HOUR TWO</b><br />
<br />
SET THREE<br />
Philip Mantione: Motel<br />
Motel<br />
<a href="https://philipmantione.bandcamp.com/album/motel">Scattered Music</a>/2001<br />
<span style="font-size: x-small;">motel room telephone comments/noises curated by Phil Mantione; processing; Phil Mantione; recorded for the "One Night Stand" art show (Tamara Fites, Michael Lewis Miller); Farmers's Daughter Motel, Los Angeles, July 2001; time: 15:12</span><br />
<br />
Twisted Tutu: Touchtone Tony<br />
Play Nice<br />
<a href="http://www.evbvd.com/">O.O. Discs</a>/1999<br />
<span style="font-size: x-small;">telephony, processing: Eve Beglarian, Ben Rubin; phone message: Touchtone Tony, the Hotline Homeboy; composition year: 1994; time: 1:43</span><br />
<br />
Lee Noyes & J.C. Combs: Confessions<br />
Confessions of a Deviant Machine<br />
<a href="http://con-v.org/">Con-V Edition</a>/2011<br />
<span style="font-size: x-small;">percussion, prepared piano, electronics, processing: Lee Noyes; electronics, piano, processing: J.C. Combs; recorded in Dunedin, Arizona, and Seattle, Washington, 2009-2011; time: 4:05</span><br />
<br />
SET FOUR<br />
Erdem Helvacıoğlu: Blank Mirror<br />
Wounded Breath<br />
<a href="http://www.aucourantrecords.com/catalog.php?op=artist&aid=12">Aucourant Records</a>/2008<br />
<span style="font-size: x-small;">electroacoustic music: Erdem Helvacıoğlu; recorded at Itu Miam Studio, Istanbul, Turkey; composition year: 2006; time: 9:36</span><br />
<br />
Joseph Byrd: Water Music<br />
NYC 1960-1963<br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=91465">New World Records</a>/2013<br />
<span style="font-size: x-small;">electronic tape and percussion; percussion: Alan Zimmerman; recorded at Systems Two, Brooklyn, October 16, 2010; composition year: 1963; time: 12:46</span><br />
<br />
SET FIVE<br />
Jane Rigler: Internally Rarefied (index one)<br />
Rarefactions<br />
<a href="http://www.neuma-music.com/jane_rigler_rarefactions.htm">Neuma Records</a>/2015<br />
<span style="font-size: x-small;">piccolo, electronics: Jane Rigler; prepared guitar, banjo: Janet Feder; piano, farfisa organ, Nintendeo DS, keyboards: Shoko Nagai; percussion, electronics: Satoshi Takeishi; recorded at Immersive Studios, Boulder, Colorado, 2013, 2014; time: 3:21</span><br />
<br />
Francis Dhomont: Studio de nuit<br />
Jalons<br />
<a href="http://www.electrocd.com/en/cat/imed_0365/">empreintes DIGITALes</a>/2002<br />
<span style="font-size: x-small;">electroacoustic music on stereo tape realized at the composer's studio, Avignon, France, 1992; spoken voice: Francis Dhomont; additional comments: Laurie Radford, Pierre Daboval, Justice Olsson, Marie Pelletier, Jean-François Denis, and Pierre Louet; premiered at Futura 95: Acousma international 12, Crest, Drôme, France, September 2, 1995; time: 3:00</span><br />
<br />
-- FIN --Martian Gardenshttp://www.blogger.com/profile/03674178692741987194noreply@blogger.com0tag:blogger.com,1999:blog-5172855888455534181.post-6905577107356270642016-07-13T15:07:00.000-04:002016-07-19T14:28:05.696-04:00Martian Gardens, July 15, 2016<br />
<b style="color: red;"><br /></b><b style="color: red;">Host: Max Shea</b><span style="color: red;"> </span><br />
online playlists:<br />
<a href="http://www.martiangardens.blogspot.com/">Martian Gardens blog</a><br />
email: martiangardens@gmail.com<br />
<br />
<a href="http://valleyfreeradio.org/">WXOJ-LP 103.3</a><br />
Valley Free Radio<br />
Northampton, Mass.<br />
<a href="http://valleyfreeradio.org/listen/">Webcast</a>/Broadcast<br />
Fridays Noon -- 2:00 p.m. EDT<br />
Webcast/broadcast: July 15, 2016<br />
<a href="http://globalcommunityradio.blogspot.com/"><br /></a><a href="http://globalcommunityradio.blogspot.com/">GLOBAL COMMUNITY RADIO</a><br />
Webcast: Fridays 3:00 a.m. -- 5: a.m. EDT<br />
Webcast: July 15, 2016<br />
<br />
Coming soon: Downloadable Martian Gardens podcast<br />
<br />
<b>HOUR ONE</b><br />
Meredith Monk: Parlour Games<br />
Piano Songs<br />
<a href="https://ecmreviews.com/2015/05/12/meredith-monk-piano-songs/">ECM New Series</a>/2014<br />
<span style="font-size: x-small;">pianos: Ursula Oppens, Bruce Brubaker; recorded at Jordan Hall, New England Conservatory, Boston, April 2012; composition year: 1988; time: 7:31</span><br />
<br />
Chris Brown: 13-7-6-4<br />
Six Primes<br />
<span style="font-size: x-small;">for piano in 13-limit just intonation</span><br />
<a href="http://www.newworldrecords.org/">New World Records</a>/2016<br />
<span style="font-size: x-small;">piano: Chris Brown; recorded at Littlefield Concert Hall, Mills College, Oakland, July 2015; composition year: 2014; time: 8:53</span><br />
<br />
Ursula Mamlok: The Birds Dream<br />
<span style="font-size: x-small;">I. The Mocking Bird/Die Spottdrossel (Andante) (0:35)</span><br />
<span style="font-size: x-small;">II. The Sparrow/Der Sperling (Vivo) (0:33)</span><br />
<span style="font-size: x-small;">III. The Catbird/Die Katzendrossel (Grazioso) (1:07)</span><br />
<span style="font-size: x-small;">IV. The Nightingale/Die Nachtigall (Lento) (1:14)</span><br />
<span style="font-size: x-small;">V. The Blackbird/Die Amsel (Poco pesante e misterioso) (0:45)</span><br />
<span style="font-size: x-small;">VI. The Parrot/Der Papagei/Allegretto scherzando) (0:35)</span><br />
Ursula Mamlok Volume 5<br />
<a href="http://bridgerecords.com/products/9457">Bridge Records</a>/2016<br />
<span style="font-size: x-small;">piano: Kurt Groschopp; recorded at Deutschland Kultur, Berlin, "Studio Britz," September 2014; composition year: 1944; total time: 4:42</span><br />
<br />
Judith Shatin: Three Summers Heat<br />
<span style="font-size: x-small;">a. Just Now the Sea-Green Banners Fly (2:09)</span><br />
<span style="font-size: x-small;">b. Just Now the Early Peach is Red (1:57)</span><br />
<span style="font-size: x-small;">c. It's Midsummer and Too Hot to Walk (3:29)</span><br />
<span style="font-size: x-small;">d. Summer Earth is Windless. Heat Still Presses (1:49)</span><br />
<span style="font-size: x-small;">e. Light Clothes! Few Clothes! (2:00)</span><br />
<span style="font-size: x-small;">f. I Remember Desire like White Light (3:20)</span><br />
<span style="font-size: x-small;">g. I Raise my Head to Look at T'ung Trees (2:20)</span><br />
CDCM Computer Music Series Volume 29 [various artists]<br />
<span style="font-size: x-small;">Music from VCCM: Virginia Center for Computer Music University of Virginia</span><br />
<a href="http://www.centaurrecords.com/store/">Centaur Records</a>/1999<br />
<span style="font-size: x-small;">soprano: Susan Narucki; text: <a href="https://en.wikipedia.org/wiki/Six_Dynasties_poetry">Tzu Yeh</a> (Chin Dynasty); recorded at Taplin Auditorium, Princeton University, August, 1998; composition year: 1989; total time: 17:48</span><br />
<br />
Steve Layton & ImprovFriday:<br />
<span style="font-size: x-small;">a. Summer Night Sounds (2:47)</span><br />
<span style="font-size: x-small;">b. Summer Conversations (5:45)</span><br />
Summer Mirages<br />
<u>ImprovFriday</u>/2012<br />
<span style="font-size: x-small;">musicians: Bruce Hamilton (a,b), Chris Vaisvil (b), Steve Moshier (b), Kevin Allenson (b), Jim Goodin (a), mixed by <a href="https://stevelayton.bandcamp.com/">Steve Layton</a> at the composer's studio, June 2012; total time: 8:32</span><br />
<br />
John Luther Adams: Wood Thrush<br />
Songbirdsongs<br />
<a href="http://www.moderecords.com/catalog/240_adams.html">Mode Records</a>/2012<br />
<span style="font-size: x-small;">The Callithumpian Consort, director: Stephen Drury; recorded at Jordan Hall, New England Conservatory of Music, Boston; recorded October 3, 2006; composition years: 1974-1979, revised 2006; time: 4:35 </span><br />
<b><br /></b>
<b>HOUR TWO</b><br />
Robert Scott Thompson: Fog Index, Part 4<br />
Siren<br />
<a href="http://www.aucourantrecords.com/">Aucourant Records</a>/2008 (orig. 1999)<br />
<span style="font-size: x-small;">electroacoustic music: Robert Scott Thompson; recorded at the composer's studio, Roswell, Georgia; composition year: 1998; time: 6:00</span><br />
<br />
Mari Kimura: Scuffle and Snap (E. Chasalow)<br />
Harmonic Constellations (various composers)<br />
<span style="font-size: x-small;">Works for Violin & Electronics </span><br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=94280">New World Records</a>/2016<br />
<span style="font-size: x-small;">violin: Mari Kimura; recorded May 2014, Oktaven Audio, Yonkers, New York; composer: Eric Chasalow; composition year: 2010; time: 5:48</span><br />
<br />
John Cage: Second Construction<br />
The Works for Percussion 2<br />
<a href="http://www.moderecords.com/catalog/243_cage.html">Mode Records</a>/2012<br />
<span style="font-size: x-small;">Third Coast Percussion (Owen Clayton Condon, Robert Dillon, Peter Martin, David Skidmore); Recorded at Bouttell Memorial Concert Hall, University of Northern Illinois, De Kalb, June 2011; composition year: 1940; time: 7:50</span><br />
<br />
Joseph Bertolozzi: A Thousand Feet of Sound/Troi cents metres de son<br />
Tower Music<br />
<span style="font-size: x-small;">Bertolozzi Plays the Eiffel Tower</span><br />
<a href="http://www.innova.mu/albums/joseph-bertolozzi/tower-music-musique-de-la-tour">Innova Recordings</a>/2015<br />
<span style="font-size: x-small;">percussion, samples: Joseph Bertolozzi (samples from The Audio Library of the Eiffel Tower, Paris), composition year: 2014; time: 5:11</span><br />
<br />
R. Weis: Tubular March<br />
Excitable Audible<br />
<a href="https://www.cdbaby.com/cd/rweis2">R. Weis</a>/2012<br />
<span style="font-size: x-small;">sampler, samples: Robert Weis (samples: two cardboard tubes dropping, single vocal tone); recorded at the composer's studio, Pittsburgh, Pennsylvania, time: 2:16</span><br />
<br />
Dariusz Mazurowski: Part 7 -- Fait Accompli<br />
Non Acoustic Symphony<br />
<a href="https://itunes.apple.com/us/album/non-acoustic-symphony/id988208669">Neuma Records</a>/2015<br />
<span style="font-size: x-small;">electroacoustic music: Dariusz Mazurowski; recorded at the De eM Studio, Gdansk, Poland, 2011-2013; time: 5:54
</span><br />
<br />
Adrian Moore: Power Tools (v1)<br />
Compendium International -- Bourges 2004<br />
<a href="http://www.mnemosyne-musique.com/index.php?page=shop.product_details&flypage=flypage.tpl&product_id=41&category_id=6&option=com_virtuemart&Itemid=1">Mnemosyne Musique Media</a>/2004<br />
<span style="font-size: x-small;">electroacoustic music on stereo tape realized at the composer's studio, mixed at Studio Cricé, <a href="https://fr.wikipedia.org/wiki/Institut_international_de_musique_%C3%A9lectroacoustique_de_Bourges">IMEB</a>, Bourges, February 2004; premiered at Palais Jacques-Cœur, the Synthèse Festival, Bourges, June 4, 2004; time: 14:24; see also: <a href="http://www.electrocd.com/en/cat/imed_0684/">empreintes DIGITALes</a></span><br />
<br />
Jorges Antunes: Canto Selvagem (Savage Song)<br />
Savage Songs<br />
<span style="font-size: x-small;">Early Brazilian Electronic Music 1961-1970</span><br />
<a href="http://www.pogus.com/21027.html">Pogus Productions</a>/2002<br />
<span style="font-size: x-small;">electronic music: Jorge Antunes; produced at the Antunes Studio of Chromo-Musical Research and the Villa Lobos Institute, Rio de Janeiro, 1967; time: 3:00</span><br />
<br />
-- FIN --Martian Gardenshttp://www.blogger.com/profile/03674178692741987194noreply@blogger.com0tag:blogger.com,1999:blog-5172855888455534181.post-51735163084964437202016-07-06T22:14:00.001-04:002016-07-13T13:13:51.879-04:00Martian Gardens, July 8, 2016<b style="color: red;"><br /></b><b style="color: red;">Host: Max Shea</b><span style="color: red;"> </span><br />
online playlists:<br />
<a href="http://www.martiangardens.blogspot.com/">Martian Gardens blog</a><br />
email: martiangardens@gmail.com<br />
<br />
<a href="http://valleyfreeradio.org/">WXOJ-LP 103.3</a><br />
Valley Free Radio<br />
Northampton, Mass.<br />
<a href="http://valleyfreeradio.org/listen/">Webcast</a>/Broadcast<br />
Fridays Noon -- 2:00 p.m. EDT<br />
Next webcast/broadcast: July 1, 2016<br />
<a href="http://globalcommunityradio.blogspot.com/"><br /></a><a href="http://globalcommunityradio.blogspot.com/">GLOBAL COMMUNITY RADIO</a><br />
Webcast: Fridays 3:00 a.m. -- 5: a.m. EDT<br />
Premiere webcast: July 1, 2016<br />
<br />
Coming soon: Downloadable Martian Gardens podcast<br />
<br />
<b>HOUR ONE</b><br />
Meredith Monk: Dolmen Music<br />
<span style="font-size: x-small;">a. Overture and Men's Conclave</span><br />
<span style="font-size: x-small;">b. Wa-Ohs</span><br />
<span style="font-size: x-small;">c. Rain</span><br />
<span style="font-size: x-small;">d. Pine Tree Lullaby</span><br />
<span style="font-size: x-small;">e. Calls</span><br />
<span style="font-size: x-small;">f. Conclusion</span><br />
Dolmen Music<br />
<a href="https://www.discogs.com/Meredith-Monk-Dolmen-Music/master/32853">ECM New Series</a>/1994 (orig. LP/1981)<br />
<span style="font-size: x-small;">voices: Andrea Goodman, Meredith Monk, Monica Solem, Julius Eastman, Robert Eeen, Paul Langland; cello: Robert Een; percussion: Julius Eastman; recorded at Hometown Studios, New York City, March 1980; time: 23:39</span><br />
<br />
Elliott Sharp: Homage Leroy Jenkins<br />
Tranzience<br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=94271">New World Records</a>/2015<br />
<span style="font-size: x-small;">clarinet: Joshua Rubin; violin: Rachel Golub; piano: Jenny Lin; recorded September 1, 2015, at the American Academy of Arts and Letters, New York City, composition year: 2008; time: 9:26</span><br />
<br />
Leroy Jenkins' Driftwood: To Run - Vivace ♩ = 168<br />
The Art of Improvisation<br />
<a href="http://mutablemusic.com/mm/">Mutable Music</a>/2006<br />
<span style="font-size: x-small;">violin: Leroy Jenkins; piano: Denman Maroney; pipa: Min Xiao-Fen; percussion: Rich O'Donnell; recorded at the Association for the Advancement of Creative Musicians (AACM) concert, Chicago, October 8, 2004; time: 5:02</span><br />
<br />
Evan Parker Electro-Acoustic Ensemble: Memory/Vision --<br />
<span style="font-size: x-small;">Staring into the Time Cone, Part 3</span><br />
Memory/Vision<br />
<a href="https://www.discogs.com/Evan-Parker-Electro-Acoustic-Ensemble-Memory-Vision/release/227695">ECM New Series</a>/2003<br />
<span style="font-size: x-small;">soprano saxophone, tapes, sampler: Evan Parker; violin, electronics: Philipp Wachsmann; double bass: Barry Guy; piano, prepared piano: Augusti Fernandez; percussion, electronics: Paul Lytton; computer sound processing: Joel Ryan; electronic sound processing: Marco Vecchi, Walter Prati; signal processing: Lawrence Casserly; recorded live at Norges Musikkhøgskole, Oslo, October 2002; time: 5:09</span><br />
<br />
Bernd Klug: Rauschgespraech<br />
Cold Commodities<br />
<a href="http://www.innova.mu/albums/bernd-klug/cold-commodities">Innova Recordings</a>/2014<br />
<span style="font-size: x-small;">electric bass, double bass, processing, noises: Bernd Klug; recorded at East 19th Street, Brooklyn, September, 2013; time: 4:37</span><br />
<br />
John Cage: Daughters of the Lonesome Isle<br />
Complete Short Works for Prepared Piano<br />
<a href="http://www.moderecords.com/catalog/180_181cage.html">Mode Records</a>/2007<br />
<span style="font-size: x-small;">prepared piano: Philipp Vandré; recorded at Hessischer Rundfunk, Frankfurt, Germany, composition year: 1945; time: 9:33</span><br />
<br />
<b>HOUR TWO</b><br />
George Crumb: Music of the Starry Night<br />
<span style="font-size: x-small;">Music for a Summer Evening, Part V</span><br />
Complete Crumb Edition, Volume 4<br />
<a href="http://bridgerecords.com/products/9105">Bridge Records</a>/2005<br />
<span style="font-size: x-small;">(for two amplified pianos and percussion); Quattro Mani (pianos: Susan Grace, Alison Rybak; percussion: John Kinzie, David Colson); recorded at Colorado College, Colorado Springs, August 2000; composition year: 1974; total selections time: 11:56</span><br />
<br />
Stuart Saunders Smith: Tunnels<br />
Crux<br />
<a href="https://www.discogs.com/Stuart-Saunders-Smith-Crux/release/7481561">O.O. Discs</a>/1992<br />
<span style="font-size: x-small;">(for musician/actor); percussion/actor: Thomas Goldstein; composition year: 1982; time: 7:06</span><br />
<br />
Alice Shields: Vegetable Karma<br />
<span style="font-size: x-small;">a. Part One: Descending Raga</span><br />
<span style="font-size: x-small;">b. Part Two: Entry of Drums and Voice</span><br />
<span style="font-size: x-small;">c. Part Three: Loud Mixed Voices</span><br />
<span style="font-size: x-small;">d. Part Four: Ending -- Ascending Pitches</span><br />
Shenandoah -- Three Electronic Works<br />
<a href="http://www.aliceshields.com/">Albany Records</a>/2004<br />
<span style="font-size: x-small;">computer music: Alice Shields; recorded the Computer Music Center of the Conservatory of Music, Brooklyn College, Fall 1999; composition year: 1999; time: 14:36</span><br />
<br />
Stockhausen: Refrain<br />
Complete Early Percussion Works<br />
<a href="http://www.moderecords.com/catalog/274_stockhausen.html">Mode Records</a>/2014<br />
<span style="font-size: x-small;">vibraphone, Alpine bells: Steven Schick; piano and woodblocks: piano, woodblocks: James Avery; celesta, antique cymbals: Pavlos Antoniadis; recorded at Studio A, University of California San Diego, October 2-4, 2008; composition year: 1959; time: 10:15</span><br />
<br />
Mark Applebaum: The First Decade<br />
30<br />
<a href="http://www.innova.mu/albums/mark-applebaum/30">Innova Recordings</a>/2015<br />
<span style="font-size: x-small;">percussion solo: Terry Longshore; recorded at Southern Oregon University Recital Hall, October 14, 2014; time: 10:17</span><br />
<br />
-- FIN --<br />
<br />Martian Gardenshttp://www.blogger.com/profile/03674178692741987194noreply@blogger.com0tag:blogger.com,1999:blog-5172855888455534181.post-80878222362632017982016-06-30T15:28:00.001-04:002016-08-10T14:57:18.879-04:00Martian Gardens, Valley Free Radio & Global Community Radio Edition, July 1, 2016<b style="color: red;"><br /></b><b style="color: red;">Host: Max Shea</b><span style="color: red;"> </span><br />
online playlists:<br />
<a href="http://www.martiangardens.blogspot.com/">Martian Gardens blog</a><br />
email: martiangardens@gmail.com<br />
<br />
<a href="http://valleyfreeradio.org/">WXOJ-LP 103.3</a><br />
Valley Free Radio<br />
Northampton, Mass.<br />
<a href="http://valleyfreeradio.org/listen/">Webcast</a>/Broadcast<br />
Fridays Noon -- 2:00 p.m. EDT<br />
Next webcast/broadcast: July 1, 2016<br />
<a href="http://globalcommunityradio.blogspot.com/"><br /></a><a href="http://globalcommunityradio.blogspot.com/">GLOBAL COMMUNITY RADIO</a><br />
Webcast: Fridays 3:00 a.m. -- 5: a.m. EDT<br />
Premiere webcast: July 1, 2016<br />
<br />
Coming soon: Downloadable Martian Gardens podcast<br />
<br />
SET ONE<br />
Mary Jane Leach: Call of the Dance<br />
Ariadne's Lament<br />
<a href="http://www.mjleach.com/recordings.htm">New World Records</a>/1998<br />
<span style="font-size: x-small;">New York Treble Singers; soprano soloist: Arlene Davis; conductor: Virginia Davidson; recorded at the American Academy of Arts and Letters, New York City; composition year: 1997; time: 9:57</span><br />
<br />
Jenny Olivia Johnson: Pilot<br />
Don't Look Back<br />
<a href="http://www.innova.mu/albums/jenny-olivia-johnson/dont-look-back">Innova Recordings</a>/2015<br />
<span style="font-size: x-small;">vocals: P. Lucy McVeigh, Amanda Crider; clarinets: Eileen Mack; bassoon: Andrew Delcios; violin: Todd Reynolds; cellos: Peter Gregson, David Russell, Melinda Menzes; guitars: Lisa Liu; electric guitar, didgeridoo: Dan Kozak; pianos: Isabelle O'Connell, Eliko Akahori, Jake Penn Kozak; percussion: Jude Traxler; electronics, percussion, synthesizer, lyrics: Jenny Olivia Johnson; conductor: Nathaniel Berman; recorded at Oktaven Audio, Yonkers, New York; time: 11:57</span><br />
<br />
SINGLE PLAY<br />
Christopher Shultis: Oneiro<br />
An Illusion of Desire<br />
<span style="font-size: x-small;">Experimental Music by Christopher Shultis 1988-1992</span><br />
<a href="http://www.neuma-music.com/neuma_home.htm">Neuma Records</a>/2015<br />
<span style="font-size: x-small;">(for percussion trio); percussion: Simone Mancuso, Douglas Nottingham, Brett Reed; composition years: 1988, revised 1992; time: 18:12</span><br />
<br />
SET TWO<br />
Gerard Pape: Heliophonie II<br />
Lux Fugit<br />
<a href="https://www.discogs.com/artist/509279-G%C3%A9rard-Pape">Stradivarius</a>/2015<br />
<span style="font-size: x-small;">(for ensemble and 8 computers); Ensemble C.I.S.I., conductor: Paul Mefano; recorded live, June 2008; composition year: 2008; time: 15:19</span><br />
<br />
Zoviet France: Blow<br />
Gesture Signal Threat<br />
<a href="https://www.discogs.com/zoviet-france-Gesture-Signal-Threat/master/26231">Charrm</a>/1995 (orig. Red Rhino cassette/1986)<br />
<span style="font-size: x-small;">noises, instruments: Ben Ponton, Paolo Di Paolo, Robin Storey; time: 7:12</span><br />
<br />
Rhythm & Noise: Bent Metal Forest<br />
Chasm's Accord<br />
<a href="https://www.discogs.com/Rhythm-Noise-Chasms-Accord/master/99356">Asphodel</a>/1996 (orig. Ralph Records LP/1985)<br />
<span style="font-size: x-small;">noises, instruments: Alaric, Z'ev, Naut Humon, Desmond Shea; recorded at Informusic Studios, San Francisco; time: 4:08</span><br />
<br />
SET THREE<br />
Francis Dhomont: Les moirures du temps (The Shimmering Ripples of Time)<br />
Jalons<br />
<a href="http://www.electrocd.com/en/cat/imed_0365/">empreintes DIGITALes</a>/2003<br />
<span style="font-size: x-small;">electroacoustic music: Francis Dhomont; realized in the Syter studio at Ina-GRM (Paris, France) and at the composer’s studio, 1999; premiered (under the working title Cosa mentale) on February 20, 1999 at the Rien à voir (5) concert series, La Chapelle, Montreal; composition years: 1999, 2000; time: 15:24</span><br />
<br />
Joanna Bruzdowicz: La Sérénité (excerpt) (MP3)<br />
<span style="font-size: x-small;">from <a href="https://en.wikipedia.org/wiki/Homo_faber">Homo Faber</a> -- An Electronic Trilogy</span><br />
Bruzdowicz-Bogaert<br />
<a href="https://www.discogs.com/Joanna-Bruzdowicz-Bruzdowicz-Bogaert/release/643768">Pavane</a>/1981<br />
<span style="font-size: x-small;">electroacoustic music: <a href="https://www.usc.edu/dept/polish_music/composer/bruzdowicz.html">Joanna Bruzdowicz</a>; realized at the IPEM Studio, Ghent, Belgium; composition years: 1971-1975; text: Paul Valery; premiered in Gent, Belgium, 1975; excerpt time: 7:24</span><br />
<br />
SINGLE PLAY<br />
Joan La Barbara: ShamanSong (excerpt)<br />
ShamanSong<br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=80545">New World Records</a>/1998<br />
<span style="font-size: x-small;">voice, percussion, computer, electronic keyboard, synthesizer: Joan La Barbara; hand drums, doumbek, tar: Polly Tapia Ferber; cello: Erika Duke Kirkpatrick; gender: Kristina Melcher; recorded on location at Diablo Canyon and Sante Fe, New Mexico, studio recordings: Kledgit Sound, Cerrillos, New Mexico, Looking Glass Studio, New York City (1991), Metamusic Studios, Los Angeles (1998); composition years: 1991, revised 1998; excerpt time: 28:00</span><br />
<br />
-- FIN --Martian Gardenshttp://www.blogger.com/profile/03674178692741987194noreply@blogger.com0tag:blogger.com,1999:blog-5172855888455534181.post-47888421027484427002016-06-29T09:12:00.002-04:002016-06-29T15:34:13.263-04:00Martian Gardens, Taint Radio Edition, June 30, 2016<b style="color: red;"><br /></b>
<b style="color: red;">Host: Max Shea</b><span style="color: red;"> </span><br />
online playlists:<br />
<a href="http://www.martiangardens.blogspot.com/">Martian Gardens blog</a><br />
email: martiangardens@gmail.com<br />
<br />
<a href="http://taintradio.org/">TAINTRADIO.ORG</a><br />
Webcast: Thursdays 6:00 p.m. -- 9:00 p.m. EDT<br />
Final webcast:<b> </b>June 30, 2016<br />
<br />
<a href="http://valleyfreeradio.org/">WXOJ-LP 103.3</a><br />
Valley Free Radio<br />
Northampton, Mass.<br />
<a href="http://valleyfreeradio.org/listen/">Webcast</a>/Broadcast<br />
Fridays Noon -- 2:00 p.m. EDT<br />
Next webcast/broadcast: July 1, 2016<br />
<a href="http://globalcommunityradio.blogspot.com/"><br /></a>
<a href="http://globalcommunityradio.blogspot.com/">GLOBAL COMMUNITY RADIO</a><br />
Webcast: Fridays 3:00 a.m. -- 5: a.m. EDT<br />
Premiere webcast: July 1, 2016<br />
<br />
Coming soon: Downloadable Martian Gardens podcast<br />
<br />
SET ONE<br />
Mary Jane Leach: Call of the Dance<br />
Ariadne's Lament<br />
<a href="http://www.mjleach.com/recordings.htm">New World Records</a>/1998<br />
<span style="font-size: x-small;">New York Treble Singers; soprano soloist: Arlene Davis; conductor: Virginia Davidson; recorded at the American Academy of Arts and Letters, New York City; composition year: 1997; time: 9:57</span><br />
<br />
Jenny Olivia Johnson: Pilot<br />
Don't Look Back<br />
<a href="http://www.innova.mu/albums/jenny-olivia-johnson/dont-look-back">Innova Recordings</a>/2015<br />
<span style="font-size: x-small;">vocals: P. Lucy McVeigh, Amanda Crider; clarinets: Eileen Mack; bassoon: Andrew Delcios; violin: Todd Reynolds; cellos: Peter Gregson, David Russell, Melinda Menzes; guitars: Lisa Liu; electric guitar, didgeridoo: Dan Kozak; pianos: Isabelle O'Connell, Eliko Akahori, Jake Penn Kozak; percussion: Jude Traxler; electronics, percussion, synthesizer, lyrics: Jenny Olivia Johnson; conductor: Nathaniel Berman; recorded at Oktaven Audio, Yonkers, New York; time: 11:57</span><br />
<br />
SINGLE PLAY<br />
Christopher Shultis: Oneiro<br />
An Illusion of Desire<br />
<span style="font-size: x-small;">Experimental Music by Christopher Shultis 1988-1992</span><br />
<a href="http://www.neuma-music.com/neuma_home.htm">Neuma Records</a>/2015<br />
<span style="font-size: x-small;">(for percussion trio); percussion: Simone Mancuso, Douglas Nottingham, Brett Reed; composition years: 1988, revised 1992; time: 18:12</span><br />
<br />
SET TWO<br />
Gerard Pape: Heliophonie II<br />
Lux Fugit<br />
<a href="https://www.discogs.com/artist/509279-G%C3%A9rard-Pape">Stradivarius</a>/2015<br />
<span style="font-size: x-small;">(for ensemble and 8 computers); Ensemble C.I.S.I., conductor: Paul Mefano; recorded live, June 2008; composition year: 2008; time: 15:19</span><br />
<br />
Zoviet France: Blow<br />
Gesture Signal Threat<br />
<a href="https://www.discogs.com/zoviet-france-Gesture-Signal-Threat/master/26231">Charrm</a>/1995 (orig. Red Rhino cassette/1986)<br />
<span style="font-size: x-small;">noises, instruments: Ben Ponton, Paolo Di Paolo, Robin Storey; time: 7:12</span><br />
<br />
Rhythm & Noise: Bent Metal Forest<br />
Chasm's Accord<br />
<a href="https://www.discogs.com/Rhythm-Noise-Chasms-Accord/master/99356">Asphodel</a>/1996 (orig. Ralph Records LP/1985)<br />
<span style="font-size: x-small;">noises, instruments: Alaric, Z'ev, Naut Humon, Desmond Shea; recorded at Informusic Studios, San Francisco; time: 4:08</span><br />
<br />
SET THREE<br />
Francis Dhomont: Les moirures du temps (The Shimmering Ripples of Time)<br />
Jalons<br />
<a href="http://www.electrocd.com/en/cat/imed_0365/">empreintes DIGITALes</a>/2003<br />
<span style="font-size: x-small;">electroacoustic music: Francis Dhomont; realized in the Syter studio at Ina-GRM (Paris, France) and at the composer’s studio, 1999; premiered (under the working title Cosa mentale) on February 20, 1999 at the Rien à voir (5) concert series, La Chapelle, Montreal; composition years: 1999, 2000; time: 15:24</span><br />
<br />
Joanna Bruzdowicz: La Sérénité (excerpt) (MP3)<br />
<span style="font-size: x-small;">from <a href="https://en.wikipedia.org/wiki/Homo_faber">Homo Faber</a> -- An Electronic Trilogy</span><br />
Bruzdowicz-Bogaert<br />
<a href="https://www.discogs.com/Joanna-Bruzdowicz-Bruzdowicz-Bogaert/release/643768">Pavane</a>/1981<br />
<span style="font-size: x-small;">electroacoustic music: <a href="https://www.usc.edu/dept/polish_music/composer/bruzdowicz.html">Joanna Bruzdowicz</a>; realized at the IPEM Studio, Ghent, Belgium; composition years: 1971-1975; text: Paul Valery; premiered in Gent, Belgium, 1975; excerpt time: 7:24</span><br />
<br />
SINGLE PLAY<br />
Joan La Barbara: ShamanSong<br />
ShamanSong<br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=80545">New World Records</a>/1998<br />
<span style="font-size: x-small;">voice, percussion, computer, electronic keyboard, synthesizer: Joan La Barbara; hand drums, doumbek, tar: Polly Tapia Ferber; cello: Erika Duke Kirkpatrick; gender: Kristina Melcher; recorded on location at Diablo Canyon and Sante Fe, New Mexico, studio recordings: Kledgit Sound, Cerrillos, New Mexico, Looking Glass Studio, New York City (1991), Metamusic Studios, Los Angeles (1998); composition years: 1991, revised 1998; time: 25:24</span><br />
<br />
SET FOUR<br />
Jorge Reyes: El Custombre<br />
<span style="font-size: x-small;">a. Medicine Song</span><br />
<span style="font-size: x-small;">b. La Barrida </span><br />
<span style="font-size: x-small;">c. Divination</span><br />
El Custombre<br />
<a href="https://www.discogs.com/Jorge-Reyes-El-Costumbre/master/59490">Extreme Records</a>/1993<br />
<span style="font-size: x-small;">synthesizer, drum machine, drums: Steve Roach; voice, whistle, Aztec wind whistle, ocarina, distant percussion, floating Tarahumara percussion, Aztec chicahuaztli rattle, turtle shells, sugarcane flute, tree branches, percussive vocalizations: Jorge Reyes; distant guitar: Mick Franke; water percussion: Juan Carlos López; recorded at Jorge Reyes' studio, Mexico City and Harderber Studio, Germany; total time: 11:58</span><br />
<br />
Lou Harrison: Song of Quetzalcoatl<br />
Drums Along the Pacific<br />
<a href="https://www.discogs.com/Lou-Harrison-Drums-Along-The-Pacific/release/4122957">New Albion Records</a>/2003<br />
<span style="font-size: x-small;">William Winant Percussion Group (5 glasses, 5 woodblocks, 5 dragon's mouths, sistrums: William Winant; 5 cowbells, 5 suspended and muted brake drums, wooden rattle: Todd Manley; snare drum, guiro, windglass, triangle, gong, tam-tam: David Rosenthal; 5 tom-toms, contrabass drum: Daniel Kennedy); recorded at Bay Records, Berkeley, California, August 1993; composition year: 1941; time: 6:32</span><br />
<br />
SET FIVE<br />
Kanayatn musicians:<br />
<span style="font-size: x-small;">a. Kamang Siado (gong ensemble) (excerpt) 1:15</span><br />
<span style="font-size: x-small;">b. Tingkakok (gong row) (demonstration) 2:28</span><br />
<span style="font-size: x-small;">c. Baramutn (gong row) (demonstration) 1:20</span><br />
Music of Indonesia 17<br />
<span style="font-size: x-small;">Kalimantan Dayak Ritual and Festival Music</span><br />
<a href="http://www.folkways.si.edu/music-of-indonesia-series/smithsonian">Smithsonian Folkways</a>/1998<br />
<span style="font-size: x-small;">Kanayatn musicians of Dea aur Sampuh, near Pahauman, West Kalimantan, recorded in Kalimantan, Borneo, Indonesia, 1995-1996; total time: 5:03</span><br />
<br />
Bill Alves: selections from Concerto for Guitar and Gamelan:<br />
<span style="font-size: x-small;">a. Movement II (6:27)</span><br />
<span style="font-size: x-small;">b. Movement III (6:23)</span><br />
Guitar & Gamelan<br />
<a href="http://www.billalves.com/GuitarsGamelanCD.html">MicroFest Records</a>/2015<br />
<span style="font-size: x-small;">just intonation guitar: John Schneider; HMC American Gamelan, director: Bill Alves, Harvey Mudd College, California; composition year: 2011; composition year: 2011; total selections time: 13:00</span><br />
<br />
SET SIX<br />
Sumbawa musicians: Lopi Penge (excerpt)<br />
Music of Indonesia 16<br />
<span style="font-size: x-small;">Music from the Southeast -- Sumbawa, Sumba, Timor</span><br />
<a href="http://www.folkways.si.edu/music-of-indonesia-series/smithsonian">Smithsonian Folkways</a>/1998<br />
<span style="font-size: x-small;">violin with female vocals; recorded in Bima, Sumbawa, West Nusa Tenggara, Indonesia, 1997; time: 5:51</span><br />
<br />
Meredith Monk: Porch<br />
Key<br />
<a href="http://www.lovely.com/titles/cd1051.html">Lovely Music, Ltd.</a>/1995 (orig. Increase LP, 1971)<br />
<span style="font-size: x-small;">solo vocal: Meredith Monk; time: 3:20</span><br />
<br />
John Cage: selections from Chorals<br />
<span style="font-size: x-small;">a. 0:53</span><br />
<span style="font-size: x-small;">b. 0:44</span><br />
<span style="font-size: x-small;">c. 0:48</span><br />
The Works for Violin 5<br />
<a href="http://www.moderecords.com/catalog/118cage.html">Mode Records</a>/2003<br />
<span style="font-size: x-small;">violin: Irvine Arditti; recorded at Sendesaal Hessischen Rundfunk, Frankfurt, September 1999; composition year: 1978; total selections time: 2:25</span><br />
<br />
-- FIN --Martian Gardenshttp://www.blogger.com/profile/03674178692741987194noreply@blogger.com0tag:blogger.com,1999:blog-5172855888455534181.post-85516178448866048502016-06-23T16:56:00.000-04:002016-06-23T16:56:04.588-04:00Martian Gardens, Valley Free Radio Edition, June 24, 2016<b style="color: red;"><br /></b><b style="color: red;">Host: Max Shea</b><span style="color: red;"> </span><br />
online playlists:<br />
<a href="http://www.martiangardens.blogspot.com/">Martian Gardens blog</a><br />
email: martiangardens@gmail.com<br />
<br />
<a href="http://taintradio.org/">TAINTRADIO.ORG</a><br />
Webcast: Thursdays 6:00 p.m. -- 9:00 p.m. EDT<br />
Final webcast: June 30, 2016<br />
<br />
<a href="http://valleyfreeradio.org/">WXOJ-LP 103.3</a><br />
Valley Free Radio<br />
Northampton, Mass.<br />
Fridays Noon -- 2:00 p.m. EDT<br />
<a href="http://valleyfreeradio.org/listen/">Webcast</a>/Broadcast date: June 24, 2016<br />
<br />
SET FOUR<br />
Eric Moe: Obey Your Thirst<br />
Harmonic Constellations (various composers)<br />
<span style="font-size: x-small;">Works for Violin & Electronics</span><br />
<a href="http://www.newworldrecords.org/album.cgi?rm=view&album_id=94280">New World Records</a>/2016<br />
<span style="font-size: x-small;">violin: Mari Kimura; recorded May 2014, Oktaven Audio, Yonkers, New York; composition year: 2014; time: 9:26</span><br />
<br />
Jenny Olivia Johnson: Dollar Beers (Redondo Beach '96)<br />
Don't Look Back<br />
<a href="http://www.innova.mu/albums/jenny-olivia-johnson/dont-look-back">Innova Recordings</a>/2015<br />
<span style="font-size: x-small;">vocals: Megan Schubert; flutes: Jessica Schmitz; clarinets: Eileen Mack; bassoon: Andrew Delcios; violin: Todd Reynolds; cellos: Peter Gregson, David Russell, Melinda Menzes; guitars: Lisa Liu; electric guitar, didgeridoo: Dan Kozak; pianos: Isabelle O'Connell, Eliko Akahori, Jake Penn Kozak; percussion: Jude Traxler; electronics, percussion, synthesizer, lyrics: Jenny Olivia Johnson; conductor: Nathaniel Berman; recorded at Oktaven Audio, Yonkers, New York; time: 9:55</span><br />
<br />
Twisted Tutu: Tea Song (G. Klucevsek)<br />
Play Nice<br />
<a href="http://www.evbvd.com/">O.O. Discs</a>/1999<br />
<span style="font-size: x-small;">vocals, gopichand; Eve Beglarian; vocals: Kathleen Suppové: recorded at Baby Monster, New York City, composer: Guy Klucevsek, arr. Eve Beglarian; composition year: 1995; time: 4:29</span><br />
<br />
SET TWO<br />
Amy Denio: The Other One<br />
Soundtracks<br />
<a href="http://www.amydenio.com/">Spoot Music</a>/2002<br />
<span style="font-size: x-small;">voice, spoken text, respirations, tapes: Amy Denio; recorded in Seattle, November 2002, for choreographer Aiko Kinoshita; time: 18:50</span><br />
<br />
Meredith Monk: Walking Song<br />
Volcano Songs<br />
<a href="https://ecmreviews.com/2010/09/07/volcano-songs/">ECM New Series</a>/1997<br />
<span style="font-size: x-small;">voices: Meredith Monk, Katie Geissinger; recorded at Clinton Studios, New York City, July 1995, composition year: 1993; time: 2:58</span><br />
<br />
Robert Scott Thompson: Chanson<br />
Palimpsest<br />
<a href="https://robert-scott-thompson.bandcamp.com/album/palimpsest">Aucourant Records</a>/2015<br />
<span style="font-size: x-small;">computer music: Robert Scott Thompson; recorded at the composer's studio, Roswell, Georgia, 2015; time: 6:22</span><br />
<br />
SET THREE<br />
Warren Burt: The Perils of Paulinian Polyrhythms<br />
Cellular Etudes 2012-2013<br />
<a href="http://www.warrenburt.com/discography-scarlet-aardvark/">Scarlet Aardvark Records</a>/2013<br />
<span style="font-size: x-small;">computers, samplers, samples: Warren Burt; time: 5:05</span><br />
<br />
The Vocal Constructivists: Sound Patterns (P. Oliveros)<br />
Walking Still<br />
<a href="http://www.innova.mu/albums/vocal-constructivists/walking-still">Innova Recordings</a>/2014<br />
<span style="font-size: x-small;">(for mixed chorus); vocals: The Vocal Constructivists, director: Jane Alden; recorded at Wesleyan University, Middletown, Connecticut, 2014; composer: Pauline Oliveros; composition year: 1961; time: 3:58</span><br />
<br />
Dariusz Mazurowski: The Great Red Spot of Jupiter<br />
Non Acoustic Symphony<br />
<a href="https://itunes.apple.com/us/album/non-acoustic-symphony/id988208669">Neuma Records</a>/2015<br />
<span style="font-size: x-small;">(electroacoustic music); recorded at the De eM Studio, Gdansk, Poland, 2011-2013; time: 6:55</span><br />
<br />
David Lee Myers & Marco Oppedisano: An Infinitely Hot and Dense Dot<br />
Tesla at Coney Island<br />
<a href="https://davidleemyersmarcooppedisano.bandcamp.com/">OKS Recordings of North America</a>/2008<br />
<span style="font-size: x-small;">electric guitar, samples: Marco Oppedisano; feedback circuits, noises, samples: David Lee Myers; time : 3:52</span><br />
<br />
SET FOUR<br />
Hilda Paredes: Párama de voces<br />
Señales<br />
<a href="http://www.moderecords.com/profiles/hildaparedes.html">Mode Records</a>/2016<br />
<span style="font-size: x-small;">(for piano and tape); piano: Alberto Rosado; recorded at Teatro Liceo de Salamanco, Spain, January 13, 2015; composition year: 2006; time: 13:37</span><br />
<br />
Benjamin Broening: Nocturne/Doubles<br />
Recombinant Nocturnes<br />
<a href="http://www.innova.mu/albums/benjamin-broening-duo-runedako/recombinant-nocturnes">Innova Recordings</a>/2011<br />
<span style="font-size: x-small;">(for piano and electronics); Duo Runedako (pianos: Ruth Neville, Daniel Koppelman); Camp Concert Hall, University of Richmond, Richmond, Virginia, May 2010; composition year: 2002; time: 6:02</span><br />
<br />
Ursula Mamlok: Above Clouds<br />
<span style="font-size: x-small;">I. As in a dream/Wie im Traum (1:32)</span><br />
<span style="font-size: x-small;">II. Scurrying/Huschend (1:46)</span><br />
<span style="font-size: x-small;">III. Calm and tender/Ruhig und zart (3:20)</span><br />
<span style="font-size: x-small;">IV. Capriccioso (2:05)</span><br />
Ursula Mamlok Volume 5<br />
<a href="http://bridgerecords.com/products/9457">Bridge Records</a>/2016<br />
<span style="font-size: x-small;">(viola: Hartmut Rhode; piano: Holger Groschopp) Members of Spectrum Concerts Berlin, recorded live at Kammermusiksaal Berliner Philarmonie, Germany; April 2015; composition years: 2013, 2014; total time: 8:43</span><br />
<br />
John Cage: Duo (for M.M.)<br />
<span style="font-size: x-small;">from Three Easy Pieces</span><br />
The Piano Works 5<br />
<a href="http://www.moderecords.com/catalog/123cage.html">Mode Records</a>/2003<br />
<span style="font-size: x-small;">piano: Haydée Schwartz; composition year: 1933; time: 1:24</span><br />
<br />
-- FIN --Martian Gardenshttp://www.blogger.com/profile/03674178692741987194noreply@blogger.com0