<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-5172855888455534181</id><updated>2012-01-30T18:07:07.666-05:00</updated><category term='Q'/><category term='R'/><title type='text'>Martian Gardens</title><subtitle type='html'>Martian Gardens is a weekly radio program featuring the finest in contemporary classical and experimental musics.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default?start-index=101&amp;max-results=100'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>209</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-873111137052321552</id><published>2012-01-28T17:26:00.004-05:00</published><updated>2012-01-30T18:07:07.795-05:00</updated><title type='text'>Martian Gardens for 01/29/2012</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for January 29, 2012&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Virgil Thomson: Three Parisian Portraits&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Poltergeist -- A Portrait of Hans Arp&lt;br /&gt;b. Aria -- A Portrait of Germaine Hugnet&lt;br /&gt;c. Swiss Waltz -- A Portrait of Sophia Tauber-Arp&lt;/span&gt;&lt;br /&gt;Early and as Remembered&lt;br /&gt;&lt;a href="http://www.newalbion.com/"&gt;New Albion Records&lt;/a&gt;/1991&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano: Yvar Mikhashoff; recorded at Trackmaster Studios, Buffalo, January 1989&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Tod Machover: Sparkler&lt;br /&gt;...but not simpler...&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Odense Symphony Orchestra, conductor: Paul Mann; recorded at Carl Nielsen Hall, Odense, Denmark, May 2009&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;John Cage: Five&lt;br /&gt;The Number Pieces 6&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2012&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Essential Music -- blown bottles: Judith Gordon, Maya Gunji, John Kennedy, Eric Kivnick, Charles Wood; recorded at SUNY Purchase, May 1993&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;John Cage: Four&lt;sup&gt;6&lt;/sup&gt; (excerpt)&lt;br /&gt;Music for Merce boxed set [various artists]&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;laptop: Paul DeMarinis; percussion, contact microphone, tape, live electronics, voice: Takehisa Kosugi; laptop: Jim O'Rourke; trombone: Stuart Dempster; recorded 4/04/98 for the dance "Rondo," The Merce Cunningham Dance Company&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Morton Subotnick: 4 Butterflies -- Butterfly No. 1&lt;br /&gt;Electronic Works Vol. 3&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;for 4-track tape with two films (original mix 1973, new mix 2011)&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;SET THREE&lt;br /&gt;James Correa: Spells&lt;br /&gt;Portfolio&lt;br /&gt;&lt;a href="http://www.jamescorrea.org/"&gt;James Correa&lt;/a&gt;/2012&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorders: Luciane Cuervo; electronics: James Correa; recorded at Porto Alegre, Brazil&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Eleanor Hovda: Borealis Music&lt;br /&gt;The Eleanor Hovda Collection&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2012&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Relâche Ensemble; recorded at Acoustical Concepts, Inc., Eddystone, Pennsylvania, 1991&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Philip Blackburn: Duluth Harbor Serenade&lt;br /&gt;Ghostly Psalms&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2012&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;sounds and instruments recorded at the DS Pride celebration, Bayfront Festival Park, Duluth, Minnesota, Labor Day Weekend  2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://legendarypinkdots.org/"&gt;The Legendary Pink Dots&lt;/a&gt;: Oasis Malade&lt;br /&gt;9 Lives to Wonder&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Soleilmoon Recordings&lt;/span&gt;/1995&lt;br /&gt;&lt;br /&gt;Sarah Peebles: White Powder/The Spider&lt;br /&gt;Insect Groove&lt;br /&gt;&lt;a href="http://cycling74.com/products/c74music/"&gt;Cycling '74 Music Label&lt;/a&gt;/2002&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice: David Toop; sounds: Sarah Peebles; composed by Toop/Peebles&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;David Toop: Blind Eel Priestess&lt;br /&gt;The Black Chamber&lt;br /&gt;&lt;a href="http://subrosa.itcmedia.net/en.html/"&gt;Sub Rosa&lt;/a&gt;/2003&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;Paul Rudy: Degrees of Separation (Grandchild of Tree)&lt;br /&gt;Toys in the Attic&lt;br /&gt;&lt;span style="font-size:85%;"&gt;CDCM Computer Music Series Volume 33 -- Electroacoustic Music&lt;br /&gt;from the UMKC iMPACT Center [various artists]&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.centaurrecords.com/"&gt;Centaur Records&lt;/a&gt;/2002&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;amplified cactus: Nathan Davis; digital effects, tape, engineering: Paul Rudy&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Paul Rudy: Tikkun Olam&lt;br /&gt;Possible Worlds [various artists]&lt;br /&gt;&lt;a href="http://spectropol.com/"&gt;Spectropol Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electronics: Paul Rudy&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.philipmantione.com/"&gt;Philip Mantione&lt;/a&gt;: HFone&lt;br /&gt;Depth of Field&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Scattered Music&lt;/span&gt;/2012&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;samples, MAX/Msp "Headfuck" software: P. Mantione&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET SIX&lt;br /&gt;Jonty Harrison: Unsound Objects&lt;br /&gt;Articles Indefinis&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_9627/"&gt;empreintes DIGITALes&lt;/a&gt;/1996&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;composed at the composer's studio and the Electroacoustic Music Studios of The University of Birmingham; premiered in Banff, Alberta, 9/07/95&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Victoria Fenner: Folded and Broken&lt;br /&gt;Deep Wireless 6 -- Radio Arts Compilation [various artists]&lt;br /&gt;&lt;a href="http://www.naisa.ca/"&gt;New Adventures in Sound Art&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;sounds recorded at Hogs Back Falls, Rideau River, Ottawa&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Dan Stearns: Walking Woods&lt;br /&gt;Golden Town&lt;br /&gt;&lt;a href="http://spectropol.com/"&gt;Spectropol Records&lt;/a&gt;/2011&lt;br /&gt;&lt;br /&gt;SET SEVEN&lt;br /&gt;Jerry Hunt: Transphalba&lt;br /&gt;Lattice&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;CRI&lt;/a&gt;/1979&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.jinhikim.com/"&gt;Jin Hi Kim and Joseph Celli&lt;/a&gt;: Types of Asia&lt;br /&gt;No World Improvisations&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;O.O. Discs&lt;/span&gt;/1990&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;changgo: JHK drums; English horn (without reeds): Joseph Celli&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;-- FIN --&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-873111137052321552?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/873111137052321552/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=873111137052321552' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/873111137052321552'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/873111137052321552'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2012/01/martian-gardens-for-01292012.html' title='Martian Gardens for 01/29/2012'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-3402147022003294471</id><published>2012-01-24T14:55:00.003-05:00</published><updated>2012-01-27T16:12:49.086-05:00</updated><title type='text'>Martian Gardens for 01/22/2012</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for January 22, 2012&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;With special guest: &lt;a href="http://www.craigshepard.net/"&gt;Craig Shepard&lt;/a&gt;&lt;br /&gt;Also featuring: &lt;a href="http://www.deanrosenthal.org/"&gt;Dean Rosenthal&lt;/a&gt;, Jack Callahan, and Jeremy Starpoli&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Trios with Christian Wolff: Track One&lt;br /&gt;Trios&lt;br /&gt;&lt;a href="http://www.pogus.com/"&gt;Pogus Productions&lt;/a&gt;/2004&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice, texts: Chris Mann, fretted and fretless electric guitars: Larry Polansky; recording, editing, processing: Tom Erbe; computer, electronics, recording: Douglas Repetto; piano, bass, percussion, melodics: C. Wolff; recorded in Hanover, NH, 1998&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Craig Shepard: Grottes de L'Orbe, le 22 Juillet, 2005&lt;br /&gt;On Foot&lt;br /&gt;&lt;a href="http://www.timescraper.de/"&gt;Edition Wandelweiser Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;clarinet: Katie Porter&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;LIVE IN STUDIO&lt;br /&gt;Craig Shepard: St. Cergue&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;pocket trumpet: Craig Shepard&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Craig Shepard: Vallorbe, le 23 Juillet, 2005&lt;br /&gt;On Foot&lt;br /&gt;&lt;a href="http://www.timescraper.de/"&gt;Edition Wandelweiser Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;flute: Antoine Beuger; clarinet: Jürg Frey; cello: Marcus Kaiser; percussion: Tobias Liebezeit&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;LIVE IN STUDIO&lt;br /&gt;Jack Callahan: Table Canons from Substantia Absolute Infinita&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;trombones: Craig Shepard, Jeremy Starpoli&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Jürg Frey: from Chorals and vague canons&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Choral 1&lt;br /&gt;b. Choral 2&lt;br /&gt;c. Canon 2&lt;br /&gt;d. Canon 7&lt;/span&gt;&lt;br /&gt;performed by the Peckinpah Trio --&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electric guitar: Beat Keller, Christian Kobi: Saxophone; Craig Shepard: Trombone;&lt;br /&gt;recorded at Kunstraum Walcheturm, Zurich, 4/15/11&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;LIVE IN STUDIO&lt;br /&gt;Larry Polansky: Christian Music&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;trombones: Craig Shepard, Jeremy Starpoli; melodica: Jack Callahan; electric guitar: Dean Rosenthal&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Dean Rosenthal: I Think So Too&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;MIDI-programmed chapel organ; recorded in concert at Wesleyan University, 9/23/11&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Jack Callahan: Toward (excerpt)&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;clarinet: Jürg Frey; cello: Stefan Thut; percussion: Jack Callahan; recorded at Boiler, Aarau, Switzerland, 6/07/11 6/07/2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Larry Polansky&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Study: Anna, the long and the short of it (from Three Anna Studies)&lt;br /&gt;b. 51 Melodies&lt;/span&gt;&lt;br /&gt;Change&lt;br /&gt;&lt;a href="http://www.frogpeak.org/"&gt;Frog Peak Music&lt;/a&gt;/2002&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;a. voice: Anna Diamond Polansky; computer: L. Polansky; realized at the Bregman Electronic Music Studio, Dartmouth College; b. rock band -- electric guitars: L. Polansky, Nick Didkovsky; electric bass: Greg Anderson; drums: Leo Ciesa&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Eleanor Hovda:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Shenai Sky&lt;br /&gt;b. Recordings of an Ocean Cliff&lt;/span&gt;&lt;br /&gt;The Eleanor Hovda Collection&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2012&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;shenai, oboe: Libby Van Cleve; electric guitar: Jack Vees; recorded at St. Mark's Church-in-the-Bower, New York City&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Somei Satoh: Sanyou&lt;br /&gt;Sun Moon&lt;br /&gt;&lt;a href="http://www.newalbion.com/"&gt;New Albion Records&lt;/a&gt;/1994&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;shakuhachi: Akikazu Nakamura; jyunana-gen (seventeen string koto): Masako Kawamura; recorded at the Joyce Theater, New York City, January 1993&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;-- FIN --&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-3402147022003294471?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/3402147022003294471/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=3402147022003294471' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/3402147022003294471'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/3402147022003294471'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2012/01/martian-gardens-for-01222012.html' title='Martian Gardens for 01/22/2012'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-5378539146383226809</id><published>2012-01-15T16:38:00.006-05:00</published><updated>2012-01-15T23:58:12.652-05:00</updated><title type='text'>Martian Gardens for 01/15/2012</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for January 15, 2012&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Noah Creshevsky: Novella&lt;br /&gt;Hyperrealism&lt;br /&gt;&lt;a href="http://www.mutablemusic.com/"&gt;Mutable Music&lt;/a&gt;/2003&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Bang On A Can All-Stars: Sunray (D. Lang)&lt;br /&gt;Big Beautiful Dark and Scary&lt;br /&gt;&lt;a href="http://www.cantaloupemusic.com/"&gt;Cantaloupe Music&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;cello: Ashley Bathgate; bass: Robert Black; piano: Vicky Chow; percussion: David Cossin; guitar: Mark Stewart; reeds: Evan Ziporyn; recorded at James L. Dolan Music Recording Studio, New York University, 2010&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Marco Oppedisano: Kickstart&lt;br /&gt;Mechanical Uprising&lt;br /&gt;&lt;a href="http://www.oksrecordingsofnorthamerica.com/"&gt;OKS Recordings of North America&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;guitars: M. Oppedisano&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.davidhahnonline/"&gt;David Hahn&lt;/a&gt;: Charon Crosses the Styx&lt;br /&gt;Your Time Is Up&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;David Hahn&lt;/span&gt;/2007&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;guitars: D. Hahn&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Luciano Berio: O King&lt;br /&gt;The Great Works for Voice&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/1995&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Musician's Accord -- soprano: Christine Schadeberg; flute: Katherine Flanders Mukerji; clarinet: Sheldon Berkowitz; violin: Marshall Coid; cello: Ted Mook; piano: Margaret Kampmeier; conductor: Hayes Biggs; recorded at Sheppard Hall, City College of New York, 4/03/95&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;David Baker: Now That He is Safely Dead&lt;br /&gt;&lt;a href="http://www.videmus.org/"&gt;Videmus&lt;/a&gt; -- Works by Anderson, Baker, Fox Wilson&lt;br /&gt;&lt;a href="http://www.newworldrecords.com/"&gt;New World Records&lt;/a&gt;/1992&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Videmus chamber group; tenor: Willie Brown; director: Vivian Taylor; song from "Through This Vale of Tears" cycle; text: Carl Hines, "Now That He is Safely Dead"; recorded at the African American Meeting House, Boston, November 1991&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Lou Harrison: Threnody&lt;br /&gt;Rhymes with Silver&lt;br /&gt;&lt;a href="http://www.newalbion.com/"&gt;New Albion Records&lt;/a&gt;/2000&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;cello: Joan Jeanrenaud; violin: David Abel; viola: Benjamin Simon; piano: Julie Steinberg; percussion, vibraphone: William Winant; recorded at Fantasy Recordings; Berkeley, June 2000&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Ingram Marshall: Entrada (At the River)&lt;br /&gt;Evensongs&lt;br /&gt;&lt;a href="http://www.newalbion.com/"&gt;New Albion Records&lt;/a&gt;/1996&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;amplified strings: The Maia Quartet; recorded at SUNY Purchase, February 1996&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;&lt;a href="http://www.jamescorrea.org//"&gt;James Corrêa&lt;/a&gt;: When I drift into my thoughts&lt;br /&gt;Plural (Miranda/Corrêa)&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Fumproarte&lt;/span&gt;/2002&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded at the composer's studio in Rochester, New York, 1999, using Eduardo Reck Miranda's Chaosynth software&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Brian Eno: Julie with...&lt;br /&gt;Before and After Science&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;EG&lt;/span&gt;/1987 (orig. 1977)&lt;br /&gt;&lt;br /&gt;Brian Eno: Emerald and Stone&lt;br /&gt;Small Craft on a Milk Sea&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Warp Records&lt;/span&gt;/2010&lt;br /&gt;&lt;br /&gt;Ned Bouhalassa: from mOrpheus&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Orpheus' First Dream&lt;br /&gt;b. Orpheus Wakes Up&lt;/span&gt;&lt;br /&gt;Gratte-cité&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_0895/"&gt;empreintes DIGITALes&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;sounds recorded in Québec and Berlin, realized at the composer's studio in Montréal, premiered at Elektra, Usine C, Montréal, 11/15/03&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;&lt;a href="http://www.philipmantione.com/"&gt;Philip Mantione&lt;/a&gt;: Depth of Field&lt;br /&gt;Depth of Field&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Scattered Music&lt;/span&gt;/2012&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;based on field recordings of "hoot" owls, Riverside, California, 3:00 a.m. 11/21/11&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Alvin Lucier: Vespers (excerpt)&lt;br /&gt;Vespers and Other Early Works&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2002&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded in 1969 with the Environ-Ears Recording System designed by Listening Incorporated, Arlington, Mass.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;David Dunn: Chaos and the Emergent Mind of the Pond (edit)&lt;br /&gt;Earth Ear Radio Volume 2 -- Winter 2002 [various artists]&lt;br /&gt;&lt;a href="http://earthear.com/"&gt;EarthEar&lt;/a&gt;/2002&lt;br /&gt;&lt;br /&gt;Gen Ken Montgomery: Bath Drain&lt;br /&gt;Pondfloorsample&lt;br /&gt;&lt;a href="http://xirecords.org/126.shtml/"&gt;XI Records&lt;/a&gt;/2002&lt;br /&gt;&lt;br /&gt;Rain Forest Pygmies: Honey-Gathering Song (field recording)&lt;br /&gt;Music of the Rain Forest Pygmies of the North East Congo&lt;br /&gt;&lt;a href="http://lyrichord.com/"&gt;Lyrichord&lt;/a&gt;/1992&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded in the Ituri rainforest by Colin M. Turnbull, 1961&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;Trevor Wishart: Red Bird -- A Political Prisoner's Dream IV (excerpt)&lt;br /&gt;Red Bird/Anticredos&lt;br /&gt;&lt;a href="http://www.emf.org/"&gt;Electronic Music Foundation&lt;/a&gt;/2000&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded at York University, 1970s&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Morton Subotnick: Until Spring -- Revisited&lt;br /&gt;Electronic Works Vol. 3&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;live electronics: M. Subotnick; live electronics, glass harp: Miguel Frasconi; recorded live at Recombinant Media Labs, San Francisco, 4/06/07; original composition: 1975&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Maggi Payne: Glassy Metals&lt;br /&gt;Arctic Winds&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2010&lt;br /&gt;&lt;br /&gt;SET SIX&lt;br /&gt;Bun-Ching Lam: ...Like Water (1st 1/2)&lt;br /&gt;Heidelberg Concerts&lt;br /&gt;&lt;a href="http://www.mutablemusic.com/"&gt;Mutable Music&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;violin: Jeanne-Marie Conquer; piano: Dimitri Vassilakis; percussion: Gilles Durot; recorded at the Völkerkunde Museum, Heidelberg, Germany&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Tod Machover: ...but not simpler...&lt;br /&gt;...but not simpler...&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;iO Quartet; recorded at the American Academy of Arts and Letters, New York City, 12/23/09&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Bun-Ching Lam: ...Like Water (further excerpt)&lt;br /&gt;Heidelberg Concerts&lt;br /&gt;&lt;a href="http://www.mutablemusic.com/"&gt;Mutable Music&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;violin: Jeanne-Marie Conquer; piano: Dimitri Vassilakis; percussion: Gilles Durot; recorded at the Völkerkunde Museum, Heidelberg, Germany&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-5378539146383226809?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/5378539146383226809/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=5378539146383226809' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/5378539146383226809'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/5378539146383226809'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2012/01/martian-gardens-for-01152012.html' title='Martian Gardens for 01/15/2012'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-6481103844148424968</id><published>2012-01-07T17:01:00.003-05:00</published><updated>2012-01-09T00:02:54.481-05:00</updated><title type='text'>Martian Gardens for 01/08/2012</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for January 8, 2012&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Deep Listening Band: Invocation&lt;br /&gt;Sanctuary&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/1995&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;DLB; voice: Julie Lyon Balliet; recorded at Trinity Methodist Church, Kingston, New York, 1993-1994&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Charles Dodge: Folia&lt;br /&gt;Music for Computers, Electronic Sound and Players&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/album.cgi?rm=view&amp;amp;album_id=86218/"&gt;CRI&lt;/a&gt;/1974&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;ensemble conducted by Jacques-Louis Monod&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Charles Dodge: Violin Variations I-IV&lt;br /&gt;A Retrospective (1977-2009)&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2010&lt;span style="font-style: italic;font-size:85%;" &gt;&lt;br /&gt;violin: Baird Dodge&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Little Bang Theory: Toy Suite #5&lt;br /&gt;Toy Suites and Themes&lt;br /&gt;&lt;a href="http://www.frankpahl.com/"&gt;Tranmogrification&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;toys, whistling, voice: F. Pahl; toys, voice: Terri Sarris; toys, drums, voice: Doug Shimmin&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Ge Gan-Ru: Wrong, Wrong, Wrong&lt;br /&gt;Lost Style&lt;br /&gt;&lt;a href="http://www.newalbion.com/"&gt;New Albion Records&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice, toy orchestra: Margaret Leng Tan; text: Lu You; recorded at Classic Sound, New York City, 8/10/06&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;&lt;a href="http://www.philipmantione.com/"&gt;Philip Mantione&lt;/a&gt;: Social Immune System&lt;br /&gt;Depth of Field&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Scattered Music&lt;/span&gt;/2012&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;based on field recordings at an Occupy LA Protest, 10/15/11; premiered at Centre de Cultura Contemporània, Barcelona&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Brian Eno &amp;amp; David Byrne:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Help Me Somebody&lt;br /&gt;b. Come with Us&lt;/span&gt;&lt;br /&gt;My Life in the Bush of Ghosts&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Nonesuch&lt;/span&gt;/2006 (orig. 1981)&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;instruments, objects, samples: Byrne/Eno with(a.) congas, metals: Steve Scales; drums: John Cooksey; recorded 1979-1980 at various locations&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Musci-Venosta: The Snout in the Dark&lt;br /&gt;A Noise, A Sound&lt;br /&gt;&lt;a href="http://www.rerusa.com/"&gt;ReR Megacorp&lt;/a&gt;/1992&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;treated voice, percussion, gamelan, kanun, nadaswaram, clarinet, kalimba, musical tube, Japanese market field recordings: Giovanni Venosta, Roberto Musci; recorded at FX Studio, Milan, 1991-1992&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Eduardo Reck Miranda: Goma Arábica&lt;br /&gt;Mother Tongue&lt;br /&gt;&lt;a href="http://www.sargasso.com/"&gt;Sargasso&lt;/a&gt;/2004&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;composed and recorded in 1995 at University of Edinburgh Electroacoustic Music Studios; orchestra: The Contemporary Music Group, conductor: Steve Davismoon&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Mother Tongue: The Voice and The Ear&lt;br /&gt;Touch.Sampler&lt;br /&gt;&lt;a href="http://www.touchmusic.org.uk/"&gt;Touch&lt;/a&gt;/1997&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Mother Tongue: Andrew McKenzie, Dorothea Franck, Z'ev; recorded at Suitcase Studios, London, 1987&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Sarah Peebles: 10 Below&lt;br /&gt;Deep Wireless 6 -- Radio Art Compilation [various artists]&lt;br /&gt;&lt;a href="http://www.naisa.ca/deepwireless/Radio.html/"&gt;New Adventures in Sound Art&lt;/a&gt;/2009&lt;br /&gt;&lt;br /&gt;Arthur Gottschalk: Phase 59&lt;br /&gt;60 x 60 2006-2007 [various artists]&lt;br /&gt;&lt;a href="http://www.voxnovus.com/"&gt;Vox Novus&lt;/a&gt;/2008&lt;br /&gt;&lt;br /&gt;Sarah Peebles: Lift&lt;br /&gt;Deep Wireless 5 -- Radio Art Compilation [various artists]&lt;br /&gt;&lt;a href="http://www.naisa.ca/deepwireless/Radio.html/"&gt;New Adventures in Sound Art&lt;/a&gt;/2008&lt;br /&gt;&lt;br /&gt;Chris Watson: Lemon-Rumped Tinkerbird&lt;br /&gt;Outside the Circle of Fire&lt;br /&gt;&lt;a href="http://www.touchmusic.org.uk/"&gt;Touch&lt;/a&gt;/1998&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded in the Cameroon rain forest, June, 1997&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Hsiao-Lan Wang: A Golden Leaf Drifts Downstream&lt;br /&gt;Electroacoustic Works&lt;br /&gt;&lt;a href="http://www.hsiaolanwang.com/"&gt;Hsiao-Lan Wang&lt;/a&gt;/2003&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;for two tinkliks (Indonesian xylophones), and computer&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;John Cage: Imaginary Landscape # 1&lt;br /&gt;The Percussion Works I&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;for two variable-speed turntables, frequency recordings, muted piano, and cymbal; performed by Joey Van Hassel; recorded at Robert J Werner Concert Hall, College-Conservatory of Music, University of Cincinnati, 6/12/08&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Alexei Borisov: My Voices&lt;br /&gt;Polished Surface of a Table&lt;br /&gt;&lt;a href="http://www.electroshock.ru/"&gt;Electroshock Records&lt;/a&gt;/2004&lt;br /&gt;&lt;br /&gt;Øystein Kapperud: Leland Wrapped in Plastic&lt;br /&gt;The Wire Tapper 26 [various artists]&lt;br /&gt;&lt;a href="http://www.thewire.co.uk/"&gt;The Wire magazine&lt;/a&gt;/2011&lt;br /&gt;&lt;br /&gt;Chris Watson: Adult Cheetah&lt;br /&gt;Outside the Circle of Fire&lt;br /&gt;&lt;a href="http://www.touchmusic.org.uk/"&gt;Touch&lt;/a&gt;/1998&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded in Pamuzinda, Zimbabwe, June, 1994&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Annea Lockwood: Tiger Balm&lt;br /&gt;Source -- Music of the Avant Garde [various artists]&lt;br /&gt;&lt;a href="http://www.pogus.com/"&gt;Pogus Productions&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;realized at Tangent Studio, London and the Electronic Music Studio, University of London, Goldsmith College; original release: Source Record No. 6; Source Records journal Vol. 5, No. 1, 1971&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Stuart Dempster: Standing Waves 78/87&lt;br /&gt;In The Great Abbey Of Clement VI&lt;br /&gt;&lt;a href="http://www.newalbion.com/"&gt;New Albion Records&lt;/a&gt;/1987&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;trombone, tape playback: S. Dempster; recorded at Mills College Concert Hall, Oakland, California, 5/21/78&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-6481103844148424968?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/6481103844148424968/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=6481103844148424968' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/6481103844148424968'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/6481103844148424968'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2012/01/martian-gardens-for-01082012.html' title='Martian Gardens for 01/08/2012'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-3151328425519321312</id><published>2012-01-01T17:32:00.003-05:00</published><updated>2012-01-01T23:57:48.209-05:00</updated><title type='text'>Martian Gardens for 01/01/2012</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for January 1, 2012&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Godfrey Winham: NP (Two Pieces for Computer-Synthesized Sound)&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. NP I&lt;br /&gt;b. NP II&lt;/span&gt;&lt;br /&gt;Computer Works [various artists]&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/album.cgi?rm=view&amp;amp;album_id=87756/"&gt;CRI&lt;/a&gt;/1978&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;realized at the Godfrey Winham Laboratory at Princeton University, 1972&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Hideko Kawamoto: Night Ascends from the Ear Like a Butterfly&lt;br /&gt;Sonic Circuits VII [various artists]&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/1999&lt;br /&gt;&lt;br /&gt;Morton Subotnick: Butterfly No. 3&lt;br /&gt;Until Spring: Revisited; 4 Butterflies&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;composition for 4-Channel tape (original mix 1973; new mix 2011)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Morton Subotnick: And the Butterflies Begin to Sing&lt;br /&gt;And the Butterflies Begin to Sing&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/1997&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;The Amernet String Quartet; double bass: Bleda Elibal; MIDI keyboard: James Tocco; computer program: M. Subotnick; recorded at Corbett Studios, Cincinnati &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;&lt;a href="http://www.jamescorrea.org/"&gt;James Corrêa&lt;/a&gt;: Danças &amp;amp; Intermezzi&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Meta-Funk&lt;br /&gt;b. Mirror of Sand&lt;br /&gt;c. Winter Dance&lt;br /&gt;d. Mirror of Granite&lt;br /&gt;e. Circle of Fire&lt;/span&gt;&lt;br /&gt;Plural [Corrêa/Miranda]&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Fumproarte&lt;/span&gt;/2002&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano: Catarina Domenici; electronics: J.Corrêa; recorded at PUC Auditorium, Porto Alegre, Brazil, 2002&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Ricardo Dal Farra: ...Due Giorni Dopo&lt;br /&gt;Travels of the Spider -- Electroacoustic Music from Argentina [various artists]&lt;br /&gt;&lt;a href="http://www.pogus.com/"&gt;Pogus Productions&lt;/a&gt;/1998&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;composed and produced at the Centro di Sonologia Computazionale of Padova's University, Italy, 1988; premiered at Centro Cultural Ciudad de Buenos Aires, Argentina, November 1988&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;John Cage: Excerpt from Voiceless Essay&lt;br /&gt;Ghosts and Monsters&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Technology and Personality in Contemporary Music --&lt;br /&gt;Leonardo Music Journal CD Series Volume 8&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.http//www.leonardo.info/lmj/lmjCDs.html/"&gt;Electronic Music Foundation/Leonardo Music Journal&lt;/a&gt;/1998&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;vocalizations derived from a recitation of "On the Duty of Civil Disobedience" (1849), Henry David Thoreau; composition for for four computer-generated tapes, first performance 11/21/86, San Francisco, with the Merce Cunningham Dance Company (dance: Points in Space); first broadcast BBC2, 7/18/87&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Eduardo Reck Miranda: Robotapithecos&lt;br /&gt;Mother Tongue&lt;br /&gt;&lt;a href="http://www.sargasso.com/"&gt;Sargasso&lt;/a&gt;/2004&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;composed and recorded at Tempo Reale Centre, Italy&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Pierre Alexandre Tremblay: Rapports bruit/signal (éclats d’égalité)&lt;br /&gt;Quelques Reflets&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_11109/"&gt;empreintes DIGITALes&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;realized at at the Studio 116C of Ina-GRM, Paris, and the composer's studio, Huddersfield, UK, 2009; premiered at the Salle Olivier Messiaen, Maison de Radio France, 12/06/09&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;John Bischoff: Override&lt;br /&gt;The Lab 20th Anniversary CD [various artists]&lt;br /&gt;&lt;a href="http://www.thelab.org/anniversary-cd.html/"&gt;The Lab&lt;/a&gt;/2004&lt;br /&gt;&lt;br /&gt;Leo Kupper: Sabratrana (from Rezas Populares Do Brasil)&lt;br /&gt;Ways of the Voice&lt;br /&gt;&lt;a href="http://www.pogus.com/"&gt;Pogus Productions&lt;/a&gt;/1999&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;mezzo-soprano: Anna Maria Kieffer; bass: Eduardo Janho-Abumrad; electronics: Leo Kupper; recorded in Brussels&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Richard Lainhart: Staring at the Moon&lt;br /&gt;Ten Thousand Shades of Blue&lt;br /&gt;&lt;a href="http://xirecords.org/115.shtml"&gt;XI Records&lt;/a&gt;/2001&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;bowed and struck vibraphone; interactive computer music system; recorded at SUNY Albany Electronic Music Studio and O-Town Media&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;In memory of &lt;/span&gt;&lt;a style="font-style: italic;" href="http://www.otownmedia.com/he/he.html/"&gt;Richard Lainhart&lt;/a&gt;&lt;span style="font-style: italic;"&gt;, February 14, 1953 -- December 30, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Paul Dresher: Chorale Times Two (from Concerto for Violin &amp;amp; Electro-Acoustic Band)&lt;br /&gt;Cage Machine&lt;br /&gt;&lt;a href="http://www.newalbion.com/"&gt;New Albion Records&lt;/a&gt;/2004&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;violin soloist: David Abel; Electro-Acoustic Band -- keyboard: Phil Aaberg; bassoon: Paul Hanson; electric guitar: Paul Dresher; mallet percussion: Amy Knoles; recorded at the Dresher Ensemble studios, September 1999&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;Meehan/Perkins Duo: Observations (T. Perich)&lt;br /&gt;Travel Diary&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;percussion: Todd Meehan, Douglas Perkins; 1-bit microchip music program: &lt;a href="http://www.tristanperich.com/"&gt;Tristan Perich&lt;/a&gt;; recorded at Jones Concert Hall, Baylor University, Waco, Texas, January 2010&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Sō Percussion: Drumming, Part Three (S. Reich)&lt;br /&gt;Steve Reich -- Drumming&lt;br /&gt;&lt;a href="http://www.cantaloupmusic.com/"&gt;Cantaloupe Music&lt;/a&gt;/2005&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded at the Hit Factory and Sony Music Studios, New York City, November 2004&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET SIX&lt;br /&gt;Chaya Czernowin: Ina&lt;br /&gt;Afatsim -- Chamber Music&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/1999&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;flute soloist and prerecorded flutes: John Fonville; recorded at the University of California, San Diego&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Pauline Oliveros/Stuart Dempster/Panaiotis: Nike&lt;br /&gt;Deep Listening&lt;br /&gt;&lt;a href="http://www.newalbion.com/"&gt;New Albion Records&lt;/a&gt;/1989&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;conch shell, mouthpiece whistling, trombone, voice: Dempster; conch shell, metal pieces, voice: Oliveros; metal pieces, pipes, voice: Panaiotis; recorded in Fort Worden Cistern, Port Townsend, Washington, 1988&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET SEVEN&lt;br /&gt;Frank Pahl: The Ice House&lt;br /&gt;Music for Architecture&lt;br /&gt;&lt;a href="http://www.frankpahl.com/"&gt;Transmogrification&lt;/a&gt;/2011&lt;br /&gt;&lt;br /&gt;Jin Hi Kim: No World Improvisations&lt;br /&gt;Jin Hi Kim's Sound Universe&lt;br /&gt;&lt;a href="http://www.jinhikim.com/"&gt;Living Tones&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;komungo: Jin Hi Kim; Senegalese djambey: Mor Thiam; Australian didgeridoo: Adam Plack; double reed, mukhaveena: Joseph Celli; performed at American Music Week, Bonn, Germany&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-3151328425519321312?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/3151328425519321312/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=3151328425519321312' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/3151328425519321312'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/3151328425519321312'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2012/01/martian-gardens-for-01012012.html' title='Martian Gardens for 01/01/2012'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-1953365107573220369</id><published>2011-12-17T19:11:00.007-05:00</published><updated>2011-12-19T17:24:26.709-05:00</updated><title type='text'>Martian Gardens for 12/18/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for December 18, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Barry Vercoe: Synthesism&lt;br /&gt;Computer Music [Randall/Vercoe/Dodge]&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Nonesuch&lt;/span&gt;/1974&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;realized at the Columbia-Princeton Electronic Music Center&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Barry Vercoe: Synapse for Viola and Computer&lt;br /&gt;Computer Works [Winham/Vercoe/Hoffman/Gressel]&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/nwr/news.shtml/"&gt;CRI&lt;/a&gt;/1978&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;viola: Marcus Thompson; realized at the M.I.T. Experimental Electronic Music Studio&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Frances White: A veil barely seen&lt;br /&gt;Centre Bridge -- Electroacoustic Works&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;viola: Liuh-Wen; electroacoustics: F. White&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Charles Dodge: Any Resemblance is Purely Coincidental&lt;br /&gt;Any Resemblance is Purely Coincidental&lt;br /&gt;&lt;a href="http://www.newalbion.com/"&gt;New Albion Records&lt;/a&gt;/1992&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;tenor: Enrico Caruso (sourced from Ruggerio Leoncavallo's "I Pagliacci," aria: "Vesti la Giuba"); piano: Alan Feinberg&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;ZNR: Seynette&lt;br /&gt;Barricade 3&lt;br /&gt;&lt;a href="http://www.rerusa.com/"&gt;ReR Megacorp&lt;/a&gt;/1994 (orig. 1977)&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;synthesizer, voice: Hector Zazou; piano: Joseph Racaille; violin: Gilly Bell; bass clarinet: Patrick Portella; flute: David Rueff; tenor saxophone: Andre Jaume; recorded at Gilly Bell's studio, Ventabren (Bouches-du-Rhône), France, January 1976&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Hervé Zénouda: Reflets Fauves&lt;br /&gt;Demain, dès l'aube...&lt;br /&gt;&lt;a href="http://tracelab.com/"&gt;Trace Label&lt;/a&gt;/2002&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electric guitar: Thomas Petit; piano, percussion, electronics: H. Zénouda; recorded at Sudio de la Rotonde, Châtenay-Malabry, France&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Arie Shapira: Ex Machina&lt;br /&gt;Different Compositions 1967-2003&lt;br /&gt;&lt;a href="http://hcc.haifa.ac.il/%7Eariks/"&gt;Arie Shapira&lt;/a&gt;/2004&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;guitar: Ruben Serussi; electronic tape: Arie Shapira; recorded in Israel&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Elainie Lillios: Listening Beyond...&lt;br /&gt;Entre espaces (Between Spaces)&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_11110/"&gt;empreintes DIGITALes&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;realized at the Electroacoustic Studio of the Center for Computation &amp;amp; Technology, Louisiana State University in Baton Rouge, 2007; premiered at the High Voltage concert in the Recital Hall at Louisiana State University, 12/03/07&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://sarahpeebles.net/"&gt;Sarah Peebles&lt;/a&gt;: Nocturnal Premonitions&lt;br /&gt;Music from Nature [various artists]&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Terra Nova&lt;/span&gt;/1997&lt;br /&gt;&lt;br /&gt;Eduardo Reck Miranda: Le Jardin de Jérôme,&lt;br /&gt;Mother Tongue&lt;br /&gt;&lt;a href="http://www.sargasso.com/"&gt;Sargasso&lt;/a&gt;/2004&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;composed and recored at the Bourges Institute of Electroacoustic Music Studio, France, 2001&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;&lt;a href="http://www.jamescorrea.org/index.html/"&gt;James Corrêa&lt;/a&gt;: O jardim dos caminhos que se bifurcam&lt;br /&gt;Plural [Corrêa &amp;amp; Miranda]&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Fumproarte&lt;/span&gt;/2002&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;classical guitar, electronics: J. Corrêa; recorded at the Dreher Studio, Porto Alegre, Brazil, 2002&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Adolfo Núñez: Jurel&lt;br /&gt;Electroacoustic Music CD-R&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Adolfo Núñez&lt;/span&gt;/2004&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;musique concrete sourced from flamenco performances; recorded at the studio of Groupe de Musique Experimentale de Bourges, France, 1993&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Alfredo Lagos/Giovanni Venosta/Massimo Mariani: Estudio sobre el ritmo&lt;br /&gt;Metamorphoses&lt;br /&gt;&lt;a href="http://www.rerusa.com/"&gt;ReR Megacorp&lt;/a&gt;/1999&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Spanish guitar: A. Lagos; treatments, engineering: G. Venosta, M. Mariani; recorded at FX Studio, Milan, July 1997&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;Marco Capelli and Sintax Error: Selections from&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;In the Shadow of No Towers&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. The Flag&lt;br /&gt;b. Maus 1&lt;br /&gt;c. Maus 2&lt;/span&gt;&lt;br /&gt;In the Shadow of No Towers DVD&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;narrator: John Turturro; storyboard: Art Spiegelman; recorded at Musicisti Associati, Naples, 2008 and Harvestworks, New York City, 2011&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Heiner Goebbels: Selections from&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Landschaft mit Entfernten Verwandten, Part 2: Gertrude Stein texts&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Just Like That&lt;br /&gt;b. On the Road&lt;br /&gt;c. And We Said Goodbye&lt;br /&gt;d. On the Radio&lt;br /&gt;e. Different Nations&lt;br /&gt;f. Out Where the West Begins*/Train Travelling&lt;/span&gt;&lt;br /&gt;Landschaft mit Entfernten Verwandten [Landscape with Distant Relatives]&lt;br /&gt;&lt;a href="http://www.ecmrecords.com/"&gt;ECM Records&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice: David Bennent; baritone: Georg Nigl; Ensemble Modern and Deutscher Kammerchor, conductor: Franck Ollu; texts: G. Stein, "Wars I Have Seen," 1945; recorded live at Théâtre Nanterre-Amandiers, Paris, October, 2004; director: H. Goebbels; SWR Baden-Baden&lt;br /&gt;*music and lyrics: Arthur Chapman (1917)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Little Bang Theory: Dmitri Rides Again&lt;br /&gt;Toy Suites and Themes&lt;br /&gt;&lt;a href="http://frankpahl.com/"&gt;Transmogrification&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;toys, whistling: F. Pahl; toys, voice: Terri Sarris; toys, drums: Dough Shimmin&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Tom Waits: Russian Dance&lt;br /&gt;The Black Rider&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Island Records&lt;/span&gt;/1993&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Emax strings: Tom Waits; cello: Matt Brubeck; viola: Linda Deluca; bass: Bill Douglas; boots: Kathleen Brennan, Clive Butters, Tom Waits, Francis Thumm, Joe Marquez; recorded at Prairie Sun Recording Studios, Cotati, California&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Tom Waits: Poor Little Lamb&lt;br /&gt;Orphans -- Brawlers, Bawlers &amp;amp; Bastards&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Anti-&lt;/span&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;performed by Tom Waits (voice, accordion); originally appearing in the 1987 motion picture "Ironweed"&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Frank Pahl: The Mid-Century Modern Waltz&lt;br /&gt;Music for Architecture&lt;br /&gt;&lt;a href="http://frankpahl.com/"&gt;Transmogrification&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;upright Vose piano, various noise-making objects: F. Pahl&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Morton Subotnick: Return -- A Triumph of Reason, part I&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Beginning of the Universe&lt;br /&gt;b. Earth, the beginning of our solar system&lt;br /&gt;c. Descending Dance&lt;br /&gt;d. Chord dance: Dance of Destruction&lt;br /&gt;e. 12 b.c.&lt;br /&gt;f. Comet&lt;br /&gt;g. Giotto&lt;br /&gt;h. 1862--Halley&lt;br /&gt;i. CODA--return&lt;br /&gt;j. D Major&lt;/span&gt;&lt;br /&gt;The Key to Songs&lt;br /&gt;&lt;a href="http://www.newalbion.com/"&gt;New Albion Records&lt;/a&gt;/1986&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Yamaha Computer Assisted Music Systems: M. Subotnick; recorded at the Enterprise, Burbank, California&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Trevor Wishart: Anticredos (excerpt)&lt;br /&gt;Red Bird/Anticredos&lt;br /&gt;&lt;a href="http://www.trevorwishart.co.uk/publ_rec.html/"&gt;Electronic Music Foundation&lt;/a&gt;/2000&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;performed by Songcircle, director: Gregory Rose; recorded in the Music Center, University of East Anglia, Norwich, March/April, 1982&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-1953365107573220369?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/1953365107573220369/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=1953365107573220369' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/1953365107573220369'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/1953365107573220369'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/12/martian-gardens-for-12172011.html' title='Martian Gardens for 12/18/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-916845362127984224</id><published>2011-12-10T15:34:00.010-05:00</published><updated>2011-12-14T15:27:56.141-05:00</updated><title type='text'>Martian Gardens for 12/11/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for December 11, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.npr.org/blogs/deceptivecadence/2011/12/11/143458177/elliott-carter-still-composing-at-103/"&gt;HAPPY 103rd BIRTHDAY, ELLIOTT CARTER! DECEMBER 11, 1908&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Elliott Carter: Tintinnabulation&lt;br /&gt;Music of Elliott Carter Volume Eight&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;New England Conservatory Percussion Ensemble, conductor: Frank Epstein; recorded at Jordan Hall, Boston, 2/12/09&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Elliott Carter: Sound Fields&lt;br /&gt;Music of Elliott Carter Volume Eight&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;BBC Symphony Orchestra; conductor: Oliver Knussen; recorded at Snape Maltings Concert Hall, Aldeburgh, England, 6/20/09&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Elliott Carter: Quintet for Piano and Strings&lt;br /&gt;Quintets and Voices&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2003&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;The Arditti Quartet; piano: Ursula Oppens; recorded at Recital Hall, SUNY Purchase, 12/07/98&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;John Cage: Daughters of the Lonesome Isle&lt;br /&gt;Daughters of the Lonesome Isle&lt;br /&gt;&lt;a href="http://www.newalbion.com/"&gt;New Albion Records&lt;/a&gt;/1994&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;prepared piano: Margaret Leng Tan; recorded at the American Academy and Institute of Arts and Letters, New York City, December 1993&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Ingram Marshall: Introduction&lt;br /&gt;Alcatraz&lt;br /&gt;&lt;a href="http://www.newalbion.com/"&gt;New Albion Records&lt;/a&gt;/1991&lt;br /&gt;piano, synthesizer: I. Marshall&lt;br /&gt;&lt;br /&gt;Philip Glass: Metamorphosis Two&lt;br /&gt;Solo Piano&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;CBS&lt;/span&gt;/1989&lt;br /&gt;piano: P. Glass&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Lou Harrison: &lt;a href="http://www.buddhanet.net/e-learning/heartstr.htm/"&gt;La Koro Sutro&lt;/a&gt;&lt;br /&gt;a. Kunsonoro kaj Gloro&lt;br /&gt;b. Strofo 1&lt;br /&gt;c. Strofo 2&lt;br /&gt;d. Strofo 3&lt;br /&gt;e. Strofo 4&lt;br /&gt;f. Strofo 5&lt;br /&gt;g. Strofo 6&lt;br /&gt;h. Strofo 7&lt;br /&gt;i. Mantro kaj Konsonoro&lt;br /&gt;&lt;a href="http://www.newalbion.com/"&gt;New Albion Records&lt;/a&gt;/1988&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;The Chorus and Chamber Chorus of the University of California at Berkeley, director: Philip Brett; text: the Heart Sūtra; harp: Karen Gottlieb; organ: Agnes Sauerbeck; American Gamelan -- Don R. Baker, Scott Evans, Gino Robari Forlin, Todd Manley, Peter Thielen; director: William Winant; gamelan builder: William Colvig; technician: Ron Engel; recorded at Hertz Hall, University of California, Berkeley, November 7-8, 1987&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Heiner Goebbels: selections from&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Landschaft mit Entfernten Verwandten, Part 1: Gertrude Stein texts&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. The Sirens&lt;br /&gt;b. In the 19th Century&lt;br /&gt;c. Well Anyway&lt;br /&gt;d. Did It Really Happen?&lt;/span&gt;&lt;br /&gt;Landschaft mit Entfernten Verwandten&lt;br /&gt;&lt;a href="http://www.ecmrecords.com/"&gt;ECM Records&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice: David Bennent; baritone: Georg Nigl; Ensemble Modern and Deutscher Kammerchor, conductor: Franck Ollu; texts: G. Stein, "Wars I Have Seen," 1945; recorded live at Théâtre Nanterre-Amandiers, Paris, October, 2004; director: H. Goebbels; tonmeister: Max Federhofer, SWR Baden-Baden&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;John Young: selections from Ricordiamo Forlì&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. In Piazza Saffi&lt;br /&gt;b. Interlude I&lt;br /&gt;c. Bitter Storm&lt;br /&gt;d. Ancient Tear&lt;/span&gt;&lt;br /&gt;Lieu-temps&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_0787/"&gt;empreintes DIGITALes&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;narrator: Franco Bianchini; text (Ancient Tear): Giosuè Carducci, "Pianto Antico." "Ricordiamo Forlì" was realized in 2005 in the Music, Technology and Innovation Research Centre at De Montfort University (Leicester, UK) and premiered on Radio New Zealand’s ConcertFM program, 7/25/06.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Charles Amirkhanian: Church Car, Version 2&lt;br /&gt;Mental Radio&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/nwr/news.shtml/"&gt;CRI&lt;/a&gt;/1985&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voices: C. Amirkhanian, Anthony J. Gnazzo; recorded at California State University, Hayward, 1980&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Pamela Z: 50 (for Charles Amirkhanian)&lt;br /&gt;A Delay is Better&lt;br /&gt;&lt;a href="http://www.starkland.com/st213/index.htm/"&gt;Starkland Records&lt;/a&gt;/2004&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice: Pamela Z&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Daniel Lentz: You Can't See the Forest...Music&lt;br /&gt;Cold Blue [various artists]&lt;br /&gt;&lt;a href="http://www.coldbluemusic.com/pages/newreleases.html/"&gt;Cold Blue Music&lt;/a&gt;/2002 (orig. 1984)&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;for three speaker-drinkers, three malleted wine glasses, and red wine, cascading echo system; performers: D. Lentz, Garry Eister, Stan Carey&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.evbvd.com/listeners/index.html/"&gt;Twisted Tutu&lt;/a&gt;: Tea Song (Matthews/Ping/Klucevsek)&lt;br /&gt;Play Nice&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;O.O. Dics&lt;/span&gt;/1999&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice: Jon Smith; gopichan: Eve Beglarian; text: adapted from a Chinese tea package: arr. Eve Beglarian recorded at Baby Monster, New York City&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Meredith Monk:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Northern Lights 1&lt;br /&gt;b. Northern Lights 2&lt;/span&gt;&lt;br /&gt;Facing North&lt;br /&gt;&lt;a href="http://www.ecmrecords.com/"&gt;ECM Records&lt;/a&gt;/1992&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice, piano, organ, pitch pipe: M. Monk; voice, pitch pipe: Robert Een; recorded at Rainbow Studio, Oslo, April 1992&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;James Tenney: Beast&lt;br /&gt;Modern American Bass [various artists]&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;bass: Robert Black; recorded at Rogers Center for the Arts, Merrimack College, North Andover, Massachusetts; August 2006&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;James Tenney: Percussion Response (with Ergodos I)&lt;br /&gt;Melody, Ergodicity and Inderterminacy&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;computer music; percussion: Tobias Liebezeit; recorded in Amsterdam, February 2007&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;James Tenney: Having Never Written a Note for Percussion&lt;br /&gt;Postal Pieces&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2004&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;percussion: Tobias Liebezeit; recorded in the Netherlands, 2003&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-916845362127984224?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/916845362127984224/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=916845362127984224' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/916845362127984224'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/916845362127984224'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/12/martian-gardens-for-12112011.html' title='Martian Gardens for 12/11/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-2237867241106110531</id><published>2011-12-04T16:37:00.004-05:00</published><updated>2011-12-04T23:49:41.462-05:00</updated><title type='text'>Martian Gardens for 12/04/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for December 4, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Christian Wolff: Look She Said (I-V)&lt;br /&gt;Look She Said (Complete Works for Bass)&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2002&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;bass, voice: Robert Black; recorded at Millard Auditorium, Hartt School, University of Hartford; 1/04/00&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Joseph Iadone: Sonata for Double Bass and Piano&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Con moto&lt;br /&gt;b. Adagio&lt;br /&gt;c. Scherzo&lt;/span&gt;&lt;br /&gt;Modern American Bass [various composers]&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;bass: Robert Black; piano: John McDonald; recorded at Rogers Center for the Arts, Merrimack College, North Andover, Massachusetts, August, 2006&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Arthur Kreiger: Dance for Sarah&lt;br /&gt;Electronic Works [Kreiger/Matthews/Tanenbaum]&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/nwr/news.shtml/"&gt;New World Records - CRI&lt;/a&gt;/1982&lt;span style="font-style: italic;font-size:85%;" &gt;&lt;br /&gt;realized at the Columbia-Princeton Electronic Music Center, 1976&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Arthur Kreiger: Voyage&lt;br /&gt;Meeting Places&lt;br /&gt;&lt;a href="http://www.albanyrecords.com/"&gt;Albany Records&lt;/a&gt;/2003&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Buchla Synthesizers, electronics; premiered at the WBAI Free Music Store, NYC, 10/10/76&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Péter Eötvös: Electrochronicle (Session: June 8, 1974)&lt;br /&gt;Electrochronicle&lt;br /&gt;&lt;a href="http://www.bmcrecords.hu/pages/frameset/index.php/"&gt;Budapest Music Center Records&lt;/a&gt;/2002&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;stereo tape, live session recorded by WDR in 1974; electronics, electric organ: Péter Eötvös; electric organ: Mesias Maiguashca&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Roxanne Turcotte: from Musée sonore (Sound Museum)&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Est-ce que je rêve? (Am I Dreaming?)&lt;br /&gt;b. Télé réalité (Reality TV)&lt;/span&gt;&lt;br /&gt;Désordres&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_11106/"&gt;empreintes DIGITALes&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;realized at Productions RTM, 2003-2004, for François Doyon's installation "Attractions," Café of the Monument-National, Montréal, January 2005&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Mark Applebaum: Scipio Wakes Up (and Smells the Coffee)&lt;br /&gt;Intellectual Property&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;for 6 electroacoustic sound-sculptures (the Micro Mice), with electronic drumset, electronic marimba, violin, and bassoon; performance: The Paul Dresher Ensemble; electronic keyboards and sound sculptures: Phil Aaberg, Paul Dresher; violin and sound sculptures: Craig Fry; bassoon and sound sculptures: Paul Hanson; electronic marimba and sound sculptures: Amy Knoles; electronic drumset and sound sculptures: Gene Reffkin; recorded live at the Virginia Museum, Richmond, 4/20/96 and Yerba Buena Center for the Arts, San Francisco, 5/31/96&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Mark Applebaum: Scipio ReMix&lt;br /&gt;The Janus ReMixes -- Excercises in Auto-Plundering&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/1999&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;computer processing: Mark Applebaum&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Herbert Brün: Wayfaring Sounds&lt;br /&gt;Wayfaring Sounds -- Compositions for Instruments with Tape&lt;br /&gt;&lt;a href="http://www.cdemusic.org/Herbert-Brunbr-iWayfaring-Sounds-i-p725.html/"&gt;Electrnic Music Foundation&lt;/a&gt;/1998&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded at the Siemens Studio for electronic music, Munich, 1962&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Emanuel Dimas De Melo Pimenta: Rozart&lt;br /&gt;Digital Music&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/1990&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electronics: E. Pimenta; sourced voice: Enrico Caruso; realized during E. Pimenta's participation on the Loop Committee for a performance of John Cage's Rozart Mix in New York City, 1989&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Jorge Antunes: Hombres Tristes...*&lt;br /&gt;Música Electroacústica Brasileira Vol. II [various artists]&lt;br /&gt;&lt;span style="text-decoration:underline"&gt;Sociedade Brasileira de Música Electroacústica&lt;/span&gt;/1999&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;computers, synthesizer: J. Antunes; recorded at the Laboratorio de informática y electrónica Musical, CDMC, Madrid, summer 1998&lt;br /&gt;*full title: Hombres Tristes Y Sin Titulo Rodeados De Pajaros En Noche Amarilla, Violeta Y Naranja [inspired by Joan Miró]&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;Eduardo Reck Miranda: Electroacoustic Samba I&lt;br /&gt;Southern Cones -- Music Out of Africa and South America&lt;br /&gt;&lt;a href="http://www.cdemusic.org/Southern-Conesbr-iMusic-Out-of-Africa-and-South-America-i-p774.html/"&gt;Electronic Music Foundation&lt;/a&gt;/2002&lt;br /&gt;realized in at the University of York, 1990&lt;br /&gt;&lt;br /&gt;Drew Krause: Lounge Hell&lt;br /&gt;Powder&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;realized in 2001, mastered at Legacy Sound, New Rochelle, September 2005&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Barbara Held: The Well&lt;br /&gt;Power and Responsibility: Converted to Streaming Between Machines&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Leonardo Music Journal Volume 9 [various artists]&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.soundunwound.com/music/-/power-and-responsibility-converted-to-streaming-between-machines/emf-media-2000-cd/13598762?ref=CA/"&gt;Electronic Music Foundation&lt;/a&gt;/2000&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Richard Teitelbaum: Blends&lt;br /&gt;Blends&lt;br /&gt;&lt;a href="http://www.newalbion.com/"&gt;New Albion Records&lt;/a&gt;/2002&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;shakuhachi: Katsuya Yokoyama; Micromoog and Polymoog synthesizers: R. Teitelbaum; tabla and percussion: Trilok Gurtu; recorded at A&amp;amp;R Studios, New York City, 1983&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Richard Teitelbaum: Golem I&lt;br /&gt;CDCM Computer Music Series Volume 2 [various artists]&lt;br /&gt;&lt;span style="font-size:85%;"&gt;iEAR Studios at Rensselear Polytechnic Institute&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.centaurrecords.com/"&gt;Centaur Records&lt;/a&gt;/1988&lt;span style="font-style: italic;font-size:85%;" &gt;&lt;br /&gt;computer music performance system: R. Teitelbaum; realized 1987&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;--FIN-&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-2237867241106110531?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/2237867241106110531/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=2237867241106110531' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/2237867241106110531'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/2237867241106110531'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/12/martian-gardens-for-12042011.html' title='Martian Gardens for 12/04/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-5377758533071787119</id><published>2011-11-27T16:33:00.005-05:00</published><updated>2011-11-28T16:53:39.745-05:00</updated><title type='text'>Martian Gardens for 11/27/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for November 27, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Lou Harrison: Palace Music (from Suite for National Steel Guitar)&lt;br /&gt;Por Gitaro&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;National Steel guitar: John Schneider; recorded at Harrison House, Joshua Tree, California 7/15/04&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;John Schneider/Just Strings: Three Intrusions [H. Partch]&lt;br /&gt;&lt;span style="font-size:85%;"&gt;I. The Rose&lt;br /&gt;II. The Crane&lt;br /&gt;III. The Waterfall&lt;/span&gt;&lt;br /&gt;Just Guitars&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2003&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Adapted Guitar, voice: John Schneider; Diamond Marimba: Gene Sterling; texts: Ella Young (I, III), Tsurayuki (II)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Orlando Jacinto Garcia: Timbres Artificiales&lt;br /&gt;Fragments of the Past&lt;br /&gt;&lt;a href="http://www.newalbion.com/"&gt;New Albion Records&lt;/a&gt;/2004&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;guitar: Jaime Marquez; recorded at Mahler Sound, Miami, Florida, April 2003&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Dan Joseph: Wind Patterns&lt;br /&gt;Tonalization (for the Afterlife)&lt;br /&gt;&lt;a href="http://www.mutablemusic.com/"&gt;Mutable Music&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;hammer dulcimer: Dan Joseph; flute: Leah Paul; recorded at Spin Studios, Long Island City; July 2010&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Martin Bresnick:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Farandula de Politicos -- Contra el Bien General&lt;br /&gt;b. Farandula de Populacho&lt;/span&gt;&lt;br /&gt;Caprichos Enfáticos&lt;br /&gt;&lt;a href="http://www.cantaloupemusic.com/"&gt;Cantaloupe Music&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano: Lisa Moore; percussion: Sō Percussion; recorded at Sprague Memorial Hall, New Haven, 4/02/09&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Larry Polansky: Rue Plats (Resting Place) (for Ben Johnston)&lt;br /&gt;The World's Longest Melody&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;guitars: Toon Callier; harp: Jutta Troch; live guitar tuning, percussion: Jeroen Stevens; voice: W. Victor; text, melody: Morris Rosenfeld&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Mario Verandi: Figuras Flamencas&lt;br /&gt;Orillas Distantes/Distant Shores&lt;br /&gt;&lt;a href="http://www.cdemusic.org/Mario-Verandibr-iorillas-distantes-distant-shores-i-p1173.html/"&gt;Electronic Music Foundation&lt;/a&gt;/2001&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;text: Federico Garcia Lorca, "Bodas de Sangre" (Blood Wedding); produced at the Electronic Music Studios, University of Birmingham, UK, 1995&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Peter Zummo: Fresh Batteries&lt;br /&gt;Experimenting with Household Chemicals&lt;br /&gt;&lt;a href="http://xirecords.org/116.shtml/"&gt;XI Records&lt;/a&gt;/1995&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;trombone, voice: Peter Zummo; amplified cello, keyboard bass, voice: Arthur Russell; marimba, voice: Bill Ruyle; recorded at various locations 1987-1991&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Tom Hamilton: Girnar&lt;br /&gt;Pieces for Kohn/Formal &amp;amp; Informal Music&lt;br /&gt;&lt;a href="http://kvistrecords.com/"&gt;Kvist Records&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electronics: Tom Hamilton; recorded at Professional Artist Recordings, St. Louis, 1975&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Piero Milesi: Avanti La Tre&lt;br /&gt;Within Himself&lt;br /&gt;&lt;a href="http://cuneiformrecords.com/bandshtml/milesi.html/"&gt;Cuneiform Records&lt;/a&gt;/2000&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;programming, keyboards: P. Milesi; sound effects, video: Luca Scarzella; recorded at Deffenu Recording Studio, Milan, 1991&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Noah Creshevsky: Götterdämmerung&lt;br /&gt;The Twilight of the Gods&lt;br /&gt;&lt;a href="http://www.tzadik.com/index.php?catalog=8069/"&gt;Tzadik Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;vocals, trumpet: Susan Watts, clarinet, alto sax: Alex Kontorovich; violin, vocals: Amy Zakar; bass, vocals: Heather Chriscaden Versace; tenor sax, alto sax: Audrey Betsy Welber; trumpet: Ben Holmes; piano: Adrian Banner; drums: Gregg Mervine; samples: The Klez Dispensers&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://neuromusic.soc.plymouth.ac.uk/"&gt;Eduardo Reck Miranda&lt;/a&gt;: Electroacoustic Samba X&lt;br /&gt;Desde El Otro Lado -- Electroacoustic from Latin America (various artists)&lt;br /&gt;O.O. Discs/1998&lt;br /&gt;&lt;br /&gt;Iannis Xenakis: Hibiki Hana Ma (excerpt)&lt;br /&gt;Electronic Works 2&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;premiered in 1970 at the Osaka World's Fair for the Federation of Iron and Steel Companies' pavilion&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Pierre Alexandre Tremblay: Les trois petits c… (A Woman in Berlin)&lt;br /&gt;Quelques Reflets&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_11109/"&gt;empreintes DIGITALes&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;realized in 2010 at the Métamorphoses d’Orphée studio in Ohain (Belgium) and at the composer’s studio and premiered on May 25, 2011; premiered at Trois visages des musiques électroacoustiques: musique électroacoustique et videomusique, Espace Senghor, Brussels&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;Ragnar Grippe: Musique Douze&lt;br /&gt;International Electronic Music (various artists)&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/cri-nwr-2004-03.shtml/"&gt;New World Records - CRI&lt;/a&gt;/1976&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;realized at Electronmusikstudion (EMS), Stockholm, 1975&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Lisa Moore: Machine-like, but with some groove (A. Gosfield)&lt;br /&gt;Lightning Slingers and Dead Ringers&lt;br /&gt;&lt;a href="http://www.cantaloupemusic.com/"&gt;Cantaloupe Music&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano, sampling keyboard: Lisa Moore; recorded at Firehouse 12, New Haven, spring 2010&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET SIX&lt;br /&gt;Frank Pahl: Columbus on Guadeloupe&lt;br /&gt;Transforms  -- The Nerve Events Project (various artists)&lt;br /&gt;&lt;a href="http://www.cuneiformrecords.com/bandshtml/drnerve.html/"&gt;Cuneiform Records&lt;/a&gt;/1993&lt;br /&gt;&lt;br /&gt;Ingram Marshall: Gradual Requiem, Part 3&lt;br /&gt;Fog Tropes&lt;br /&gt;&lt;a href="http://www.newalbion.com/"&gt;New Albion Records&lt;/a&gt;/1988 (orig. 1984)&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;mandolin: Foster Reed; voice, piano, Serge Modular synthesizer: I. Marshall; recorded at Möbius Studio, San Francisco&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Otto Luening: Synthesis for Orchestra and Electronic Sound&lt;br /&gt;Music of Riegger, McPhee &amp;amp; Luening&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/cri-nwr-2004-03.shtml/"&gt;New World Records - CRI&lt;/a&gt;/1965&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Hessian Radio Symphony Orchestra, conductor: David Van Vactor; electronics realized on the RCA synthesizer, synchronized at the Columbia - Princeton Electronic Music Center (1960)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Salvatore Martirano: Sampler -- Everything Goes When the Whistle Blows&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Goes&lt;br /&gt;b. Bnkquan 3&lt;br /&gt;c. Drm 18.3&lt;br /&gt;d. Add 1&lt;br /&gt;e. Whistle, Train, Harpbird&lt;br /&gt;f. BS 2Bak&lt;br /&gt;g. End 1 Go&lt;/span&gt;&lt;br /&gt;CDCM Computer Music Series Volume 3 [various artists]&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Experimental Music Studios and Computer Music Project at&lt;br /&gt;University of Illinois at Urbana-Champaign&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.centaurrecords.com/"&gt;Centaur Records&lt;/a&gt;/1989&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;yahaSALmaMAC MIDI orchestra: S. Martirano; Zeta violin: Dorothy Martirano; recorded at the University of Illinois School of Music, 1989&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-5377758533071787119?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/5377758533071787119/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=5377758533071787119' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/5377758533071787119'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/5377758533071787119'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/11/martian-gardens-for-11272011.html' title='Martian Gardens for 11/27/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-8453461197690650328</id><published>2011-11-19T18:21:00.007-05:00</published><updated>2011-11-27T16:33:23.485-05:00</updated><title type='text'>Martian Gardens for 11/20/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for November 20, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Tom Waits: November&lt;br /&gt;The Black Rider&lt;br /&gt;Island Records/1993&lt;span style="font-style: italic;font-size:85%;" &gt;&lt;br /&gt;piano, banjo, vocal, lyrics: T. Waits; accordion: Greg Cohen; saw: Don Neely&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Haydée Schvartz: An Tasten (A Piano Study)[M. Kagel]&lt;br /&gt;New Piano Music from Europe and The Americas&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/1993&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano: H. Schvartz; recorded at Slee Hall, SUNY Buffalo, January 1992&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;David Lang: Cello (in memory of Anna Cholakian)&lt;br /&gt;This Was Written by Hand&lt;br /&gt;&lt;a href="http://www.cantaloupemusic.com/"&gt;Cantaloupe Music&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano: D. Lang; recorded at the Royal College of Music, London, January 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Anna Thorvoldsdottir: Hidden -- Rain&lt;br /&gt;Rhízōma&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;percussionist on grand piano: Justin DeHart; recorded at Warren Music Studios, San Diego&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Lisa Moore: Languid and Layered [A. Gosfield]&lt;br /&gt;Lightning Slingers and Dead Ringers&lt;br /&gt;&lt;a href="http://www.cantaloupemusic.com/"&gt;Cantaloupe Music&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano, sampling keyboard: Lisa Moore; recorded at Firehouse 12, New Haven, spring 2010&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Stuart Saunders Smith: Links No. 2&lt;br /&gt;The Links Series of Vibraphone Essays&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;vibraphone: Steven Sehlman; recorded at Studio 508, University of Baltimore County, May 2008&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Daria Semegen: Vignette&lt;br /&gt;Stony Brook Soundings Volume 2 [various artists]&lt;br /&gt;&lt;a href="http://www.bridgerecords/"&gt;Bridge Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano: Cathy Callis; recorded at Springer Hall, CUNY Staten Island, July 1999&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Daria Semegen: Spectra (Electronic Composition No. 2)&lt;br /&gt;Satan's Sermon and Other Electronic Fantasies [various artists]&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/cri-nwr-2004-03.shtml/"&gt;New World Records - CRI&lt;/a&gt;/1980&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;realized at the Electronic Music Studio, SUNY Stony Brook&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Ursula Mamlok: Kontraste&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Humoresque&lt;br /&gt;b. Largo e mesto&lt;/span&gt;&lt;br /&gt;Volume 3&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;oboe: Heinz Holliger; harp: Ursula Holliger; recorded at Deutschlandfunk Köln Kammermusikaal&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Meredith Monk: Autumn Variation&lt;br /&gt;Songs of Ascension&lt;br /&gt;&lt;a href="http://www.ecmrecords.com/"&gt;ECM Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Todd Reynolds String Quartet; alto saxophone: Bohdan Hilash; percussion: John Hollenbeck; recorded at the Academy of Arts and Letters, NYC, November 2009&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Meredith Monk: Do You Be&lt;br /&gt;Beginnings&lt;br /&gt;&lt;a href="http://www.tzadik.com/"&gt;Tzadik&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice, organ: M. Monk; recorded at Schaubuhne am Hallesches Ufer, Berlin, July 1980&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Meredith Monk: Mapping&lt;br /&gt;Songs of Ascension&lt;br /&gt;&lt;a href="http://www.ecmrecords.com/"&gt;ECM Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voices: M. Monk, Ching Gonzalez; percussion: John Hollenbeck; recorded at the Academy of Arts and Letters, NYC, November 2009&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Joan La Barbara: Autumn Signal&lt;br /&gt;Voice is the Original Instrument -- Early Works&lt;br /&gt;&lt;a href="http://www.lovely.com/"&gt;Lovely Music, Ltd.&lt;/a&gt;/2003&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice, Buchla synthesizer: Joan La Barbara; premiered at Metamusik Festival, Berlin, 10/22/78&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Elainie Lillios: Threads&lt;br /&gt;Entre Espaces [Between Spaces]&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_11110/"&gt;empreintes DIGITALes&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;realized at the Electroacoustic Studios of The University of Birmingham, UK; premiered at the 19th EuCuE concert series at Oscar Peterson Concert Hall, Concordia University in Montréal, 11/13/98&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Roxanne Turcotte: Moteur, on tourne![from Musée sonore]&lt;br /&gt;Désordres DVD&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_11106/"&gt;empreintes DIGITALes&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;realized at the composer's studio for François Doyon's installation "Attractions," presented at Café of the Monument-National, Montréal, January 2005&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Alvin Lucier: Sferics&lt;br /&gt;Sferics and Music for Solo Performer&lt;br /&gt;&lt;a href="http://www.lovely.com/"&gt;Lovely Music, Ltd.&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;radio signals for composition recorded at Church Park, Colorado, 8/27/81&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;David Dunn: The Sound of Light in Trees [excerpt]&lt;br /&gt;The Sound of Light in Trees&lt;br /&gt;&lt;a href="http://www.cdbaby.com/cd/ddunn2/"&gt;Earth Ear&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;sound frequencies for composition recorded inside pinyon pine trees, New Mexico, 2005&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;John Cage: Cartridge Music/11 Instruments&lt;br /&gt;a CAGE of saxophones -- The Works For Saxophone Volumes 3 &amp;amp; 4&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;intersax -- soprano saxophone, artistic director: Ulrich Krieger, alto saxophone: Martin Losert, tenor saxophone: Tobias Rüger, baritone saxophone: Reimar Volker; guests -- violin: Burkhard Schlothauer; viola: Johannes Platz; cello: Ulrich Maiß; contrabass: Alexander Frangenheim; piano: Michael Iber; accordion: Gerhard Scherer; percussion: Andreas Peters; recorded at several locations, mastered at the π-Farm, 2004&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;François Bayle: Staccato (from Sept Preludes)&lt;br /&gt;Camera Obscura and Espaces Inhabitables&lt;br /&gt;&lt;a href="http://www.magison.org/"&gt;Magison&lt;/a&gt;/2000&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded at Groupe de Recherches Musicales, Paris, 1976, revised 2000&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Mel Powell: Events for Tape Recorder&lt;br /&gt;Music for Electronic &amp;amp; Older Instruments [Luening/Ussachevsky/Powell]&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/cri-nwr-2004-03.shtml/"&gt;New World Records - CRI&lt;/a&gt;/1968&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;actors: Mildred Dunnock, Lee Bowman, Martha Scott; text: Hart Crane, "Legend" recorded 1963&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Mel Powell: Immobiles (for chamber ensemble with tape)&lt;br /&gt;Settings&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2003&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;California EAR Unit -- cello: Erika Duke-Kirkpatrick, violin: Robin Lorentz, flute: Dorothy Stone, piano: Vicki Ray, clarinet: Marty Walker, percussion: Amy Knoles; recorded at O'Henry Sound Studios, Burbank, California, December 2001&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Tom Hamilton: Fatehpur (excerpt)&lt;br /&gt;Pieces for Kohn/Formal &amp;amp; Informal Music&lt;br /&gt;&lt;a href="http://kvistrecords.com/"&gt;Kvist Records&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electronics: Tom Hamilton; recorded at Professional Artist Recordings, St. Louis, 1975&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-8453461197690650328?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/8453461197690650328/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=8453461197690650328' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/8453461197690650328'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/8453461197690650328'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/11/martian-gardens-for-11202011.html' title='Martian Gardens for 11/20/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-2883907368166853267</id><published>2011-11-13T15:01:00.008-05:00</published><updated>2011-11-14T15:33:36.673-05:00</updated><title type='text'>Martian Gardens for 11/13/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for November 13, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;David Lang: Cage (In Memory of John Cage) [from Memory Pieces]&lt;br /&gt;This Was Written by Hand&lt;br /&gt;&lt;a href="http://www.cantaloupemusic.com/"&gt;Cantaloupe Music&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano: Andrew Zolinsky; recorded at the Royal College of Music, London, January 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Alexander Berne &amp;amp; The Abandoned Orchestra: Flicker IV&lt;br /&gt;Flickers of Mime -- The Death of Memes&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2011&lt;br /&gt;&lt;br /&gt;Anna Thorvaldsdottir: Hrím&lt;br /&gt;Rhízōma&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;The CAPUT Ensemble, conductor: Snorri Sigfús Birgisson; recorded at Guðriðarkirkja, Reykjavik&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Morton Feldman: Intersection I [1951]&lt;br /&gt;Orchestra&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Deutsches Symphonie-Orchrestra, conductor: Brad Lubman; recorded at Great Hall, Haus es Rundfunks, Berlin, November 2010&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Colin McPhee: Nocturne [1958]&lt;br /&gt;Riegger/Luening/Mcphee&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/cri-nwr-2004-03.shtml/"&gt;New World Records - CRI&lt;/a&gt;/1965&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Hessian Radio Symphony Orchestra, conductor: David Van Vactor&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Pierre Alexandere Tremblay: Ces énigmes lumineuses&lt;br /&gt;Quelques reflets&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_11109/"&gt;empreintes DIGITALes&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;realized at the studio of Miso Music Portugal, Lisbon; premiered at the Musica Viva Festival, Instituto Franco-Português, Lisbon, 9/23/10&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Davíð Brynjar Franzson: The Principals of Order&lt;br /&gt;A Guide for the Dead through the Underworld&lt;br /&gt;&lt;a href="http://carrierrecords.com/"&gt;Carrier Records&lt;/a&gt; - Deutschlandradio Kultur /2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;performed by Ensemble Adaptor&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Charles Dodge: The Story of Our Lives [1973-1974]&lt;br /&gt;&lt;span style="font-size:85%;"&gt;I. We are reading the story of our lives (a)&lt;br /&gt;II. We are reading the story of our lives (b)&lt;br /&gt;III. This morning I woke and believed&lt;br /&gt;IV. Before you woke&lt;br /&gt;V. If only there were a perfect moment in the book&lt;br /&gt;VI. The day goes on&lt;br /&gt;VII. The book will not survive&lt;/span&gt;&lt;br /&gt;Synthesized Voices&lt;br /&gt;&lt;a href="http://www.blogger.com/%3Ca"&gt;New World Records - CRI&lt;/a&gt;/1976&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice synthesis and text: C. Dodge; realized at the Columbia University Center for Computing Activities and Nevis Laboratories, Columbia University&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Marco Capelli &amp;amp; Sintax Error: from In the Shadow of No Towers&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. TV News&lt;br /&gt;b. Burning Tower I&lt;br /&gt;c. Burning Tower II&lt;br /&gt;d. Burning Tower III&lt;br /&gt;e. Burning Tower IV&lt;br /&gt;f. Finale&lt;/span&gt;&lt;br /&gt;In the Shadow of No Towers DVD&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;narration: John Turturro; storyboard: Art Spiegelman; concept: M. Capelli; Sintax Error -- guitars, music box, live electronics: M. Capelli; keyboards, live electronics: Daniele Ledda; drums, percussion: Roberto Pelligrini; recorded at Musicisi Associati, Naples (2008); Harvestworks, New York City (2011)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Eve Beglarian: Landscaping for Privacy&lt;br /&gt;Tell the Birds&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice, electronics: Eve Beglarian&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Paul Burnell: Orange Juice&lt;br /&gt;Deep Wireless 4 - Radio Art Compilation [various artists]&lt;br /&gt;&lt;a href="http://www.naisa.ca/deepwireless/2007/Radio.html/"&gt;New Adventures in Sound Art&lt;/a&gt;/2007&lt;br /&gt;&lt;br /&gt;Mendi + Keith Obadike: Rodeo Red&lt;br /&gt;Mendi + Keith Obadike present Crosstalk [various artists]&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2009&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;Charles Amhirkhanian: Hypothetical Moments&lt;br /&gt;Mental Radio&lt;br /&gt;&lt;a href="http://www.blogger.com/%3Ca"&gt;New World Records - CRI&lt;/a&gt;/1985&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice, ocarina, bells: C. Amhirkhanian; harpsichord (samples): Dennis Russell-Davies; recorded at New Wilderness Foundation, NYC, October 1981&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;John Giorno: Give It to Me, Baby&lt;br /&gt;10+12:12 American Text Sound Pieces [various artists]&lt;br /&gt;&lt;a href="http://otherminds.org/cgi-bin/shop.pl/page=10+2.html/buy=1/"&gt;Other Minds&lt;/a&gt;/2003 [orig. 1975]&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice: Victoria Smitters; recorded at Giorno's studio, NYC (1967), Moog synthesizer processing: Robert Moog, Trumansberg, NY (1967)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Erik Belgum: Dick Tracy All Over His Body&lt;br /&gt;The Aerial #4 - A Journal in Sound [various artists]&lt;br /&gt;&lt;a href="http://www.pogus.com/nonsequitor.html/"&gt;Nonseqitur&lt;/a&gt;/1994&lt;br /&gt;&lt;br /&gt;Beth Anderson:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Yes Sir Ree&lt;br /&gt;b. I Can't Stand It&lt;/span&gt;&lt;br /&gt;Peachy Keen-O&lt;br /&gt;&lt;a href="http://www.pogus.com/"&gt;Pogus Productions&lt;/a&gt;/2003&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice, texts: B. Anderson; percussion (a): Michael Blair; percussion (b): Wharton Tiers&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET SIX&lt;br /&gt;David Behrman: Statement Against the War&lt;br /&gt;My Dear Siegfried&lt;br /&gt;&lt;a href="http://xirecords.org/129.shtml"&gt;XI Records&lt;/a&gt;/2005&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice: Thomas Buckner; trumbone: Peter Zummo; keyboards, electronics:&lt;br /&gt;D. Behrman; engineering, special effects: Tom Hamilton&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;David Felder: November Sky&lt;br /&gt;Music of David Felder&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/1995&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;flute: Rachel Rudich; computer sounds realized at SUNY Buffalo; recorded at UC San Diego&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-2883907368166853267?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/2883907368166853267/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=2883907368166853267' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/2883907368166853267'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/2883907368166853267'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/11/martian-gardens-for-11132011.html' title='Martian Gardens for 11/13/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-1020868791960890516</id><published>2011-10-22T16:42:00.005-04:00</published><updated>2011-10-24T15:24:01.561-04:00</updated><title type='text'>Martian Gardens for 10/23/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for October 23, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Noah Creshevsky:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Once&lt;br /&gt;b. Jubilate&lt;/span&gt;&lt;br /&gt;To Know and Not to Know&lt;br /&gt;&lt;a href="http://www.tzadik.com/"&gt;Tzadik&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;a. soprano: Martha Cluver; b. soprano: Beth Griffith, vocal samples: Thomas Buckner&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Morton Feldman: Voice and Instruments&lt;br /&gt;Orchestra&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;soprano: Martha Cluver; Deutsches Symphonie-Orchester Berlin, conductor: Brad Lubman; recorded at Great Hall, Haus es Rundfunks, Berlin, November 2010&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Craig Shepard: Crêt de la Neuve, le 20 juillet 2005&lt;br /&gt;On Foot&lt;br /&gt;&lt;a href="http://www.wandelweiser.de/"&gt;Edition Wandelweiser&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;melodica: Christian Wolff&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Sarah Peebles: Blue Moon Spirit&lt;br /&gt;Suspended in Amber&lt;br /&gt;&lt;a href="http://www.innovarecordings.com/"&gt;Innova Recordings&lt;/a&gt;/1996&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;shō: Kō Ishikawa; recorded at Studio 246, Tokyo, 4/04/95&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.philipmantione.com/"&gt;Philip Mantione&lt;/a&gt;: Valuri&lt;br /&gt;Compilation for Max&lt;br /&gt;P.M./2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;computer music for the installation "Wet Sounds" by Joel Cahen&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Charles Wuorinen: ♩=60 (mvt. I. Concerto for Amplified Violin and Orchestra)&lt;br /&gt;The Golden Dance&lt;br /&gt;&lt;a href="http://charleswuorinen.com/"&gt;Albany Records&lt;/a&gt;/2004&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;violin: Paul Zukofsky; Radio-Sinfonie-Orchestra Frankfurt, conductor: Eliahu Inbal; recorded for Hessischer Rundfunk, February 1975&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Denis Smalley: Pentes&lt;br /&gt;Sources/scènes&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_0054/"&gt;empreintes DIGITALes&lt;/a&gt;/2003&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electroacoustics; Northumbrian pipes: uncredited; realized at Ina-GRM, Paris, 1974; premiered at Auditorium 104 — Maison de Radio France, 3/20/75&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Roxanne Turcotte:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Bourdons enjoués [Cheerful drones]&lt;br /&gt;b. Delirium &lt;/span&gt;&lt;br /&gt;Désordres&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_11106/"&gt;empreintes DIGITALes&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;a. electroacoustics; bagpipes, Breton bombard: Michael Dubeau; realized at the composer's studio; premiered at Festival Synthèse, Bourges, Cher, France, June 2004; b. electroacoustics, realized at the composer's studio; Électro-chocs 4: Travaux électroniques féminins, Salle multimédia — Conservatoire de musique de Montréal, 3/20/11 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Ursula Mamlok: Five Capriccios&lt;br /&gt;&lt;span style="font-size:85%;"&gt;I. ♪=100&lt;br /&gt;II. ♪=112&lt;br /&gt;III. ♪=92&lt;br /&gt;IV. ♩=104&lt;br /&gt;V. ♪=54&lt;/span&gt;&lt;br /&gt;Volume 3&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;oboe: Heinz Holliger; piano: Anton Kernjak; recorded at Radiostudio, Zurich, Switzerland, 2/12/11&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Lydia Kavina:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Free Music No. 1 (P. Grainger, for four theremins, 1936)&lt;br /&gt;b. Free Music No. 2 (P. Grainger, for six theremins, 1937)&lt;br /&gt;c. Beatless Music (P. Grainger, for six theremins, 1937&lt;/span&gt;&lt;br /&gt;Spellbound! Works for Theremin&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;theremins: L. Kavina; recorded at Patrych Sound Studios, Bronx, 7/10/00&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Otto Luening: Fantasy in Space&lt;br /&gt;Pioneers of Electronic Music (various artists)&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2006 (orig. CRI/1991)&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;created at the home of Henry Cowell, Woodstock, NY, 1952&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Vladimir Ussachevsky: Track 2 (Suite from "No Exit")&lt;br /&gt;Film Music&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/1990&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;musique concrète from the film of Jean-Paul Sartre's "No Exit," directed by Orson Welles, 1962; produced by the Columbia-Princeton Electronic Music Center&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Ernö Király: The Sky (Nebo)&lt;br /&gt;Phoenix -- The Music of Ernö Király (Király Ernö)&lt;br /&gt;&lt;a href="http://www.forcedexposure.com/artists/kiraly.erno.html/"&gt;ReR Megacorp&lt;/a&gt;/1995&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice: uncredited; tape: K. Ernö; text: Stevan Raickovic; recorded in Hungary, 1961&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Ivan Tcherepnin: High in the Woods (from Flores Musicales)&lt;br /&gt;Flores Musicales/Five Songs/Santur Live!&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;CRI&lt;/a&gt;/1995 (orig. 1982)&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;oboe: Peggy Pearson; violin: Wilma Smith; psaltery, organ, electronics: I. Tcherepnin; recorded at the Harvard Electronic Music Studio, fall 1981&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;J. C. Combs: Trinity 666 - The Last Train to Hell&lt;br /&gt;Safe Passage&lt;br /&gt;&lt;a href="http://www.electroshock.ru/"&gt;Electroshock Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;created by J.C. Combs for &lt;a href="http://improvfriday.com/"&gt;ImprovFriday&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;White Noise: The Black Mass -- An Electric Storm in Hell&lt;br /&gt;An Electric Storm&lt;br /&gt;Island Records/1968&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electronics: Delia Derbyshire, Brian Hodgson, David Vorhaus; percussion: Paul Lytton; vocals: John Whitman, Annie Bird, Val Shaw; recorded at Kaleidophon Studio, Camden Town, 1968&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Barton McLean: Demons of the Night&lt;br /&gt;Soundworlds&lt;br /&gt;&lt;a href="http://www.innovarecordings/"&gt;Innova Recordings&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;synthesizers, computers: B. McLean; saxophone "horror licks": Albert Regini&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;Ingram Marshall: Holy Ghosts&lt;br /&gt;Dark Waters&lt;br /&gt;&lt;a href="http://www.newalbion.com/"&gt;New Albion Records&lt;/a&gt;/2002&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;oboe d'amore: Libby Van Cleve; live digital delay processing: I. Marshall&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Eleanor Hovda: Glacier Track&lt;br /&gt;Coastal Traces&lt;br /&gt;O.O. Discs/1997&lt;br /&gt;&lt;span style="font-size:85%;"&gt;oboe d'amore: Libby Van Cleve; electric bass: Jack Vees; designed for performance in St. Marks Church-in-the-Bowery, NYC, acoustics replicated using the Soundfield SPS 422 Studio Microphone System and Lexicon Nuverb Processor, engineer: Arthur Bloom&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Bun Ching-Lam: Lü (Journey)&lt;br /&gt;Heidelberg Concerts&lt;br /&gt;&lt;a href="http://www.mutablemusic.com/"&gt;Mutable Music&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;percussion: Gilles Durot; recorded at the Völkerkundemuseum, Heidelberg, Germany&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-1020868791960890516?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/1020868791960890516/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=1020868791960890516' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/1020868791960890516'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/1020868791960890516'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/10/martian-gardens-for-10232011.html' title='Martian Gardens for 10/23/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-5600081772909101740</id><published>2011-10-16T18:37:00.004-04:00</published><updated>2011-10-22T17:16:49.367-04:00</updated><title type='text'>Martian Gardens for 10/16/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for October 16, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Syntax Error:&lt;br /&gt;a. Nadja's Story 1&lt;br /&gt;b. Nadja's Story 2&lt;br /&gt;c. Nadja's Story 3&lt;br /&gt;d. In the Shadow of No Towers&lt;/span&gt;&lt;br /&gt;In the Shadow of No Towers DVD&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;narrator: John Turturro; composer (a-d): Daniele Ledda; storyboard: Art Spiegelman; concept: Marco Capelli; recorded at Musicisti, Naples, 2008; Harvestworks, NYC, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://itsnotyouitsme.bandcamp.com/"&gt;Itsnotyouitsme&lt;/a&gt;:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;It might be a good time to leave this place and go mingle with our heroes&lt;/span&gt;&lt;br /&gt;Everybody's Pain is Magnificent&lt;br /&gt;New Amsterdam Records/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electric violin, casio sk-1, resonator guitar, effects, voice: Caleb Burhans; electric guitar, acoustic guitar, oud, fender rhodes, effects, voice: Grey McMurray; recorded at Glowing Ocean Studios, Clinton Studios, NYC&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Lou Harrison: Serenade for Guitar&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Round&lt;br /&gt;b. Air&lt;br /&gt;c. Infinite Canon&lt;br /&gt;d. Usul -- Little Homage to Sinan&lt;br /&gt;e. Sonata&lt;/span&gt;&lt;br /&gt;Serenado&lt;br /&gt;&lt;a href="http://www.newalbion.com/"&gt;New Albion Records&lt;/a&gt;/2003&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;guitar: David Tanenbaum; percussion: William Winant (d. Gong, e. finger cymbals, medium drums, e. medium drums)&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Lou Harrison: Suite No. 2&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Jahla in the form of Ductia&lt;br /&gt;b. Adagio, arioso&lt;br /&gt;c. Sonata in Cm&lt;br /&gt;d. A Waltz for Evelyn Hinrichsen&lt;br /&gt;e. Beverly's Troubadour Piece&lt;br /&gt;f. Interview with Harrison and Schneider on Guitar (1981)&lt;/span&gt;&lt;br /&gt;Por Gitaro -- Suites for Tuned Guitars&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;guitars, National Steel Guitar: John Schneider; a.-e. recorded at Harrison House, Joshua Tree, California, 7/05/04&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Lou Harrison: In Honor of the Divine Mr. Handel&lt;br /&gt;Por Gitaro -- Suites for Tuned Guitars&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;HMC American Gamelan, director: Bill Alves; guitar: John Schneider; recorded at Harvey Mudd College, Pomona, California, 5/06/07&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www2.hmc.edu/%7Ealves/"&gt;Bill Alves&lt;/a&gt;: Elegy for Lou Harrison&lt;br /&gt;Imbal-Imbalan -- New Music for Gamelan&lt;br /&gt;Spectral Harmonies/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;HMC American Gamelan, director: Bill Alves; cello: Roger Lebow; recorded at Harvey Mudd College&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;&lt;br /&gt;In memoriam &lt;a href="http://www.deeplistening.org/site/content/dlb/"&gt;David Gamper&lt;/a&gt; 1945 -- 2011&lt;br /&gt;&lt;br /&gt;Deep Listening Band: Processional&lt;br /&gt;Sanctuary&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/1995&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;organ, overtone, flutes, electronics: David Gamper; just tuned accordion, electronics: Pauline Oliveros; trombones, didjeridu, garden hose: Stuart Dempster; voice: Julie Lyon Balliet; recorded at Trinity Methodist Church, Kingston, NY, June 1993&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Deep Listening Band: Oliveros Gamper Duet&lt;br /&gt;Tosca Salad&lt;br /&gt;&lt;a href="http://deeplistening.org/site/"&gt;Deep Listening&lt;/a&gt;/1995&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded at Trinity Methodist flute, trombone, electronics: Pauline Oliveros, David Gamper; Church, Kingston, NY, 10/27/94&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Zanana: Ghost Dog&lt;br /&gt;Holding Patterns&lt;br /&gt;&lt;a href="http://deeplistening.org/site/"&gt;Deep Listening&lt;/a&gt;/2005&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;trombone, didjeridu, conch, processing: Monique Buzzarté; voice, laptop: Kristin Nordeval; Expanded Instrument System: David Gamper; recorded at Harvestworks Digital Media, NYC&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;Deep Listening Band: Metalorgy&lt;br /&gt;The Ready-Made Boomerang&lt;br /&gt;&lt;a href="http://www.newalbion.com/"&gt;New Albion Records&lt;/a&gt;/1992&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;small pipes, metal pieces: Stuart Dempster; voice, long tones: Thomas Eckert; small pipes, metal pieces: Pauline Oliveros; large pipes, metal pieces, voice accents: Panaiotis; recorded at the Cistern Chapel, Ft. Worden Cistern, Olympic Peninsula, WA, February 1990&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Chris Brown: Iceberg (for William Winant)&lt;br /&gt;Iconicities -- 3 Pieces for Percussion and Live Electronics&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;crotales, glockenspiel, hi-hat: William Winant; computer-controlled analog electronics, digital delay: Chris Brown; recorded at the Center for Contemporary Music, Mills College, 1989&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET SIX&lt;br /&gt;&lt;a href="http://www.philipmantione.com/"&gt;Philip Mantione&lt;/a&gt;: ImXCocteau&lt;br /&gt;Compilation for Max&lt;br /&gt;P.M.&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;saxophone (source recording): Eric Roberts; desert field recordings; written for the soundtrack of ImXCocteau by Alysse Stepanian&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;James Tenney: Dialogue&lt;br /&gt;Selected Recordings 1961-1969&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2003 (orig. Frog Peak Music, 1992)&lt;br /&gt;&lt;br /&gt;SET SEVEN&lt;br /&gt;Roxanne Turcotte: Attractions&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Aurore boréale [Aurora Borealis]&lt;br /&gt;b. Perséides [Perseids]&lt;br /&gt;c. Crépitements et tourments [Crackling and Torment]&lt;br /&gt;d. Profondeurs [Depths]&lt;br /&gt;e. Souffles et alizés [Puffs and Trade Winds]&lt;br /&gt;f. Tour de terre [Earth Trip] &lt;/span&gt;&lt;br /&gt;Désordres&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_11106/"&gt;empreintes DIGITALes&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;installation video: François Doyon; presented at the Café du Monoument-National, Montreal, January, 2005&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Natasha Barrett: Water Fall (Microclimate V)&lt;br /&gt;Bouteilles de Klein&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_10104/"&gt;empreintes DIGITALes&lt;/a&gt;/201&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Microclimates sound intstallation premiered in Sleppet, Bergen, Norway, 9/01/07&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Paul Lansky: Night Traffic&lt;br /&gt;Homebrew&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/1992&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electronically filtered traffic sounds, recorded 1990&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-5600081772909101740?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/5600081772909101740/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=5600081772909101740' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/5600081772909101740'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/5600081772909101740'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/10/martian-gardens-for-10162011.html' title='Martian Gardens for 10/16/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-6598371281369297716</id><published>2011-10-08T19:20:00.008-04:00</published><updated>2011-12-19T17:47:51.318-05:00</updated><title type='text'>Martian Gardens for 10/09/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for October 9, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Ursula Mamlok: Panta Rhei (Time in Flux)&lt;br /&gt;&lt;span style="font-size:85%;"&gt;I. Agitato&lt;br /&gt;II. Vivace Misterioso&lt;br /&gt;III. Molto Tranquillo&lt;br /&gt;IV. Allegro Energio&lt;br /&gt;V. Distant&lt;/span&gt;&lt;br /&gt;Volume 3&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Brdige Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;violin: Susanne Zapf; cello: Cosima Gerhardt; piano: Heather O'Donnell; recorded at Deutschlandfunk, Cologne, Germany, 11/26/10&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Heather O'Donnell: The Missing Nail at the River (W. Zimmermann)&lt;br /&gt;Responses to Ives&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano, toy piano: H. O'Donnell; recorded at Deutschlandfunk Kammermusiksaal, Cologne, Germany, April 2007&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Margaret Leng Tan: Put My Little Shoes Away (trad; G. Crumb)&lt;br /&gt;She Herself Alone--The Art of the Toy Piano 2&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice, toy piano, toy percussion (quartet): M.L. Tan; recorded at Systems II, Brooklyn, January 2010&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;George Crumb: Ghost-Nocturne -- for the Druids of Stonehenge (Night-Spell II)&lt;br /&gt;Makrokosmos I &amp;amp; II&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2004&lt;br /&gt;&lt;span style="font-family:Verdana, Helvetica, Arial;font-size:85%;"&gt;&lt;span style="font-size:14.0px;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;amplified piano: Margaret Leng Tan; recorded at Lang Concert Hall, Swarthmore College, July 2003&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;George Crumb: Threnody I -- Night of the Electric Insects (Virgo)[Tutti]&lt;br /&gt;Complete Crumb Edition Volume Seven&lt;br /&gt;Unto the Hills/Black Angels&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Brdige Records&lt;/a&gt;/2003&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;The Miró Quartet; recorded at the Academy of Arts and Letters, NYC, October 2002&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Chris Brown: Stupa&lt;br /&gt;Iconicities -- 3 Pieces for Percussion and Live Electronics&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;vibraphone: William Winant; piano, computer: C. Brown; recorded at Littlefield Concert Hall, Mills College, Oakland, July 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Larry Polansky: Canon #1&lt;br /&gt;Four-Voice Canons&lt;br /&gt;&lt;a href="http://www.coldbluemusic.com/"&gt;Cold Blue Music&lt;/a&gt;/2002&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;marimba: William Winant; recorded and processed at the Center for Contemporary Music, Mills College, Oakland, 1983/89&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Larry Polansky: Canon #18 -- Trio Canon for Christian Wolff&lt;br /&gt;Four-Voice Canons&lt;br /&gt;&lt;a href="http://www.coldbluemusic.com/"&gt;Cold Blue Music&lt;/a&gt;/2002&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;fretless electric guitar: L. Polansky; cello: Ha-Yang Kim; percussion: Nathan Davis; recorded and processed at Brittrax, Dartmouth College, Hanover, NH, and Los Angeles, summer 2002&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Christian Wolff: Exercise 18&lt;br /&gt;10 Exercises&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electric guitar, percussion: Larry Polansky; piano, percussion: Frederic Rzewski; percussion: Robyn Schulkowsky; soprano saxophone, percussion: Chiyoko Szlavnics; recorded at the Poggiolo Farm, Pozzuolo, Umbria, Italy, September 2005&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Trios, featuring Christian Wolff: Track Two&lt;br /&gt;Trios&lt;br /&gt;&lt;a href="http://www.pogus.com/"&gt;Pogus Productions&lt;/a&gt;/2004&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice, texts: Chris Mann; electric guitars: Larry Polansky; computer, electronics, recording: Douglas Repetto; recording, processing: Tom Erbe; piano, bass, percussion, melodica: C. Wolff; recorded in Hanover, NH, January and April 1998&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Chris Brown: Talking Drum (track 13)&lt;br /&gt;Talking Drum&lt;br /&gt;&lt;a href="http://www.pogus.com/"&gt;Pogus Productions&lt;/a&gt;/2005&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;percussion: William Winant, Donald Robinson; bass: Lisle Ellis; keyboards, synthesizers: C. Brown; Robert Kauker, synthesizers: Nick Peck, Scot Graham-Lancaster; recorded at Beanbender's, Berkeley, 3/20/96&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Lou Harrison: Fugue&lt;br /&gt;Drums Along the Pacific&lt;br /&gt;&lt;a href="http://www.newalbion.com/"&gt;New Albion Records&lt;/a&gt;/2003&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;William Winant Percussion Group -- flexatone, claves, maracas: W. Winant; metallophone, box, cowebells: Daniel Kennedy; meditation bells, brake drums, washtub: avid Rosenthal; bell-coils, bass drum, gongs, suspended Turkish cymbal, triangles: Todd Manley; recorded at Bay Records, Berkeley, August 1993&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Laurie Spiegel: Crying Tone&lt;br /&gt;Obsolete Systems&lt;br /&gt;&lt;a href="http://www.cdemusic.org/Laurie-Spiegelbr-iObsolete-Systems-i-p697.html/"&gt;Electronic Music Foundation&lt;/a&gt;/2001&lt;span style="font-style: italic;font-size:85%;" &gt;&lt;br /&gt;Electrocomp 200 modular analog synthesizer: L. Spiegel&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.vivianadelbergrudow.com/"&gt;Vivian Adelberg Rudow&lt;/a&gt;: Weeping Rocker&lt;br /&gt;I Didn't Want to Say Goodbye&lt;br /&gt;V.A.R./2004&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electronics: V.A.R&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Elizabeth McNutt: Twittering Machine (A. May)&lt;br /&gt;Pipe Wrench--Flute + Computer&lt;br /&gt;&lt;a href="http://www.cdemusic.org/Elizabeth-McNuttbr-iPipe-Wrench-i-p728.html/"&gt;Electronic Music Foundation&lt;/a&gt;/2000&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;flute: E. McNutt; computer program: Andrew May; recorded at SUNY Buffalo&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Lawrence Moss: Flutepaths&lt;br /&gt;New Paths&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;flute: Sarah Eckman McIver; electronics: L. Moss; recorded at Dekelboum Concert Hall, College Park, MD&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;&lt;a href="http://www.city-net.com/%7Emoko/air.html/"&gt;David Mooney&lt;/a&gt;: Olbum's Furniture&lt;br /&gt;Facts About Air&lt;br /&gt;D.M./2009&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.philipmantione.com/"&gt;Philip Mantione&lt;/a&gt;: Fabrics&lt;br /&gt;Compilation for Max&lt;br /&gt;P.M./2011&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.anechoicmedia.com/"&gt;PGR&lt;/a&gt;: 13&lt;br /&gt;A Hole of Unknown Depth&lt;br /&gt;Silent Records/1995&lt;br /&gt;&lt;br /&gt;SET SIX&lt;br /&gt;Elainie Lillios: Stumbling Dance&lt;br /&gt;Entre Espaces (Between Spaces)&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_11110/"&gt;empreintes DIGITALes&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;realized at the Electroacoustic Studios of The University of Birmingham, UK; premiered at the Finalist Concert of the III Concurso International de Música Electroacustica de São Paulo at Teatro Laura Abrahão, Brazil, 10/29/99&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Jonty Harrison: Free Fall (from ReCycle)&lt;br /&gt;Environs&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_0788/"&gt;empreintes DIGITALes&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;realized at the composer's studio, Birmingham, UK; Elektronisches Studio of the Musik-Akademie, Basel, Switzerland; processed at Studio Métamorphoses d’Orphée of Musiques &amp;amp; Recherches, Ohain, Belgium; premiered at L’Espace du son — M&amp;amp;R, Théâtre Marni, Brussels, Belgium, 10/20/06&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Thomas Buckner and Tom Hamilton: Segment C&lt;br /&gt;Jump the Circle, Jump the Line&lt;br /&gt;&lt;a href="http://www.mutablemusic.com/"&gt;Mutable Music&lt;/a&gt;/2001&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice: T. Buckner; improvised electronics: T. Hamilton; recorded live for EMF at Engine 27, NYC, 12/01/00&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-6598371281369297716?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/6598371281369297716/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=6598371281369297716' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/6598371281369297716'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/6598371281369297716'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/10/martian-gardens-for-10092011.html' title='Martian Gardens for 10/09/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-3963956971587713063</id><published>2011-10-01T16:24:00.005-04:00</published><updated>2011-10-03T17:08:14.470-04:00</updated><title type='text'>Martian Gardens for 10/02/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for October 2, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Sō Percussion: Marimba (S. Mackey)&lt;br /&gt;It Is Time&lt;br /&gt;&lt;a href="http://www.cantaloupemusic.com/"&gt;Cantaloupe Music&lt;/a&gt;/2011&lt;br /&gt;&lt;br /&gt;Martin Bresnick:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Farándula simple&lt;br /&gt;b. Farándula de charlatanes -- No saben el camino &lt;/span&gt;&lt;br /&gt;Caprichos Enfáticos&lt;br /&gt;&lt;a href="http://www.cantaloupemusic.com/"&gt;Cantaloupe Music&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano: Lisa Moore; percussion: Sō Percussion; recorded at Sprague Memorial Hall, Yale University School of Music, New Haven, CT, 4/02/09&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Roger Reynolds: imAge/piano&lt;br /&gt;Epigram and Evolution -- The Complete Piano Works&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano: Yuji Takahashi&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Chou Wen-Chung: Twilight Colors&lt;br /&gt;&lt;span style="font-size:85%;"&gt;I. A Thread of Light (Contrapunctus Variabilis V)&lt;br /&gt;II. Colors of Dawn (C.V. VI)&lt;br /&gt;III. In the Mist (C.V. VII)&lt;br /&gt;IV. Mountain Peaks Rising (C.V. VIII)&lt;br /&gt;V. Coda: Their silhouettes neither parallel nor contrary (C.V. IX)&lt;/span&gt;&lt;br /&gt;Clouds&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Boston Musica Viva, conductor: Richard Pittman; recorded at Fraser Performance Studio, WGBH, Boston, 9/17/08&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Bun-Ching Lam: Omi Hakkei&lt;br /&gt;&lt;span style="font-size:85%;"&gt;I. Night Rain at Karasaki&lt;br /&gt;II. Awazu on a Fine Breezy Day&lt;br /&gt;III. Wild Geese Descending in Katata&lt;br /&gt;IV. Autumn Moon at Ishiyama&lt;br /&gt;V. The Evening Glow of Seta Bridge&lt;br /&gt;VI. Sails Returning to Yabase&lt;br /&gt;VII. The First Snow of Mt. Hira&lt;br /&gt;VIII. The Evening Bell of Mii Temple&lt;/span&gt;&lt;br /&gt;Heidelberg Concerts&lt;br /&gt;&lt;a href="http://www.mutablemusic.com/"&gt;Mutable Music&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;flute: Angelika Bender; Dizi, xiao: Wolfgang Wendel; viola: Mariette Leners; erhu: Zhang Zhengfang; zheng: Xu Fengxia; harp: Isabelle Courret; conductor: BCL; recordded at the Portheim Palace of Heidelberg, German, 10/26/09&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Chris Brown: Gangsa&lt;br /&gt;Iconicities -- 3 Pieces for Percussion and Live Electronics&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;The William Winant Percussion Group -- flat-gongs: Jordan Glenn, Krystof Golinski, Shayna Dunkelman, David Douglas; conductor: W. Winant; live computer processing: C. Brown; recorded at Littlefield Concert Hall, Mills College, Oakland, July, 2010&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;The Hub: Falling Edge&lt;br /&gt;Boundary Layer&lt;br /&gt;&lt;a href="http://www.tzdik.com/"&gt;Tzadik Records&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;composers: Chris Brown, Mark Trayle; recorded live in concert at The Lab, San Francisco, 8/03/86&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Mark Trayle: _28 (track 5)&lt;br /&gt;Goldstripe&lt;br /&gt;&lt;a href="http://www.creativesourcesrec.com/catalog/catalog_121.html/"&gt;Creative Sources Recordings&lt;/a&gt;/2008&lt;br /&gt;laptop, electronics: M. Trayle&lt;br /&gt;&lt;br /&gt;Bischoff/Brown/Erbe/Payne: CCM Flotsam #12-21&lt;br /&gt;CDCM Computer Music Series Volume 17 (various artists)&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Music from the Center for Contemporary Music at Mills College&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.centaurrecords.com/"&gt;Centaur Records&lt;/a&gt;/1994&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;produced by the Staff of CCM, Mills College, Oakland, 1993&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Maggi Payne: Flaptics (M. Trayle)&lt;br /&gt;The Extended Flute&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/album.cgi?rm=view&amp;amp;album_id=17587/"&gt;CRI&lt;/a&gt;/1999&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Elaine Lillios: Backroads&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Shoe Factory&lt;br /&gt;b. Tree Tunnel&lt;br /&gt;c. Elevator &lt;/span&gt;&lt;br /&gt;Entre Espaces (Between Spaces)&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/bio/lillios_el/discog/"&gt;empreintes DIGITALes&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;realized at the composer's studio, 2002, premiered at Espace GO, Montreal, 9/13/02&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Herbert Brün: More Dust&lt;br /&gt;SAWDUST -- Computer Music Project&lt;br /&gt;&lt;a href="http://www.cdemusic.org/Herbert-Brunbr-iSawdust-i-p771.html/"&gt;Electronic Music Foundation&lt;/a&gt;/1998&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;composed on SAWDUST computer program, 1977; pieces published by &lt;a href="http://www.smith-publications.com/"&gt;Smith Publications&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Joan La Barbara: October Music -- Star Showers and Extraterrestrials&lt;br /&gt;Voice is the Original Instrument--Early Works&lt;br /&gt;&lt;a href="http://www.lovely.com/"&gt;Lovely Music, Ltd.&lt;/a&gt;/2003&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;multiple voices on multi-track tape; visual Arts Fellowship commission premiere: October, 1980, at The American Center for Students and Artists, Paris&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Robert Ashley: It's Easy (Joan La Barbara and Chorus)&lt;br /&gt;Dust -- An Opera by Robert Ashley&lt;br /&gt;&lt;a href="http://www.lovely.com/"&gt;Lovely Music, Ltd.&lt;/a&gt;/2000&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;electronic orchestration: Tom Hamilton, "Blue" Gene Tyranny, R. Ashley&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;"Blue" Gene Tyranny: The Intermediary (excerpt)&lt;br /&gt;The Intermediary&lt;br /&gt;&lt;a href="http://www.lovely.com/"&gt;Lovely Music, Ltd.&lt;/a&gt;/2008 (orig. 1982)&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano, electronics: BGT; computer: Joel Ryan&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-3963956971587713063?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/3963956971587713063/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=3963956971587713063' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/3963956971587713063'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/3963956971587713063'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/10/martian-gardens-for-10022011.html' title='Martian Gardens for 10/02/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-887961772441561692</id><published>2011-09-28T13:02:00.003-04:00</published><updated>2011-09-28T14:39:07.452-04:00</updated><title type='text'>Nothing to Say and Saying it 09/27/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;NOTHING TO SAY AND SAYING IT&lt;/span&gt;&lt;br /&gt;Tuesdays 22:00--24:00 EDT&lt;br /&gt;Guest Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for September 27, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Clock DVA: Man-Amplifiers&lt;br /&gt;Man-Amplified&lt;br /&gt;Contempo/1991&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;&lt;a href="http://www.voxnovus.com/composer/Noah_Creshevsky.htm/"&gt;Noah Creshevsky&lt;/a&gt;: Strategic Defense Initiative&lt;br /&gt;Tape Music of Noah Creshevsky 1971-1992&lt;br /&gt;EM Records/2004&lt;br /&gt;&lt;br /&gt;&lt;a href="http://testdept.org.uk/"&gt;Test Dept&lt;/a&gt;: New World Order&lt;br /&gt;Legacy [1990-1993] The Singles Plus More&lt;br /&gt;Cleopatra Records/1995&lt;br /&gt;&lt;br /&gt;David Hahn: Are You Sleeping, Now?&lt;br /&gt;Your Time is Up&lt;br /&gt;&lt;a href="http://www.davidhahnonline.com/Home.html/"&gt;davidhanonline&lt;/a&gt;/2007&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.pogus.com/"&gt;IF, BWANA&lt;/a&gt;: Screwed It Up Again&lt;br /&gt;Radio Slaves&lt;br /&gt;Monochrome Vision/2007&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Eric Lyon: Liberation #1&lt;br /&gt;Ex Cathedra&lt;br /&gt;&lt;a href="http://www.centaurrecords.com/"&gt;Centaur Records&lt;/a&gt;/2004&lt;br /&gt;&lt;br /&gt;Daniel Koppelman: Psychic Driving (excerpt -- Rev. Jim Jones/Zion chorus)(E. Lyon)&lt;br /&gt;Escapement&lt;br /&gt;Everglade Records/2008&lt;br /&gt;&lt;br /&gt;Zoviet France: Ram (I was Jim Jones' attorney...)&lt;br /&gt;Collusion&lt;br /&gt;The Grey Area of Soleilmoon/1992&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded September, 1984&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Brian Eno: In Dark Trees&lt;br /&gt;Another Green World&lt;br /&gt;EG Records/1975&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Bruce Haack: National Anthem to the Moon&lt;br /&gt;Farad -- The Electric Voice&lt;br /&gt;&lt;a href="http://www.stonesthrow.com/product/show/id/4692/"&gt;Stone's Throw Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;additional vocals: Chris Kachulis; originally released on "The Electric Lucifer," 1970&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The Moog Machine: Hey Jude (Lennon/McCartney)&lt;br /&gt;Switche-On Rock&lt;br /&gt;Columbia Records/1970&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;synthesizers, producer: Norman Dolph&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;White Noise: Here Come the Fleas (McDonald/Vorhaus)&lt;br /&gt;An Electric Storm&lt;br /&gt;Island Records/1968&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;vocals: Annie Bird, Val Shaw, John Whitman; electronics, EMS Synthi VC3: Delia Derbyshire, Brian Hodgson; percussion: Paul Lytton; production: David Vorhaus; recorded at Kalediophon Studio, Camden Town,  UK&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;John Eaton: Blues Machine&lt;br /&gt;First Performances -- The Syn-Ket and Moog Synthesizers in the 1960s&lt;br /&gt;&lt;a href="http://www.cdemusic.org/John-Eatonbr-iFirst-Performances-i-p214.html/"&gt;Electronic Music Foundation&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Syn-Ket, rhythm section: J. Eaton&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Frank Zappa: Nasal Retentive Calliope Music&lt;br /&gt;We're Only In It for the Money/Lumpy Gravy&lt;br /&gt;Rykodisc/1994 (orig. Verve/1968)&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;tape mixing: F. Zappa; sampled voice: Eric Clapton; recorded 1967&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Kenneth Gaburo: The Wasting of Lucrecetzia&lt;br /&gt;Tape Play&lt;br /&gt;&lt;a href="http://www.pogus.com/"&gt;Pogus Productions&lt;/a&gt;/2000&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;tape mixing: K. Gaburo; recorded at the University of Illinois, 1970&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Pierre Schaeffer: Étude aux sons animés&lt;br /&gt;L'Oeuvre Musicale&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/ina_g_6027/"&gt;Electronic Music Foundation&lt;/a&gt;/1998&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;musique concrete: P. Schaeffer, Paris, 1958&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://aliceshields.com/recordings.html/"&gt;Alice Shields&lt;/a&gt;: from Act Four&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. On the Dark Mountains&lt;br /&gt;b. Dismemberment and Eating&lt;/span&gt;&lt;br /&gt;Apocalypse -- An Electronic Opera&lt;br /&gt;CRI/1993&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;keyboards, synthesizers, Woman, Chorus: A. Shields; voice of Shiva: Michael Wilson; recorded at Quality Studios and the Columbia University Electronic Music Center, NYC&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Brigitte Robindoré: Comme Etrangers et Voyageurs sur la Terre&lt;br /&gt;CCMIX Paris -- Xenakis/UPIC/Coninuum (various artists)&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2001&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;CCMIX: B. Robindoré; percussion: Roland Auzet, Claire Talibart; Centre de Création Musicale Iannis, Alford, France&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.philipmantione.com/"&gt;Philip Mantione&lt;/a&gt;: Dusk&lt;br /&gt;Drainage Music&lt;br /&gt;Scattered Music/2004&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;for installation "Music for Drainage" created by P. Mantione and Alysse Stepanian&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Takehisa Kosugi: S.E Wave/E.W. Song&lt;br /&gt;Music for Merce (various artists)&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;violin, voice, electronics: T. Kosugi; recorded for the dance "Squaregame," Tokyo, 12/15/76, The Merce Cunningham Dance Company&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-887961772441561692?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/887961772441561692/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=887961772441561692' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/887961772441561692'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/887961772441561692'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/09/nothing-to-say-and-saying-it-09272011.html' title='Nothing to Say and Saying it 09/27/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-3811646917872959431</id><published>2011-09-24T16:46:00.003-04:00</published><updated>2011-09-25T23:44:34.211-04:00</updated><title type='text'>Martian Gardens for 09/25/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for September 25, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.facebook.com/note.php?note_id=10150274993565906/"&gt;MODE RECORDS CONCERT SERIES AT THE STONE&lt;/a&gt;&lt;br /&gt;September 16-30&lt;br /&gt;Located at the corner of Avenue C and 2nd Street, NYC&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Earle Brown: From Folio -- December 1952&lt;br /&gt;Selected Early Works (1952--1965)&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano, computer, electronics: Michael Daugherty&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Luc Ferrari: Tautologos 1&lt;br /&gt;Tautologos and Other Early Electronic Works&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/emf_037/couverture/"&gt;Electronic Music Foundation&lt;/a&gt;/2002&lt;br /&gt;&lt;br /&gt;Margaret Leng Tan: Suite for Toy Piano (I-V) (J. Cage)&lt;br /&gt;She Herself Alone -- The Art of the Toy Piano 2&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;toy piano: M.L. Tan; recorded at Systems Two, Brooklyn, January, 2010&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;John Cage: from Four Walls, Act II&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Scene IX&lt;br /&gt;b. Scene X&lt;/span&gt;&lt;br /&gt;The Works for Piano 5&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2003&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano: Haydée Schwartz; recorded at Slee Hall, SUNY Buffalo, October, 1995&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://www.amherst.edu/academiclife/departments/music/pressrelease/sept2011/matmos2011/"&gt;MATMOS at AMHERST COLLEGE&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Friday, September 30, 2011, 7 pm box office&lt;br /&gt;Buckley Recital Hall in the Arms Music Center&lt;br /&gt;53 College St., Amherst, MA 01004&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Matmos: Exciter Lamp and the Variable Band&lt;br /&gt;Supreme Balloon&lt;br /&gt;&lt;a href="http://www.matadorrecords.com/matmos/"&gt;Matador Records&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;synthesizer: Drew Daniel, M.C. Schmidt&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;So Percussion &amp;amp; Matmos: Aluminum&lt;br /&gt;Treasure State&lt;br /&gt;&lt;a href="http://www.cantaloupemusic.com/"&gt;Cantaloupe Music&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;sampling, sequencing, electronics, emergency blanket: Drew Daniel; singing rods, beer cans, treadplate, brushes, editing; M.C. Schmidt; beer cans: Joshua Quillen, Adam Sliwinsky; beer cans, vibraphone, sequencing: Jason Treuting; vibraphone: Eric Beach; beer cans, processing: Lawson White; engineering: Brett Allen; recorded at the David Smith Room, Studio C, Clinton Recording Studios&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;So Percussion: Steel Drums (S. Mackey)&lt;br /&gt;It Is Time -- So Percussion/Steve Mackey&lt;br /&gt;&lt;a href="http://www.cantaloupemusic.com/"&gt;Cantaloupe Music&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;percussion: Eric Beach, Josh Quillen, Adam Sliwinski, Jason Treuting; recorded at Guilford Sound, Guilford, VT; Good Child Music, NYC, Princeton University&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Steven Mackey: from Micro-Concerto&lt;br /&gt;&lt;span style="font-size:85%;"&gt;I. Chords and Fangled Drumset&lt;br /&gt;II. Interlude no. 1, Vibes solo&lt;/span&gt;&lt;br /&gt;Heavy Light&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2004&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;MOSAIC quartet; recorded at Taplin Auditorium, Princeton, December, 2003&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Henry Brant: Labor Day, 1935, Florida Keys&lt;br /&gt;Autumn Hurricanes&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;musicians of Stetson University; chief conductor: H. Brant; recorded at Elizabeth Hall Auditorium, Stetson University, Deland, Florida, 4/28/86&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Elainie Lillios: Arturo&lt;br /&gt;Entre Espaces (Between Spaces)&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/bio/lillios_el/discog/"&gt;empreintes DIGITALes&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;realized at the electroacoustic studios of the University of Birmingham, 1998; premiered at the Symposium on Music and Computers, Ionian University, Corfu, Greece, 10/23/98&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.biosphere.no/"&gt;Biosphere&lt;/a&gt;: The Things I Tell You&lt;br /&gt;Substrata&lt;br /&gt;All Saints/1997&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded at Aurora Lydstudio, Tromsø, Norway&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;Anla Courtis with Armpit: Pocket Gallows&lt;br /&gt;The Torrid&lt;br /&gt;&lt;a href="http://www.porterrecords.com/"&gt;Porter Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded in Buenos Aires, 2003&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;David First: Pipeline Witness Apologies to Dennis, Section One&lt;br /&gt;Privacy Issues (droneworks 1996-2009)&lt;br /&gt;&lt;a href="http://xirecords.org/134.shtml/"&gt;XI Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;trombone: Christopher McIntyre; computer, Yamaha PC 16000 MIDI Controller: D. First&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Lisa Moore: With enthusiasm and a little violence (A. Gosfield)&lt;br /&gt;Lightning Singers and Dead Ringers&lt;br /&gt;&lt;a href="http://www.cantaloupemusic.com/"&gt;Cantaloupe Music&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano, sampling keyboard: L. Moore; recorded at Firehouse 12, New Haven, CT, Spring 2010&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Tim Brady: from Three Cities in the Life of Dr. Norman Bethune&lt;br /&gt;Scene 1. Montreal&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. prelude: Three Cities: You Must Remember (Pai-Chou-En)&lt;br /&gt;b. Poem: To Pony, Aug. 31, 1935, and letter, Oct. 8, 1935 (N. Bethune&lt;br /&gt;c. Poem: An Immigrant (Dorothy Livesay, Montreal)&lt;br /&gt;d. Incantation 1, letter, Nov. 6, 1935 (N. Bethune)&lt;br /&gt;e. Poem: Depression Suite (Dorothy Livesay, Montreal)&lt;br /&gt;f. Letter: Oct. 8, 1935 (N. Bethune)&lt;/span&gt;&lt;br /&gt;Three Cities in the Life of Dr. Norman Bethune&lt;br /&gt;&lt;a href="http://actuellecd.com/en/cat/am_139/"&gt;Ambiances Magnetiques&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;baritone: Michael Donovan; Bradyworks, conductor: Pierre Simard; recorded at Studio 12, Radio-Canada, Montreal, 2005&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET SIX&lt;br /&gt;Annea Lockwood: Passau to Jochenstein&lt;br /&gt;A Sound Map of The Danube&lt;br /&gt;&lt;a href="http://www.lovely.com/"&gt;Lovely Music, Ltd.&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;sound sources: Passau -- Ilz (tributary) in the Triftsperre Felsendurchbruch (tunnel used by loggers) 11:50 am, 5/18/02; St Stephen Dam, 9:15 am, 5/20/02; Inn (tributary) 5/20/02; Rainer Moschak, teacher, Breitenberg, 5/17/02; Donaukraftwerk Jochenstein (Dam spillway, 11:55 am 5/20/02&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Sylvia Smith: Pacific Sirens (R. Erickson)&lt;br /&gt;The Year Begins to be Ripe&lt;br /&gt;&lt;a href="http://www.smith-publications.com/html/cds.html/"&gt;11 West Records--Smith Publications&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;timpani: S. Smith; bass flute: Lisa Cella; flute, alto flute: Carrie Rose; voice, bowed gongs, cymbals: Lee Hinkle; voices: Bonnie Lander, Megha Jacob, Lisette Abreu; tape of Pacific Ocean sounds: Pescadero Beach, California, 1969&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-3811646917872959431?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/3811646917872959431/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=3811646917872959431' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/3811646917872959431'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/3811646917872959431'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/09/martian-gardens-for-09252011.html' title='Martian Gardens for 09/25/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-631614697354309341</id><published>2011-09-17T17:58:00.005-04:00</published><updated>2011-09-18T23:58:09.183-04:00</updated><title type='text'>Martian Gardens for 09/18/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for September 18, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.thestonenyc.com/calendar.php/"&gt;MODE RECORDS CONCERT SERIES AT THE STONE&lt;/a&gt;&lt;br /&gt;September 16-30&lt;br /&gt;Located at the corner of Avenue C and 2nd Street, NYC&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Terumi Nerushima: He resonates five toes&lt;br /&gt;Why Record? Life in the Age of Digital Performance (various Artists)&lt;br /&gt;&lt;a href="http://www.cdemusic.org/Why-Recordbr-iLife-in-the-Age-of-Digital-Performance-i-p350.html/"&gt;Electronic Music Foundation&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;koto: T. Narushima; recorded by Warren Burt, 2008&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Chris Brown: Cremation Procession, Bali&lt;br /&gt;Talking Drum&lt;br /&gt;&lt;a href="http://www.pogus.com/"&gt;Pogus Productions&lt;/a&gt;/2005&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded in Bali by Chris Brown, 1/03/96&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Harry Partch: Two Settings from Joyce's Finnegans Wake&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Isobel&lt;br /&gt;b. Annah the Allmaziful&lt;/span&gt;&lt;br /&gt;Enclosure Two -- Harry Partch collection&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/1995&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;soprano: Lola Harding; flutes: Dorothy Holden, Hilmar Luckhardt; Kithara: H. Partch; texts: James Joyce, Finnegans Wake; recorded by Walter Gilson, 1945&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Harry Partch: November 15 -- Leaving Santa Barbara (from Bitter Music)&lt;br /&gt;ibid.&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice: Warren Burt; piano: Sheila Guymer; recorded at the Australian Broadcasting Corporation-Broadcast Music, Melbourne, 1/23/92&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Anthony De Mare:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. The Wonderful Widow of Eighteen Springs (J. Cage)&lt;br /&gt;b. Nowth Upon Nacht (J. Cage)&lt;/span&gt;&lt;br /&gt;Pianos and Voices (works by Meredith Monk and John Cage)&lt;br /&gt;Koch/1992&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano, voice: A. De Mare; texts: James Joyce, "Finnegans Wake"&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Otto Luening/Vladimir Ussachevsky: Incantation&lt;br /&gt;Pioneers of Electronic Music (various artists)&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2006(orig. CRI/1991)&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;tape music recorded at WKCR, Columbia University, 1953; engineer: Peter Mauzey&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;György Ligeti: Artikulation&lt;br /&gt;Continuum/10 Stücke für Bläserquintett/Artikulation/Glissandi/2 Etüden/Volumina&lt;br /&gt;&lt;a href="http://www.wergo.de/shop/en_UK/"&gt;Wergo&lt;/a&gt;/1988&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded at the Electronic Music Studio of West German Radio, Cologne, 3/25/58&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Ursula Mamlok: Sonar Trajectory&lt;br /&gt;Music of Ursula Mamlok Volume 2&lt;br /&gt;&lt;a href="http://www.bridgrecords.com/"&gt;Bridge Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded at the Columbia-Princeton Electronic Music Center, 1966&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Gordon Mumma: Song Without Words (in memoriam David Tudor)&lt;br /&gt;David Tudor &amp;amp; Gordon Mumma&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano: G. Mumma&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Frances White: Like the Lily&lt;br /&gt;Centre Bridge -- Electroacoustic Works&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;viola: Liuh-Wen Ting; double bass: Troy Rinker, Jr., electronics; F. White&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Chris Brown &amp;amp; Pauline Oliveros: Gravity Waves&lt;br /&gt;Music in the Air&lt;br /&gt;&lt;a href="http://www.deeplistening.org/"&gt;Deep Listening&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano, electronics: C. Brown; accordion, Expanded Instrument System: P. Oliveros; recorded in Berkeley, 9/12/08&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Henry Gwiazda: man-eating-chips-listening-to-a-violin&lt;br /&gt;noTnoTesnoTrhyThms&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2002&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electronic cello: Jeffrey Krieger; sound effects, sampler: H. Gwiazda&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Elsa Justel: Puntos, comas y refritos&lt;br /&gt;Mâts&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_0785/pistes/"&gt;empreintes DIGITALes&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;8-track tape: E. Justel; realized in 2002 at the studio of the Akademie der Künste in Berlin; premiered in during a concert at the Akademie der Künste, 2003&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Matthew Welch: Self/Non-Self and Luminosity in the Bardo&lt;br /&gt;&lt;span style="font-size:85%;"&gt;i. slow, delicate, softly tumultuous (harp solo)&lt;br /&gt;ii. softly tumultuous, nervous, building tumult and texture (tutti)&lt;br /&gt;iii. floating, flowing (tutti)&lt;br /&gt;iv. luminosities&lt;br /&gt;v. swelling, with breathing space, undulating&lt;br /&gt;vi. escalating, nervousness, gaining tumult&lt;br /&gt;vii. cadenza delicate, nervous, slow (harp solo)&lt;/span&gt;&lt;br /&gt;Luminosity&lt;br /&gt;&lt;a href="http://www.porterrecords.com/"&gt;Porter Records&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;harp: Zeena Parkins; flute: Leah Paul; oboe: Christa Robinson; bass clarinet: Matt Bauder; bassoon: Katherine Young; violin: Jennifer Choi; viola: Leanne Darling; cello: Christopher Hoffmann; bass: Reuben Radding; recorded at Systems Two, Brooklyn, December, 2008&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;Coil: ANS (CD B, track 2 -- excerpt)&lt;br /&gt;ANS&lt;br /&gt;&lt;a href="http://www.thresholdhouse.com/"&gt;Threshold House&lt;/a&gt; (ltd. ed.)/2004&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;&lt;a href="http://en.wikipedia.org/wiki/ANS_synthesizer/"&gt;ANS Synthesizer&lt;/a&gt;: Jhonn Balance, Peter Christopherson, Ossian Brown, Thighpaulsandra; Moscow State University&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Stanislav Kreitchi: Ruins in the Waste&lt;br /&gt;Voices and Movement&lt;br /&gt;&lt;a href="http://www.electroshock.ru/"&gt;Electroshock Records&lt;/a&gt;/2002&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;ANS synthesizer: S. Kreitchi; Moscow State University; mastered at Electroshock Records Studios, 2001&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET SIX&lt;br /&gt;Richard Carrick: Moroccan Flow (Unfolding from Unity)&lt;br /&gt;The Flow Cycle for Strings&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;cello: Alex Waterman&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Jason Eckhardt: A Way [Tracing]&lt;br /&gt;Undersong&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;cello: Fred Sherry; recorded at Oktaven Audio, Yonkers, NY, 1/11/11&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;&lt;a href="http://www.jinhikim.com//"&gt;Jin Hi Kim&lt;/a&gt;: Jupiter's Moons&lt;br /&gt;Komungo&lt;br /&gt;O.O. Discs/2001&lt;br /&gt;electric komungo: JHK; Korean kagok singer: Kang Kwon Soon;&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;for Dong Dong Touching the Moons, commissioned by MassMoCA, premiered at The Kitchen,&lt;br /&gt;NYC&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-631614697354309341?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/631614697354309341/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=631614697354309341' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/631614697354309341'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/631614697354309341'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/09/martian-gardens-for-09182011.html' title='Martian Gardens for 09/18/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-7439859438183572059</id><published>2011-09-11T18:25:00.006-04:00</published><updated>2011-09-12T17:41:04.792-04:00</updated><title type='text'>Martian Gardens for 09/11/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for September 11, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Roland Auzet: Rebonds A &amp;amp; B (I. Xenakis)&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Rebonds B&lt;br /&gt;b. Revonds A&lt;/span&gt;&lt;br /&gt;Percussion(s)&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded at IRCAM, Théâtre de Chaville, La Muse en Circuit, Paris&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Pauline Oliveros: St. George and the Dragon (excerpt)&lt;br /&gt;St. George and the Dragon/In Memoriam Mr. Whitney&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/1991&lt;br /&gt;accordion: P.Oliveros; recorded at the Pomfret Chapel, The Pomfret School, Pomfret, Connecticut, 3/10/91&lt;br /&gt;&lt;br /&gt;Frances White: Walk Through "Resonant Landscape" No. 2&lt;br /&gt;Centre Bridge -- Electroacoustic Works&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2007&lt;br /&gt;&lt;br /&gt;The above three pieces will be performed at the&lt;br /&gt;&lt;a href="http://www.thestonenyc.com/calendar.php/"&gt;Mode Records Concert Series at the Stone&lt;/a&gt;&lt;br /&gt;September 16-30&lt;br /&gt;Located at the corner of Avenue C and 2nd Street, NYC&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Darren Copeland: They're Trying to Save Themselves&lt;br /&gt;Lost and Found&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_0683/"&gt;empreintes DIGITALes&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;commissioned by CBC Radio One for the first anniversary of the 9/11 attacks; all sounds sourced from CNN immediately following the bombings of the World Trad Center towers, September 11, 2001; realized at the composer's studio, 2002, premiered on CBC Radio One, 9/11/02&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Robert Normandeau: Chorus&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Overture&lt;br /&gt;b. Judaism&lt;br /&gt;c. Christianity&lt;br /&gt;d. Islam&lt;br /&gt;e. War&lt;br /&gt;f. Pain&lt;br /&gt;g. Peace&lt;/span&gt;&lt;br /&gt;Puzzles&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_0575/"&gt;empreintes DIGITALes&lt;/a&gt;/2005&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;dedicated to the victims of September 11, 2001; realized at the composer's studio, 2002, premiered on 7/13/02 during the Festival de musiques sacrées (Fribourg, Switzerland)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Alice Shields: Shenandoah --&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Opening - Percussion - Senegalese Man - Percussion - Mennonite Woman - Percussion - Mixtec Indians - Percussion - Ukrainian Man - Percussion - Food - Percussion - Songs - Percussion - Ending&lt;/span&gt;&lt;br /&gt;Shenandoah -- Three Electronic Works&lt;br /&gt;&lt;a href="http://aliceshields.com/"&gt;Albany Records&lt;/a&gt;/2004&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;interviews recorded in the Shenandoah Valley, Virginia, 2001; percussion sampled from Indian and Middle Eastern instruments; created in the immediate aftermath of the terrorist attacks of September 11, 2001; commissioned by the School of Theatre and Dance of James Madison University for choreographer Mark Taylor; premiered at James Madison University, Harrison, Virginia, March 21-23, 2002&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Sarah Boothroyd: Forest to Desert&lt;br /&gt;Deep Wireless 6 -- Radio Art Compilation&lt;br /&gt;&lt;a href="http://www.naisa.ca/"&gt;New Adventures in Sound Art&lt;/a&gt;/2009&lt;br /&gt;&lt;br /&gt;Alvin Curran: Endangered Species&lt;br /&gt;Lost Marbles&lt;br /&gt;&lt;a href="http://www.tzadik/"&gt;Tzadik&lt;/a&gt;/2004&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Disklavier, samples, synthesizers: A. Curran&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Robert Scott Thompson: Illusion of Orderly Progress&lt;br /&gt;Blue Day&lt;br /&gt;&lt;a href="http://www.aucourantrecords.com/"&gt;Auccourant Records&lt;/a&gt;/2000&lt;br /&gt;&lt;br /&gt;Polly Moller: Cold Blood&lt;br /&gt;60 x 60 2004-2005 (various artists)&lt;br /&gt;&lt;a href="http://www.voxnovus.com/"&gt;Vox Novus&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice, text: P. Moller&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Read Miller: The Blueprint of a Promise&lt;br /&gt;The Complete 10 Inch Series from Cold Blue (various artists)&lt;br /&gt;&lt;a href="http://www.coldbluemusic.com/pages/newreleases.html/"&gt;Cold Blue Music&lt;/a&gt;/2003&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice, text, electronics: R. Miller; recorded at College Street Studio, Redlands, California, 4/01/81&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Yasunao Tone: Geography and Music&lt;br /&gt;Music for Merce (various artists)&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voices: John Cage, Takehisa Kosugi; piano: David Tudor; qin (guqin): Martin Kalve; Chinese text reader: Yoshiharu Suenobu; texts extracted from geography sections of ancient Chinese encyclopedias; recorded in Lueven, Belgium, 10/20/83 for the dance "Roadrunners" (1979), The Merce Cunningham Dance Company&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;John Eaton: Blind Man's Cry&lt;br /&gt;First Performances -- The Syn-Ket and Moog Synthesizer in the 1960s&lt;br /&gt;&lt;a href="http://www.cdemusic.org/Electronic-Music-History-c275.html/"&gt;Electronic Music Foundation&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;soprano: Michiko Hirayama; text: Tristan Corbiere; Syn-Ket: J. Eaton; Jaye Williams: Moog synthesizer; tapes, mixing: Wilson Allen &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Noah Creshevsky: et puis (excerpt 1)&lt;br /&gt;Hyperrealism in Music -- Electroacoustic Music by Noah Creshevsky 1992-2005*&lt;br /&gt;&lt;a href="http://www.voxnovus.com/composer/Noah_Creshevsky.htm/"&gt;Noa Creshevsky&lt;/a&gt;/2005&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;*unreleased; full version of et puis released on the CD &lt;a href="http://www.centaurrecords.com/"&gt;Who&lt;/a&gt; on Centaur Records&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Carey Nutman: Land Below the Wind - part 6&lt;br /&gt;Land Below the Wind&lt;br /&gt;&lt;a href="http://www.mpsmusicandvideo.co.uk/"&gt;MPS Music &amp;amp; Video&lt;/a&gt;/2011&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-7439859438183572059?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/7439859438183572059/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=7439859438183572059' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/7439859438183572059'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/7439859438183572059'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/09/martian-gardens-for-09112011.html' title='Martian Gardens for 09/11/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-7984517814511507110</id><published>2011-09-04T12:54:00.004-04:00</published><updated>2011-09-04T23:50:12.164-04:00</updated><title type='text'>Martian Gardens for 09/04/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for September 04, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Richard Carrick: In Flow&lt;br /&gt;The Flow Cycle for Strings&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;violin: Andrea Schultz&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Mario Davidovsky: Synchronisms No. 9 (Duo Capriccioso)&lt;br /&gt;The Music of Mario Davidovsky Volume 3&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2005&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;violin: Curtis Macomber; electronics; recorded at K.A.S. Music Sound, Astoria, NY&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Todd Reynolds: End of Day&lt;br /&gt;Outerborough&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;viola: T. Reynolds&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Maya Beiser: I Was There (K. Kahlor)&lt;br /&gt;Provenance&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;oud: Bassam Saba; cello: M. Beiser; percussion: Shane Shanahan, Jamey Haddad; recorded at Kilgore Studios, New York City&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Mohammed Saleh Abd Al-Saheb Lelo/Haitham Hasan: Bead Konto&lt;br /&gt;Music of Islam Volume 4--Music of the Arabian Peninsula (Doha, Qatar)&lt;br /&gt;&lt;a href="http://harmonies.com/"&gt;Celestial Harmonies&lt;/a&gt;/1997&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;oud: Mohammed Saleh; percussion: Haitham Hasan&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Roger Reynolds: Sanctuary (excerpt)&lt;br /&gt;Sanctuary DVD&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;performed by Steven Schick and red fish blue fish; National Gallery of Arts, Washington D.C.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Michael Lipsey: King of Denmark (M. Feldman)&lt;br /&gt;So Long, Thanks&lt;br /&gt;&lt;a href="http://www.capstonerecords.org/"&gt;Capstone Records&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;percussion: M. Lipsey; recorded at David Cossin's apartment, New York City&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Harry Partch: End of Scene Three and all of Chorus Four --&lt;br /&gt;&lt;span style="font-size:85%;"&gt;from &lt;span style="font-style: italic;"&gt;Revelation in the Courthouse Park&lt;/span&gt;, after the &lt;span style="font-style: italic;"&gt;Bacchae&lt;/span&gt; of Euripides &lt;/span&gt;&lt;br /&gt;Enclosure 5 -- Harry Partch anthology&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/1998&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Gate 5 Ensemble, conductor John Garvey; performed for the Festival of Contemporary Arts, University of Illinois, 4/11/61&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Jody Diamond: Hard Times (S. Foster)&lt;br /&gt;In That Bright World -- Music for Javanese Gamelan&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;musicians from the Indonesian Institute of the Arts; voice: J. Diamond; recorded at the ISI, Surakarta, July, 2001&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;Carey Nutman: Land Below the Wind -- Parts 1 &amp;amp; 2&lt;br /&gt;Land Below the Wind&lt;br /&gt;&lt;a href="http://www.mpsmusicandvideo.co.uk/"&gt;MPS Music &amp;amp; Video&lt;/a&gt;/2011&lt;br /&gt;&lt;br /&gt;Robert Scott Thompson: Waters of Cabeus (A)&lt;br /&gt;Elemental&lt;br /&gt;&lt;a href="http://www.aucourantrecords.com/"&gt;Aucourant Records&lt;/a&gt;/2010&lt;br /&gt;&lt;br /&gt;SET SIX&lt;br /&gt;Christine Groult: Vertiges&lt;br /&gt;La Condition Captive&lt;br /&gt;&lt;a href="http://www.tracelab.com/"&gt;Trace Label&lt;/a&gt;/2007&lt;br /&gt;&lt;br /&gt;Gerard Pape: Funeral Sentences&lt;br /&gt;Ascension to Purgatory&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;sopranos: Janet Pape, Armelle Orieux; percussion: Roland Auzet; conductor: Alain Bancquart; texts: Anglican Book of Common Prayer, Funeral Sentences (after Henry Purcell); unnamed Jewish poem&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Jacques Tremblay: L'enigme anima&lt;br /&gt;Chroniques d'une séduction&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_0897/"&gt;empreintes DIGITALes&lt;/a&gt;/2009&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;David Rosenboom: Central Section (excerpt)&lt;br /&gt;Systems of Judgment&lt;br /&gt;&lt;span style="font-size:85%;"&gt;CDCM Computer Music Series Volume 4&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.centaurrecords.com/"&gt;Centaur Records&lt;/a&gt;/1989&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded at the Center for Contemporary Music (CCM), Mills College, completed in May, 1988&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-7984517814511507110?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/7984517814511507110/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=7984517814511507110' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/7984517814511507110'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/7984517814511507110'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/09/martian-gardens-for-09042011.html' title='Martian Gardens for 09/04/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-5683523203851082131</id><published>2011-08-28T18:26:00.004-04:00</published><updated>2011-08-30T14:48:12.830-04:00</updated><title type='text'>Martian Gardens for 8/28/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for August 28, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Henry Brant: 1955. Eleven Hurricanes. Atlantic Coast&lt;br /&gt;Autumn Hurricanes -- The Henry Brant Collection Volume 5&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;musicians of Stetson University, chief conductor: H. Brant; recorded at&lt;br /&gt;Elizabeth Hall Auditorium, Stetson University, Deland Florida, 4/26/86&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.orlandojacintogarcia.com/index.php/24/"&gt;Orlando Jacinto Garcia&lt;/a&gt;: Music for Berlin&lt;br /&gt;Celestial Voices&lt;br /&gt;O.O. Discs/1998&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;flutes: Robert Dick; piano: Anthony DeMare, recorded at the University&lt;br /&gt;of Maryland Baltimore County&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Giacinto Scelsi: Manto I, II, III&lt;br /&gt;The Works for Viola&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;viola, voice: Vincent Royer; recorded at Westdeutscher Rundfunk Köln, 2008&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Richard Carrick: Shadow Flow&lt;br /&gt;The Flow Cycle for Strings&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;viola: Dov Scheindlin&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Benjamin Broening: Third Nocturne&lt;br /&gt;Recombinant Nocturnes&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;pianos: Daniel Koppelman; electronics; recorded at Camp Concert Hall,&lt;br /&gt;Modlin Center for the Arts, University of Richmond, May, 2010&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Robert Scott Thompson:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Origin&lt;br /&gt;b. Lattice&lt;/span&gt;&lt;br /&gt;Blue Day&lt;br /&gt;&lt;a href="http://www.aucourantrecords.com/"&gt;Aucourant Records&lt;/a&gt;/2007&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Roger Reynolds: Less Than Two&lt;br /&gt;Complete Piano Works&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;pianos: Jean-Charles François, Delores Stevens; percussion: Daniel Dunbar,&lt;br /&gt;Daryl Pratt (orig. Lovely Music, Ltd./1984)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Meredith Monk: Respite&lt;br /&gt;Songs of Ascension&lt;br /&gt;&lt;a href="http://www.ecmrecords.com/"&gt;ECM Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voices: Meredith Monk, Bruce Rameker, Ching Gonzalez, Allison Sniffin;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Shruti_box/"&gt;shruti boxes&lt;/a&gt;: Ellen Fisher, Bohdan Hilash, John Hollenbeck, B. Rameker,&lt;br /&gt;C. Gonzalez, Katie Geisinger, A. Sniffin; violins: Todd Reynolds, Courtney&lt;br /&gt;Orlando; viola: Nadia Sirota; cello: Ha-Yang Kim; recorded at the Academy&lt;br /&gt;of Arts and Letters, NYC, November 2009&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Hervé Zénouda: Les êtres indécis&lt;br /&gt;Demain, dès l'aube&lt;br /&gt;&lt;a href="http://www.tracelab.com/"&gt;Trace Label&lt;/a&gt;/2002&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;alto saxophone: Cathy Heyden; electric guitar: Thomas Pettit; percussion:&lt;br /&gt;Hervé Zénouda&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Jon Hassell: Dream Theory&lt;br /&gt;Dream Theory in Malaya&lt;br /&gt;EG/1981&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electronically filtered trumpet: J. Hassell; drums: Brian Eno; bass:&lt;br /&gt;Michael Brook; recorded at Grant Avenue Studio, Hamilton, Ontario&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Jin Hi Kim &amp;amp; Gerry Hemingway: Saturn's Rings&lt;br /&gt;Pulses&lt;br /&gt;&lt;a href="http://www.jinhikim.com/recordings.html/"&gt;Auricle Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electric komungo: JHK; percussion: G.Hemingway; recorded in Shutesbury,&lt;br /&gt;Massachusetts, 8/18/09&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Sarah Boothroyd: All in Time&lt;br /&gt;Deep Wireless 8 -- Radio Art Compilation&lt;br /&gt;&lt;a href="http://www.naisa.ca/deepwireless/Radio.html/"&gt;New Adventures in Sound Art&lt;/a&gt;/2011&lt;span style="font-style: italic;font-size:85%;" &gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Quatuor Bozzini: 2nd Movement&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Pulsations&lt;br /&gt;b. 38 Pièces                &lt;br /&gt;c. Shiatsu&lt;br /&gt;d. Mélopées d'ADN&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.quatuorbozzini.ca/"&gt;Quatuor Bozzini-Actuellecd&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded at Studio 270, Montreal, 12/15/07&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Tom Hamilton: Bonampak&lt;br /&gt;Pieces for Kohn/Formal &amp;amp; Informal Music&lt;br /&gt;&lt;a href="http://kvistrecords.com/"&gt;Kvist Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;ARP 2500 synthesizer: T. Hamilton; percussion: Rich O'Donnell; wind instruments: JD Parran; recorded at Washington University, St. Louis, 1975&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-5683523203851082131?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/5683523203851082131/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=5683523203851082131' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/5683523203851082131'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/5683523203851082131'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/08/martian-gardens-for-8282011.html' title='Martian Gardens for 8/28/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-4960741469752214687</id><published>2011-08-14T20:05:00.005-04:00</published><updated>2011-08-15T18:47:47.944-04:00</updated><title type='text'>Martian Gardens for 08/14/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for August 14, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Roger Reynolds: Sanctuary (excerpt)&lt;br /&gt;Sanctuary&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;performed by Steven Schick and red fish blue fish; National Gallery of Arts, Washington D.C.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Gordon Mumma: Meanwhile, A Twopiece&lt;br /&gt;Music from the ONCE Festival 1961-1966&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2003&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano, percussion: Robert Ashley; French horn, percussion: G. Mumma; magnetic tape; recorded at the University of Michigan, Ann Arbor, 2/10/62&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Evidence: Burden&lt;br /&gt;Iris&lt;br /&gt;&lt;a href="http://www.deeplistening.org/"&gt;Deep Listening&lt;/a&gt;/2007&lt;br /&gt;&lt;br /&gt;Daniel Menche: Coughing Angel&lt;br /&gt;Screaming Caress&lt;br /&gt;Side Effects/1997&lt;br /&gt;&lt;br /&gt;Anla Courtis and Daniel Menche: Harmful Rainstorm&lt;br /&gt;The Torrid (Anla Courtis, et al.)&lt;br /&gt;&lt;a href="http://www.porterrecords.com/"&gt;Porter Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;rainstorm recording, live mix: D. Menche; harmonica sound sources: A. Courtis; recorded in Portland, Oregon, 2008&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Anla Courtis: Invisible Clown Sonata&lt;br /&gt;Tape Works&lt;br /&gt;&lt;a href="http://www.pogus.com/"&gt;Pogus Productions&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Minimoog: A. Courtis&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;The Legendary Pink Dots: Femme Mirage&lt;br /&gt;Asylum&lt;br /&gt;Play It Again Sam/1985&lt;br /&gt;&lt;br /&gt;Jenny Q Chai: Serenity (C. Ives)&lt;br /&gt;New York Love Songs&lt;br /&gt;&lt;a href="http://www.arpaviva.org/"&gt;Arpaviva Foundation, Inc.&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;amplified piano, voice: JQ Chai; text: J.G. Whittier&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Charles Ives: August&lt;br /&gt;The Light That Is Felt -- Songs of Charles Ives&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;soprano: Susan Narucki; piano: Donald Berman; text: Folgore da San Gimignano, translation by Dante Gabriel Rosetti; &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Hervé Zénouda: Jour de colère&lt;br /&gt;Vies Secondes&lt;br /&gt;&lt;a href="http://www.tracelab.com/"&gt;Trace Label&lt;/a&gt;/1999&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;violin: Alain Petit; MIDI tuba: Pierre Pouget; MIDI programming: H. Zénouda; recorded at Le Cult Du Cargo studio, Paris&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Paolo Angeli:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. La Mulina (Parlando)&lt;br /&gt;b. La Mulina de Pepa&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.rermegacorp.com/"&gt;ReR Megacorp&lt;/a&gt;/2005&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded in Italy, 2002-2004&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;A Touch of the Sun: Geese&lt;br /&gt;Not Necessarily "English" Music (various artists)&lt;br /&gt;&lt;a href="http://www.emf.org/"&gt;Electronic Music Foundation&lt;/a&gt;/2002&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;guitar: Peter Cusack; clarinet: Simon Mayo; recorded in London, c. 1974&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Birdsongs of the Mesozoic: Ptoccata II&lt;br /&gt;Petrophonics&lt;br /&gt;&lt;a href="http://www.cuneiformrecords.com/"&gt;Cuneiform Records&lt;/a&gt;/2000&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;additional musicians -- percussion: Terry Donahue, Ken Winokur; turntable: Pacey Foster; recorded at Sounds Interesting, Middleborough, Mass., 1999/2000&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Jason Eckhardt: 16&lt;br /&gt;Undersong&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;amplified flute: Claire Chase; International Contemporary Ensemble, conductor: Steven Schick; recorded at Sweeney Auditorium, Smith College, 3/19/08&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Margaret Lancaster: Io (L. V. Vierk)&lt;br /&gt;Io&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electric guitar: Larry Polansky; marimba: Matthew Gold; flute: M. Lancaster;&lt;br /&gt;recorded at 2nd Story Sound, New York City, 2/06/09&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;F. Gerard Errante: Water Crossing (A. Shapiro)&lt;br /&gt;Delicate Balance&lt;br /&gt;&lt;a href="http://www.aucourantrecords.com/"&gt;Aucourant Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;clarinet: F. G. Errante; electronics&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Alex Shapiro: Bioplasm&lt;br /&gt;Notes from the Kelp&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;The Los Angeles Flute Quartet; recorded at Citrus City Studios, Glendora, CA, March 2004&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET SIX&lt;br /&gt;Maggi Payne: System Test (Fire and Ice)&lt;br /&gt;Arctic Winds&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2010&lt;br /&gt;&lt;br /&gt;Marcelle Deschênes: &lt;a href="http://www.electrocd.com/en/oeuvres/select/?id=19006/"&gt;Indigo&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Peur apprivoisée  (Tamed Fear)&lt;br /&gt;b. Trame de tension (Weft of Tension)&lt;/span&gt;&lt;br /&gt;Petits Big Bangs&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/bio/deschenes_ma/discog/"&gt;empreintes DIGITALes&lt;/a&gt;/2007&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Morton Subotnick: A Sky of Cloudless Sulphur&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Opening&lt;br /&gt;b. Dance&lt;/span&gt;&lt;br /&gt;The Electronic Works I&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2001&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Buchla synthesizer: M. Subotnick, 1978&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-4960741469752214687?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/4960741469752214687/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=4960741469752214687' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/4960741469752214687'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/4960741469752214687'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/08/martian-gardens-for-08142011.html' title='Martian Gardens for 08/14/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-4311165385287023334</id><published>2011-08-13T16:42:00.003-04:00</published><updated>2011-08-13T19:46:32.099-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Q'/><title type='text'>The Ghost of Esperanto Volume 03</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: rgb(153, 0, 0);"&gt;THE GHOST OF ESPERANTO, VOLUME 03&lt;/span&gt;&lt;br /&gt;Music from the archives of &lt;span style="font-style: italic;"&gt;Esperanto &lt;/span&gt;&lt;br /&gt;broadcast Sunday evenings 1995--2000 on WMUA&lt;/span&gt;&lt;br /&gt;For automated station programming&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Recorded  August 13, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Single Cell Orchestra: Knock Out Drops (200 Proof Mix)&lt;br /&gt;Single Cell Orchestra&lt;br /&gt;Asphodel/1996&lt;br /&gt;&lt;br /&gt;Orbital: The Box (1 &amp;amp; 2)&lt;br /&gt;In Sides&lt;br /&gt;FFRR-London Records/1996&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Robert Black: Radio Sonata (J. Sellars)&lt;br /&gt;State of the Bass&lt;br /&gt;O.O. Discs/1994&lt;br /&gt;&lt;br /&gt;Severed Heads: Snow&lt;br /&gt;Gigapus&lt;br /&gt;Volition/1994&lt;br /&gt;&lt;br /&gt;Spoonfed Hybrid: Boys in Zinc&lt;br /&gt;Spoonfed Hybrid&lt;br /&gt;4AD/1994&lt;br /&gt;&lt;br /&gt;Peter Lazonby: Humble Servant&lt;br /&gt;Your Humble Servant&lt;br /&gt;Braniak/1995&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Leif Brush: Terrain Instruments Are Activated&lt;br /&gt;The Aerial (various artists)&lt;br /&gt;Nonsequitur/1994&lt;br /&gt;&lt;br /&gt;Amorphous Androgynous: Fat Cat&lt;br /&gt;Tales of Ephidrina&lt;br /&gt;Astralwerks/1993&lt;br /&gt;&lt;br /&gt;Bionaut: Astral Unraveler&lt;br /&gt;Au Naturel&lt;br /&gt;Tiny Bubbles Music/1996&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;The Higher Intelligence Agency: Fleagle&lt;br /&gt;Freefloater&lt;br /&gt;Waveform/1996&lt;br /&gt;&lt;br /&gt;Vidna Obmana: Challenging Boundaries&lt;br /&gt;Assemblage Volume Two (various artists)&lt;br /&gt;Extreme Records/1996&lt;br /&gt;&lt;br /&gt;Muslimgauze: Beit Nuba&lt;br /&gt;Citadel&lt;br /&gt;Extreme Records/1994&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;The Legendary Pink Dots: Stitching Time&lt;br /&gt;Shadow Weaver&lt;br /&gt;Play It Again Sam/1992&lt;br /&gt;&lt;br /&gt;Gong:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Magick Mother Invocation&lt;br /&gt;b. Master Builder&lt;/span&gt;&lt;br /&gt;You&lt;br /&gt;Decal/1991 (orig. Virgin/1974)&lt;br /&gt;&lt;br /&gt;The Legendary Pink Dots: Oasis Malade&lt;br /&gt;9 Lives to Wonder&lt;br /&gt;Play It Again Sam/1994&lt;br /&gt;&lt;br /&gt;Bill Nelson: Memory Babe&lt;br /&gt;After the Satellite Sings&lt;br /&gt;Gyroscope/1996&lt;br /&gt;&lt;br /&gt;SET SIX&lt;br /&gt;Alquimia &amp;amp; Jose Luis Fernandez Ledesma: Foundations (Basamentos)&lt;br /&gt;Dead Tongues (Lenguas Muertas)&lt;br /&gt;Cuneiform Records/1996&lt;br /&gt;&lt;br /&gt;Dead Can Dance: Dedicacé Outò&lt;br /&gt;Spirit Chaser&lt;br /&gt;4AD/1996&lt;br /&gt;&lt;br /&gt;Hungry Ghost: Cloud Sculptors&lt;br /&gt;Sugar Skulls&lt;br /&gt;Tone Casualties/1995&lt;br /&gt;&lt;br /&gt;This Mortal Coil: At First And Then&lt;br /&gt;Filigree &amp;amp; Shadow&lt;br /&gt;4AD/1986&lt;br /&gt;&lt;br /&gt;Muslimgauze: Caste the First Stone&lt;br /&gt;Salaam Alekum, Bastard&lt;br /&gt;Staalplaat/1995&lt;br /&gt;&lt;br /&gt;SET SEVEN&lt;br /&gt;Richard Pinhas: Marie et Virginie Comp (Live)&lt;br /&gt;Un Rêve Sans Conséquence Spéciale&lt;br /&gt;Cuneiform/1995 (orig. 1978)&lt;br /&gt;&lt;br /&gt;Steve Tibbetts:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Interlude&lt;br /&gt;b. Alvin Goes to Tibet&lt;/span&gt;&lt;br /&gt;Steve Tibbetts&lt;br /&gt;Cuneiform/1995 (orig. 1977)&lt;br /&gt;&lt;br /&gt;Ken Field: Takuskanskan&lt;br /&gt;Subterranea&lt;br /&gt;O.O. Discs/1996&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Jeffrey Krieger: themythofAcceptance (H. Gwiazda)&lt;br /&gt;Night Chains&lt;br /&gt;CRI/1995&lt;br /&gt;&lt;br /&gt;--FIN--&lt;br /&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-4311165385287023334?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/4311165385287023334/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=4311165385287023334' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/4311165385287023334'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/4311165385287023334'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/08/ghost-of-esperanto-volume-03.html' title='The Ghost of Esperanto Volume 03'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-9166569751921513427</id><published>2011-08-12T17:15:00.003-04:00</published><updated>2011-08-12T19:59:24.929-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='R'/><title type='text'>Martian Gardens: Auto-Archive Volume 2</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;br /&gt;Archived for Automation, Volume 02&lt;/span&gt;&lt;br /&gt;Selections from the &lt;a href="http://www.empreintesdigitales.com/"&gt;empreintes DIGITALes&lt;/a&gt; label&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Recorded August 12, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET 0NE&lt;br /&gt;Robert Normandeau: Le Renard et la Rose (The Fox and The Rose)&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Babbling and Rhythm&lt;br /&gt;b. Nostalgia and Tone&lt;br /&gt;c. Anger and Dynamics&lt;br /&gt;d. Weariness and Space&lt;br /&gt;e. Serenity and Texture&lt;/span&gt;&lt;br /&gt;Figures&lt;br /&gt;IMED 9944/1999&lt;br /&gt;&lt;br /&gt;Robert Normandeau: Puzzle&lt;br /&gt;Puzzles DVD&lt;br /&gt;IMED 0575/2005&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Natasha Barrett: Red Snow&lt;br /&gt;Isotasie&lt;br /&gt;IMED 0262/2001&lt;br /&gt;&lt;br /&gt;Natasha Barrett: Racing Through, Racing Unseen&lt;br /&gt;Miniatures Concrètes (various artists)&lt;br /&gt;IMED 9837/1998&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Marc Tremblay: Cowboy Fiction&lt;br /&gt;Bruit-Graffiti&lt;br /&gt;IMED 9949/1999&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Micheline Coulumbe Saint-Marcoux: Zones&lt;br /&gt;Impulsion&lt;br /&gt;IMED 0159/2001&lt;br /&gt;&lt;br /&gt;Pete Stollery: Altered Images&lt;br /&gt;Un Son Peut en Cacher un Autre&lt;br /&gt;IMED 0678/2006&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Roxanne Turcotte: Libellune&lt;br /&gt;Libellune&lt;br /&gt;IMED 0370/2003&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;wind instruments: Michel Dubeau&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Hildegard Westerkamp: Cricket Voice&lt;br /&gt;Transformations&lt;br /&gt;IMED 1031/2010 (orig. 1996)&lt;br /&gt;&lt;br /&gt;Elsa Justel: Puntos, comas y refritos (Points, commas and clichés)&lt;br /&gt;Mâts&lt;br /&gt;IMED 0785/2007&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Jonty Harrison: Streams&lt;br /&gt;Évidence matérielle&lt;br /&gt;IMED 0052/2000&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Francis Dhomont: Voyage-Miroir&lt;br /&gt;...Et Autres Utopies&lt;br /&gt;IMED 0682/2006&lt;br /&gt;&lt;br /&gt;--FIN--&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-9166569751921513427?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/9166569751921513427/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=9166569751921513427' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/9166569751921513427'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/9166569751921513427'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/08/martian-gardens-auto-archive-volume-2.html' title='Martian Gardens: Auto-Archive Volume 2'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-5945515741987934039</id><published>2011-08-07T21:31:00.006-04:00</published><updated>2011-08-09T12:40:42.884-04:00</updated><title type='text'>Martian Gardens for 08/07/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for August 07, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Roger Reynolds: Sanctuary (excerpt)&lt;br /&gt;Sanctuary DVD&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;percussion: red fish blue fish, director: Steven Schick&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;George Crumb: Songs, Drones and Refrains of Death&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Part One&lt;br /&gt;a. Refrain One&lt;br /&gt;I. La Guitarra (The Guitar)&lt;br /&gt;b. Refrain Two&lt;br /&gt;II. Casida de Las Palomas Oscuras (Casida of the Dark Doves)&lt;br /&gt;Part Two&lt;br /&gt;c. Refrain Three&lt;br /&gt;III. Canción de Jinete, 1860 (Song of the Rider, 1860)&lt;br /&gt;d. Refrain Four&lt;br /&gt;IV. Casida del Herido por el Agua (Casida of the Boy Wounded by Water)&lt;/span&gt;&lt;br /&gt;Songs, Drones and Refrains of Death&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/1991&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Speculum Musicae -- baritone: Sanford Sylvan; electric guitar: David Starobin; electric contrabass: Donald Palma; electric piano and electric harpsichord: Aleck Karis; percussion: Daniel Druckman and Eric Charlston; texts: Federico García Lorca; recorded at the Academy of Arts and Letters, New York City, 6/17/90&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Roger Reynolds: The Angel of Death&lt;br /&gt;Epigram and Evolution -- The Complete Piano Works&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano: Marilyn Nonken; technician: J.T. Rinker; The Slee Sinfonietta, conductor: Magnus Mårtensson; recorded at Slee Hall, SUNY, Buffalo, 6/01/04 for the June in Buffalo Festival&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Robert Scott Thompson: Ghost Words After Trees Fall&lt;br /&gt;Ghost Words&lt;br /&gt;&lt;a href="http://www.aucourantrecords.com/"&gt;Aucourant Records&lt;/a&gt;/2008&lt;br /&gt;electronics: RST; commissioned by IMEB; composed in Bourges, 2007&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;F. Gerard Errante: Cherry Blossom and A Wrapped Thing (After Hokusai) (J. Shatin)&lt;br /&gt;Delicate Balance&lt;br /&gt;&lt;a href="http://www.aucourantrecords.com/"&gt;Aucourant Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;clarinet: FGE; electronics: Judith Shatin&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Russell Pinkston: Gerrymander&lt;br /&gt;Third Practice -- Commissions and Premieres&lt;br /&gt;&lt;span style="font-size:85%;"&gt;New Music from the Third Practice Festival of Electro-Acoustic Music&lt;br /&gt;at the University of Richmond&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.centaurrecords.com/"&gt;Centaur Records&lt;/a&gt;/2004&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Bb clarinet: F. Gerard Errante;  MAX/MSP: R. Pinkston; recorded at the Fine Arts Recording Studio, University of North Texas, 1/09/03&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Lauzier/Martel/Myhr/Tétreault: Traitement Thermique&lt;br /&gt;Disparition de l’usine éphémère&lt;br /&gt;&lt;a href="http://www.actuellecd.com/en/cat/am_181/"&gt;Actuellecd&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;alto saxophone, bass clarinet, preparations: Phillippe Lauzier; viola de gamba, objects, preparations; acoustic guitar, objects, preparations: Kim Myhr; turntables: Martin Tétreault; recorded at Hotel2Tango, 7/23/08&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Scott Smallwood: Sunkraft&lt;br /&gt;Electrotherapy&lt;br /&gt;&lt;a href="http://www.deeplistening.org/"&gt;Deep Listening&lt;/a&gt;/2004&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;antique electrotherapy machines: S. Smallwood&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Diane Labrosse: Manual Coffee Mill&lt;br /&gt;Music for Objects of the Verge of Extinction&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/bio/labrosse_di/discog/"&gt;Actuellecd.com&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;percolators; violin: Marie-Soleil Bélanger; flute, trumpet: Jean Derome; electric guitar: Bernhard Falaise; clarinet: Lori Freedman; accordion: D. Labrosse; viola: Jean Réne; percussion: Pierre Tanguay; musicians recorded at Studio 270 Montreal; percolators recorded at Studio Le 2e, Montreal&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.stephenvitiello.com/"&gt;Stephen Vitiello&lt;/a&gt;: Circuit Tension&lt;br /&gt;Bode Sound Project&lt;br /&gt;Bode Archive -- Institute for Electric Arts/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Harald Bode electronic instruments: S. Vitiello, Andrew Deutsch, Peer Bode&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Luc Ferrari:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Etudes aux accidents (1958)&lt;br /&gt;b. Etudes sons tendus (1958)&lt;/span&gt;&lt;br /&gt;Tautologos and Other Early Electronic Works&lt;br /&gt;&lt;a href="http://www.cdemusic.org/search=lferrari/"&gt;Electronic Music Foundation&lt;/a&gt;/2002&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;James Tenney: Phases (for Edgard Varèse)&lt;br /&gt;Selected Works 1961-1969&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2003 (orig. Frog Peak Music/1992)&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded at Bell Labs, 1963&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Edgard Varèse: Intégrales&lt;br /&gt;The Varèse Album&lt;br /&gt;Wounded Bird/2007 (orig. Sony/1972)&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;The Columbia Symphony Orchestra, conductor: Robert Craft&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-5945515741987934039?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/5945515741987934039/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=5945515741987934039' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/5945515741987934039'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/5945515741987934039'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/08/martian-gardens-for-08072011.html' title='Martian Gardens for 08/07/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-3764611856327815906</id><published>2011-08-03T17:40:00.002-04:00</published><updated>2011-08-03T20:42:53.896-04:00</updated><title type='text'>Martian Gardens: Auto-Archive Volume 01</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;br /&gt;Archived for Automation, Volume 01&lt;/span&gt;&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Recorded August 03, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Steve Reich: Piano Phase&lt;br /&gt;Early Works&lt;br /&gt;Nonesuch/1987&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Double Edge -- pianos: Nurit Tilles and Edmund Niemann;&lt;br /&gt;recorded at RCA Studio A, New York City, May 1986&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Philip Glass: Music In Fifths&lt;br /&gt;Two Pages-Contrary Motion-Music in Fifths-Music in Similar Motion&lt;br /&gt;Nonesuch/1994&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electric organ: P. Glass; soprano saxophones: Jon Gibson, Dickie Landry; electronics, engineering: Kurt Munkacsi; recorded at Butterfly Studios, New York City, June 1973&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET&lt;br /&gt;Sarah Peebles: Nocturnal Premonitions&lt;br /&gt;Music from Nature -- A Terra Nova Compilation&lt;br /&gt;Terra Nova/1997&lt;br /&gt;&lt;br /&gt;Ingram Marshall: Cortez&lt;br /&gt;Ikon and Other Early Works&lt;br /&gt;New World Records/2000&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Meredith Monk: Dolmen Music&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Overture and Men's Conclave&lt;br /&gt;b. Wa-Ohs&lt;br /&gt;c. Rain&lt;br /&gt;d. Pine Tree Lullaby&lt;br /&gt;e. Calls&lt;br /&gt;f. Conclusion&lt;/span&gt;&lt;br /&gt;Dolmen Music&lt;br /&gt;ECM New Series/1981&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voices: Andrea Goodman, Julius Eastman, Monica Solem, Robert Een, Paul Langland, M. Monk; cello: R. Een; percussion: J. Eastman; recorded at Hometown  Studios, New York City, March 1980&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Leo Kupper: Amkéa&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Récit 1&lt;br /&gt;b. Vocalique&lt;br /&gt;c. Récit 2&lt;br /&gt;d. Mélodique&lt;br /&gt;e. Glissandi Vocaux&lt;/span&gt;&lt;br /&gt;Ways of the Voice&lt;br /&gt;Pogus Productions/1999&lt;br /&gt;&lt;span style="font-style: italic;"&gt;mezzo soprano: Anna Maria Kieffer; recorded in Brussels, 1985&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;John Cage: Living Room Music&lt;br /&gt;&lt;span style="font-size:85%;"&gt;I. To Begin&lt;br /&gt;II. Story&lt;br /&gt;III. Melody&lt;br /&gt;IV. End&lt;/span&gt;&lt;br /&gt;The Choral Works I&lt;br /&gt;Mode Records/1998&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;vocal group: Ars Nova, conductor: Támas Vetö; percussion: Gert Sorensen; recorded at Energy Field Studio, August 1997&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;David Rosenboom: HMBIPRHLOTP* Section V (Humanity)&lt;br /&gt;How Much Better If Plymouth Rock Had Landed On The Pilgrims&lt;br /&gt;New World Records/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;tabla: Swapan Chaudhari; piccolo, flute, bass flute: Vinny Golia; sarode: Aashish Khan; trumpet: Daniel Rosenboom; piano, computer: David Rosenboom; pemade: I Nyoman Wenten; recorded at the California Institute of the Arts, 11/01/08; historical performance -- David Rosenboom, Donald Buchla: two Buchla Series 300 Electronic Music Boxes; recorded at the Music Gallery, Toronto, 4/07/79&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;David Rosenboom and Donald Buchla: HMBIPRHLOTP* Section V&lt;br /&gt;Rosenboom &amp;amp; Buchla -- Collaboration in Performance&lt;br /&gt;1750 Arch Records/1979&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Buchla synthesizers: D. Rosenboom, D. Buchla; orchestration, instrumentation: D. Buchla; electronic voice 1: D. Rosenboom; electronic voices 2,3,4: D. Buchla; recorded at 1750 Arch Street, Berkeley, 4/21/78&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;*How Much Better If Plymouth Rock Had Landed On The Pilgrims&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-3764611856327815906?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/3764611856327815906/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=3764611856327815906' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/3764611856327815906'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/3764611856327815906'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/08/martian-gardens-auto-archive-volume-01.html' title='Martian Gardens: Auto-Archive Volume 01'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-1075256618925568145</id><published>2011-07-31T05:37:00.004-04:00</published><updated>2011-07-31T23:58:55.806-04:00</updated><title type='text'>Martian Gardens for 07/31/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for July 31, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Henry Brant: Double-Crank Hand Organ Music&lt;br /&gt;The Henry Brant Collection Volume 8&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;pianos: Gerrit Hommerson, H. Brant; percussion: Amy Snyder, Ernestine Stoop, Eduard van Regtaren Altena; recorded at De Ijsbreker, Holland Festival, 6/15/84&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Henry Brant: Dormant Craters (1st 1/3)&lt;br /&gt;The Henry Brant Collection Volume 9&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Pulse Percussion Ensemble; Gamelan Son of Lion; Tropical Shoul Steel Drums; solo percussion: Pheeroan akLaff, Michael Veal; conductor: H. Brant; recorded at Crowell Concert Hall Center for the Arts, Wesleyan University, 9/11/98&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Lou Harrison: Suite for Percussion&lt;br /&gt;&lt;span style="font-size:85%;"&gt;I. Moderato&lt;br /&gt;II. Slow&lt;br /&gt;III. Recitative Moderato Allegro&lt;/span&gt;&lt;br /&gt;Music of Lou Harrison&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;CRI&lt;/a&gt;/1991 (orig. 1981)&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;The Manhattan Percussion Ensemble, conductor: Paul Pierce; recorded at Steinway Concert Hall, NYC, 1/28/65&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Roger Reynolds: from "Sanctuary" for Percussion and Live Electronics&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Introduction&lt;br /&gt;b. Chatter/Clatter (abbreviated)&lt;br /&gt;c. Discussion&lt;br /&gt;d. Oracle (abbreviated)&lt;br /&gt;e. Discussion&lt;br /&gt;f. Song (abbreviated)&lt;/span&gt;&lt;br /&gt;Sanctuary DVD&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;introduction, discussion: R. Reynolds; percussion solo: Steven Schick; red fish blue fish: Justin DeHartz, Ross Karre, Fabio Oliveira, Greg Stuart; live electronics; recorded at the University of California San Diego&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Roger Reynolds: Traces&lt;br /&gt;Epigram and Evolution -- Complete Piano Works&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano soloist: Yuji Takahashi; flute: Karen Reynolds; cello: Lin Barron; live electronics; recorded at the University of California San Diego&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Quatuor Bozzini: Aberrare, movements I, II, III (M. Arnold)&lt;br /&gt;Aberrare&lt;br /&gt;&lt;a href="http://www.collectionqb.com/doc.f/index.html/"&gt;Actuellecd/&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;QB -- violins: Charles-Étienne Marchand, Clemens Markel; viola: Stéphanie Bozzini; cello: Isabelle Bozzini; recorded at Église de Sainte Théodosie, Calixa-Lavallée, Québec, August 2010&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Giacinto Scelsi: Coelocanth (I,II,III)&lt;br /&gt;The Works for Viola&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;viola: Vincent Royer; recorded at Ev. Kirche, Honrath, Germany, 2008-2009&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Donald Crockett: Wet Ink&lt;br /&gt;Night Scenes&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;violin: Gabriela Diaz; piano: Cary Smythe; recorded at Rogers Center for the Arts, Merrimack College, December 2009&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Charlie Morrow: Book of &lt;a href=http://en.wikipedia.org/wiki/Hours_of_Catherine_of_Cleves/&gt;Hours of Catherine of Cleves&lt;/a&gt;(excerpt)&lt;br /&gt;Toot!&lt;br /&gt;&lt;a href="http://xirecords.org/135.shtml/"&gt;XI Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Camerata Trajectina, director: Louis Peter Grijp; recorded at VPRO Hilversum, Holland&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Phil Kline: Northport&lt;br /&gt;John The Revelator -- A Mass for Six Voices&lt;br /&gt;&lt;a href="http://www.cantaloupemusic.com/"&gt;Cantaloupe Music&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Lionheart -- countertenor: Lawrence Lipnik; tenors: Michael Ryan-Wenger, John Olund; baritones: Richard Porterfield; bass: Kurt-Owen Richards; ETHEL -- violins: Cornelius Dufalo, Mary Rowell; viola: Ralph Farris; cello: Dorothy Lawson; recorded at the Church of Saint Lukes in the Fields, Greenwich Village, 8/07; Northport 324 -- Tune: Dr. R. R. Olson (1850), Lyrics: John Cennick (1743)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Charlie Morrow: Book of Hours of Catherine of Cleves (excerpt)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;ibid.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Phil Kline:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. The Snow Fell&lt;br /&gt;b. Alone&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;ibid.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;a. The Snow Fell -- Music: P. Kline; Lyrics: David Shapiro (1927 b. Alone -- Music and lyrics: Ben H. Price (1914)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Charlie Morrow: Book of Hours of Catherine of Cleves (excerpt)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;ibid.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Phil Kline: Wondrous Love&lt;br /&gt;&lt;span style="font-style: italic;"&gt;ibid.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Music: William Walker (published 1835); Lyrics: Alexander Means (attributed)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Charlie Morrow: Book of Hours of Catherine of Cleves (excerpt)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;ibid.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Diane Thome: Unseen Buds&lt;br /&gt;Bright Air/Brilliant Fire&lt;br /&gt;&lt;a href="http://www.centaurrecords.com/"&gt;Centaur Records&lt;/a&gt;/2001&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electronics: D. Thome, Lumiere Studio, University of Washington School of Music; University Chorale, conductor: Geoffrey Boers; text: Walt Whitman&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Robert Scott Thompson:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Shadow of Water on Sky&lt;br /&gt;b. Figures in the Mirror&lt;/span&gt;&lt;br /&gt;Sanctum&lt;br /&gt;&lt;a href="http://www.aucourantrecords.com/catalog.php/"&gt;Electronic Music Foundation&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electroacoustic music: R.S. Thompson&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Tom Hamilton: Modhera (Pieces for Kohn)&lt;br /&gt;Pieces for Kohn/Formal &amp;amp; Informal Music&lt;br /&gt;&lt;a href="http://kvistrecords.com/"&gt;Kvist Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;synthesizers, custom electronics: T. Hamilton; bass drums, bowed cow bells, tabla, gamelan gongs, talking drums, marimba bars, timpani cymbals: Rich O'Donnell; flute, clarinet: JD Parran; recorded at Washington University Electronic Music Studio, St. Louis, 1975&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-1075256618925568145?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/1075256618925568145/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=1075256618925568145' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/1075256618925568145'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/1075256618925568145'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/07/martian-gardens-for-07312011.html' title='Martian Gardens for 07/31/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-5088857067228584968</id><published>2011-07-30T17:04:00.004-04:00</published><updated>2011-07-30T20:02:11.990-04:00</updated><title type='text'>The Ghost of Esperanto, Volume 02</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: rgb(153, 0, 0);"&gt;THE GHOST OF ESPERANTO, VOLUME 02&lt;/span&gt;&lt;br /&gt;Music from the archives of &lt;span style="font-style: italic;"&gt;Esperanto &lt;/span&gt;&lt;br /&gt;broadcast Sunday evenings 1995--2000 on WMUA&lt;/span&gt;&lt;br /&gt;For automated station programming&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Recorded  July 30, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Banco De Gaia: Last Train to Lhasa&lt;br /&gt;Last Train to Lhasa&lt;br /&gt;Planet Dog/1995&lt;br /&gt;&lt;br /&gt;Brian Eno: Fractal Zoom (Mary's Birthday Mix)&lt;br /&gt;Fractal Zoom maxi-single&lt;br /&gt;Opal-Warner Bros./1992&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Muslimgauze: Bazoft Rope&lt;br /&gt;Vote Hezbollah&lt;br /&gt;Soleilmoon/1993&lt;br /&gt;&lt;br /&gt;Muslimgauze: Infidel (Arabesque Mix)&lt;br /&gt;Infidel&lt;br /&gt;Extreme Records/1994&lt;br /&gt;&lt;br /&gt;Muslimgauze: Yasser Arafat's Radio&lt;br /&gt;Hamas Arc&lt;br /&gt;Staalplaat/1993&lt;br /&gt;&lt;br /&gt;Muslimgauze: Yusef&lt;br /&gt;Blue Mosque&lt;br /&gt;Staalplaat/1995&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Da Damn Phreak Noize Phunk: Dynamite Derby&lt;br /&gt;Electric Crate Digger&lt;br /&gt;K7/1999&lt;br /&gt;&lt;br /&gt;Yello: Bananas to the Beat&lt;br /&gt;1980-1985--The New Mix in One Go&lt;br /&gt;Vertigo/1986&lt;br /&gt;&lt;br /&gt;Starfish Pool: Dead Acid Society&lt;br /&gt;Sounds from the Electronic Lounge&lt;br /&gt;TMC-React/1998&lt;br /&gt;&lt;br /&gt;Soma: Alchemical Nuptial&lt;br /&gt;The Inner Cinema&lt;br /&gt;Extreme Records/1996&lt;br /&gt;&lt;br /&gt;The Orb: More Gills Less Fishcakes&lt;br /&gt;Pomme Fritz&lt;br /&gt;Island/1994&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Severed Heads: Better Hams and Heartbreaks (vs. Judy Lovelife, PhD.)&lt;br /&gt;Haul Ass!&lt;br /&gt;Sevcom/1998&lt;br /&gt;&lt;br /&gt;Psychic TV: Sir Francis E. Dec (Kitten Sparkle Remix)&lt;br /&gt;Origin of the Species Volume Too!&lt;br /&gt;Invisible/1998&lt;br /&gt;&lt;br /&gt;Plastikman: Okx&lt;br /&gt;Sheet One&lt;br /&gt;NovaMute/1993&lt;br /&gt;&lt;br /&gt;Coldcut: Every Home a Prison (Shut Up &amp;amp; Dance Mix)&lt;br /&gt;Let Us Replay&lt;br /&gt;Ninjatune/1999&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;sampled voice: Jello Biafra&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Legion of Green Men: Mosaic Eye--Evolutionary Approach&lt;br /&gt;Spatial Specific&lt;br /&gt;Plus 8-Virgin/1996&lt;br /&gt;&lt;br /&gt;Plastikman: Helikopter&lt;br /&gt;Sheet One&lt;br /&gt;NovaMute/1993&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;Immersion: Metal Sea&lt;br /&gt;Swim ~ Water Communication&lt;br /&gt;Swim/1997&lt;br /&gt;&lt;br /&gt;The Gentle People: Groovin' With You (Intergalactic Harbour Mix)&lt;br /&gt;The Freestyle Files--Crackers Delight&lt;br /&gt;K7/1998&lt;br /&gt;&lt;br /&gt;SET SIX&lt;br /&gt;Aphex Twin: Analogue Bubblebath I&lt;br /&gt;Classics&lt;br /&gt;PIAS America/2002 (orig. R&amp;amp;S/1992)&lt;br /&gt;&lt;br /&gt;Amorphous Androgynous: Mountain Goat&lt;br /&gt;Tales of Ephidrina&lt;br /&gt;Astralwerks/1993&lt;br /&gt;&lt;br /&gt;Future Sound of London: Dead Skin Cells&lt;br /&gt;Life Forms&lt;br /&gt;Astralwerks/1994&lt;br /&gt;&lt;br /&gt;Cluster and Eno: Ho Renomo&lt;br /&gt;Eno Box 2 -- Instrumental&lt;br /&gt;Virgin Records/1994&lt;br /&gt;&lt;br /&gt;SET SEVEN&lt;br /&gt;Cosmic Baby: Airplay&lt;br /&gt;Fantasia&lt;br /&gt;Logic Records/1994&lt;br /&gt;&lt;br /&gt;Nikolai: Are You Ready to Flow?&lt;br /&gt;Fluid -- The Best of Techno Volume 5&lt;br /&gt;Sm :) e Communications/1995&lt;br /&gt;&lt;br /&gt;Executor: Nothing To Fear (M.L. Gore)&lt;br /&gt;Trancemode Express 1.01&lt;br /&gt;Cleopatra Records/1996&lt;br /&gt;&lt;br /&gt;The Irresistible Force: Moonrise (excerpt)&lt;br /&gt;Global Chillage&lt;br /&gt;Caroline Records-Rising High/1995&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-5088857067228584968?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/5088857067228584968/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=5088857067228584968' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/5088857067228584968'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/5088857067228584968'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/07/ghost-of-esperanto-volume-02.html' title='The Ghost of Esperanto, Volume 02'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-1924349669911323357</id><published>2011-07-23T17:39:00.003-04:00</published><updated>2011-07-24T23:53:53.423-04:00</updated><title type='text'>Martian Gardens for 07/24/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for July 24, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Laurie Anderson: The Geographic North Pole&lt;br /&gt;The Ugly One With the Jewels&lt;br /&gt;Warner Bros./1995&lt;br /&gt;&lt;br /&gt;Jacqueline Humbert: Adieu (Humbert/Rosenboom)&lt;br /&gt;Chanteuse -- Songs of a different sort&lt;br /&gt;&lt;a href="http://www.lovely.com/"&gt;Lovely Music, Ltd.&lt;/a&gt;/2004&lt;br /&gt;&lt;br /&gt;Roger Reynolds: Religious Music (from The Ivanov Suite)&lt;br /&gt;Electroacoustic Music&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/1993&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;percussion: Steven Schick; piccolo: vocalist: Philip Larson; cello: Regina Mushabec; violin: János Négyesy; piccolo: John Fonville; trumpet: Edwin Harkins; members of the Suzuki Company of Toga; recorded at the University of California San Diego&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Meredith Monk: Clusters 2&lt;br /&gt;Songs of Ascension&lt;br /&gt;&lt;a href="http://www.ecmrecords.com/"&gt;ECM Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;The Montclair State University Singers; The M6 vocal group; percussion: John Hollenbeck; recorded at the Academy of Arts and Letters, New York City, November 2009&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Somei Satoh: Burning Meditation&lt;br /&gt;From the Depth of Silence&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2004&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;baritone: Thomas Buckner; The Janáček Philharmonic, conductor: Petr Kotik; text: Kazuko Shiraishi; recorded at the Philharmonic Hall, Ostrava, Czech Republic, 5/07/03&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Somei Satoh: The Passion (excerpt)&lt;br /&gt;Ostravská Banda on Tour&lt;br /&gt;&lt;a href="http://www.mutablemusic.com/"&gt;Mutable Music&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;baritone: Thomas Buckner (JC); baritone: Gregory Purnhagen (Pilate); male choir; Ostravská Banda recorded at Czech Radio Ostrava Studio, 10/24/10&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Noah Creshevsky: Twice&lt;br /&gt;Who&lt;br /&gt;&lt;a href="http://www.centaurrecords.com/"&gt;Centaur Records&lt;/a&gt;/2000&lt;br /&gt;&lt;br /&gt;Robert Normandeau: from Chorus&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Overture&lt;br /&gt;b. Judaisme&lt;br /&gt;c. Christianisme&lt;br /&gt;d. Islaminisme &lt;/span&gt;&lt;br /&gt;Puzzles (DVD)&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_0575/"&gt;empreintes DIGITALes&lt;/a&gt;/2005&lt;br /&gt;&lt;br /&gt;Robert Scott Thompson: Ice&lt;br /&gt;Sanctum&lt;br /&gt;&lt;a href="http://www.lensrecords.com/p-30-robert-scott-thompson-sanctum.aspx/"&gt;Electronic Music Foundation&lt;/a&gt;/2007&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Benjamin Boretz: Argument (from Language, as a music)&lt;br /&gt;Open Space 10 (Randall/Boretz)&lt;br /&gt;&lt;a href="http://www.the-open-space.com/"&gt;Open Space&lt;/a&gt;/1999&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano: B. Boretz; Center for Music Experiment, University of California, San Diego, 5/03/80&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Howard Skempton: Durham Strike&lt;br /&gt;Bolt from the Blue&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano: Daniel Becker; recorded at Potton Hall, Suffolk, England, 10/02/07&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Ursula Mamlok:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Sculpture I&lt;br /&gt;b. Love Song of Two Pigeons&lt;/span&gt;&lt;br /&gt;Music of Ursula Mamlok, Volume 2&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano: Garrick Ohlsson; recorded at the Academy of Arts and Letters, New York City, 12/27/07&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;John Cage: A Valentine Out of Season (I, II, III)&lt;br /&gt;Complete Short Works for Prepared Piano&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;prepared piano: Philipp Vandré; recorded at Hessischer Rundfunk (Sendesaal), Frankfurt, 2001-2002&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Francis Dhomont: À propos de K&lt;br /&gt;Études Pour Kafka&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_09102/"&gt;empreintes DIGITALes&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;realized in 2006 at the composer's studio in Avignon, France&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;César Bolaños: Divertmento III&lt;br /&gt;Peruvian Electroacoustic and Experimental Music (1964-1970)&lt;br /&gt;&lt;a href="http://www.pogus.com/"&gt;Pogus Productions&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;for clarinet, flute, bass clarinet, piano, and percussion instruments; premiered at the IV Contemporary Music Festival at the Instituto Di Tella, Beunos Aires, 10/24/67&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Amy Horvey: Marionette Lazarus&lt;br /&gt;Catchment&lt;br /&gt;&lt;a href="http://www.amyhorvey.com/news.html/"&gt;Paved Arts&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;trumpet: A. Horvey; trumpet and organ sounds recorded in a pedestrian underpass in Saskatoon&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Michael Tenzer: Undrleaf (Buk Katah)&lt;br /&gt;Let Others Name You&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;for Balinese Gamelan and nonet of brass, winds, and piano; Sanggar Çudamani collective and Vancouver Players; recorded in Pengosekan, Bali, 7/09/06 (premiered at the Bali Arts Festival, Denpasar, Bali, 7/10/06); mastered in Vancouver, BC,  by François Houle, Fall 2006&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Evan Ziporyn: Three Island Duos (M. Tenzer)&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Krk-y&lt;br /&gt;b. Biak-words&lt;br /&gt;c. Bouvet fanfare&lt;/span&gt;&lt;br /&gt;This Is Not A Clarinet&lt;br /&gt;&lt;a href="http://www.cantaloupemusic.com/"&gt;Cantaloupe Music&lt;/a&gt;/2002&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;clarinets: E. Ziporyn; recorded in Roslindale and Lexington, Massachusetts, 1999-2001&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-1924349669911323357?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/1924349669911323357/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=1924349669911323357' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/1924349669911323357'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/1924349669911323357'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/07/martian-gardens-for-07242011.html' title='Martian Gardens for 07/24/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-8879231883108608666</id><published>2011-07-22T16:56:00.002-04:00</published><updated>2011-07-22T20:09:23.814-04:00</updated><title type='text'>The Ghost of Esperanto, Volume 01</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: rgb(153, 0, 0);"&gt;THE GHOST OF ESPERANTO, VOLUME 01&lt;/span&gt;&lt;br /&gt;Music from the archives of &lt;span style="font-style: italic;"&gt;Esperanto &lt;/span&gt;&lt;br /&gt;broadcast Sunday evenings 1995--2000 on WMUA&lt;/span&gt;&lt;br /&gt;For automated station programming&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Recorded  July 22, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;M. Griffin/D. Fulton: Dark Observer&lt;br /&gt;The Most Distant Point Known&lt;br /&gt;Hypnos/2000&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Tangerine Dream: Phaedra (abridged version)&lt;br /&gt;152:33: A Brief History of Ambient, Volume 1&lt;br /&gt;Virgin Records/1994&lt;br /&gt;&lt;br /&gt;Klaus Schulze: Floating (excerpt)&lt;br /&gt;The Essential 72-93&lt;br /&gt;Caroline Records/1994&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;The Legendary Pink Dots: The Andromeda Suite&lt;br /&gt;Chemical Playschool Volumes 8 &amp;amp; 9&lt;br /&gt;Terminal Kaleidoscope/1995&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Richard Pinhas:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Iceland (Part 1)&lt;br /&gt;b. Iceland (Part 2)&lt;/span&gt;&lt;br /&gt;Iceland&lt;br /&gt;Cuneiform Records/1992 (orig. 1979)&lt;br /&gt;&lt;br /&gt;John Cage: Voiceless Essay (excerpt)&lt;br /&gt;Ghosts and Monsters --&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Technology and Personality in Contemporary Music&lt;br /&gt;Leonardo Music Journal CD Series Volume 8&lt;/span&gt;&lt;br /&gt;Electronic Music Foundation/1998&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;text: Henry David Thoreau &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Biosphere: The things I tell you&lt;br /&gt;Substrata&lt;br /&gt;All Saints Records/1997&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Brian Eno: Web (Lascaux Mix)&lt;br /&gt;Nerve Net&lt;br /&gt;Opal Records--Warner Bros./1992&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;featuring Robert Fripp, guitar&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Ambient Temple of Imagination: Ancestors&lt;br /&gt;Planetary House Nation&lt;br /&gt;Mindspore Records/1997&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Artemiy Artemiev/Phillip B. Klingler: Murmurs Across the Surface&lt;br /&gt;Dreams in Moving Space&lt;br /&gt;Electroshock Records/2000&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Muslimgauze: Curfew, Gaza&lt;br /&gt;Zul'm&lt;br /&gt;Extreme Records/1992&lt;br /&gt;&lt;br /&gt;Muslimgauze:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Palestine is our Islamic Land, Part 1&lt;br /&gt;b. Palestine is our Islamic Land, Part 2&lt;/span&gt;&lt;br /&gt;Arab Quarter&lt;br /&gt;Staalplaat/1996&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;László Hortobágyi: Transreplica Meccano 88'&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Intro-Kill&lt;br /&gt;b. Bass Cult&lt;br /&gt;c. Gregorianix&lt;br /&gt;d. Kiráņá-Barock&lt;br /&gt;e. Bali-Si Gat&lt;br /&gt;f. Harmologix&lt;br /&gt;g. Vocablá&lt;br /&gt;h. Ite Pravonix Est&lt;/span&gt;&lt;br /&gt;Transreplica Meccano -- Annales of Gáyan Uttejak Society&lt;br /&gt;Staalplaat/1991&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-8879231883108608666?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/8879231883108608666/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=8879231883108608666' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/8879231883108608666'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/8879231883108608666'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/07/ghost-of-esperanto-volume-01.html' title='The Ghost of Esperanto, Volume 01'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-315076601702654835</id><published>2011-07-16T18:43:00.004-04:00</published><updated>2011-07-17T23:56:24.970-04:00</updated><title type='text'>Martian Gardens for 07/17/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for July 17, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Todd Reynolds: Icy Sleeves of Green v.2.0&lt;br /&gt;Outerborough&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;violin, electric bass, octave violin: T. Reynolds&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Judy Dunaway: Rubber Patchwork Quilt&lt;br /&gt;Balloon Music&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;CRI&lt;/a&gt;/1998&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;balloons: J. Dunaway&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Philip Corner: The Gold Stone&lt;br /&gt;Pieces from the Past - By Philip Corner for the Violin of Malcolm Goldstein&lt;br /&gt;&lt;a href="http://www.pogus.com/"&gt;Pogus Productions&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;violin: M. Goldstein; recorded at Bregman Electro-Acoustic Studios, Dartmouth College, July 1991&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Carrie Rose: High Flyer (R. Erickson)&lt;br /&gt;Books of Flutes&lt;br /&gt;&lt;a href="http://www.smith-publications.com/"&gt;11 West Records&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;solo flute: C. Rose; recorded at the University of Maryland Baltimore County&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Lei Liang: Lake&lt;br /&gt;Milou&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;flutes: John Fonville, Jane Rigler; recorded at Warren Music Studio, University of California, San Diego, 1/23/11&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Larry Polansky: V'leem'shol (And to rule ...) (Cantillation Study #2)&lt;br /&gt;CDCM Computer Music Series Volume 11&lt;br /&gt;&lt;span style="font-size:85%;"&gt;The Virtuoso in the Computer Age II&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.centaurrecords.com/"&gt;Centaur Records&lt;/a&gt;/1992&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;five flutes: Ann La Berge; HMSL program: L. Polansky&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Laurie Spiegel: Immersion&lt;br /&gt;Obsolete Systems&lt;br /&gt;&lt;a href="http://www.emf.org/"&gt;Electronic Music Foundation&lt;/a&gt;/2001&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;realized on &lt;/span&gt;&lt;la href="http://campbellfoster.ca/interactive/McLeyvier2b.html/"&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;McLeyvier computer-controlled analog synthesis music system, 1983&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Artemiy Artemiev &amp;amp; Phillip B. Klingler: Broken Sleep in the Fracture Zone&lt;br /&gt;A Moment of Infinity&lt;br /&gt;&lt;a href="http://www.electroshock.ru/"&gt;Electroshock Records&lt;/a&gt;/2002&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;synthesizers: Artemiev, Klingler; recorded at Electroshock Studios, Moscow, 2001&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Charlie Morrow: Marilyn Monroe Collage&lt;br /&gt;Toot!&lt;br /&gt;&lt;a href="http://xirecords.org/135.shtml"&gt;XI Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;string trio (anon.), sound bites; performed at Sidney Janis Gallery, 1967&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Michèle Bokanowski: Phone Variations (excerpt)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Michèle Bokanowski &lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.tracelab.com/"&gt;Trace Label&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;musique concrète realized 1986 and 1988 at the composer's studio, Paris&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;Micheline Coulombe Saint-Marcoux: Zones&lt;br /&gt;Impulsion&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/bio/coulombesaintmarcou_mi/discog/"&gt;empreintes DIGITALes&lt;/a&gt;/2001&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;realized at the Sonic Research Studio of Simon Fraser University, Vancouver, 1971&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Carter Scholz: Jet&lt;br /&gt;8 Pieces&lt;br /&gt;&lt;a href="http://www.frogpeak.org/fpartists/fpscholz.html/"&gt;Frog Peak Muisc&lt;/a&gt;/2000&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;realized at Frog Peak Music, Lebanon, NH&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Scott Smallwood:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Electreat&lt;br /&gt;b. Ropiquet&lt;/span&gt;&lt;br /&gt;Electrotherapy&lt;br /&gt;&lt;a href="http://www.deeplistening.org/"&gt;Deep Listening&lt;/a&gt;/2004&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;sounds sourced from antique &lt;a href="http://en.wikipedia.org/wiki/Electrotherapy/"&gt;electrotherapy&lt;/a&gt; devices&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET SIX&lt;br /&gt;Iannis Xenakis: Mélanges (Pléïades movement I)&lt;br /&gt;Percussion Works&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;percussion: red fish blue fish -- Gustavo Aguillar, Rob Esler, Ross Karre, Don Nichols, Morris Palter, Lisa Tolentino, director: Steven Schick; recorded at Warren Studios, University of California, San Diego&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;John Luther Adams: Thunder&lt;br /&gt;The Mathematics of Resonant Bodies&lt;br /&gt;&lt;a href="http://www.cantaloupemusic.com/"&gt;Cantaloupe Music&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;percussion: Steven Schick; recorded at the University of Alaska, Fairbanks, 2002-2003&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The New Music Consort: Pulse (H. Cowell)&lt;br /&gt;Pulse&lt;br /&gt;&lt;a href="http://www.newworldrecords.com/"&gt;New World Records&lt;/a&gt;/1990&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;percussion: Joseph Grable, Kory Grossman, Michael Pugliese, Mark Renodn, William Trigg; Terri Weber; conductor: Claire Heldrich; recorded at BMG studios, NYC&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Luciano Berio: Sequenza II (for harp)&lt;br /&gt;The Complete Sequenzas, Alternate Sequenzas, &amp;amp; Works for Solo Instruments&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;harp: Susan Jolles; recorded at Shephard Hall, CUNY, 7/07/95&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;br /&gt;&lt;br /&gt;&lt;/la&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-315076601702654835?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/315076601702654835/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=315076601702654835' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/315076601702654835'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/315076601702654835'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/07/martian-gardens-for-07172011.html' title='Martian Gardens for 07/17/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-1119757682306751307</id><published>2011-07-09T17:48:00.004-04:00</published><updated>2011-07-11T00:03:57.699-04:00</updated><title type='text'>Martian Gardens for 07/10/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for July 10, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Malcolm Goldstein: Eight Whiskus (J. Cage)&lt;br /&gt;Sounding the New Violin&lt;br /&gt;What Next?/1997&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded at Bregman Electro-Acoustic Studios, Dartmouth College, July, 1991&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Philip Corner: Gamelan Maya&lt;br /&gt;Pieces from the Past: By Philip Corner for the Violin of Malcolm Goldstein&lt;br /&gt;&lt;a href="http://www.pogus.com/"&gt;Pogus Productions&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded at the Experimental Music Foundation, New York City, 12/11/84&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Quatuor Bozzini: from 1st Movement&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. La relais&lt;br /&gt;b. Demi-vérité A&lt;br /&gt;c. Demi-vérité B&lt;br /&gt;d. La nouvelle -- Joane&lt;br /&gt;e. Identité 1&lt;br /&gt;f. ADN-Spirales&lt;br /&gt;g. Identité 2&lt;br /&gt;h. La nouvelle -- Jean 1&lt;br /&gt;i. Demi-vérité C&lt;/span&gt;&lt;br /&gt;Le mensonge et l’identité&lt;br /&gt;&lt;a href="http://actuellecd.com/en/cat/cqb_1110/"&gt;Actuellecd&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;violin, voice: Charles-Étienne, Clemens Merkel; viola, voice: Stephanie Bozzini; cello, voice: Isabelle Bozzini; recorded at Studo 270, Montreal, 12/15/10&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Mari Kimura: Six Caprices for Subharmonics&lt;br /&gt;The World Below G and Beyond&lt;br /&gt;&lt;a href="http://www.mutablemusic.com/"&gt;Mutable Music&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;violin: M. Kimura; recorded at Harvestworks and Systems Two, New York City&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Anne La Berge: Away&lt;br /&gt;Speak&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice, electronics: A. La Berge; recorded at studio VOLSAP, Amsterdam, 2009&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Todd Reynolds: Outerborough&lt;br /&gt;Outerborough&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2011&lt;br /&gt;violin, electronics: T. Reynolds&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;&lt;a href="http://www.indiemusicglobal.com/profile/JoseMataloni/"&gt;José Mataloni&lt;/a&gt;: Magma&lt;br /&gt;Magical Realism of Sound/2003&lt;br /&gt;&lt;br /&gt;Tim Hodgkinson: Vers Kongsu II&lt;br /&gt;Sketch of Now&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;clarinet: T. Hodgkinson; bass clarinet: Vinny Golia; percussion: Gustavo Aguilar; Hyperion Ensemble, conductor: Iancu Dumitrescu; recorded in Ploiești, October, 2003&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Yan Jun: Kitchen Performance 2&lt;br /&gt;Post-Minimalism&lt;br /&gt;&lt;a href="http://www.tracelab.com/"&gt;Trace Label&lt;/a&gt;/2007&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Maggi Payne: Apparent Horizon&lt;br /&gt;Arctic Winds&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2010&lt;br /&gt;&lt;br /&gt;Mario Verandi: Evil Fruit&lt;br /&gt;Orillas Distantes/Distant Shores&lt;br /&gt;&lt;a href="http://www.emf.org/"&gt;Electronic Music Foundation&lt;/a&gt;/2001&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;&lt;a href="http://hcc.haifa.ac.il/%7Eariks/"&gt;Arie Shapira&lt;/a&gt;: Birds' Shop&lt;br /&gt;Electronics Plus/2000&lt;br /&gt;&lt;br /&gt;Charlie Morrow: A Future Harvest&lt;br /&gt;Toot!&lt;br /&gt;&lt;a href="http://xirecords.org/135.shtml"&gt;XI Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded for Studio of Acoustic Art, WDR, Cologne&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Martin Supper: Fragment&lt;br /&gt;Music Around Benjamin Boretz--Open Spaces 2005&lt;br /&gt;&lt;a href="http://www.the-open-space.org/"&gt;Open Space&lt;/a&gt;/2005&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;two-channel tape; voice: Hans Zischler&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Daniel Blinkhorn: Toy Bagatelle&lt;br /&gt;Deep Wireless 8 -- Radio Art Compilation&lt;br /&gt;&lt;a href="http://www.naisa.ca/"&gt;New Adventures In Sound Art&lt;/a&gt;/2011&lt;br /&gt;&lt;br /&gt;Barnwave: Prancing&lt;br /&gt;Why Record? Life in the Age of Digital Performance&lt;br /&gt;&lt;a href="http://www.emf.org/"&gt;Electronic Music Foundation&lt;/a&gt;/2008&lt;br /&gt;&lt;br /&gt;David Mooney: The Llama Strut&lt;br /&gt;Rhythmic Sections&lt;br /&gt;&lt;a href="http://www.arizonarecordings.com/electro/electro.html/"&gt;Arizona University Recordings&lt;/a&gt;/2002&lt;br /&gt;&lt;br /&gt;Gilles Gobeil: La Nuit (from Ombres, espaces, silences...)&lt;br /&gt;Trois Songes DVD&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_0892/"&gt;empreintes DIGITALes&lt;/a&gt;/2008&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Tod Machover: Famine&lt;br /&gt;Flora&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/1990&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electronics: T. Machover; Electric Phoenix (soprano: Judith Rees, mezzo-soprano: Mary King, tenor: Daryl Brunswick, bass: Terry Edwards); text: Rose Moss; recorded at October Sound, London, January, 1987&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-1119757682306751307?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/1119757682306751307/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=1119757682306751307' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/1119757682306751307'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/1119757682306751307'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/07/martian-gardens-for-07102011.html' title='Martian Gardens for 07/10/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-6170923044605633396</id><published>2011-06-29T16:48:00.006-04:00</published><updated>2011-07-09T17:48:53.289-04:00</updated><title type='text'>Martian Gardens for 07/03/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for July 03, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Philip Corner: Piece for String Instrument #5&lt;br /&gt;Pieces from the Past--By Philip Corner for the Violin of Malcolm Goldstein&lt;br /&gt;&lt;a href="http://www./" com=""&gt;Pogus Productions&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;violin: M. Goldstein; recorded at the Experimental Intermedia Foundation, 12/11/84&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;John Cage: Apartment House 1776&lt;br /&gt;Orchestral Works I&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/1994&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;em&gt;New England Conservatory Philharmonia&lt;br /&gt;Voices--&lt;br /&gt;Protestant: Walter Buckingham&lt;br /&gt;Native American: Darrell Dunn&lt;br /&gt;African American: Semenya McCord&lt;br /&gt;Sephardi: Chiam Parchi&lt;br /&gt;New England Conservatory Orchestra, conductor: Stephen Drury; recorded at Jordan Hall, New England Conservatory of Music, March, 1991&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Philip Glass: Prematurely Air-Conditioned Supermarket (from Trial 2/Prison)&lt;br /&gt;Einstein on the Beach&lt;br /&gt;&lt;a href="http://www.nonesuch.com/"&gt;Electra/Nonesuch&lt;/a&gt;/1993&lt;br /&gt;The Philip Glass Ensemble and Chorus, conductor: Michael Riesman; spoken voice: Lucinda Childs; Sheryl Sutton; texts: L. Childs; Christopher Knowles&lt;br /&gt;&lt;br /&gt;Tom Hamilton: Jamaica Center&lt;br /&gt;Off-Hour Wait State -- Some Music About the Subway&lt;br /&gt;O.O. Discs/1996&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice: Thomas Buckner; percussion: Jonathan Haas; alto saxophone: Roscoe Mitchell; electronic environment: T. Hamilton&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Laurie Anderson: Another Day in America&lt;br /&gt;Homeland&lt;br /&gt;&lt;a href="http://www.nonesuch.com/albums/homeland/"&gt;Nonesuch-Elektra&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;drums, percussion: Ben Witman, bass guitar: Skúli Sverrisson, viola: Eyvind Kang, background vocals: Antony Hegarty; vocals, percussion, violin: L. Anderson; recorded in New York City&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Laurie Anderson: Statue of Liberty&lt;br /&gt;Live in New York, September 19-20, 2001&lt;br /&gt;&lt;a href="http://www.nonesuch.com/"&gt;Electra/Nonesuch&lt;/a&gt;/2002&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;vocals, violin, keyboards: L. Anderson; bass: Skúli Sverrisson; percussion: Jim Black; electronics: Peter Scherer; recorded at Town Hall, NYC, 2001&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Paul Lansky: Ride&lt;br /&gt;Ride&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2000&lt;br /&gt;&lt;br /&gt;Paul Lansky: Wordless&lt;br /&gt;Music Box&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2007&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Judith Shatin: Three Summers Heat--&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Just Now the Sea-Green Banners Fly&lt;br /&gt;b. Just Now the Early Peach is Red&lt;br /&gt;c. It's Midsummer and Too Hot to Walk&lt;br /&gt;d. Summer Earth is Windless. Heat Still Presses&lt;br /&gt;e. Light Clothes! Few Clothes!&lt;br /&gt;f. I Remember Desire like White Light&lt;br /&gt;g. I Raise my Head to Look at T'ung Trees&lt;br /&gt;&lt;/span&gt;CDCM Computer Music Series Volume 29#&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Music from VCCM: Virginia Center for Computer Music--&lt;br /&gt;University of Virginia&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.centaurrecords.com/"&gt;Centaur Records&lt;/a&gt;/1999&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;soprano: Susan Narucki; text: Tzu Yeh&lt;/span&gt;; &lt;span style="font-style: italic;font-size:85%;" &gt;recorded at Taplin Auditorium, Princeton University, August, 1998&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;&lt;a href="http://home.earthlink.net/%7Ewilliamprice1/"&gt;William Price&lt;/a&gt;: Let Freedom Ring&lt;br /&gt;Electroacoustic Works (2004)&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;created at the Electro-Acoustic Music Studios, Louisiana State University&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Trever Wishart: Fireworks (from Tongues of Fire)&lt;br /&gt;MusicWorks 98&lt;br /&gt;&lt;a href="http://www.musicworks.ca/"&gt;MusicWorks Magazine&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;premiered at Synthese Festival, Bourges, France, 1994&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Trevor Wishart: American Triptych&lt;br /&gt;Voiceprints&lt;br /&gt;&lt;a href="http://www.emf.org/"&gt;Electronic Music Foundation&lt;/a&gt;/2000&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;premiered at Groupe de Recherches Musicales' Cycle Acousmatique series, Salle Olivier Messiaen, Radio France, Paris,01/08/00&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Robert Ashley: The Fourth of July&lt;br /&gt;Music from the ONCE Festival 1961--1966 #&lt;br /&gt;&lt;a href="http://newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2003&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;premiered at the ONCE Festival, University of Michigan, Ann Arbor, 02/25/61&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Mary Lee Roberts: White Writing&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Bird&lt;br /&gt;b. Night Foxes&lt;/span&gt;&lt;br /&gt;6 Compositions&lt;br /&gt;&lt;a href="http://www.the-open-space.com/"&gt;Open Space&lt;/a&gt;/1997&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;mastered at New York University, 1997&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Mara Helmuth: Meeting the Free Dreamer&lt;br /&gt;Open Space 16 (Barkin/Carlé/Exley/Helmuth)&lt;br /&gt;&lt;a href="http://www.the-open-space.com/"&gt;Open Space&lt;/a&gt;/2004&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;computerized piano sequences: M. Helmuth&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-6170923044605633396?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/6170923044605633396/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=6170923044605633396' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/6170923044605633396'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/6170923044605633396'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/06/martian-gardens-for-70311.html' title='Martian Gardens for 07/03/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-1823015879770506476</id><published>2011-06-25T17:14:00.004-04:00</published><updated>2011-06-26T23:56:19.191-04:00</updated><title type='text'>Martian Gardens for 06/26/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for June 26, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Meredith Monk: Summer Variation&lt;br /&gt;Songs of Ascension&lt;br /&gt;&lt;a href="http://www.ecmrecords.com/"&gt;ECM Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voices: Katie Geissinger, Bruce Rameker; violin: Todd Reynolds; violin: Courtney Orlando; viola: Nadia Sirota; cello: Ha-Yang Kim; bass clarinet: Bodhan Hilash; percussion: John Hollenbeck; recorded at the Academy of Arts and Letters, November, 2009&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Todd Reynolds: and the sky was still there (D. T. Little)&lt;br /&gt;Outerborough&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;violin: T. Reynolds; Ableton live programming, production: David T. Little; conversation: Amber Ferenz, D.T. Little; sample: Utah Phillips&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Robert Ashley: Ingrid&lt;br /&gt;Atalanta (Acts of God) Volume II&lt;br /&gt;&lt;a href="http://www.lovely.com/"&gt;Lovely Music, Ltd&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voices: Jacqueline Humbert, R. Ashley; text: J. Humbert; electronics: Tom Hamilton, R. Ashley; recorded in Rome, 1985&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Katie McMurran: You and I&lt;br /&gt;Deep Wireless 8 -- Radio Art Compilation&lt;br /&gt;&lt;a href="http://www.naisa.ca/"&gt;New Adventures In Sound Art&lt;/a&gt;/2011&lt;br /&gt;&lt;br /&gt;Pamela Z: Pop Titles 'You'&lt;br /&gt;A Delay is Better&lt;br /&gt;&lt;a href="http://www.starkland.com/"&gt;Starkland&lt;/a&gt;/2005&lt;br /&gt;&lt;br /&gt;Trevor Wishart: Globalalia (excerpt)&lt;br /&gt;Musicworks 98&lt;br /&gt;&lt;a href="http://www.musicworks.ca/"&gt;MusicWorks Magazine&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;premiered in Berlin, 2004&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Ingram Marshall: The Emperor's Birthday&lt;br /&gt;Ikon and Other Early Works&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2000&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;realized at Marshall's studio, Berkeley, 1974-1975&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Kurt Schwitters: dritter teil -- scherzo-trio-scherzo&lt;br /&gt;&lt;a http://members.peak.org/~dadaist/English/Graphics/ursonate.html&gt;Ursonate&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.wergo.de/shop/"&gt;Wergo&lt;/a&gt;/1993&lt;br /&gt;&lt;span style="font-size:85%;"&gt;poetry written by K. Schwitters 1922-1932; recorded c. 1932&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Jackson Mac Low: 38th and 39th Merzgedichte (in Memoriam Kurt Schwitters)&lt;br /&gt;Open Secrets&lt;br /&gt;&lt;a href="http://xirecords.org/110.shtml"&gt;XI Records&lt;/a&gt;/1993&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded at Kursalon Hübner, Vienna, April 4, 1992&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Charles Dodge: He Destroyed Her Image&lt;br /&gt;OHM: The Early Gurus of Electronic Music: 1948-1980&lt;br /&gt;Ellipsis Arts/2000&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;realized at Bell Labs, 1972&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Marcelo Radulovich: Evolution&lt;br /&gt;Mercurio&lt;br /&gt;&lt;a href="http://www.titicacaman.com/"&gt;Titicacaman&lt;/a&gt;/2008&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Hervé Zénouda: Reflets Fauves&lt;br /&gt;Demain, des l'aube&lt;br /&gt;&lt;a href="http://www.tracelab.com/"&gt;Trace Label&lt;/a&gt;/2002&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electric guitar: Thomas Petit; drums, programming: H. Zénouda&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Gen Ken Montgomery: Friedhof&lt;br /&gt;Birds+Machines&lt;br /&gt;&lt;a href="http://www.pogus.com/"&gt;Pogus Productions&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded at Conrad Schnitzler's studio, Berlin, 1986&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Charlie Morrow: Central Park 1850&lt;br /&gt;Toot!&lt;br /&gt;&lt;a href="http://xirecords.org/135.shtml"&gt;XI Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;sound source: Cornell Ornithological Lab; engineered by C. Morrow in Barton, VT&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Charlie Morrow: Feather&lt;br /&gt;Toot!&lt;br /&gt;&lt;a href="http://xirecords.org/135.shtml"&gt;XI Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;MIDI, samples: C. Morrow; recorded in Barton, VT&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Eno/Moebius/Rodelius: Old Land&lt;br /&gt;After the Heat&lt;br /&gt;Caroline Records/1996 (orig. Sky Records/1977)&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;George Crumb: selections from Makrokosmos III: Music for a Summer Evening&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Nocturnal Sounds (The Awakening)&lt;br /&gt;b. Wanderer-Fantasy&lt;br /&gt;c. The Advent&lt;br /&gt;d. Myth&lt;/span&gt;&lt;br /&gt;Black Angels/Makrokosmos III&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;pianos: Luz Monriquez, Walter Morales; percussion: Nena Lorenz, Brian Spurgeon, Michael Passaris, Mark Shope; whistles, recorder: Andrés Cladera; conductor: Juan Pablo Izquierdo; recorded at Alumni Concert Hall and Recording Studio, Carnegie Mellon School of Music, autumn 2002&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Maggi Payne: Glassy Metals&lt;br /&gt;Arctic Winds&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electroacoustic music: M. Payne; Center for Contemporary Music, Mills College&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Christine Groult: Pierres cantabiles&lt;br /&gt;La Condition Captive&lt;br /&gt;&lt;a href="http://www.tracelab.com/"&gt;Trace Label&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electroacoustic music: C. Groult; Le Chazel, Paris&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;Noah Creshevsky: La Belle Dame Sans Merci&lt;br /&gt;The Twilight of the Gods&lt;br /&gt;&lt;a href="http://www.tzadik.com/"&gt;Tzadik Records&lt;/a&gt;/2010&lt;br /&gt;samples: Ellen Band&lt;br /&gt;&lt;br /&gt;Hubert Howe: Computer Variations (1967-68)&lt;br /&gt;J K R Pass 3 -- Music for Jim Randall's 75th Birthday by his Friends&lt;br /&gt;&lt;a href="http://www.the-open-space.com/"&gt;The Open Space&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;realized at Queen's College and Bell Labs&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET SIX&lt;br /&gt;J.C. Combs: The Giant Eye of the 5th Dimension&lt;br /&gt;Safe Passage&lt;br /&gt;&lt;a href="http://www.electroshock.ru/"&gt;Electroshock Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded for &lt;a href="http://improvfriday.ning.com/"&gt;ImprovFriday&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Natasha Barrett: &lt;br /&gt;Avoid Being Eaten by Mimicking Other Less Palatable Species (ABEMOLPAS)&lt;br /&gt;Bouteilles de Klein&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_10104/"&gt;empreintes DIGITALes&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded a the composer's studio, Oslo, 2003-2004&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-1823015879770506476?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/1823015879770506476/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=1823015879770506476' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/1823015879770506476'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/1823015879770506476'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/06/martian-gardens-for-06262011.html' title='Martian Gardens for 06/26/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-8163341404470905387</id><published>2011-06-18T16:17:00.004-04:00</published><updated>2011-06-20T00:00:46.499-04:00</updated><title type='text'>Martian Gardens for 06/19/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for June 19, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Dorota Czerner: Caves&lt;br /&gt;Open Space 24 (Czerner/Barkin)&lt;br /&gt;&lt;a href="http://www.the-open-space.org/"&gt;The Open Space&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice, poem: D. Czerner; sound: Benjamin Boretz; recorded by B. Boretz, 2009&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;John Cage: Solo for Voice 52 (Aria No. 2) (Relevant)&lt;br /&gt;Litany for the Whale&lt;br /&gt;&lt;a href="http://asp.zone-secure.net/v2/index.jsp?id=1393/1805/7057&amp;amp;lng=en/"&gt;Harmonia Mundi&lt;/a&gt;/2002&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice: Paul Hillier; text: James Joyce, "Finnegans Wake"; electronics: Shabda Owens; recorded in Germany, 1996&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;John Oswald: Track Two (excerpt)&lt;br /&gt;Timefields &amp;amp; Maritides&lt;br /&gt;&lt;a href="http://musicworks.ca/"&gt;MusicWorks Magazine&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;field recordings: Peter Huse (from "P.E.I. Foghorn And Islanders," recorded on Prince Edward Island, 1974)&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Charlie Morrow: TOOT N BLINK Chicago&lt;br /&gt;Toot!&lt;br /&gt;&lt;a href="http://www.experimentalintermedia.org/xi/"&gt;XI Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;boat horns recorded on Lake Michigan in 1982; disc jockeys: Ed Herrmann and Chris Merrick&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.jorgeantunes.com.br/"&gt;Jorge Antunes&lt;/a&gt;: Sinfonia Das Diretas (Direct Elections Symphony) (excerpt)&lt;br /&gt;Sinfonia Das Diratas&lt;br /&gt;Sistrum Edições Musicais Ltda/1995&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;for choir, ensemble, electronic effects and car horns; composed for &lt;a href="http://en.wikipedia.org/wiki/Diretas_J%C3%A1/"&gt;Diretas Já&lt;/a&gt;, 1984&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Chantal Dumas: The Piano Tuning&lt;br /&gt;Deep Wireless 8 -- Radio Art Compilation&lt;br /&gt;&lt;a href="http://www.naisa.ca/"&gt;New Adventures in Sound Art&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electroacoustic music, voice: C. Dumas; text: Fortner Anderson&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Anne La Berge: 800 Speakers&lt;br /&gt;Speak&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;flute, computer, voice: A. La Berge; text from "Resonant Dendrites" lecture, 2006; recorded at Studio VOLSAP, Amsterdam, 2009&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Marcelle Deschênes: Big Bang III&lt;br /&gt;petits Big Bangs&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/bio/deschenes_ma/discog/"&gt;empreintes DIGITALes&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electroacoustic music: M.Deschênes; realized at Bruit Blanc studio, Montreal, 1992&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Maggi Payne: FIZZ&lt;br /&gt;Arctic Winds&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electroacoustic music: M. Payne; recorded at the Center for Contemporary Music, Mills College&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Michèle Bokanowski: Trois Chambres D'Inquiétude (part 2)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Michèle Bokanowski&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.tracelab.com/"&gt;Trace Label&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Musique concrète realized at Bokanowski's studio, Paris, 1975-1976, final mix at Studios du GMEB, Bourges, France&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;Frank Denyer: Out of the Shattered Shadows I&lt;br /&gt;Faint Traces -- Chamber Works 1973-2001&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2005&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;The Barton Workshop -- flutes: Jos Zwaanenburg; spinet &amp;amp; harmonium: Catherine Laws; banjo: Alan Thomas; percussion: Damien Harron; recorded at Dartington Hall, UK, 7/07/2007&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;James Tenney: Percussion Response (with Ergodos I)&lt;br /&gt;Melody, Ergodicity and Indeterminacy&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;computer music; percussion: Tobias Liebezeit; recorded in Amsterdam, 2007&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET SIX&lt;br /&gt;Ray Green: Three Inventories of Casey Jones (One, Two, and Three)&lt;br /&gt;Restless, Endless, Tactless -- Johanna Beyer and the Birth of American Percussion Music&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;Meehan/Perkins Duo and the Baylor Percussion Group; recorded at Jones Concert Hall, Waco, Texas&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Ziya Tabassian: Varashan&lt;br /&gt;Tombak&lt;br /&gt;&lt;a href="http://actuellecd.com/en/cat/am_161/"&gt;Actuellecd.com&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;percussion: Z. Tabassian; recorded at DeTour Sound Studio, Montreal, 2005&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Hervé Zénouda: Homothétie&lt;br /&gt;Vies Secondes&lt;br /&gt;&lt;a href="http://www.tracelab.com/"&gt;Trace Label&lt;/a&gt;/1999&lt;span style="font-style: italic;font-size:85%;" &gt;&lt;br /&gt;percussion samples: H. Zénouda; recorded at Le Culte du Cargo studio, Paris&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Guillermo E. Brown: Electroprayer 5.0&lt;br /&gt;Mendi+Keith Obadike present Crosstalk&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice and electronics: G. E. Brown; recorded at Brown Sound Studio, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET SEVEN&lt;br /&gt;J.K. Randall: Intimacy (A Polemic)(excerpts)&lt;br /&gt;Open Space 10 (Randall/Boretz)&lt;br /&gt;&lt;a href="http://www.the-open-space.org/"&gt;The Open Space&lt;/a&gt;/1999&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;text, voice: J.K. Randall&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;J.K. Randall: Mudgett -- Monologues by a mass murderer&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Electronic Prelude&lt;br /&gt;b. Toronto&lt;/span&gt;&lt;br /&gt;Computer Music (Randall/Vercoe/Dodge)&lt;br /&gt;Nonesuch Records/1974&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;computer music, text compilation: J.K. Randall; soprano: Melinda Kessler; created at the Columbia-Princeton Electronic Music Center, 1965 (subject: &lt;a href="http://en.wikipedia.org/wiki/H._H._Holmes/"&gt;Herman Webster Mudgett&lt;/a&gt; alias H.H. Holmes)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-8163341404470905387?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/8163341404470905387/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=8163341404470905387' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/8163341404470905387'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/8163341404470905387'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/06/martian-gardens-for-06192011.html' title='Martian Gardens for 06/19/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-8551970600341760908</id><published>2011-06-10T14:30:00.005-04:00</published><updated>2011-06-12T23:48:06.692-04:00</updated><title type='text'>Martian Gardens for 6/12/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for June 12, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Burton Beerman: Dayscapes&lt;br /&gt;&lt;span style="font-size:85%;"&gt;I. Sighs and Deep Breaths&lt;br /&gt;II. Farmer's Dance&lt;br /&gt;III. Left Over Moonlight&lt;/span&gt;&lt;br /&gt;CDCM Computer Music Series Volume 38&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Music from Bowling Green State University&lt;br /&gt;MidAmerican Center for Contemporary Music&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.centaurrecords.com/"&gt;Centaur Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;clarinet, live electroacustics: B. Beerman&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Prism Quartet: Inkling (R. Etezady)&lt;br /&gt;Dedication&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded at Solid Sound, Ann Arbor, September 2009&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Cornelius Dufalo: from Suite for Electric Violin&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Carillon&lt;br /&gt;b. Allamande&lt;br /&gt;c. Interlude&lt;/span&gt;&lt;br /&gt;Dream Streets&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-size:85%;"&gt;recorded at BiCoastal Recordings, New York City&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Steven Mackey: A Matter of Life and Death (parts III &amp;amp; IV)&lt;br /&gt;Open Space 4 (Mackey/Randall)&lt;br /&gt;&lt;a href="http://www.the-open-space.com/"&gt;Open Space&lt;/a&gt;/1993&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;amplified piano: S. Mackey;recorded at Princeton University, May 1987&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Steven Mackey: Fusion Tune&lt;br /&gt;Banana/Dump Truck&lt;br /&gt;&lt;a href="http://www.albanyrecords.com/"&gt;Albany Records&lt;/a&gt;/2005&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;cello: Fred Sherry, guitar: S. Mackey; recorded at Taplin Auditorium, Princeton University, October 2001&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Marco Capelli Acoustic Trio: Le Policier Désarmé&lt;br /&gt;Les Nuages en France&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records/Avant series&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;double bass: Ken Filiano; percussion: Satoshi Takeishi; guitar: M. Capelli;&lt;br /&gt;recorded at Bunker Studio, Brooklyn, 3/27/10&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Wadada Leo Smith's Organic: The Dhikr of Radiant Hearts, Part II&lt;br /&gt;Heart's Reflections&lt;br /&gt;&lt;a href="http://www.cuneiformrecords.com/"&gt;Cuneiform Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded at Firehouse 12 Studios, New Haven, CT&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Dean Rosenthal: Underpinnings&lt;br /&gt;Post-Minimalism -- 4 Countries/19 Composers&lt;br /&gt;&lt;a href="http://www.tracelab.com/"&gt;Trace Label&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Calarts New Millennium Players&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Maggi Payne: HUM&lt;br /&gt;The Extended Flute&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/1999&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;flutes, electronics: M. Payne&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Ben Thigpen: h&lt;br /&gt;Florida Electroacoustic Music Festival, Volume 1&lt;br /&gt;&lt;a href="http://www.emf.org/"&gt;Electronic Music Foundation&lt;/a&gt;/2002&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;composed at Les Ateliers UPIC, Paris&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Hervé Zénouda: Tout ou Rien&lt;br /&gt;Demain, dès l'aube...&lt;br /&gt;&lt;a href="http://www.tracelab.com/"&gt;Trace Label&lt;/a&gt;/2002&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;alto saxophone: Cathy Heyden; electric guitar: Thomas Petit; percussion, computer music: H. Zénouda; recorded at Campus Studio, University Paris 13&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Vertical Squirrels: Danse des araignées mécaniques&lt;br /&gt;Hold True (Accroche-toi)&lt;br /&gt;&lt;a href="http://www.actuellecd.com/"&gt;Actullecd&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded in Guelph, 2009&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Carey Nutman: Log-a-Rhythm&lt;br /&gt;Sang et Lumière&lt;br /&gt;&lt;a href="http://www.mpsmusicandvideo.co.uk/"&gt;MPS Music and Video&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;computer music: C. Nutman&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Hugh Le Caine: A Noisome Postilence&lt;br /&gt;Compositions/Demonstrations 1946-1974&lt;br /&gt;&lt;a href="http://www.emf.org/"&gt;Electronic Music Foundation&lt;/a&gt;/1999&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;tape music: H. Le Caine; recorded 1958, courtesy of the Music Division of the National Library of Canada, Ottawa &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Alvin Lucier: Sferics&lt;br /&gt;Sferics/Music for Solo Performer&lt;br /&gt;&lt;a href="http://www.lovely.com/"&gt;Lovely Music, Ltd.&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recording supervised by Prof. Ron Kuivila, produced at the Wesleyan University Experimental Music Studio, December 2007&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;Daniel Leduc: Trasverser les Grandes Eaux&lt;br /&gt;Le Voyage d'Hiver&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_9945/notices/"&gt;empreintes DIGITALes&lt;/a&gt;/1999&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electroacoustic music&amp;gt; D. Leduc; recorded at SODEC, Montreal&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Christine Groult: La Condition Captive&lt;br /&gt;La Condition Captive&lt;br /&gt;&lt;a href="http://www.tracelab.com/"&gt;Trace Label&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;commissioned by Ministère de la culture &amp;amp; Caen soirs d’été Festival, composed in 2003&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Elaine Barkin: Out Back (from Five Collages)&lt;br /&gt;Open Space 3 (Barkin/Boretz)&lt;br /&gt;&lt;a href="http://www.the-open-space.com/"&gt;Open Space&lt;/a&gt;/1991&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;for dancer-choreographer Peggy Cicerska; tape sources and participants: Cynthia Woll, Warren Burt, Paul Humphreys, E. Barkin; created in 1986&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Anne La Berge: Brokenheart&lt;br /&gt;Speak&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano insides: Cor Fuhler; pre-recorded instruments built by Wessel Westerweld; computer music, voice, text: A. La Berge; recorded at VOLSAP, Amsterdam, 2009&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;John Luther Adams: Four Thousand Holes (1st 1/2)&lt;br /&gt;Four Thousand Holes&lt;br /&gt;&lt;a href="http://www.coldbluemusic.com/"&gt;Cold Blue Music&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;piano: Stephen Drury; vibraphone, orchestra bells: Scott Deal; electronics: J.L. Adams; recorded in Jordan Hall, New England Conservatory of Music, Boston&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-8551970600341760908?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/8551970600341760908/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=8551970600341760908' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/8551970600341760908'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/8551970600341760908'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/06/martian-gardens-for-6122011.html' title='Martian Gardens for 6/12/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-1284032522614780505</id><published>2011-06-04T17:38:00.004-04:00</published><updated>2011-06-05T23:55:59.447-04:00</updated><title type='text'>Martian Gardens for 06/05/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for June 5, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Pierre Boulez: Tombeau À La Mémoire Du Prince Max Egon Zu Fürstenberg&lt;br /&gt;Boulez -- Orchestral Works &amp;amp; Chamber Music&lt;br /&gt;&lt;a href="http://www.col-legno.com/"&gt;Col Legno&lt;/a&gt;/2000&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;soprano: Eva-Maria Rogner; Ensemble Domaine Musical Paris, conductor: P. Boulez; recorded at Donaueschinger Musiktage, October, 1959&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Ostravská banda: Dispersion (P. Załubska)&lt;br /&gt;On Tour&lt;br /&gt;&lt;a href="http://www.mutablemusic.com/"&gt;Mutable Music&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Ostravská banda, conductor: Petr Kotík; recorded at La Fabrika, Prague, Contempuls Festival, 11/05/10&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Victoria Jordanova: In a Landscape (J. Cage)&lt;br /&gt;In a Landscape&lt;br /&gt;&lt;a href="http://www.arpaviva.org/"&gt;ArpaViva Foundation, Inc.&lt;/a&gt;/2007&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;John Cage: Credo in US (Second Version)&lt;br /&gt;The Works for Percussion I&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;The Percussion Group Cincinnati; recorded at Robert J Werner Concert Hall, College Conservatory of Music, University of Cincinnati, May 2006, radio transmissions, 78-rpm recordings: Beethoven, Symphony No. 3; Tchaikovsky, Symphony No. 4; Wagner, Lohengrin - Prelude to Act III; von Suppe, Light Cavalry Overture&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Paul Lansky:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Say That Again&lt;br /&gt;b. As Things Were&lt;/span&gt;&lt;br /&gt;Alphabet Book&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2002&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;readers: P. Lansky; Hannah McKay&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;J.K. Randall: notebook A&lt;br /&gt;&lt;span style="font-size:85%;"&gt;1. rock&amp;amp;roll&lt;br /&gt;2. symphonies&lt;br /&gt;3. choir&lt;br /&gt;4. hardscrabble&lt;/span&gt;&lt;br /&gt;ars antiqua/a garland of midi&lt;br /&gt;&lt;a href="http://www.the-open-space.org/"&gt;Open Space&lt;/a&gt;/2008&lt;br /&gt;&lt;br /&gt;J.K. Randall: contrapunktus XI.2 (in memoriam David Lewin)&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;ibid.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;John Rahn: The New Mother - 2 Excerpts&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. overture&lt;br /&gt;b. Not Bad Enough&lt;/span&gt;&lt;br /&gt;J K R pass 3 -- music for jim randall's 75th birthday by his friends&lt;br /&gt;&lt;a href="http://www.the-open-space.org/"&gt;Open Space&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;for five female voices, ten instruments, and electronic sound; libretto: Suzanne Rahn (adapted from Lucy Clifford)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;John Rahn: Kali&lt;br /&gt;CDCM Computer Music Series Volume 12&lt;br /&gt;Composers in the Computer Age -- 1&lt;br /&gt;&lt;a href="http://www.centaurrecords.com/"&gt;Centaur Records&lt;/a&gt;/1992&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;composed and recorded in at the University of Washington, Seattle, February 1986&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Anne La Berge: ur_DU&lt;br /&gt;Speak&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;vocals: Stephie Büttrich; texts: A. Le Berge, Marie Curie; computer music: A. La Berge; recorded at Studio VOLSAP, Amsterdam, summer 2009&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Diane Labrosse: Black &amp;amp; white TV sets&lt;br /&gt;Music for Objects on the Verge of Extinction&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/bio/labrosse_di/discog/"&gt;Actuellecd&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;violin: Marie-Soleil Bélanger; flute, fake trumpet: Jean Derome; electric guitar: Bernard Falaise; clarinet: Lori Freedman; accordion: D. Labrosse; viola: Jean René; percussion: Pierre Tanguay; with eight television sets; recorded at Studio 270, Montreal&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Hugh Le Caine: Ninety-Nine Generators&lt;br /&gt;Compositions/Demonstrations 1946-1974&lt;br /&gt;&lt;a href="http://www.emf.org/"&gt;Electronic Music Foundation&lt;/a&gt;/1999&lt;br /&gt;&lt;span style="font-size:85%;"&gt;touch-sensitive organ: H. Le Caine (1956)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;Richard Pinhas:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Toward Belfast&lt;br /&gt;b. Polywaves Intermed&lt;/span&gt;&lt;br /&gt;Rhizosphere/Live, Paris 1982&lt;br /&gt;&lt;a href="http://www.cuneiformrecords.com/"&gt;Cuneiform Records&lt;/a&gt;/1994 (orig. 1977/1982)&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;drums, percussion: Clement Bailly; Minimoogs: Patrick Gauthier; bass: Bernard Paganotti; synthesizers, electronics, guitars: R. Pinhas; recorded at Bobino, Paris, 1982&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Amon Tobin: Journeyman&lt;br /&gt;ISAM&lt;br /&gt;&lt;a href="http://ninjatune.net/us/"&gt;Ninja Tune&lt;/a&gt;/2011&lt;br /&gt;&lt;br /&gt;Daniel Blinkhorn: relatively loud tones (from terra subfronica)&lt;br /&gt;Deep Wireless 8 -- Radio Art Compilation&lt;br /&gt;&lt;a href="http://www.naisa.ca/"&gt;New Adventures in Sound Art&lt;/a&gt;/2011&lt;br /&gt;&lt;br /&gt;Ivan Zavada: Neutron&lt;br /&gt;60 x 60 2006-2007&lt;br /&gt;&lt;a href="http://www.voxnovus.com/"&gt;Vox Novus&lt;/a&gt;/2008&lt;br /&gt;&lt;br /&gt;Tilmann Dehnard: Rohrschach&lt;br /&gt;ibid.&lt;br /&gt;&lt;br /&gt;SET SIX&lt;br /&gt;Evidence: Bridge&lt;br /&gt;Iris&lt;br /&gt;&lt;a href="http://deeplistening.org/site/"&gt;Deep Listening&lt;/a&gt;/2007&lt;br /&gt;&lt;br /&gt;Darren Copeland: Let Me Out (excerpt)&lt;br /&gt;Trans_Canada -- ZKM/Karlsruhe DVD&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_09100/"&gt;empreintes DIGITALes&lt;/a&gt;/2009&lt;br /&gt;&lt;br /&gt;Matthew Burtner: Prismic Generation&lt;br /&gt;Signal Ruins DVD&lt;br /&gt;&lt;a href=http://www.ecosono.com/&gt;EcoSono&lt;/a&gt;/2009&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Iannis Xenakis: Tauriphanie&lt;br /&gt;Aïs/Gendy3/Taurhiphanie/Thalleïn&lt;br /&gt;Neuma Records/1994&lt;br /&gt;for 2 channels magnetic tape, 4 loudspeakers, realized on the UPIC system at CEMAMu (CCMIX), Paris, 1987-1988&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-1284032522614780505?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/1284032522614780505/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=1284032522614780505' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/1284032522614780505'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/1284032522614780505'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/06/martian-gardens-for-06052011.html' title='Martian Gardens for 06/05/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-1358073067910271425</id><published>2011-05-29T16:01:00.005-04:00</published><updated>2011-05-31T00:00:49.507-04:00</updated><title type='text'>Martian Gardens for 05/29/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for May 29, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Katherine Kemler: Revamper (A. La Berge)&lt;br /&gt;Lipstick&lt;br /&gt;&lt;a href="http://www.centaurrecords.com/"&gt;Centaur Records&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded at LSU Recital Hall, Louisiana State University, Baton Rouge, June 2007&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Anne La Berge: Drive&lt;br /&gt;Speak&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice, flute, electronics: A. La Berge; text: A. La Berge as Mary Anderson, inventor of the windshield wiper; texts discussing the diesel engine and the human uterus: uncredited; recorded in Amsterdam, 2009&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Benjamin Boretz: Downtime&lt;br /&gt;Music Around Benjamin Boretz--Open Spaces 2005&lt;br /&gt;&lt;a href="http://www.the-open-space.org/"&gt;Perspectives of New Music/The Open Space&lt;/a&gt;/2005&lt;br /&gt;&lt;span style="font-size:85%;"&gt;piano and percussion: B. Boretz&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Gerard Pape: Ascension au Pergatoire (I-V)&lt;br /&gt;Ascension to Purgatory&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;percussion: Roland Auzet; Stachos programming: Sinan Bokesoy; musical assistant at CCMIX: Stafan Tiedje; recorded in Paris at the Recontres festival&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Joane Hétu: Mais y’est où l’ch’min? (from Paysages)&lt;br /&gt;Récits de neige&lt;br /&gt;&lt;a href="http://www.actuellecd.com/en/"&gt;Actuellecd.com&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Ensemble Supermusique; text: Christine Simonin; recorded at Théâtre la Chapelle, Montreal, winter, 2008&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Quartet for the End of Time: Cyber Talk (P. Oliveros)&lt;br /&gt;Quartet for the End of Time&lt;br /&gt;&lt;a href="http://www.pogus.com/"&gt;Pogus Productions&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded at RPI and the Deep Listening Institute, 2010&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Pamela Z: Geekspeak&lt;br /&gt;A Delay is Better&lt;br /&gt;&lt;a href="http://www.starkland.com/"&gt;Starkland Records&lt;/a&gt;/2004&lt;br /&gt;&lt;br /&gt;Paul Collins: Phone in Phone in (from Radio Spots)&lt;br /&gt;Deep Wireless 8--Radio Arts Compilation&lt;br /&gt;&lt;a href="http://www.naisa.ca/"&gt;New Adventures in Sound Art&lt;/a&gt;/2011&lt;br /&gt;&lt;br /&gt;Chris Trimmer: Noise&lt;br /&gt;ibid.&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Aldo Clementi: Parafrasi 2&lt;br /&gt;Works with Flutes&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;alto flute: Roberto Fabbriciani; electronics: Alvise Vidolin; recorded at Labratorio di Acustica Musicale e Architettronica, Foundazione Scuola di San Giorgio, Venice, Italy, April 2005&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Alexandra Gardner: New Skin&lt;br /&gt;Luminoso&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;alto flute: Barbara Held; computer: A. Gardner&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;David Borden: Esty Point, Summer 1978&lt;br /&gt;Places, Times &amp;amp; People&lt;br /&gt;&lt;a href="http://www.cuneiformrecords.com/"&gt;Cuneiform Records&lt;/a&gt;/1994&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;keyboards: D. Borden; cello: Hank Roberts; violin: Judy Hyman; guitar: Gabriel Borden&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Codona: Inner Organs (D. Cherry)&lt;br /&gt;The Codona Trilogy&lt;br /&gt;&lt;a href="http://www.ecmrecords.com/"&gt;ECM Records&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Codona: Don Cherry, Nana Vasconcelos, Collin Wolcott; recorded at Tonstudio Bauer, Lidwigsburg, September, 1982&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Meredith Monk:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Do You Be?&lt;br /&gt;b. Vision&lt;/span&gt;&lt;br /&gt;Key&lt;br /&gt;&lt;a href="http://www.lovely.com/"&gt;Lovely Music, Ltd.&lt;/a&gt;/1995 (orig. 1977)&lt;br /&gt;&lt;br /&gt;Meredith Monk: Burn&lt;br /&gt;Songs of Ascension&lt;br /&gt;&lt;a href="http://www.ecmrecords.com/"&gt;ECM Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Meredith Monk &amp;amp; Vocal Ensemble, Todd Reynolds Quartet, recorded at the Academy of Arts and Letters, NYC, November, 2009&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Nick Didkovsky: Calm&lt;br /&gt;Ice Cream Time&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2007&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-1358073067910271425?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/1358073067910271425/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=1358073067910271425' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/1358073067910271425'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/1358073067910271425'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/05/martian-gardens-for-05292011.html' title='Martian Gardens for 05/29/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-137659632782624225</id><published>2011-05-22T15:57:00.004-04:00</published><updated>2011-05-22T23:56:48.642-04:00</updated><title type='text'>Martian Gardens for 05/22/2010</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for May 22, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;NOW Ensemble: Awake (P. Burke)&lt;br /&gt;Awake&lt;br /&gt;&lt;a href="http://www.newamsterdamrecords.com/"&gt;New Amsterdam Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded at the Church of the Immaculate Conception; Montclair, NJ, August 2010&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Okkyung Lee: Danji&lt;br /&gt;Noisy Love Songs&lt;br /&gt;&lt;a href="http://www.tzadik.com/"&gt;Tzadik&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;violin: Cornelius Dufallo; trumpet: Peter Evans; piano: Craig Taborn; percussion, electronics: Satoshi Takeishi; bass: Christopher Tordini; cello: O. Lee; recorded at Eastside Sound, NYC&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Jenny Q Chai: from New York Love Songs (V. Jordanova)&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Prayer&lt;br /&gt;b. Bite&lt;/span&gt;&lt;br /&gt;New York Love Songs&lt;br /&gt;&lt;a href="http://www.arpaviva.org/"&gt;ArpaViva Foundation, Inc.&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano, amplified piano,jingle bells, vocals: J. Q. Chai; lyrics: Victoria Jordanova&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Meredith Monk:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Shift&lt;br /&gt;b. Fathom&lt;/span&gt;&lt;br /&gt;Songs of Ascension&lt;br /&gt;&lt;a href="http://www.ecmrecords.com/"&gt;ECM Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;(a) Todd Reynolds Quartet, bass clarinet: Bohdan Hilash, percussion: John Hollenbeck; (b) voice, shruti box: M. Monk; recorded at the Academy of Arts and Letters, NYC, November 2009&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Noah Creshevsky: Drummer&lt;br /&gt;The Tape Music of Noah Creshevsky 1971-1992&lt;br /&gt;&lt;a href="http://www.emrecords.net/"&gt;EM Records&lt;/a&gt;/2004&lt;br /&gt;&lt;br /&gt;John Cage: Imaginary Landscape No. 2, "March No. I" (for Percussion Quintet)&lt;br /&gt;The Works for Percussion I&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Percussion Group Cincinnati; recorded at Robert J Werner Concert Hall, Cincinnati; 11/06/07&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Lou Harrison: Simfony #13&lt;br /&gt;Drums Along the Pacific -- Music by Lou Harrison&lt;br /&gt;&lt;a href="http://www.newalbion.com/"&gt;New Albion Records&lt;/a&gt;/2003&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;William Winant Percussion Group; recorded at Fantasy Records, Berkeley, August 2002&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;George Cacioppo: Dream Concert for Organ and Small Percussion Orchestra&lt;br /&gt;Perspectives of New Music/Open Space (François/Cacioppo)&lt;br /&gt;&lt;a href="http://www.the-open-space.org/"&gt;The Open Space&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;organ: William Albright; percussion: unknown; recorded at "Final Concert" of the International Symposium of Contemporary Organ Music, South Church, New Britain, CT, 6/15/76&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;George Cacioppo: Bestiary I: Eingang&lt;br /&gt;Advance of the Fungi&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;soprano: Janet Pape; Atelier de Musique Contemporaine du CNR de Versailles, conductor: Lionel Arnaud; recorded 3/26/04&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Mike Vernusky: Dallas&lt;br /&gt;Deep Wireless 8 -- Radio Art Compilation&lt;br /&gt;&lt;a href="http://www.naisa.ca/"&gt;New Adventures in Sound Art&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Cody Kirk as Clint Hill, Michael Kranes as Arlen Specter, narrator: T. Lynn Mikeska; playwright: Greg Romero&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Mike Vernusky: Under (3)&lt;br /&gt;Music for Film and Electro-Theatre&lt;br /&gt;&lt;a href="http://quietdesign.us/"&gt;Quiet Design&lt;/a&gt;/2009&lt;br /&gt;&lt;br /&gt;Vertical Squirrels: Nomads, Sparrows, &amp;amp; Machines&lt;br /&gt;Hold True (Accroche-toi)&lt;br /&gt;&lt;a href="http://www.actuellecd.com/"&gt;Actuellcd.com&lt;/a&gt;/2010&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;Yves Daoust: About Time&lt;br /&gt;Deep Wireless 8 -- Radio Art Compilation&lt;br /&gt;&lt;a href="http://www.naisa.ca/"&gt;New Adventures in Sound Art&lt;/a&gt;/2011&lt;br /&gt;&lt;br /&gt;Yves Daoust: Ouverture&lt;br /&gt;Bruits&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_0156/"&gt;empreintes DIGITALes&lt;/a&gt;/2001&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voices: Philippe Lavelette as Philippe Aubert de Gaspé, Simon Finn as Lord Durham, Pierre Mollet as Mgr. Joseph-Octave Plessis, Louis Verdy as Robert Nelson, interviewer: Catherine Perrin; realized at the composer's studio, Montreal, 1989&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET SIX&lt;br /&gt;Quartet for the End of Space: Snow Drifts (J. Braasch)&lt;br /&gt;Quartet for the End of Space&lt;br /&gt;&lt;a href="http://www.pogus.com/"&gt;Pogus Productions&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded at the Arts Department of Rensselaer Polytechnic Institute, Troy, NY, and the Deep Listening Institute, Ltd., Kingston, NY, 2010&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Mary Lee Roberts: Winter Cranes&lt;br /&gt;6 Compositions&lt;br /&gt;&lt;a href="http://www.the-open-space.org/"&gt;The Open Space&lt;/a&gt;/1997&lt;br /&gt;&lt;br /&gt;Gordon Mumma: Mesa &lt;br /&gt;Music for Merce boxed-set&lt;br /&gt;&lt;a href="http://www.newworldrecords.com/"&gt;New World Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;bandoneón: David Tudor; live-electronic cybersonic processing: G. Mumma; recorded in Paris, 11/09/1966&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-137659632782624225?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/137659632782624225/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=137659632782624225' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/137659632782624225'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/137659632782624225'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/05/martian-gardens-for-05222010.html' title='Martian Gardens for 05/22/2010'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-2470304899206054323</id><published>2011-05-15T14:07:00.004-04:00</published><updated>2011-05-15T23:58:14.971-04:00</updated><title type='text'>Martian Gardens for 05/15/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for May 15, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Build: Behavior Patterns&lt;br /&gt;Place&lt;br /&gt;&lt;a href="http://www.newamsterdamrecords.com/"&gt;New Amsterdam Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;recorded at Peter Karl Studios, Brooklyn, July 2010&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Joseph Bertelozzi: The Homecoming&lt;br /&gt;The Bronze Collection&lt;br /&gt;&lt;a href="http://josephbertolozzi.com/store/"&gt;Blue Wings Press&lt;/a&gt;/2003&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded at Collaborative Concepts, Beacon, NY, 5/07/03&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Henry Cowell: Return&lt;br /&gt;Restless, Endless, Tactless --&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Johanna Beyer and the Birth of American Percussion Music&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;Meehan/Perkins Duo and the Baylor Percussion Group recorded at Jones Concert Hall, Baylor University, Waco, Texas, 2/10/2010&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Okkyung Lee: One Hundred Years Old Rain (The Same River Twice)&lt;br /&gt;Noisy Love Songs&lt;br /&gt;&lt;a href="http://www.tzadik.com/"&gt;Tzadik&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;violin: Cornelius Dufallo; trumpet: Peter Evans; piano: Craig Taborn; percussion, electronics: Satoshi Takeishi; bass: Christopher Tordini; cello: O. Lee; recorded at Eastside Sound, NYC&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Meredith Monk: Ascent&lt;br /&gt;Songs of Ascension&lt;br /&gt;&lt;a href="http://www.ecmrecords.com/"&gt;ECM New Series&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Meredith Monk &amp;amp; Vocal Ensemble; Todd Reynolds Quartet; The M6 vocal sextet; Montclair State University Singers, conductor: Heather J. Buchanan; recorded at the American Academy of Arts and Letters, NYC, November 2009&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Muhal Richard Abrams: SoundDance, Part 1&lt;br /&gt;SoundDance&lt;br /&gt;&lt;a href="http://www.pirecordings.com/"&gt;Pi Recordings&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano: M.R. Abrams; laptop, trombone: George Lewis; recorded at AACM Concerts, NYC, 9/24/2010&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Victoria Jordanova: Secret Life of Bees&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Swarm&lt;br /&gt;b. Beehive&lt;br /&gt;c. Go to Work&lt;/span&gt;&lt;br /&gt;In a Landscape&lt;br /&gt;&lt;a href="http://www.arpaviva.org/"&gt;ArpaViva Foundation, Inc.&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electric harp: V. Jordanova&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The Gregg Smith Singers: From Shook Foil (C.N. Mason)&lt;br /&gt;Like Shining&lt;br /&gt;&lt;a href="http://greggsmithsingers.com/recordings.php/"&gt;Living Artist Recordings&lt;/a&gt;/2005&lt;span style="font-style: italic;font-size:85%;" &gt;&lt;br /&gt;soloist: Eileen Clark; tape: Charles Norman Mason; text: Gerard Manley Hopikins, "God's Grandeur"&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Larry Austin: Max Mathews Episode&lt;br /&gt;CDCM Computer Music Series Volume 15&lt;br /&gt;&lt;span style="font-size:85%;"&gt;The Virtuoso in the Computer Age V --&lt;br /&gt;Music for the Mathews/Boie Radio Drum and Radio Baton&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.centaurrecords.com/"&gt;Centaur Records&lt;/a&gt;/1994&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;from Transmission Two: The Great Excursion; conversation: L. Austin, M. Mathews; University of California Chamber Chorus, conductor: Philip Brett; keyboards: Chris Brown; celletto: Chris Chafe; percussion and Radio Drum: William Winant; computer systems: L. Austin; Jay Kadis, Randall Packer, Todd Winkler; featuring the voice of Max Mathews; "Daisy Bell," written by Harry Dacre (1892); live recording at Hertz Hall, UC Berkeley and live broadcast on KPFA, 2/26/1990&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;In Memoriam &lt;a href="http://news.stanford.edu/news/2011/may/max-mathews-obit-050211.html/"&gt;Max V. Mathews&lt;/a&gt; 11/13/26 -- 4/21/11&lt;br /&gt;&lt;br /&gt;John Cage: Imaginary Landscape No. 4, "March No. 2" for 12 radios (First Version)&lt;br /&gt;The Works for Percussion I&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;CCM Percussion Ensemble, conductor: James Culley; recorded at Robert J. Werner Concert Hall, University of Cincinnati, 5/25/06&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;John Cage: Imaginary Landscape No. 1&lt;br /&gt;&lt;span style="font-style: italic;"&gt;ibid&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;for 2 variable-speed turntables, frequency recordings, muted piano and cymbal; performer: Joey Van Hassel; recorded at Robert J. Werner Concert Hall, University of Cincinnati, 6/12/08 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Ostravská Banda: Concert for Piano and Orchestra (J. Cage)&lt;br /&gt;On Tour&lt;br /&gt;&lt;a href="http://www.mutablemusic.com/"&gt;Mutable Music&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano: Joseph Kubera; Ostravská Banda, conductor: Petr Kotík; recorded at the Prague Contemporary Music Festival, 11/05/10&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;Judith Exley: The Cave of Tidal Sounds&lt;br /&gt;Open Space 16 #&lt;br /&gt;&lt;a href="http://the-open-space.org/"&gt;The Open Space&lt;/a&gt;/2004&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;created at the Electronic Music Studio of the Victoria University School of Music, Wellington, New Zealand; sounds sourced from Makara Beach, Wellington, 1993&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Denis Smalley: Tides -- Sea Flight&lt;br /&gt;Sources/Scenes&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_0054/notices/"&gt;empreintes DIGITALes&lt;/a&gt;/2000&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;created at the University of Toronto Computer Systems Research Group, the Experimental Studio of Finnish Radio, and the Ina-GRM, Paris; completed at the University of East Anglia, Norwich, 1984&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Benjamin Boretz: UN(-)1 (MIDI realization) &lt;br /&gt;Open Space 13 &lt;br /&gt;&lt;a href="http://the-open-space.org/"&gt;The Open Space&lt;/a&gt;/1992&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;mastered 2001 by Mary Lee Roberts&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-2470304899206054323?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/2470304899206054323/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=2470304899206054323' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/2470304899206054323'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/2470304899206054323'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/05/martian-gardens-for-05152011.html' title='Martian Gardens for 05/15/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-8018824594360522882</id><published>2011-05-08T14:48:00.005-04:00</published><updated>2011-05-15T15:54:43.218-04:00</updated><title type='text'>Martian Gardens for 05/08/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for May 08, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Vivian Adelberg Rudow: With Love&lt;br /&gt;&lt;a href="http://www.vivianadelbergrudow.com/"&gt;Vivian Adelberg Rudow&lt;/a&gt;/2004&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;cello cases (prepared tape): V.A. Rudow; cello: Paula Skolnick-Virizlay&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;NOW Ensemble: Velvet Hammer (S. Friar)&lt;br /&gt;Awake&lt;br /&gt;&lt;a href="https://www.newamsterdamrecords.com/"&gt;New Amsterdam Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded at the Church of the Immaculate Conception, Montclair, NJ, August 2010&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Ostravská Banda: Riti Neurali (L. Francesconi)&lt;br /&gt;On Tour&lt;br /&gt;&lt;a href="http://www.mutablemusic.com/"&gt;Mutable Music&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;violin: Hana Kotková; recorded at St. Wenceslas Church, Ostrava, live for Czech Radio, 10/25/2010&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Okkyung Lee: Upon a Fallen Tree&lt;br /&gt;Noisy Love Songs&lt;br /&gt;&lt;a href="http://www.tzadik.com/"&gt;Tzadik&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;violin: Cornelius Dufallo; trumpet: Peter Evans; piano: Craig Taborn; percussion, electronics: Satoshi Takeishi; bass: Christopher Tordini; cello: O. Lee; recorded at Eastside Sound, NYC&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Lei Liang: Winged Creatures -- A Cadenza for Harpsichord&lt;br /&gt;Milou&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;harpsichord: Takae Ohnishi; violin: Kate Hatmaker, Jeff Zehngut; cello: Chia-Ling Chien; recorded at Conrad Prebys Concert Hall, UC San Diego, 9/15/10&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;John Luther Adams: ...and bells remembered...&lt;br /&gt;Four Thousand Holes&lt;br /&gt;&lt;a href="http://www.coldbluemusic.com/"&gt;Cold Blue Music&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;The Callithumpian Consort, conductor: Stephen Drury; chimes: Jeffrey Means; vibraphone: Joseph Becker; orchestra bells: John Andress; bowed vibraphone: Joseph LaPalomento; bowed crotales: Bill Holden; recorded at Jordan Hall, Boston&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;John Cage: Credo in Us (First Version)&lt;br /&gt;The Works for Percussion I&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Percussion Group Cincinnati; recorded at Robert J. Werner Concert Hall, College Conservatory of Music, University of Cincinnati, 5/26/06; phonograph record used in performance: Shostakovich: Symphony No. 5, New York Philharmonic/Leonard Berstein&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Herbert Brün: Infraudibles with percussion&lt;br /&gt;Wayfaring Sounds&lt;br /&gt;&lt;a href="http://www.emf.org/"&gt;Electronic Music Foundation&lt;/a&gt;/1998&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Percussion Group Cincinnati; computer music via tape: H. Brün&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;J.K. Randall: Cleophila&lt;br /&gt;Cleophila-The Fish-Svejk-Some Old Troubadour Songs&lt;br /&gt;&lt;a href="http://the-open-space.org/"&gt;The Open Space&lt;/a&gt;/1999&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice: Martha Elliott; text: Sir Philip Sydney (The Old Arcadia)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;J.K. Randall: Ars Antiqua w/ banjo&lt;br /&gt;Ars Antiqua/A Garland of MIDI&lt;br /&gt;&lt;a href="http://the-open-space.org/"&gt;The Open Space&lt;/a&gt;/2008&lt;br /&gt;&lt;br /&gt;Eve Beglarian: Making Hey&lt;br /&gt;JKR Pass 3 -- Music for Jim Randall's 75th Birthday by his Friends&lt;br /&gt;&lt;a href="http://the-open-space.org/"&gt;The Open Space&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice, keyboard: E. Beglarian; bass: Matt Fieldes; percussion: Damian Bassman&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Tildy Bayar: One Past of "Past is Part of..."&lt;br /&gt;&lt;span style="font-size:85%;"&gt;(from "Three Readings," E. Barkin, 1988)&lt;/span&gt;&lt;br /&gt;ee&lt;sup&gt;2&lt;/sup&gt; -- A Sound Album by Elaine Barkin&lt;br /&gt;&lt;a href="http://the-open-space.org/"&gt;The Open Space&lt;/a&gt;/2000&lt;br /&gt;&lt;br /&gt;Elaine Barkin: Exploring the Rigors of in Between (August 1991)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;ibid.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;flute: Alice MacGonigal; French horn: Louise MacGillivray; violin: Marcy Dicterow-Vaj; viola: Lynn Lusher Grants; cello: Erika Duke Kirkpatrick, conductor: Daniel Kessner&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Judith Shatin: Homemade Music&lt;br /&gt;JKR Pass 3 -- Music for Jim Randall's 75th Birthday by his Friends&lt;br /&gt;&lt;a href="http://the-open-space.org/"&gt;The Open Space&lt;/a&gt;/2007&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;Quartet for the End of Space: Untitled #270 (F. López)&lt;br /&gt;Quartet for the End of Space&lt;br /&gt;&lt;a href="http://www.pogus.com/"&gt;Pogus Productions&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;source material from Quartet improvisations at the RPI Arts Department, Troy, NY, 2010, and the Deep Listening Institute, Kingston, NY, 2010&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Maggi Payne: Solar Wind&lt;br /&gt;Crystal&lt;br /&gt;&lt;a href="http://www.lovely.com/"&gt;Lovely Music, Ltd.&lt;/a&gt;/1991&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;flute, synthesizers, electronics: M. Payne&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Annette Vande Gorn: from Vox Alia&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Giocoso&lt;br /&gt;b. Amoroso&lt;br /&gt;c. Innocentemente&lt;br /&gt;&lt;/span&gt;Exils (DVD)&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_0890/"&gt;empreintes DIGITALes&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;realized from 1992-2000 at the Metamorphoses d'Orphee studo, Ohain, Belgium with sound material obtained from the SYTER and MARS systems of the INA-GRM studios, Paris &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-8018824594360522882?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/8018824594360522882/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=8018824594360522882' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/8018824594360522882'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/8018824594360522882'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/05/martian-gardens-for-05082011.html' title='Martian Gardens for 05/08/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-1756303122834244756</id><published>2011-04-24T14:01:00.004-04:00</published><updated>2011-04-24T23:56:06.294-04:00</updated><title type='text'>Martian Gardens for 04/24/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for April 24, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;George Crumb: Easter Dawning&lt;br /&gt;Complete Crumb Edition, Volume Five&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2001&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;carillon: Don Cook; recorded at Brigham Young University, Salt Lake City, September, 2001&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Lou Harrison: Easter Cantata&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Sinfonia&lt;br /&gt;b. Audabe&lt;br /&gt;c. Mary's Song at the Tomb&lt;br /&gt;d. Narrative&lt;br /&gt;e. Alleluia &lt;/span&gt;&lt;br /&gt;Works 1939-2000&lt;br /&gt;&lt;a href="http://www.blogger.com/www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2003&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;contralto: Michelle Rivard; tenor: Brian Staufenbiel; University of California, Santa Cruz, Chamber Singers; California Parallèle Ensemble and members of the UCSC orchestra; conductor: Nicole Paiement; recorded at the recital hall of the University of California, Santa Cruz, 2001&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Akemi Naito: from Voyage&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Movement I&lt;br /&gt;b. Movement II&lt;/span&gt;&lt;br /&gt;Mindscape&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;flute: Tara Helen O'Connor; viola: Richard O'Neil; harp: June Han; recorded at Kaufman Astoria Studios, Queens, NY, 4/09/06&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Ursula Mamlok: Der Andreasgarten&lt;br /&gt;&lt;span style="font-size:85%;"&gt;I. Dunkel...&lt;br /&gt;II. Noch Schläft&lt;br /&gt;III. Und Morgens...&lt;br /&gt;IV. Kleiner Kolibri...&lt;br /&gt;V. Libelle&lt;br /&gt;VI. Rote Scheibe&lt;br /&gt;VII. Taubenflug...&lt;br /&gt;VIII. Andreasgarten...&lt;br /&gt;IX. Der Mond...&lt;/span&gt;&lt;br /&gt;Music of Ursula Mamlok, Volume 2&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;mezzo-soprano: Rebecca Jo Loeb; flutes: Tara Helen O'Connor; harp: June Han; text: Dwight Mamlok; recorded Kaufman Astoria Studios, Queens, NY, 12/22/09&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Lei Liang: Harp Concerto&lt;br /&gt;Milou&lt;br /&gt;&lt;a href="http://www.newworldrecords.com/"&gt;New World Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;harp: June Han; The Manhattan Sinfonietta; conductor: Jeffrey Milarsky; recorded at Merkin Concert Hall, NYC, 2/18/09&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Victoria Jordanova: Once Upon a Time&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Ballade&lt;br /&gt;b. Danse&lt;/span&gt;&lt;br /&gt;Requiem for Bosnia&lt;br /&gt;&lt;a href="http://www.newworldrecords.com/"&gt;CRI&lt;/a&gt;/1994&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;harp: V. Jordanova&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Merce Cunningham event performance: September 12, 1998, Minneapolis&lt;br /&gt;Music for Merce boxed-set&lt;br /&gt;&lt;a href="http://www.newworldrecords.com/"&gt;New World Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;live electronics: Takehisa Kosugi; laptop: Jim O'Rourke; turntables: Christian Marclay&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Malcolm Goldstein: Spring&lt;br /&gt;The Seasons--Vermont&lt;br /&gt;&lt;a href="http://xirecords.org/120.shtml/"&gt;XI Records&lt;/a&gt;/1998&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;double bass: Robert Black; wood flutes, electric guitar, percussion: Mark Steven Brooks; oboe, English horn, ocarina: Joseph Celli; violin: M. Goldstein; saxophones, vaccuphones: Tom Guralnick; vibraphone, percussion: Brian Johnson; voice, accordion: Kenneth Karpowicz; recorded at Real Art Ways, Hartford, 2/26/83&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Annea Lockwood: Floating World, Part 1&lt;br /&gt;Thousand Year Dreaming/Floating World&lt;br /&gt;&lt;a href="http://www.pogus.com/"&gt;Pogus Productions&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;environmental recordings from around the world&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;Shane Hoose: Balance&lt;br /&gt;CDCM Computer Music Series Volume 38&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Music for Bowling Green State University&lt;br /&gt;MidAmerican Center for Contemporary Music&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.centaurrecords.com/"&gt;Centaur Records&lt;/a&gt;/2010&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;electronics: S. Hoose; percussion: Roger B. Schupp&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Daniel Terrugi: Gestes de l'écrit&lt;br /&gt;CCMIX Paris -- Xenakis/UPIC/Continuum&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2001&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded by D. Terrugi at Unité Polyagogique Informatique du CEMAMu (Centre d'Etudes de Mathématique et Automatique Musicales -- now CCMIX: Center for Computer Music Iannis Xenakis), 1994&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Mother Mallard's Portable Masterpiece Company: Easter&lt;br /&gt;Mother Mallard's Portable Masterpiece Co. 1970-1973&lt;br /&gt;&lt;a href="http://www.cuneiformrecords.com/bandshtml/borden.html/"&gt;Cuneiform Records&lt;/a&gt;/1999&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded at the R.A. Moog Co., Trumansburg, NY, 1970&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;SET SIX&lt;br /&gt;John Morton: Ta-wee&lt;br /&gt;Solo Traveler--Music for Music Boxes&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;music boxes, music box comb, sound processing: John Morton&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Amy Horvey: Overture to the Queen of the Music Boxes (Horvey/Goldschneider)&lt;br /&gt;Interview&lt;br /&gt;&lt;a href="http://www.actuellecd.com/"&gt;Actuellecd&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;trumpet: A. Horvey; music boxes, toy instruments, tuning forks, digital electronics: Jeff Morton; recorded at St. Philip's Church and Studio 270, Montreal&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Annea Lockwood: Floating World, Part 2 (excerpt)&lt;br /&gt;Thousand Year Dreaming/Floating World&lt;br /&gt;&lt;a href="http://www.pogus.com/"&gt;Pogus Productions&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;environmental recordings from around the world&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-1756303122834244756?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/1756303122834244756/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=1756303122834244756' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/1756303122834244756'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/1756303122834244756'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/04/martian-gardens-for-04242010.html' title='Martian Gardens for 04/24/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-5323177732056810756</id><published>2011-04-17T16:37:00.004-04:00</published><updated>2011-04-17T23:45:15.111-04:00</updated><title type='text'>Martian Gardens for 04/17/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for April 17, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Benjamin Boretz: Violin Concerto, Movement I&lt;br /&gt;Violin Concerto&lt;br /&gt;&lt;a href="http://www.the-open-space.org/"&gt;The Open Space&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;violin: Charles Castleman; The Eastman Composers' Orchestra; conductor: Geoffrey Pope; recorded March, 2010&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Roger Sessions: Two Tableux and Malinche's aria from Montezuma&lt;br /&gt;Americans in Rome -- Music by Fellows of the American Academy in Rome&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;soprano: Susan Narucki; violin: Curtis Macomber; cello: Fred Sherry; flute: Helen O'Connor; clarinet: Charles Neidich; percussion: Daniel Druckman, James Baker; piano: Donald Berman; conductor: Jeffrey Milarsky; recorded at the Academy of Arts and Letters, NYC, 12/04/04&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;James Newton: from Mass&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Kyrie&lt;br /&gt;b. Gloria&lt;/span&gt;&lt;br /&gt;Sacred Works&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;soprano: Elissa Johnston; mezzo soprano: Tracy Van Fleet; tenor: Daniel Chaney; bass baritone: Abdiel Gonazelez; flute: Gary Woodward; clarinet: Gary Bovyer; violin: Ralph Morrison; viola: Kazi Pitelka; cello: Cecilia Tsan; bass: David Young; piano: Vicki Ray; percussion: Lynn Vartan; conductor: Grant Gershorn; recored at Zipper Hall, Colburn School of Music, August, 2009&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Kitty Brazelton: Motet&lt;br /&gt;Ecclesiastes -- A Modern Oratorio&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;The Time Remaining Band; laptop, soundtracks, conductor: K. Brazelton; text: Eccles. 3:1-8, 15; recorded at Dreamland, West Hurley, NY&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Giacinto Scelsi: Okanagon&lt;br /&gt;The Works for Double Bass&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;double bass: Robert Black; harp: June Han; tam-tam: Tom Kolor; recorded at St. Peter's Episcopal Church, NYC, 10/10/04&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;John Cage: Four&lt;sup&gt;6&lt;/sup&gt;&lt;br /&gt;Music for Merce boxed set&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;laptops: Paul DeMarinis, Jim O'Rourke; percussion, contact mic, tape, live electronics, voice: Takehisa Kosugi; trombone: Stuart Dempster; recorded 4/04/98, Berkeley, California, for the dance "Rondo" (1996), The Merce Cunningham Dance Company&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Gregory Cornelius: Earth and Green*&lt;br /&gt;CDCM Computer Music Series Volume 38 #&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Music from Bowling Green State University&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;MidAmerican Center for Contemporary Music&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.centaurrecords.com/"&gt;Centaur Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;for pitched and non-pitched electroacoustic sounds, recorded at MACCM&lt;br /&gt;*after &lt;a href="http://arttattler.com/archiverothko.html/"&gt;Mark Rothko's painting&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Elainie Lillios: Toronto Island Contrasts&lt;br /&gt;Deep Wireless 6 -- Radio Art Compilation&lt;br /&gt;&lt;a href="http://www.naisa.ca/"&gt;New Adventures In Sound Art&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;aircraft, voices, and environmental sounds recorded in the Toronto Islands, Lake Ontario&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;John Oswald: Midday&lt;br /&gt;Timefields &amp;amp; Maritides&lt;br /&gt;&lt;a href="http://www.musicworks.ca/"&gt;MusicWorks Magazine&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;sound collage featuring Albert Mayr and sounds from his "Horos Harmonica," (realized at Ontario College of Art, 11/15/84) and "Rhythme Trouvé—Onde Marine 2"; recordings by Tina Pearson and Gordon Monahan, Robert Stevenson &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;David Monacchi: Echoes of a Sonic Habitat&lt;br /&gt;Eco-Acoustic Compositions&lt;br /&gt;&lt;a href="http://www.emf.org/"&gt;Electroic Music Foundation&lt;/a&gt;/&lt;a href="http://www.eartotheearth.org/"&gt;Ear To The Earth&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;original sounds recorded in Montefeltro, Italy, echoic effects and further sounds recorded at the Großer Wasserspeicher cisterns, Berlin&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Wendy Carlos: Spring&lt;br /&gt;Sonic Seasonings and Land of the Midnight Sun&lt;br /&gt;&lt;a href="http://www.wendycarlos.com/discs.html/"&gt;East Side Digital&lt;/a&gt;/1998&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;electronics: W. Carlos (orig. 1972)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;Roland Auzet: Mecano 1 et 2 (P. Jodlowski)&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Mecano 1 -- Percussion - Machine (toms)&lt;br /&gt;b. Mecano 2 -- Percussion - Machine (Metal)&lt;/span&gt;&lt;br /&gt;Percussion(s)&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-size:85%;"&gt;percussion: R. Auzet; recorded at IRCAM, Théâtre de Chaville, La Muse en Circuit, Paris&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Joseph Bertolozzi: Meltdown&lt;br /&gt;Bridge Music&lt;br /&gt;&lt;a href="http://www.delosmusic.com/"&gt;Delos Music&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;percussed surfaces of the Mid-Hudson Bridge: J. Bertolozzi&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.carlasubito.de/"&gt;Fetisch Park&lt;/a&gt;: Reiz&lt;br /&gt;Alluvial&lt;br /&gt;Extreme Records/1997&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Jonty Harrison: Undertow&lt;br /&gt;Environs DVD&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_0788/"&gt;empreintes DIGITALes&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;created at Harrison's studio, Birmingham, UK, 2007&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-5323177732056810756?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/5323177732056810756/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=5323177732056810756' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/5323177732056810756'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/5323177732056810756'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/04/martian-gardens-for-04172011.html' title='Martian Gardens for 04/17/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-4282419898333758554</id><published>2011-04-10T16:03:00.005-04:00</published><updated>2011-04-10T23:55:38.788-04:00</updated><title type='text'>Martian Gardens for 04/10/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for April 10, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;James Newton: Sanctus (from Mass)&lt;br /&gt;Sacred Works&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;soprano: Elissa Johnston; mezzo soprano: Tracy Van Fleet; tenor: Daniel Chaney; bass baritone: Abdiel Gonazelez; flute: Gary Woodward; clarinet: Gary Bovyer; violin: Ralph Morrison; viola: Kazi Pitelka; cello: Cecilia Tsan; bass: David Young; piano: Vicki Ray; percussion: Lynn Vartan; conductor: Grant Gershorn; recored at Zipper Hall, Colburn School of Music, August, 2009&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Neil Rolnick: Sanctus&lt;br /&gt;Macedonian AirDrumming&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/1992&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;computers, samplers: N. Rolnick; realized at Wittenberg Studio, Bearsville, NY; iEAR Studios, Renseselaer Polytechnic Institute; California Institute of the Arts, Valencia, CA, recorded at iEAR, 10/13/90&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Iannis Xenakis:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Rebonds B&lt;br /&gt;b. Rebonds A&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2006&lt;br /&gt;Percussion Works&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;percussion: Steven Schick; recorded at Warren Studios, University of California, San Diego&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Johanna Beyer:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. IV&lt;br /&gt;b. Percussion, Opus 14&lt;/span&gt;&lt;br /&gt;Restless, Endless, Tactless&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Johanna Beyer and the Birth of American Percussion Music&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Meehan/Perkins Duo &amp;amp; The Baylor Percussion Group; recorded at Jones Hall, Baylor University, Waco, Texas; a. recorded 12/15/09; b. recorded 02/09/10&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Lou Harrison: Music for Remy&lt;br /&gt;Works 1939-2000&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2003&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;flute: Leta Miller; percussion: William Winant; recorded at the University of California, Santa Cruz, 2001&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Stuart Saunders Smith: In Bingham&lt;br /&gt;At Sixty -- Selections&lt;br /&gt;&lt;a href="http://www.smith-publications.com/"&gt;11 West Records&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice: S.S. Smith; recorded at Guzzetta Hall, University of Akron, March, 2008&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Stuart Saunders Smith: By Language Embellished: I&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Prologue&lt;br /&gt;b. Scene I&lt;br /&gt;c. Scene II&lt;br /&gt;d. Scene III&lt;br /&gt;e. Scene IV&lt;br /&gt;f. Epilogue&lt;/span&gt;&lt;br /&gt;Music/Theater -- New Dimensions (DeLio/Smith)&lt;br /&gt;&lt;a href="http://www.centaurrecords.com/"&gt;Centaur Records&lt;/a&gt;/2003&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;voice, percussion: Kristen Loree; producing director: John Bartlit; texts: S.S. Smith&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;John Cage/David Tudor: Story No. 50&lt;br /&gt;&lt;span style="font-size:85%;"&gt;(concerning smuggling cigarettes with Merce Cunningham)&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.lcdf.org/indeterminacy/index.cgi/"&gt;Indeterminacy&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.folkways.si.edu/"&gt;Smithsonian Folkways&lt;/a&gt;/1992 (orig. 1959)&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice, text, music: J. Cage; piano, electronics: David Tudor; recorded at Columbia Teachers College, 1959, by Mel Kaiser&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;John Cage: Voiceless Essay&lt;br /&gt;Music for Merce boxed set&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded 3/17/88 in New York City for the dance "Points in Space" (1986) The Merce Cunningham Dance Company&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Renée T. Coulombe: 12th Consciousness&lt;br /&gt;Sounding Out! DVD&lt;br /&gt;&lt;a href="http://everglade.org/everglade/home.html"&gt;Everglade Records&lt;/a&gt;/2010&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Robert Morris: Rapport -- November 23, 1975 (excerpt)&lt;br /&gt;Rapport&lt;br /&gt;&lt;a href="http://www.the-open-space.org/cds.html/"&gt;The Open Space&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;synthesizer: R. Morris; tape delay system: David Mott; recorded at Yale Electronic Studio, New Haven, 11/23/75&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Darren Copeland: Let Me Out (excerpt)&lt;br /&gt;Trans_Canada (ZKM/Karlsruhe)&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_09100/"&gt;empreintes DIGITALes&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;realized at the compoer's studio, Tornonto, 2006&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;Mikel Kuehn: Chiaroscuro&lt;br /&gt;CDCM Computer Music Series Volume 38 #&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Music from Bowling Green State University&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;MidAmerican Center for Contemporary Music&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.centaurrecords.com/"&gt;Centaur Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded at MACCM; interactive electronics: M. Kuehn; cello: Craig Hultgren&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Craig Hultgren: The Artist and His Model (C.N. Mason)&lt;br /&gt;Music of the NEXT Moment&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/1995&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electronic tape: Charles Norman Mason; cello: C. Hultgren&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;"Blue" Gene Tyranny: Sonata I (R. Ashley)&lt;br /&gt;Just for the Record&lt;br /&gt;&lt;a href="http://www.lovely.com/"&gt;Lovely Music, Ltd.&lt;/a&gt;/2008 (orig. 1979)&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;grand piano: BGT; recorded at the Center for Contemporary Music, Mills College, 1978&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-4282419898333758554?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/4282419898333758554/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=4282419898333758554' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/4282419898333758554'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/4282419898333758554'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/04/martian-gardens-for-04102011.html' title='Martian Gardens for 04/10/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-4733801801816477610</id><published>2011-04-02T15:47:00.004-04:00</published><updated>2011-04-10T22:16:48.459-04:00</updated><title type='text'>Martian Gardens for 04/03/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for April 3, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Luciano Berio: O King&lt;br /&gt;The Great Works for Voice&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/1995&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;soprano: Christine Schadeberg; flute: Katherine Flanders Mukherji; clarinet: Sheldon Berkowitz; violin: Marshall Coid; cello: Ted Mook; piano: Margaret Kampmeier; conductor: Hayes Biggs; recorded 4/03/95, Sheppard Hall, CCNY&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;In commemoration of the 43rd anniversary of the assassination of the Reverend Dr. Martin Luther King, Jr., April 4, 1968, Memphis, Tennessee&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Morton Subotnick: Until Spring ("Side One")&lt;br /&gt;Volume 2 -- Electronic Works&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2004&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electronics: M. Subotnick (orig. 1975); digital remastering: Steve Puntilillo, Sonicraft, NJ&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Joel Chadabe: Spring&lt;br /&gt;Florida Electroacoustic Music Festival, Volume 1 #&lt;br /&gt;&lt;a href="http://www.emf.org/"&gt;Electronic Music Foundation&lt;/a&gt;/2002&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electronics: J. Chadabe; percussion: Jan Williams&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Michael Thompson: Derailed&lt;br /&gt;CDCM Computer Music Series Volume 38 #&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Music from Bowling Green State University&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;MidAmerican Center for Contemporary Music&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.centaurrecords.com/"&gt;Centaur Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electronics M. Thompson; recorded at MACCM, 2002&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Natasha Barrett: Mobilis in Mobili (from &lt;a href="http://www.http//www.natashabarrett.org/tw.html/"&gt;Tradewinds&lt;/a&gt;)&lt;br /&gt;Bouteilles de Klein DVD&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_10104/"&gt;empreintes DIGITALes&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;field recordings from oceans, harbors, and the 100-year-old ship The Anne Christina realized at the composer's studio, Oslo, 2006, samples: Storm Weather Shanty Choir; narration: Capt. Jon Varhus of the Anne Christina; title Mobilis in Mobili inspired by Jule's Verne's 20000 Leagues Under the Sea&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Djalma Farias: Telas Sonoras No. 3&lt;br /&gt;Música Eletroacústica Brasileira, Vol. III #&lt;br /&gt;&lt;a href="http://www.sbme.com.br/"&gt;Sociedade Brasileira de Música Electroacústica&lt;/a&gt;/2004&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;realized at the composer's studio, Brasilia, cello: Ocello Mendonça&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Robert Morris: Rapport -- December 16, 1975, 8 pm (excerpt)&lt;br /&gt;Rapport&lt;br /&gt;&lt;a href="http://www.the-open-space.org/cds.html/"&gt;The Open Space&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;synthesizer: R. Morris; tape delay system: David Mott; recorded at Yale Electronic Studio, New Haven, 12/16/75&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.jerryhunt.org/"&gt;Jerry Hunt&lt;/a&gt;: Transform (Stream): Monopole&lt;br /&gt;Ground: Five Mechanic Convention Streams&lt;br /&gt;O.O. Discs/1992&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice, device arrays: J. Hunt&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Judy Dunaway: Etude No. 1 for Balloon and Violin&lt;br /&gt;Mother of Balloon Music&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;balloon: J. Dunaway; violin: Tom Chiu; recorded at Harsh House, Jersey City, NJ&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Aaron Drake: Number 4 from 10 Etudes for Balloon&lt;br /&gt;60 x 60 2006-2007 #&lt;br /&gt;&lt;a href="http://www.voxnovus.com/"&gt;Vox Novus&lt;/a&gt;/2008&lt;br /&gt;&lt;br /&gt;John Cage/David Tudor: Story No. 76 (Henry Cowell's Oriental Music Class)&lt;br /&gt;&lt;a href="http://www.lcdf.org/indeterminacy/index.cgi/"&gt;Indeterminacy&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.folkways.si.edu/"&gt;Smithsonian Folkways&lt;/a&gt;/1992 (orig. 1959)&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice, text, music: J. Cage; piano, electronics: David Tudor; recorded at Columbia Teachers College, 1959, by Mel Kaiser&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Monks of the Drukpa Order: Nyule Drelwa&lt;br /&gt;Tibetan Buddhist Rites from the Monasteries of Bhutan, Volume 3&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Temple Rituals &amp;amp; Public Ceremonies&lt;/span&gt;&lt;br /&gt;&lt;a href="http://lyrichord.com/"&gt;Lyrichord&lt;/a&gt;/1994 (orig. 1971)&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded by John Levy at the Nyingmapa Monastery, Kyichu Lhakhang, Paro Valley, Bhutan, 1971&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;Laurie Anderson:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Cunningham Stories (At the age of twelve...)&lt;br /&gt;b. Cunningham Stories (Every Morning...)&lt;br /&gt;c. Cunningham Stories (The Cunningham Company...) &lt;/span&gt;&lt;br /&gt;A Chance Operation -- The John Cage Tribute #&lt;br /&gt;Koch International Classics/1993&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;music: L. Anderson; texts: J. Cage&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;John King: longtermparking&lt;br /&gt;Music for Merce boxed set #&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;laptop: J. King; recorded in London, 9/10/02, for the dance "Fluid Canvas" (2002), The Merce Cunningham Dance Company&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Annie Gosfield: Lightheaded and Heavyhearted&lt;br /&gt;Lost Signals and Drifting Satellites&lt;br /&gt;&lt;a href="http://www.tzadik.com/"&gt;Tzadik&lt;/a&gt;/2004&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Flux Quartet; recorded at Avatar Studios, 6/07/04&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Ellen Band/David Lee Myers: Ualen Lagoon (1-3)&lt;br /&gt;Two Ships&lt;br /&gt;&lt;a href="http://www.pogus.com/"&gt;Pogus Productions&lt;/a&gt;/2005&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-4733801801816477610?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/4733801801816477610/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=4733801801816477610' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/4733801801816477610'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/4733801801816477610'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/04/martian-gardens-for-04032011.html' title='Martian Gardens for 04/03/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-2599605614557183008</id><published>2011-03-27T15:11:00.007-04:00</published><updated>2011-03-28T14:40:50.498-04:00</updated><title type='text'>Martian Gardens for 03/27/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for March 27, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Pauline Oliveros: Bye Bye Butterfly&lt;br /&gt;Women In Electronic Music 1977 #&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electronics, tape recorders, turntable: P. Oliveros; recorded at the San Francisco Tape Music Center, 1965&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Kraftwerk:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Geiger Counter&lt;br /&gt;b. Radio-Activity&lt;/span&gt;&lt;br /&gt;Radioactivity&lt;br /&gt;Capitol/1975&lt;br /&gt;&lt;br /&gt;Douglas Geers: Atomic Tango&lt;br /&gt;Sonic Circuits IX #&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2002&lt;br /&gt;recorded at NoTAM, Oslo, April, 2001&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;George Crumb: Somebody Got Lost In a Storm* (trad.)&lt;br /&gt;Complete Crumb Edition, Vol. 15&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;baritone: Patrick Mason; Orchestra 2001, conductor: James Freeman; recorded at Swathmore College, October, 2008&lt;br /&gt;*from Voices from a Forgotten World: A Cycle of American Songs from North and South, East and West (American Songbook V)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Tod Machover:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Loneliness and Transition&lt;br /&gt;b. Dr. Stone's Scene&lt;/span&gt;&lt;br /&gt;VALIS&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/1988&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;baritone: Patrick Mason (Horselover Fat); bass: Terry Edwards (Dr. Stone); percussion: Daniel Ciampolini; piano, keyboards: Emma Stephenson; electronics, conductor: T. Machover; text: Phillip K. Dick; libretto: T. Machover; recorded at the Experimental Media Facility, M.I.T., February, 1988&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Laurie Spiegel: Riding the Storm&lt;br /&gt;Unseen Worlds&lt;br /&gt;&lt;a href="http://www.cdemusic.org/Unseen-Worlds-p747.html/"&gt;Scarlet Records&lt;/a&gt;/1991&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Music Mouse, electronics: L. Spiegel&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Terumi Narushima: He Resonates Five Toes&lt;br /&gt;Why Record? Life in the Age of Digital Performance #&lt;br /&gt;&lt;a href="http://www.emf.org/"&gt;Electronic Music Foundation&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;koto: T. Narushima; recorded by Warren Burt&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Trevor Wishart: Red Bird -- A Political Prisoner's Dream (excerpt)&lt;br /&gt;Red Bird/Anticredos&lt;br /&gt;&lt;a href="http://www.emf.org/"&gt;Electronic Music Foundation&lt;/a&gt;/2000&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;composed at the York University Electronic Music Studio, May, 1973-May, 1977&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Daniel Eichenbaum: Car Accident&lt;br /&gt;60 x 60 2003 #&lt;br /&gt;&lt;a href="http://www.voxnovus.com/"&gt;Capstone Records&lt;/a&gt;/2003&lt;br /&gt;&lt;br /&gt;George Crumb: Black Angels -- Departure&lt;br /&gt;&lt;span style="font-size:85%;"&gt;I. Threnody I: Night of the Electric Insects (Tutti)&lt;br /&gt;II. Sounds of Bones and Flutes (Trio)&lt;br /&gt;III. Lost Bells (Duo)&lt;br /&gt;IV. Devil-music (Solo: Cadenza accompagnata)&lt;br /&gt;V. Danse Macabre (Duo)&lt;/span&gt;&lt;br /&gt;Complete Crumb Edition, Vol 7&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2003&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;The Miró Quartet; recorded at the Academy of Arts and Letters, NYC, October, 2002&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Shar: Chopped Meat&lt;br /&gt;Pop Music&lt;br /&gt;&lt;a href="http://users.gmavt.net/hobbes/popmusicshar.html/"&gt;Outerrealm Records&lt;/a&gt;/2002&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;balloons, vibrator: Judy Dunaway; drums, percussion: Trixa Arnold; Ilja Komarov; bass, Egyptian fiddle; recorded at Studio LH, Luzern, Switzerland&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Einstürzende Neubauten: Krieg In Den Städten (War in the Cities)&lt;br /&gt;Strategies Against Architecture 1980-1983&lt;br /&gt;Mute Records/1988 (orig. 1983)&lt;br /&gt;&lt;br /&gt;Luigi Russolo: Risveglio di una città (Awakening of a City) (orig. 1913)&lt;br /&gt;Futurism &amp;amp; Dada Reviewed #&lt;br /&gt;Sub Rosa/1988&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;performed 1977 on a reproduced Intonarumori by Mario Abate and Pietro Verardo at the Historical Contemporary Art Archive of the Venice Biennale&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Harold Davidson: Auto Accident&lt;br /&gt;Restless, Endless, Tactless: Johanna Beyer and the Birth of American Percussion Music&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;Meehan/Perkins Duo &amp;amp; The Baylor Percussion Group; recorded at Jones Concert Hall, Baylor University, Waco, Texas, 12/14/09&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;John Cage: [First] Construction in Metal&lt;br /&gt;The 25-Year Retrospective Concert of the Music of John Cage&lt;br /&gt;&lt;a href="http://www.wergo.de/shop/de_DE/"&gt;Wergo&lt;/a&gt;/1994&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Manhattan Percussion Ensemble, director: Paul Price; piano: David Tudor, assisted by Merce Cunningham; recorded at Town Hall, 5/15/58&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Elainie Lillios: Au deuxième étage&lt;br /&gt;Miniatures Concrètes #&lt;br /&gt;&lt;a href="http://www.electrocd.com/"&gt;empreintes DIGITALES&lt;/a&gt;/1999&lt;br /&gt;&lt;br /&gt;Elainie Lillios: Veiled Resonance&lt;br /&gt;&lt;span style="font-size:85%;"&gt;I. The Beauty of Inflections&lt;br /&gt;II. The Blackbird Whistling (...or just after)&lt;br /&gt;III. The Beauty of Innuendos&lt;/span&gt;&lt;br /&gt;CDCM Computer Music Series Volume 38 #&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Music from Bowling Green State University&lt;br /&gt;MidAmerican Center for Contemporary Music&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.centaurrecords/"&gt;Centaur Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;soprano saxophone: Steve Duke; interactive electronics E. Lillios&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Aldo Clementi: Serenata&lt;br /&gt;Works with Guitar&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;guitar: Geoffrey Morris; ELISION Ensemble, conductor: Carl Rosman; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;recorded at Iwaki Auditorium, Melbourne, Australia&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Aldo Clementi: Passacaglia&lt;br /&gt;Works with Flutes&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;flute: Roberto Fabbriciani; tape realized at Centro Tempo Reale, Florence; recorded at Laboratorio di Acustica Musicale e Architettonica -- Fondazione Scula di San Giorgio, Venice, April, 2005&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;In memoriam &lt;a href="http://www.bach-cantatas.com/Lib/Clementi-Aldo.htm/"&gt;Aldo Clementi&lt;/a&gt; May 25, 1925 -- March 3, 2011&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;Jon Gibson: Equal Distribution&lt;br /&gt;Music for Merce boxed set&lt;br /&gt;&lt;a href="http://www.newworldrecords.com/"&gt;New World Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;flute, live electronics: J. Gibson; recorded in New York City, 10/08/78 for the dance "Fractions I," The Merce Cunningham Dance Company&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Jon Gibson: Song 1&lt;br /&gt;Two Solo Pieces, plus Melody IV Part I, Melody II, Song 1&lt;br /&gt;&lt;a href="http://www.felmay.it/main.php?ricerca=Gibson&amp;amp;id=8154/"&gt;Felmay/Newtone Records&lt;/a&gt;&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;violin: Barbara Benary; cello Arthur Russell; cello: Martha Siegel; soprano saxophone: J. Gibson; recorded at Washington Square Church, NYC, 3/03/74&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Annea Lockwood: Bregquelle to Immendingen (excerpt)&lt;br /&gt;A Sound Map of the Danube&lt;br /&gt;&lt;a href="http://www.lovely.com/"&gt;Lovely Music, Ltd&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;field recordings from Öhrlein Farm, near Furtwangen, Germany, 4/30/02&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-2599605614557183008?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/2599605614557183008/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=2599605614557183008' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/2599605614557183008'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/2599605614557183008'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/03/martian-gardens-for-3272011.html' title='Martian Gardens for 03/27/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-2045903907451779373</id><published>2011-03-19T14:39:00.004-04:00</published><updated>2011-03-20T23:41:04.382-04:00</updated><title type='text'>Martian Gardens for 03/20/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for March 20, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Joane Hétu: Rafales&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Rafales 2&lt;br /&gt;b. Rafales 1&lt;br /&gt;3. Rafales 3&lt;/span&gt;&lt;br /&gt;Récits de Neige&lt;br /&gt;&lt;a href="http://www.actuellecd.com/"&gt;Actullecd&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Ensemble SuperMusique; texts: Pierre Tanguay ("Our Shack"), Jean Derome ("The Birth of Raphaëlle"), Scott Thomson ("Beautiful Flakes"); recorded at Théâtre La Chapelle, winter, 2008&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Marilyn Shrude: Trope&lt;br /&gt;CDCM Computer Music Series Volume 38&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Music from Bowling Green State University&lt;br /&gt;MidAmerican Center for Contemporary Music&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.centaurrecords.com/"&gt;Centaur Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;acoustic and prerecorded alto saxophones: James Fusik, Jeffrey Heisler, John Sampen; recorded at MACCM, Bowling Green State University, Ohio&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Marilyn Shrude: A Window Always Open on the Sea&lt;br /&gt;&lt;span style="font-size:85%;"&gt;I. In the name of a name lost&lt;br /&gt;II. Harsh is the voice that summons&lt;br /&gt;III. Down sunglazed bluffs&lt;br /&gt;IV. Mother-of-pearl glow&lt;br /&gt;V. The tide spreads, enters coppery inlets&lt;br /&gt;VI. As the sun drowns&lt;br /&gt;VII. Hermit of the heart...Nothing is changed for a name&lt;/span&gt;&lt;br /&gt;The Core Ensemble--Bending the Light&lt;br /&gt;&lt;a href="http://www.newworldrecords.com/"&gt;New World Records&lt;/a&gt;/1999&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;cello: Andrew Mark, piano: Hugh Hinton, percussion: Michael Parola; movement titles: Michael Mott ("Autumn Odysseus");recorded at Houghton Chapel, Wellesley College, 1996-1997&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Stefan Wolpe: Passacaglia (from Four Studies on Basic Rows)&lt;br /&gt;Music of Stefan Wolpe Volume Six&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano: David Holzman; recorded at Rogers Center for the Arts, Merrimack College, North Andover, Massachusetts, 2008-2010&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Stefan Wolpe: Passacaglia (op. 23)&lt;br /&gt;Wolpe in Jerusalem (1934-1938)&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;WDR Sinfonieorchestger Köln; conductor: Jannes Kalitzke; recorded at Philharmonie Köln, Novemeber, 2002&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Arie Shapira: Second Opinion&lt;br /&gt;&lt;a href="http://hcc.haifa.ac.il/%7Eariks/"&gt;Different Compositions 1967-2003&lt;/a&gt;/2004&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Israel Contemporary Players, conductor: Zsolt Nagy; recorded in Dreseden, May, 2002&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Mathew Rosenblum: Ancient Eyes&lt;br /&gt;Ancient Eyes&lt;br /&gt;&lt;a href="http://www.newworldrecords.com/"&gt;CRI&lt;/a&gt;/1999&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Prism Players, conductor: Bradley Lubman; recorded at Master Sound, Astoria, NY, November, 1996&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Matthew Burtner: A'aa&lt;br /&gt;MICE World Tour -- Mobile Interactive Computer Ensemble&lt;br /&gt;&lt;a href="http://www.ecosono.com/"&gt;EcoSono&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;lava flows recorded at the Pacaya volcano, Gutemala&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Barton McLean: Ice Canyons&lt;br /&gt;Sound Worlds&lt;br /&gt;&lt;a href="http://innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;B. Mclean: Composer's Playpen software, MIDI keyboard, recorded at McLean Mix, Petersburg, NY&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Audrey Churgin: Arctic Sun Arctic Wind&lt;br /&gt;Deep Wireless 2 -- Radio Art Compilation #&lt;br /&gt;&lt;a href="http://www.naisa.ca/"&gt;New Adventures in Sound Art&lt;/a&gt;/2005&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;drum dance and song performed by Rosalie Pissuk and son, Rankin Inlet, Nunavut; other sounds and narration: A. Churgin&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Annea Lockwood: Jitterbug&lt;br /&gt;Music for Merce boxed set&lt;br /&gt;&lt;a href="http://www.newworldrecords.com/"&gt;New World Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electric guitar, viola, live electronics: John King; laptop, zither: David Behrman; live electronics: Stephen Moore; recorded 1/26/08, Stanford, California, for the dance "eyeSpace" (2007), The Merce Cunningham Dance Company&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;John Cage/David Tudor/Takehisa Kosugi: Five Stone Wind (Excerpt)&lt;br /&gt;Five Stone Wind/Cartridge Music&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/1991&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;amplified violin, live electronics, bamboo flute: T. Kosugi; clay pots, tapes: Michael Pugliese; live electronics: D. Tudor; recorded in Paris, September, 1988, for the dance "Five Stone Wind," The Merce Cunningham Dance Company&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-2045903907451779373?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/2045903907451779373/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=2045903907451779373' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/2045903907451779373'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/2045903907451779373'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/03/martian-gardens-for-03192011.html' title='Martian Gardens for 03/20/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-5250575381374851755</id><published>2011-03-13T16:16:00.004-04:00</published><updated>2011-03-13T23:48:11.189-04:00</updated><title type='text'>Martian Gardens for 03/13/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EDT&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for March 13, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Doris Humphrey: Dance Rhythms&lt;br /&gt;Restless, Endless, Tactless: Johanna Beyer and the Birth of American Percussion Music&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Meehan/Perkins Duo &amp;amp; The Baylor Percussion Group; recorded at Jones Concert Hall, Baylor University, Waco, Texas, 2/10/10&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Ursula Mamlok: Sculpture I&lt;br /&gt;Music of Ursula Mamlok, Volume 2&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano: Garrick Ohlsson; recorded at the Academy of Arts and Letters, NYC, October, 2007&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Noah Creshevsky: Mari Kimura Redux&lt;br /&gt;Favorite Encores (Creshevsky/Margolis)&lt;br /&gt;&lt;a href="http://www.pogus.com/"&gt;Pogus Productions&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;violin samples: M. Kimura&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Mari Kimura: Vitessimo for Augmented Violin&lt;br /&gt;The World Below G and Beyond&lt;br /&gt;&lt;a href="http://www.mutablemusic.com/"&gt;Mutable Music&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;IRCAM Augmented Violin: M. Kimura; recorded at Systems Two, Brooklyn, engineer: Tom Hamilton&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;John Cage: Roaratorio -- An Irish Circus on Finnegans Wake&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Part Three (to Line 594)&lt;br /&gt;b. Part Four (To End)&lt;/span&gt;&lt;br /&gt;Roaratorio; Laughtears&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2002 (orig. 1992)&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;singer: Joe Heaney; Uillean pipes: Seamus Ennis; fiddle: Paddy Glackin;&lt;br /&gt;flute: Matt Molloy; bodhran: Peadher Mercier, Mell Mercier; voice, 62-track tape: J. Cage; text: James Joyce; premiered 10/22/79, West German Radio, Cologne&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Yasunao Tone: Geography and Music&lt;br /&gt;Music for Merce boxed set&lt;br /&gt;&lt;a href="http://www.newworldrecords.com/"&gt;New World Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice: John Cage, Takehisa Kosugi; piano: David Tudor; qin (guqin): Martin Kalve; Chinese text reader: Yoshiharu Suenobu; texts extracted from geography sections ancient Chinese encyclopedias; recorded in Lueven, Belgium, 10/20/83 for the dance "Roadrunners" (1979), The Merce Cunningham Dance Company&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Larry Austin: Tárogató!&lt;br /&gt;Octo Mixes -- Octophonic Computer Music: 1996-2001&lt;br /&gt;&lt;a href="http://www.emf.org/"&gt;Electronic Music Foundation&lt;/a&gt;/2001&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;soprano saxophone: Stephen Duke: recorded/processed tárogató: Esther Lamneck; computer music composed at gaLarry, Denton, Texas, 1998; tárogató recorded at NYU, 4/29/97; saxophone recorded at DRM, Dallas, 9/07/01&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Esther Lamneck/Roberto Fabbriciani: Winds of the Heart, parts 8-11&lt;br /&gt;Winds of the Heart&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;tárogató: E. Lamneck; HyperBass flute: R. Fabbriciani; recorded at Studio Montevarchi, Arezzo, Italy, 2008&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;David Rosenboom: Prologue&lt;br /&gt;Systems of Judgment--CDCM Computer Music Series Volume 4&lt;br /&gt;&lt;span style="font-size:85%;"&gt;CCM: Center for Contemporary Music at Mills College, Oakland&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.centaurrecords.com/"&gt;Centaur Records&lt;/a&gt;/1989&lt;br /&gt;recorded at CCM, 1987-1988&lt;br /&gt;&lt;br /&gt;David Rosenboom: Music from--&lt;a href="http://adagio.calarts.edu/%7Edavid/mediaworks/on_being_invis_ii.html/"&gt;On Being Invisible II&lt;/a&gt;&lt;br /&gt;(Hypatia Speaks to Jefferson in a Dream)&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. In the Beginning...Reasoned Mind&lt;br /&gt;b. Evolution with Singular Events&lt;br /&gt;c. Political Assertions&lt;br /&gt;d. The Mathematics of Miscegenation&lt;br /&gt;e. Logan's Speech&lt;br /&gt;f. Philosophical Musings with a Sense of Reminiscing &lt;/span&gt;&lt;br /&gt;CDCM Computer Music Series Volume 30&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Music from the Center for Experiments in Art, Information, and Technology,&lt;br /&gt;California Institute of the Arts&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.centaurrecords.com/"&gt;Centaur Records&lt;/a&gt;/2000&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;narrator: Sam Ashley; dream voices of Hypatia and TJ: Teri DeSario and Roxanne Merryfield; brainwaves and computer performance: D. Rosenboom; texts: Thomas Jefferson, Cherokee Chief Logan, D. Rosenboom, and material attributed to contemporaries of Hypatia of Alexandria; recorded at CEAIT, October, 1999&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;Amy Horvey: Apparatus Inconcinnus (R. Purchase)&lt;br /&gt;Interview&lt;br /&gt;&lt;a href="http://www.actuellecd.com/"&gt;Actullecd.com&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-size:85%;"&gt;trumpet, voice: A. Horvey; text based on an anecdote by Daniil Kharms; recorded at St. Philip's Church and Studio 270, Montreal&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Mark Applebaum:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Entre Funérailles I&lt;br /&gt;b. Theme in Search of Variations III&lt;/span&gt;&lt;br /&gt;Sock Monkey&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;a. trumpet: Brian McWhorter; recorded at PINK, 2/22/08; b. performed by Beta Collide; recorded at PINK, 3/02/08&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Iannis Xenakis: Akea&lt;br /&gt;Works with Piano&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano: Aki Takahashi; The Jack Quartet; recorded at SUNY Purchase, 6/23/08&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-5250575381374851755?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/5250575381374851755/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=5250575381374851755' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/5250575381374851755'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/5250575381374851755'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/03/martian-gardens-for-03132011.html' title='Martian Gardens for 03/13/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-579698312803889292</id><published>2011-03-06T15:44:00.005-05:00</published><updated>2011-03-06T23:43:48.965-05:00</updated><title type='text'>Martian Gardens for 03/06/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EST&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for March 6, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Barry Truax: The Shaman Ascending&lt;br /&gt;Tranx_Canada (ZKM/Karlsruhe)&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_09100/"&gt;empreintes DIGITALes&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;vocal samples: Derrick Christian, bass; realized at the composer's studio, mixed at the Sonic Research Studio of Simon Fraser University, Vancouver, 2004-2005&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Jorge Reyes: Arbol Sagrado&lt;br /&gt;The Flayed God&lt;br /&gt;Staalplaat/1994&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;composed and performed by J. Reyes; recorded at El Cuarto de Maquinas, Mexico City, 1990&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Johanna Beyer: Three Movements for Percussion&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Restless&lt;br /&gt;b. Endless&lt;br /&gt;c. Tactless&lt;/span&gt;&lt;br /&gt;Restless, Endless, Tactless: Johanna Beyer and the Birth of American Percussion Music&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Meehan/Perkins Duo &amp;amp; The Baylor Percussion Group; recorded at Jones Concert Hall, Baylor University, Waco, Texas, 12/15/09&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Luc Ferrari: Madame de Shanghai&lt;br /&gt;Visage 2/Après presque rien/Madame de Shanghai&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Scottish Flute Trio; samples: Asians on Avenue d'Ivry, Li Ping Ting: Madame de Shanghai; Orson Welles from "The Lady from Shangahi" (1947); Scottish Flute Trio recorded at The Tolbooth Arts Centre, Stirling, Scotland, August, 2006; tape realized at Ateliers UPIC/CCMIX, Paris; musical assistant: Brigitte Robindoré&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The Hub: The Minister of Pitch (T. Perkis)&lt;br /&gt;Boundary Layer&lt;br /&gt;&lt;a href="http://www.tzadik.com/"&gt;Tzadik&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;computers, electronics: John Bischoff, Chris Brown, Phil Stone, Scot Gresham-Lancaster; recorded at Mills College, 5/13/88&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Alwin Nikolais: Revels--Dance 3 (1986)&lt;br /&gt;Electronic Dance Music&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;CRI&lt;/a&gt;/1993&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electronics: A. Nikolais&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Merce Cunningham &lt;span style="font-style: italic;"&gt;Event&lt;/span&gt; group: September 14, 1996, Annemasse, France&lt;br /&gt;Music for Merce boxed set&lt;br /&gt;&lt;a href="http://www.newworldrecords.com/"&gt;New World Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;laptop, percussion: David Behrman; electric violin, live electronics: Takehisa Kosugi; steel pan, objects: Fast Forward&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;David Behrman: Interspecies Smalltalk, Scene 1&lt;br /&gt;Leapday Night&lt;br /&gt;&lt;a href="http://www.lovely.com/"&gt;Lovely Music, Ltd.&lt;/a&gt;/1991&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;violin: Takehisa Kosugi; computers, electronics: D. Behrman; commissioned by the Merce Cunningham Dance Company for the dance "Pictures" (1984)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;John Luther Adams: Roar&lt;br /&gt;The Mathematics of Resonant Bodies&lt;br /&gt;&lt;a href="http://www.cantaloupemusic.com/"&gt;Cantaloupe Music&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;percussion: Steven Schick; recorded at the University of Fairbanks, Alaska, 2002-2003&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;John Luther Adams: Solitary and Time-Breaking Waves (for 4 tam-tams)&lt;br /&gt;Strange and Sacred Noise&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2005&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Percussion Group Cincinnati; recorded at Patricia Corbett Theater, University of Cincinnati, November, 1998&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;Alvin Lucier: Twonings (1st 1/2)&lt;br /&gt;Almost New York&lt;br /&gt;&lt;a href="http://www.pogus.com/"&gt;Pogus Productions&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;cello: Charles Curtis; piano: Joseph Kubera; recorded at Systems Two, Brooklyn; engineer: Tom Hamilton&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Alvin Lucier: Fan&lt;br /&gt;Ever Present&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;kotos: Miki Maruta, Ryuko Mizutani, Kayoko Nakagawa, Yoko Nishi; recorded at Systems Two, Brooklyn, 2/08/05, engineer: Tom Hamilton&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Neil Rolnick: Faith&lt;br /&gt;Extended Family&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano: Bob Gluck; laptop: N. Rolnick; recorded at EMPAC, Rensselaer Polytechnic Institute&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-579698312803889292?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/579698312803889292/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=579698312803889292' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/579698312803889292'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/579698312803889292'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/03/martian-gardens-for-03062011.html' title='Martian Gardens for 03/06/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-5293504041400758182</id><published>2011-02-26T16:43:00.003-05:00</published><updated>2011-02-27T23:50:57.889-05:00</updated><title type='text'>Martian Gardens for 02/27/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EST&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for February 27, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Liana Alexandra: Hora&lt;br /&gt;60 x 60 2003 #&lt;br /&gt;&lt;a href="http://www.voxnovus.com/"&gt;Vox Novus&lt;/a&gt;/2004&lt;br /&gt;&lt;br /&gt;Liana Alexandra: Barcarolla&lt;br /&gt;60 x 60 2006-2007 #&lt;br /&gt;&lt;a href="http://www.voxnovus.com/"&gt;Vox Novus&lt;/a&gt;/2008&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;In memoriam &lt;/span&gt;&lt;a style="font-style: italic;" href="http://www.voxnovus.com/composer/Liana_Alexandra.htm/"&gt;Liana Alexandra&lt;/a&gt;&lt;span style="font-style: italic;"&gt; May 27, 1947 -- January 10, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;George Crumb: Bringing in the Sheaves* (Shaw/Minor)&lt;br /&gt;Complete Crumb Edition Vol. 15&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;mezzo-soprano: Jamie Van Eyck; Orchestra 2001, conductor: James Freeman; recorded at Swathmore College, October, 2008&lt;br /&gt;*from Voices from a Forgotten World: A Cycle of American Songs from North and South, East and West (American Songbook V)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Roland Auzet: Themen (C.R. Alsina)&lt;br /&gt;Percussion(s)&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Ensemble Musique Aujord'hui; conductor: Jean-Marie Adrien; percussion: R. Auzet; recorded at IRCAM, Théâtre de Chaville&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Mara Helmuth: Abandoned Lake in Maine&lt;br /&gt;CDCM Computer Music Series Volume 36&lt;br /&gt;&lt;span style="font-size:85%;"&gt;The Composer in the Computer Age: Mara Helmuth Sound Collaboration&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.centaurrecords.com/"&gt;Centaur Records&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;created and recorded at the College-Conservatory of Music at the University of Cincinnati &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Phillip Bimstein: Half Moon at Checkerboard Mesa&lt;br /&gt;Larkin Gifford's Harmonica&lt;br /&gt;&lt;a href="http://www.starkland.com/"&gt;Starkland&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;oboe: Stephen Caplan; sounds recorded at Zion National Park, Utah&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Hildegard Westerkamp: Beneath the Forest Floor&lt;br /&gt;Transformations&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_1031/"&gt;empreintes DIGITALes&lt;/a&gt;/2010 (orig. 1996)&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;sounds recorded in British Columbia by Norbert Ruebsaat and H. Westerkamp,1991, produced at CBC's Advanced Audio Production Facility, Toronto&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Michael Pugliese: Peace Talks (excerpt)&lt;br /&gt;Music for Merce boxed set&lt;br /&gt;&lt;a href="http://www.newworldrecords.com/"&gt;New World Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;sitar, percussion: Takehisa Kosugi; percussion: Michael Pugliese; recorded 11/13/90, Bangalore, India, for the dance "August Pace," (1989), The Merce Cunningham Dance Company&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Fritz Hauser: Deep Time (version 2) (excerpt)&lt;br /&gt;Deep Time&lt;br /&gt;&lt;a href="http://deeplistening.org/site/"&gt;Deep Listening Institute&lt;/a&gt;/2005&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;percussion, tape: F. Hauser; accordion, Expanded Instrument System: Pauline Oliveros; EIS, electronics, small instruments: David Gamper; soprano and tenor saxophones: Urs Leimgruber; improvised 10/26/94&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;Luc Ferrari: Visage 2&lt;br /&gt;Visage 2/Après presque rien/Madame de Shanghai&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Musique Nouvelle, conductor: Jean-Paul Dessy; recorded at l'Auditorium Abel Dubois, Mons, Belgium, 4/21/06&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Lukas Foss: Echoi IV&lt;br /&gt;Echoi/The Fragments of Archilochos/Non-Improvisation&lt;br /&gt;&lt;a href="http://www.emf.org/"&gt;Electronic Music Foundation&lt;/a&gt;/1998&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano: L. Foss; percussion: Jan Williams; cello: Douglas Davis; clarinet: Edward Yadzinski; recorded at the Buffalo and Erie County Library, 11/20/68&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;SET SIX&lt;br /&gt;Nicole Grutter: What If? (from the collection Out of House and Home)&lt;br /&gt;Deep Wireless 7 Radio Art Compilation #&lt;br /&gt;&lt;a href="http://www.naisa.ca/"&gt;New Adventures In Sound Art&lt;/a&gt;/2010&lt;br /&gt;&lt;br /&gt;Fereshteh Toosi: If it Hurts, You Breathe Faster&lt;br /&gt;Deep Wireless 6 Radio Art Compilation #&lt;br /&gt;&lt;a href="http://www.naisa.ca/"&gt;New Adventures In Sound Art&lt;/a&gt;/2009&lt;br /&gt;&lt;br /&gt;Danielle Palardy Roger: Quien sabe (La Niña)&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Prologue&lt;br /&gt;b. Todos los bienes del mundo&lt;br /&gt;c. El mar es bello&lt;br /&gt;d. Pero agitato&lt;br /&gt;e. ¡Coraje!&lt;br /&gt;f. Los recites&lt;br /&gt;g. El paso&lt;br /&gt;h. Hacia l'America&lt;/span&gt;&lt;br /&gt;Pinata, Niña, and Maria&lt;br /&gt;&lt;a href="http://www.actuellecd.com/"&gt;Actuellecd.com&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Ensemble SuperMusique, director: Jean René; (b.)text: Juan del Encina c. 1490; recorded for Une Constellation de Mutants concert, Montreal, 4/02/08&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Fred Frith/Bob Ostertag: Voice of America, Part 1&lt;br /&gt;Voice of America (Frith/Ostertag/Minton)&lt;br /&gt;Rift Records/1982&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;guitar, tape, electronics, radio: F. Frith; synthesizers, electronics, radio: B. Ostertag; recorded at P.A.S.S., New York City, January, 1981&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;John Cage: Bird Cage, Part 6 (excerpt)&lt;br /&gt;Bird Cage&lt;br /&gt;&lt;a href="http://www.emf.org/"&gt;Electronic Music Foundation&lt;/a&gt;/2000&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;realized by William Blakeney at Grant Avenue Studio, Hamilton, Ontario, December, 1998; original source material recorded at SUNY Albany, 9/09/73&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-5293504041400758182?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/5293504041400758182/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=5293504041400758182' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/5293504041400758182'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/5293504041400758182'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/02/martian-gardens-for-02272011.html' title='Martian Gardens for 02/27/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-4206819132623559956</id><published>2011-02-20T13:30:00.004-05:00</published><updated>2011-02-20T23:49:38.681-05:00</updated><title type='text'>Martian Gardens for 02/20/2010</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EST&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for February 20, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Ursula Mamlok: Sintra&lt;br /&gt;&lt;span style="font-size:85%;"&gt;I. With Intensity&lt;br /&gt;II. Very Fast&lt;br /&gt;III. Calmly&lt;/span&gt;&lt;br /&gt;Music of Ursula Mamlok, Volume 2&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;alto flute: Claire Chase; cello: David Eggar; recorded at the American Academy of Arts and Letters, NYC, October, 2007&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Elliott Carter: Enchanted Preludes&lt;br /&gt;Eight Compositions (1948-1993)&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/1994&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;flute: Harvey Sollberger; cello: Fred Sherry; recorded at Astoria Sound, NYC, 5/20/93&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Carrie Rose: Legacy Variations #99 (S. S. Smith)&lt;br /&gt;Books of Flutes&lt;br /&gt;&lt;a href="http://www.smith-publications.com/"&gt;11 West Records&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;flutes: Lisa Cella, Carrie Rose, Kathie Trahan&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Bunita Marcus: Adam &amp;amp; Eve&lt;br /&gt;Bang On A Can Vol. 3 -- "Live"&lt;br /&gt;&lt;a href="http://www.newworldrecords.com/"&gt;CRI&lt;/a&gt;/1994&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Bang On A Can--flute: Susan Stenger, violin: Marilyn Gibson, cello: Joshua Gordon, percussion: Yiu Kwong Chung and Tom Goldstein, piano: Sheri Bauer; conductor: Bunita Marcus&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Morton Feldman: Crippled Symmetry (Region 3)&lt;br /&gt;Crippled Symmetry&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/1999&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;The California EAR Unit--flute and bass flute: Dorothy Stone, vibraphone and glockenspiel: Arthur Jarvinen; piano and celeste: Vicki Ray&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Alvin Lucier: Broken Line&lt;br /&gt;Almost New York&lt;br /&gt;&lt;a href="http://www.pogus.com/"&gt;Pogus Productions&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;flute: Robert Dick; vibraphone: Danny Tunick; piano: Joseph Kubera; recorded at Systems Two, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Newspeak: Brennschluß (P. Muchmore)&lt;br /&gt;Sweet Light Crude&lt;br /&gt;&lt;a href="https://www.newamsterdamrecords.com/"&gt;New Amsterdam Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;lyrics: Brian Phillips; recorded at Clinton Recording Studios, NYC&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Zeitgeist:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Mutagenesis (D. Wolff)&lt;br /&gt;b. Stück (P. Blackburn)&lt;/span&gt;&lt;br /&gt;Here and Now -- Celebrating Thirty Years of Zeitgeist&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2011&lt;br /&gt;&lt;br /&gt;Alvin Curran: Romulus and Remus Make a Ruckus&lt;br /&gt;Lost Marbles&lt;br /&gt;&lt;a href="http://www.tzadik.com/"&gt;Tzadik&lt;/a&gt;/2004&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;for sound installation and projection by Kristin Jones; sound by Domenico Sciajno, University of Rome, June, 2003&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Luc Ferrari: Après presque rien&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Le lever du jour au bord de la mer&lt;br /&gt;b. Le désir de vivre&lt;br /&gt;c. Ainsi continue la nuit dans ma tête multiple&lt;br /&gt;d. Avec filles&lt;br /&gt;e. Le remontée du village&lt;br /&gt;f. Presque rien (aka. Exploitation des Concepts no. 5)&lt;/span&gt;&lt;br /&gt;Visage 2/Après presque rien/Madame de Shanghai&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;ensembles -- Art Zoyd and  Musique Nouvelles, conductor: Jean-Paul Dessy; recorded at Auditorium Abel Dubois, Mons, Belgium, 4/21/06; electronics -- recorded at CCMIX, Paris, directed by Gérard Pape, assistant: Patricia Dallio; samplers, keyboards: Nathalie Négro, P. Dallio&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Joane Hétu: Jamais Froid&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Neige&lt;br /&gt;b. Flakes&lt;br /&gt;c. Jamais Froid&lt;br /&gt;d. Paysages&lt;/span&gt;&lt;br /&gt;Récits de Neige&lt;br /&gt;&lt;a href="http://www.actuellecd.com/"&gt;Actuellecd.com&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Ensemble SuperMusique; text: Gilles Derome; recorded at Théâtre La Chapelle, winter, 2008&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;David Tudor: Neural Network Plus (excerpt)&lt;br /&gt;Music for Merce boxed set&lt;br /&gt;&lt;a href="http://www.newworldrecords.com/"&gt;New World Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;live electronics: David Tudor, Takehisa Kosugi; recorded in Lisbon, 6/05/94, for the dance "Enter" (1992), The Merce Cunningham Dance Company&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-4206819132623559956?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/4206819132623559956/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=4206819132623559956' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/4206819132623559956'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/4206819132623559956'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/02/martian-gardens-for-02202010.html' title='Martian Gardens for 02/20/2010'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-5710347132293742044</id><published>2011-02-12T15:37:00.004-05:00</published><updated>2011-02-13T23:39:35.892-05:00</updated><title type='text'>Martian Gardens for 02/13/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EST&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for February 13, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Philip Glass/Robert Wilson: Knee 5&lt;br /&gt;Einstein on the Beach&lt;br /&gt;&lt;a href="http://www.nonesuch.com/"&gt;Nonesuch Records&lt;/a&gt;/1993&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;violin: Gregory Fulkerson; keyboard: Michael Riesman; women's chorus; voice: Jasper McGruder; text: Samuel M. Johnson, "Two Lovers"; recorded 1993&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;George Crumb: The Ghosts of Alhambra (Spanish Songbook I)&lt;br /&gt;&lt;span style="font-size:85%;"&gt;I. Alba (Dawn)&lt;br /&gt;II. Las Seis Cuerdas (The Six Strings)&lt;br /&gt;III. Danza (Dance)&lt;br /&gt;IV. Paisaje (Landscape)&lt;br /&gt;V. ¡AY!&lt;br /&gt;VI. Malagueña&lt;br /&gt;VII. Memento&lt;/span&gt;&lt;br /&gt;Complete Crumb Edition, Vol. 15&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;baritone: Patrick Mason; guitar: David Starobin; percussion: Daniel Druckman; texts: Federico Garcia Lorca;&lt;br /&gt;recorded at the Academy of Arts and Letters, NYC, June, 2010&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;J.K. Randall: through Lapland&lt;br /&gt;Intermediate Masterworks for Marimba #&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;marimba: Jean Geoffroy; recorded at Lawrence Conservatory of Music, Appleton, Wisconsin, Zeltsman Marimba Festival 2009, July 3, 2009&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;J.K. Randall:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Quartets in Paris&lt;br /&gt;b. Quartersines&lt;/span&gt;&lt;br /&gt;Computer Music #&lt;br /&gt;Nonesuch/1974&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;realized at the Columbia-Princeton Electronic Music Center&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Paul Lansky: The Joy of F# Minor&lt;br /&gt;Music Box&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2007&lt;br /&gt;&lt;br /&gt;Steve Mackey: Wish It Were&lt;br /&gt;Lost &amp;amp; Found&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2007&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Ursula Mamok: Sonar Trajectory&lt;br /&gt;Music of Ursula Mamlok Volume 2&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;realized at the Columba-Princeton Electronic Music Center, 1966&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Daria Semegen: Electronic Composition No. 1&lt;br /&gt;Columbia-Princeton Electronic Music Center 1961-1973 #&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/1998&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;realized at the C-PEMC, 1971&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Brad Garton: Dan's Toys&lt;br /&gt;Go Go Go - Music from the Computer Music Center, Columbia University #&lt;br /&gt;&lt;a href="http://music.columbia.edu/cmc/"&gt;Columbia University Computer Music Center&lt;/a&gt;/2000&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;So Percussion ~ Trollstilt: Martin's Garden&lt;br /&gt;Five (and-a-half) Gardens&lt;br /&gt;&lt;a href="http://www.shhhproductions.com/"&gt;Shhh Productions&lt;/a&gt;/2007&lt;br /&gt;&lt;br /&gt;Bernadette Speach: Chosen Voices&lt;br /&gt;Reflections&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2002&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;prepared guitar: Jeffrey Schanzer; toy piano: B. Speach; recorded at LRP Studios, New York City, 2000-2001&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Christian Wolff: For Morty&lt;br /&gt;I Like to Think of Harriet Tubman (Chamber Works Vol. 2)&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/1998&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;The Barton Workshop; recorded at the Hilversum Conservatorium, Hilversum, The Netherlands, 1994-1998&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Morton Feldman: For Violin, Cello, and Vibraphone (from Durations)&lt;br /&gt;Intermediate Music&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2002&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;The Turfan Ensemble, recorded at HR-Sendesaal, Frankfurt, 1996-1997&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Morton Feldman: Ixion&lt;br /&gt;Music for Merce boxed-set&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;pianos: John Cage, David Tudor; recorded in rehearsal for the dance "Summerspace" (1958)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Francis Dhomont: Brief an den Vater&lt;br /&gt;Études pour Kafka&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_09102/"&gt;empreintes DIGITALes&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;vocalizations: Hans Tutschku; narration: Martin Engler; text: Franz Kafka; realized in 2006 at Dhomont's studio, Avignon&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Alvin Lucier: Almost New York&lt;br /&gt;Almost New York&lt;br /&gt;&lt;a href="http://www.pogus.com/"&gt;Pogus Productions&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;flutes: Robert Dick; recorded at Systems Two, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-5710347132293742044?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/5710347132293742044/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=5710347132293742044' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/5710347132293742044'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/5710347132293742044'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/02/martian-gardens-for-02132011.html' title='Martian Gardens for 02/13/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-346734111693215230</id><published>2011-02-06T12:54:00.005-05:00</published><updated>2011-02-06T23:47:10.163-05:00</updated><title type='text'>Martian Gardens for 02/06/2010</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EST&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for February 6, 2010&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;HOMAGE TO MILTON BABBITT&lt;br /&gt;May 10, 1916 -- January 29, 2011&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;David Starobin: Danci (M. Babbitt)&lt;br /&gt;Newdance&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/1998&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;guitar: D. Starobin; recorded at Mastersound, Astoria, NY&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Milton Babbitt: String Quartet No. 2&lt;br /&gt;Occasional Variations&lt;br /&gt;&lt;a href="http://www.tzadik.com/"&gt;Tzadik&lt;/a&gt;/2004&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;The Composer's Quartet -- violin: Matthew Raimondi, violin: Anahid Ajemian, viola: Jean Dupouy, cello: Michael Rudiakov&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Milton Babbitt: All Set, for Jazz Ensemble&lt;br /&gt;Spectrum -- New American Music, Volume V&lt;br /&gt;Nonesuch Records/1974&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;The Contemporary Chamber Ensemble, conductor: Arthur Weisberg&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Milton Babbitt: Vision and Prayer&lt;br /&gt;Music of Milton Babbitt&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;CRI&lt;/a&gt;/1988&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;Mark II RCA Synthesizer: M. Babbitt; soprano: Bethany Beardslee; text: Dylan Thomas; created at the Columbia Princeton Electronic Music Center, 1961&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Milton Babbitt: Philomel&lt;br /&gt;Philomel&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/1995&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Mark II RCA Synthesizer, tapes: M. Babbitt; soprano: Bethany Beardslee; text: John Hollander (based on Ovid's "Philomena"), created at the Columbia Princeton Electronic Music Center, 1964&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Milton Babbitt: Ensembles for Synthesizer&lt;br /&gt;New Electronic Music from Leaders of the Avant-Garde&lt;br /&gt;Columbia/1968&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Mark II RCA Synthesizer, tapes: M. Babbitt, created at the Columbia Princeton Electronic Music Center, 1964&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Milton Babbitt: Occasional Variations&lt;br /&gt;Occasional Variations&lt;br /&gt;&lt;a href="http://www.tzadik.com/"&gt;Tzadik&lt;/a&gt;/2004&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Mark II RCA Synthesizer, tapes: M. Babbitt, created at the Columbia Princeton Electronic Music Center, 1968-1971&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Milton Babbitt: An Elizabethan Sextette&lt;br /&gt;&lt;span style="font-size:85%;"&gt;I. When I Was Fair and Young&lt;br /&gt;II. Out of Sight, Out of Mind&lt;br /&gt;III. Your Face, Your Tongue, Your Wit&lt;br /&gt;IV. Can Doleful Notes to Measured Accents Set&lt;br /&gt;V. First Love&lt;br /&gt;VI. Neopolitan&lt;/span&gt;&lt;br /&gt;Music of Milton Babbitt&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;CRI&lt;/a&gt;/1988&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voices: Susan Jacquemot, Janet Steele, Johanna Arnold, Nancy Bergman, Barbara Ann Martin, Martha Rafferty-Page, conductor: Harvey Sollberger; texts: I. attributed to Elizabeth I; II. Barnabe Googe; III. attributed to Sir Walter Raleigh; IV. Samuel Daniel; V. Thomas Campion; VI. Michael East; recorded at Vanguard Studios, New York, 12/19/84&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Milton Babbitt: Groupwise&lt;br /&gt;&lt;span style="font-style: italic;"&gt;ibid.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;The Group for Contemporary Music, conductor: Daniel Shulman; recorded at Vanguard Studios, New York, 12/23/84&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;William Anderson: Sheer Pluck (M. Babbitt)&lt;br /&gt;Diary of a Seducer&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;CRI&lt;/a&gt;/2000&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;guitar: W. Anderson&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Dorothy Stone: None But the Lonely Flute (M. Babbitt)&lt;br /&gt;None But the Lonely Flute&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2000&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;flute: D. Stone&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Milton Babbitt: Swan Song No.1&lt;br /&gt;The Music of Milton Babbitt&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2003&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Cygnus Ensemble; conductor: Jeffrey Millarsky; recorded at Eonta Sound, Bronxville, 2003&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-346734111693215230?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/346734111693215230/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=346734111693215230' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/346734111693215230'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/346734111693215230'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/02/martian-gardens-for-02062010.html' title='Martian Gardens for 02/06/2010'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-6267799350103499517</id><published>2011-01-30T14:53:00.003-05:00</published><updated>2011-02-06T20:43:37.219-05:00</updated><title type='text'>Milton Babbitt -- May 10, 1916 -- January 29, 2011</title><content type='html'>The total serialist composer and electronic music pioneer Milton Babbitt died Saturday at the age of 94.  &lt;br /&gt;&lt;br /&gt;&lt;a href=http://www.npr.org/blogs/deceptivecadence/2011/02/02/133372983/npr-exclusive-new-documentary-on-the-late-composer-milton-babbitt/&gt;Milton Babbitt: Portrait of a Serial Composer&lt;/a&gt;&lt;br /&gt;A film by Robert Hilferty and Laura Karpman on NPR Music.  The filmmaker Robert Hilferty passed away before he could complete this documentary.  Emmy Award-winning composer Laura Karpman, one of Babbitt's students at the Julliard School, completed the film. It provides a wonderful introduction to the composer, his music, and his life -- and no mention of "Who Cares If You Listen"!  &lt;br /&gt;&lt;br /&gt;Sylvia Babbitt predeceased Milton in 2005.  They are survived by their daughter Betty Ann Duggan and two grandchildren.&lt;br /&gt;&lt;br /&gt;Here the late Dr. Babbitt discusses his work for which he is most famous, his time at the Columbia-Princeton Electronic Music Center. Video courtesy of Dr. Eric Chasalow of Brandeis University:&lt;br /&gt;&lt;br /&gt;&lt;iframe title="YouTube video player" class="youtube-player" type="text/html" width="560" height="345" src="http://www.youtube.com/embed/UHNG9rexCsg" frameborder="0" allowFullScreen&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&lt;iframe title="YouTube video player" class="youtube-player" type="text/html" width="425" height="349" src="http://www.youtube.com/embed/dpbrXlnZMRg" frameborder="0" allowFullScreen&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-6267799350103499517?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/6267799350103499517/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=6267799350103499517' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/6267799350103499517'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/6267799350103499517'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/01/milton-babbitt-may-10-1916-january-29.html' title='Milton Babbitt -- May 10, 1916 -- January 29, 2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/UHNG9rexCsg/default.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-2474100780787491343</id><published>2011-01-29T15:08:00.006-05:00</published><updated>2011-01-30T23:50:17.501-05:00</updated><title type='text'>Martian Gardens for 01/30/2009</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EST&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for January 30, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;David Starobin: Solo e Duettini (M. Babbitt)&lt;br /&gt;New Music With Guitar, Vol. 5&lt;br /&gt;&lt;a href=http://www.bridgerecords.com/&gt;Bridge Records&lt;/a&gt;/1993&lt;br /&gt;In memory of Milton Babbitt who died January 29th, 2011, at age 94&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Ted Hearne:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Bridge to Gretna&lt;br /&gt;b. Anderson Cooper and Mary Landrieu&lt;br /&gt;c. Brownie, You're doing a Heck of a Job&lt;/span&gt;&lt;br /&gt;Katrina Ballads&lt;br /&gt;&lt;a href="https://www.newamsterdamrecords.com/"&gt;New Amsterdam Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;b. soprano: Allison Semmes; c. baritone: Anthony Turner; c. tenor: T. Hearne; recorded with large ensemble at Avatar Studios, Manhattan March, 2008&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Phil Kline: Three Rumsfeld Songs&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. As We Know&lt;br /&gt;b. That Many Vases&lt;br /&gt;c. Near-Perfect Clarity&lt;/span&gt;&lt;br /&gt;Zippo Songs&lt;br /&gt;&lt;a href="http://www.cantaloupemusic.com/"&gt;Cantaloupe Music&lt;/a&gt;/2004&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;The Zippo Band--vocals: Theo Bleckmann; violin: Todd Reynolds; guitars: Phil Kline; percussion: David Cossin; texts: Defense Secretary Donald Rumsfeld from Pentagon briefings; recorded at Ft/Lb Studio, Brooklyn, 2003&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Ben Johnston: String Quartet No. 5&lt;br /&gt;String Quartets Nos. 1,5, &amp;amp; 10&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;The Kepler Quartet; recorded at the Wauwatosa Presbyterian Church, Milwaukee, 7/21/2010&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Arlene Zallman: Se La Terra Che Aspetta&lt;br /&gt;Se La Terra Che Aspetta&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;cello: Hekun Wu; piano: Elise Yun; recorded at The Sonic Temple, Roslindale, Mass., July, 2001&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Arvo Pärt: Affannoso (mvt. II Symphony No. 4 "Los Angeles")&lt;br /&gt;Symphony No. 4&lt;br /&gt;&lt;a href="http://www.ecmrecords.com/Startseite/startseite.php"&gt;ECM Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Los Angeles Philharmonic; conductor: Esa-Pekka Salonen; recorded at Walt Disney Concert Hall, January, 2009&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Ingram Marshall: Rave, Parts I &amp;amp; II&lt;br /&gt;Dark Waters&lt;br /&gt;&lt;a href="http://www.newalbion.com/"&gt;New Albion Records&lt;/a&gt;/2002&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;oboe d'amore: Libby Van Cleve&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Pauline Oliveros: In Memoriam: Nikola Tesla, Cosmic Engineer (excerpt)&lt;br /&gt;Music for Merce boxed set&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voices, live electronics, acoustical-space sound activators: John Cage, Gordon Mumma, Jean Rigg, David Tudor; dance: Canfield (1969); recorded on tour, 1972, Merce Cunningham Dance Company&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Henry Brant: Revenge Before Breakfast&lt;br /&gt;The Henry Brant Collection Volume 8&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piccolo: Paul Taub; clarinet: Gregg Miller; violin: Ella Marie Gray; cello: Walter Gray; percussion: Matthew Kocmieroski, Thomas Eckert; accordion: Laurie Andres, conductor: Henry Brant; recorded in Poncho Hall, Cornish College of the Arts, Seattle, 2/12/85&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;New Band: Daphne of the Dunes (H. Partch)&lt;br /&gt;Microtonal Works&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/1994&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;New Band performed on original &lt;a href="http://www.corporeal.com/instbro/instintr.html/"&gt;PARTCH INSTRUMENTS&lt;/a&gt;; recorded at Mastersound, Astoria, Queens, 1991-1993&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;Danielle Palardy Roger: Qui connaît (La Pinta)&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Tout le monde en place&lt;br /&gt;b. Nuit sombre&lt;br /&gt;c. Réveil brutal&lt;br /&gt;d. Ah l'aventure&lt;br /&gt;e. Gloire, fortune, renommée et chance&lt;br /&gt;f. Tous les biens de ce monde&lt;/span&gt;&lt;br /&gt;Pinta, Niña, &amp;amp; Maria&lt;br /&gt;&lt;a href="http://www.actuellecd.com/"&gt;Actuellecd&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;performed by the ensemble GGRIL; recorded 8/12/2007&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Tim Hodgkinson: Fragor&lt;br /&gt;Sketch of Now&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2006&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Takehisa Kosugi: Spacings&lt;br /&gt;Music for Merce boxed-set&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;live electronics: T. Kosugi; dance: Doubles (1984), recorded in New York City, 3/20/1988, The Merce Cunningham Dance Company&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-2474100780787491343?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/2474100780787491343/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=2474100780787491343' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/2474100780787491343'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/2474100780787491343'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/01/martian-gardens-for-01302009.html' title='Martian Gardens for 01/30/2009'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-178411489313091641</id><published>2011-01-24T17:39:00.003-05:00</published><updated>2011-01-24T18:07:41.966-05:00</updated><title type='text'>About Merce Cunningham</title><content type='html'>A little video about the modern dance choreographer Merce Cunningham (April 16, 1919 – July 26, 2009):&lt;br /&gt;&lt;br /&gt;&lt;iframe title="YouTube video player" class="youtube-player" type="text/html" src="http://www.youtube.com/embed/2hLljFBQBN0" width="560" frameborder="0" height="345"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;New World Records released &lt;a href=http://www.newworldrecords.org/album.cgi?rm=view&amp;album_id=86954/&gt;Music for Merce&lt;/a&gt;, a 10-CD boxed-set dedicated to the music accompanying Cunningham's work over his five-decade career as director of The Merce Cunningham Dance Company.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-178411489313091641?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/178411489313091641/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=178411489313091641' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/178411489313091641'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/178411489313091641'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/01/about-merce-cunningham.html' title='About Merce Cunningham'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/2hLljFBQBN0/default.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-5113547342574266202</id><published>2011-01-22T18:27:00.006-05:00</published><updated>2011-01-29T16:44:14.262-05:00</updated><title type='text'>Martian Gardens for 01/23/2009</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EST&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for January 23, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Otto Luening: Moonflight&lt;br /&gt;Pioneers of Electronic Music&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;created at the Columbia-Princeton Electronic Music Center, 1968&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Henry Cowell: The Tides of Manaunaun&lt;br /&gt;Piano Music&lt;br /&gt;&lt;a href="http://www.folkways.si.edu/"&gt;Smithsonian-Folkways&lt;/a&gt;/1993 (orig. 1963)&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano: H. Cowell&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Philip Corner:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Short Piano Piece IV&lt;br /&gt;b. Short Piano Piece IX&lt;br /&gt;c. Short Piano Piece XIII&lt;/span&gt;&lt;br /&gt;40 Years and One -- Philip Corner Plays the Piano&lt;br /&gt;&lt;a href="http://xirecords.org/125.shtml"&gt;XI Records&lt;/a&gt;/2001&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano: P. Corner; recorded at IIWII studios, Weehawken, NJ, January, 1998&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Gamelan Son Of Lion: Sad/Happy (D. Goode)&lt;br /&gt;Sonogram&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;clarinet: Daniel Goode&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;John Cage: Music Walk&lt;br /&gt;The Works for Piano I&lt;br /&gt;&lt;a href="http://www.moderecords/"&gt;Mode Records&lt;/a&gt;/1995&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano, short radio, objects: Stephen Drury; recorded at Jordan Hall, Boston, Mass., March 1993&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;John Cage: Inlets (excerpt)&lt;br /&gt;Music for Merce boxed-set&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;conch shells with water: Paeder Mercier, Mel Mercier, J. Cage&lt;br /&gt;recorded at Roubaix, France, 10/27/1983; dance: Inlets (1977), Merce Cunningham Dance Company&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Christian Wolff: Or 4 People (excerpt)&lt;br /&gt;Music for Merce boxed-set&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano, melodica: C. Wolff; live electronics, violin, harmonica: Takehisa Kosugi; laptop: Jim O'Rourke; trombone: Stuart Dempster; recorded in New York, 7/23/1999; dance: Rune (1959), Merce Cunningham Dance Company&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Christian Wolff: Snowdrop&lt;br /&gt;Tilbury Pieces/Snowdrop&lt;br /&gt;&lt;a href="http://www.moderecords/"&gt;Mode Records&lt;/a&gt;/1999&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;violin, viola: Dimitrios Polisoidis; piano: Hildegard Kleeb; trombone: Roland Dahinden; recorded at Sender Freies, Berlin, May, 1996&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;So Percussion &amp;amp; Matmos: Swamp&lt;br /&gt;Treasure State&lt;br /&gt;&lt;a href="http://www.cantaloupemusic.com/"&gt;Cantaloupe Music&lt;/a&gt;/2010&lt;br /&gt;&lt;br /&gt;So Percussion &amp;amp; Trollstilt: Matisse's Garden Lesson&lt;br /&gt;Five (and-a-half)Gardens&lt;br /&gt;&lt;a href="http://www.shhhproductions.com/"&gt;Shhh Productions&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded at Princeton University&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Chen Yi: Jing Marimba&lt;br /&gt;Intermediate Masterworks for Marimba -- 24 New Concert Pieces&lt;br /&gt;&lt;a href="http://www.bridgerecords/"&gt;Bridge Records&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;marimba: Gordon Stout; recorded at the Zeltsman Marimba Festival 2009, Lawrence University Conservatory of Music, Appleton, Wisconsin, 7/05/09&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;Neil Rolnick: MONO Prelude&lt;br /&gt;Extended Family&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;laptop, voice: N. Rolnick; recorded at EMPAC, Rensselaer Polytechnic Institute, Troy, NY, February, 2010&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Madelyn Byrne: Arrival&lt;br /&gt;Sounding Out! (DVD extracts)&lt;br /&gt;&lt;a href="http://everglade.org/everglade/home.html/"&gt;Everglade Records&lt;/a&gt;/2010&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Joane Hétu: La Neige&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Neige 1-2&lt;br /&gt;b. Neige 5-3&lt;br /&gt;c. Neige 4-2&lt;br /&gt;d. Regarder la neige tomber&lt;/span&gt;&lt;br /&gt;Récits de neige&lt;br /&gt;&lt;http: com="" en="" cat="" am_198=""&gt;Actuellecd/2010&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;performed by &lt;/span&gt;&lt;a style="font-style: italic;" href="http://www.supermusique.qc.ca/"&gt;Ensemble SuperMusique&lt;/a&gt;&lt;span style="font-style: italic;"&gt;, recorded at Théâtre La Chapelle, Montreal, 2008; texts: a: Dyane Raymond, b: Lise Hétu, c: Luc Proulx; d: Miranda Nienson&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Larry Austin: Caritas&lt;br /&gt;Source--Music of the Avant Garde (Source Records 1-6, 1968-1971)&lt;br /&gt;&lt;a href="http://www.pogus.com/"&gt;Pogus Productions&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;PDP-10 computer, Buchla Electronic Music System: L. Austin, realized 1969 for the Artificial Intelligence Project, Stanford University&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Terry Riley: Negro Hall&lt;br /&gt;Lisbon Concert&lt;br /&gt;&lt;a href="http://www.newalbionrecords.com/"&gt;New Albion Records&lt;/a&gt;/1996&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;piano: T. Riley; recorded at the Festival dos Capuchos, Teatro São Luís, Lisbon, Portugal, 7/16/95&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;/http:&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-5113547342574266202?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/5113547342574266202/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=5113547342574266202' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/5113547342574266202'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/5113547342574266202'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/01/martian-gardens-for-01232009.html' title='Martian Gardens for 01/23/2009'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-2540937500770366973</id><published>2011-01-16T11:42:00.007-05:00</published><updated>2011-01-16T12:09:29.412-05:00</updated><title type='text'>Hearne, Small, Rolnick</title><content type='html'>Another selection from Katrina Ballads by Ted Hearne.  This one is called "Anderson Cooper."  Like the rest of the texts from "Katrina Ballads," Hearne uses words straight from the media at the time of Hurricane Katrina in August, 2005.&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="344"&gt;&lt;param name="movie" value="http://www.youtube.com/v/M8lHelrsSSo?fs=1&amp;amp;hl=en_US&amp;amp;color1=0x006699&amp;amp;color2=0x54abd6"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/M8lHelrsSSo?fs=1&amp;amp;hl=en_US&amp;amp;color1=0x006699&amp;amp;color2=0x54abd6" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;This is another performance of Washington D.C. pianist Haskell Small of "Lullaby of War."&lt;br /&gt;&lt;br /&gt;&lt;object width="325" height="340"&gt;&lt;param name="movie" value="http://www.youtube.com/v/t4FtcrVMVo8?fs=1&amp;amp;hl=en_US&amp;amp;color1=0x006699&amp;amp;color2=0x54abd6"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/t4FtcrVMVo8?fs=1&amp;amp;hl=en_US&amp;amp;color1=0x006699&amp;amp;color2=0x54abd6" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="560" height="340"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;ETHEL performs Neil Rolnick's "Gene Pool" featured on his latest CD "Extended Family" (Innova Recordings)&lt;br /&gt;&lt;br /&gt;&lt;object width="325" height="340"&gt;&lt;param name="movie" value="http://www.youtube.com/v/VQN9RU0UtxI?fs=1&amp;amp;hl=en_US&amp;amp;color1=0x006699&amp;amp;color2=0x54abd6"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/VQN9RU0UtxI?fs=1&amp;amp;hl=en_US&amp;amp;color1=0x006699&amp;amp;color2=0x54abd6" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="560" height="340"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Click on videos to watch directly from YouTube.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-2540937500770366973?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/2540937500770366973/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=2540937500770366973' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/2540937500770366973'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/2540937500770366973'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/01/hearne-small-rolnick.html' title='Hearne, Small, Rolnick'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-160356424609120662</id><published>2011-01-15T13:04:00.009-05:00</published><updated>2011-01-16T23:36:12.494-05:00</updated><title type='text'>Martian Gardens for 01/16/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EST&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for January 16, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;David Behrman: ...for nearly an hour... (excerpt)&lt;br /&gt;Music for Merce boxed-set&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voices: Valda Setterfeld, Carolyn Brown, Barbara Dilley Lloyd, Beverly Emmons, for the dance "Walkaround Time," recorded in Buffalo, 1968 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;David Baker: Through This Vale of Tears&lt;br /&gt;&lt;span style="font-size:85%;"&gt;I. Thou Dost Lay Me in the Dust of Death&lt;br /&gt;II. If There Be Sorrow&lt;br /&gt;III. My God, Why Hast Thou Forsaken Me?&lt;br /&gt;IV. Parades to Hell&lt;br /&gt;V. Deliver My Soul&lt;br /&gt;VI. Sometimes I Feel Like a Motherless Child&lt;br /&gt;VII. Now That He Is Safely Dead&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.videmus.org/"&gt;VIDEMUS&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/1992&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;tenor: William Brown; violins: Lynn Chang, Marylou Speaker Churchill, viola: Marcus Thompson; cello: Mark Churchill; piano, artist director: Vivian Taylor; recorded at The African American Meeting House, Boston, 1991; texts: I., III., V. Psalm 22; II. Mari Evans; IV. Solomon Edwards; VI. traditional; VII. Carl Hines&lt;/span&gt;&lt;br /&gt;In memoriam Rev. Dr. Martin Luther King, January 15, 1929 -- April 4, 1968&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Ted Hearne: from Katrina Ballads&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Prologue: Keeping its Head Above Water&lt;br /&gt;b. When we awoke it was to that familiar phrase: New Orleans dodged a bullet&lt;br /&gt;c. Hardy Jackson 8.30.05&lt;br /&gt;d. Interlude 1&lt;br /&gt;e. Dennis Hastert&lt;/span&gt;&lt;br /&gt;Katrinia Ballads&lt;br /&gt;&lt;a href="https://www.newamsterdamrecords.com/"&gt;New Amsterdam Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;a. mezzo-soprano: Abby Fischer; text: Eric Berger, The Houston Chronicle (12.01.01); b. horn: Nathan Koci; title: Pamela Davidson-Ehlers, American Federation of Government Employees; c. baritone: Anthony Turner; text: Hardy Jackson, resident of Biloxi, ABC Television; e. tenor: Isaiah Robinson; text: Dennis E. Hastert (R-IL), Speaker of the U.S. House of Representatives; recorded with 16-member chorus and ensemble in March, 2008, Avatar Studios, Manhattan&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Amy Horvey: Quattro pezzi per tromba sola (G. Scelsi)&lt;br /&gt;Interview&lt;br /&gt;&lt;a href="http://actuellecd.com/en/"&gt;Actuellecd&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;trumpet: A. Horvey; recorded at St. Philip's Church and Studio 270, Montreal, August, 2009&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Giacinto Scelsi: from Suite no. 5: Il Circo&lt;br /&gt;&lt;span style="font-size:85%;"&gt;I. Deciso&lt;br /&gt;II. "quarter note" = 120&lt;br /&gt;III. Grazioso&lt;br /&gt;IV. "quarter note" = 108&lt;br /&gt;V. Spigliato&lt;/span&gt;&lt;br /&gt;The Piano Works 4&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano: Stephen Clarke; recorded at Teldex Studios, Berlin, 2007&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Neil Rolnick: Extended Family&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. The Gene Pool&lt;br /&gt;b. Siblings&lt;br /&gt;c. Cousins &amp;amp; Uncles &amp;amp; Aunts&lt;br /&gt;d. Loss&lt;br /&gt;e. The Gathering&lt;/span&gt;&lt;br /&gt;Extended Family&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;ETHEL string quartet; recorded at EMPAC, Rensselaer Polytechnic Institute, February, 2010&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;&lt;a href="http://www.smith-publications.com/"&gt;Stuart Saunders Smith&lt;/a&gt;: Family Portraits&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Sylvia&lt;br /&gt;b. Ivy&lt;br /&gt;c. Earle&lt;/span&gt;&lt;br /&gt;Crux&lt;br /&gt;O.O. Discs/1992&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;piano: Thomas Moore&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;John Cage:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Totem Ancestor&lt;br /&gt;b. Ad Lib&lt;br /&gt;c. Jazz Study&lt;br /&gt;d. Music for Marcel Duchamp&lt;/span&gt;&lt;br /&gt;The Works for Piano 4&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2002&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;pianos: Margaret Leng Tan&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Toshi Ichiyanagi: Activities for Orchestra&lt;br /&gt;Music for Merce boxed-set&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;viola: David Behrman; piano, voice, percussion: John Cage; horns, live electronics: Gordon Mumma; piano, live electronics: David Tudor; violin: Malcolm Goldstein; percussion: Max Neuhaus; for the dance "Scramble" (1967), recorded on tour, May, 1968&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Luc Ferrari: Visages V (Parts 1-3)&lt;br /&gt;Tautologos and Other Early Electronic Works&lt;br /&gt;&lt;a href="http://www.emf.org/"&gt;Electronic Music Foundation&lt;/a&gt;/2002&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-160356424609120662?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/160356424609120662/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=160356424609120662' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/160356424609120662'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/160356424609120662'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/01/martian-gardens-for-01162011.html' title='Martian Gardens for 01/16/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-3903287417668693358</id><published>2011-01-09T15:19:00.005-05:00</published><updated>2011-01-09T23:42:06.918-05:00</updated><title type='text'>Martian Gardens for 01/09/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EST&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for January 9, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Giacinto Scelsi: Hispania (Trypyque pour Piano)&lt;br /&gt;&lt;span style="font-size:85%;"&gt;I. Mosso, con spirito&lt;br /&gt;II. Moderato&lt;br /&gt;III. Mosso&lt;/span&gt;&lt;br /&gt;The Piano Works 4&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;piano: Stephen Clarke; recorded at Teldex Studios, Berlin, 2007&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Haskell Small: Lullaby of War&lt;br /&gt;&lt;span style="font-size:85%;"&gt;I. War is Kind&lt;br /&gt;II. No&lt;br /&gt;III. Recitative VIII (excerpts)&lt;br /&gt;IV. Naming Souls&lt;br /&gt;V. Look Down, Fair Moon&lt;br /&gt;VI. Guernica Pantoum&lt;/span&gt;&lt;br /&gt;Lullaby of War/Renoir's Feast/3 Etudes in Sound&lt;br /&gt;&lt;a href="http://www.naxos.com/"&gt;Naxos&lt;/a&gt;/2011&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano: Soheil Nasseri; narrator: Martin Rayner; texts: I. Stephen Crane; II. Joy Harjo; III. Yvan Goll; IV. Uri Zvi Greenberg; V. Walt Whitman; VI. Paula Tatarunis&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Toca Loca: Bring Them Home! (F. Rzewski)&lt;br /&gt;Shed&lt;br /&gt;&lt;a href="http://www.henceforthrecords.com/"&gt;Henceforth Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano: Simon Docking; percussion: Ajyun Huang; percussion: Fernando Rocha; piano, conductor: Gregory Oh; recorded at Walter Hall, University of Toronto&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Gidon Kremer: Eight Hymns (In Memoriam Andrei Tarkovsky) (S. Kovacs Tickmayer)&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Calmo&lt;br /&gt;b. Tranquilo&lt;br /&gt;c. Pesante&lt;br /&gt;d. Sereno&lt;br /&gt;e. Molto Tranquilo&lt;br /&gt;f. Dolce&lt;br /&gt;g. Molto Semplice&lt;/span&gt;&lt;br /&gt;Hymns and Prayers&lt;br /&gt;&lt;a href="http://www.ecmrecords.com/"&gt;ECM Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;violin: Gidon Kremer; piano: Khatia Buniatishvili; vibraphone: Andrei Pushkarev; Kremerata Baltica orchestra, conductor: Roman Kofman; recoreded at Pfarrkirche St. Nikolaus, Lockenhaus, July, 2008&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Anthony De Mare: Statue of Liberty (L. Anderson)&lt;br /&gt;Speak! The Speaking-Singing Pianist&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;Recorded at Rolston Recital Hall, Banff, November, 2008&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Nicolas Bernier: Writing Machine&lt;br /&gt;Trans_Canada (ZKM/Karlsruhe)(DVD Extract) #&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_09100/"&gt;empreintes DIGITALes&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice: André Garant; commissioned by Zentrum für Kunst und Medientechnologie, Karlsruhe&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Robert Dick &amp;amp; Thomas Buckner: Certain Gravities&lt;br /&gt;Flutes &amp;amp; Voices&lt;br /&gt;&lt;a href="http://www.mutablemusic.com/"&gt;Mutable Music&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice: T. Buckner; flutes: R. Dick; recorded by Tom Hamilton at Systems Two, Brooklyn, 6/18/09&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Alvin Curran: The Works (excerpt)&lt;br /&gt;Solo Works: The '70s&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded in Rome, circa 1974&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Sylvia Smith: Mureau (J. Cage)&lt;br /&gt;The Year Begins To Be Ripe&lt;br /&gt;&lt;a href="http://www.smith-publications.com/"&gt;Smith Publications&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voices: S. Smith; text: Henry David Thoreau's Journal, arranged by I Ching chance operations by John Cage&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-3903287417668693358?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/3903287417668693358/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=3903287417668693358' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/3903287417668693358'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/3903287417668693358'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2011/01/martian-gardens-for-01092011.html' title='Martian Gardens for 01/09/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-2667741599501998180</id><published>2010-12-26T14:43:00.004-05:00</published><updated>2011-01-02T23:48:36.560-05:00</updated><title type='text'>Martian Gardens for 01/02/2011</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EST&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for January 2, 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Susan Botti:  Listen, It's Snowing&lt;br /&gt;Listen, It's Snowing&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;CRI&lt;/a&gt;/1998&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano: Daniel Kirk-Foster; soprano: S. Botti; text: e.e. cummings;&lt;br /&gt;recorded at the Academy of Arts and Letters, NYC, 12/04/97&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Arlene Zallman: Nightsongs&lt;br /&gt;Se La Terra Che Aspetta&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;soprano: Karol Bennett; flute: Leone Buyse; clarinet: Michael Webster; texts: Wendell Berry, Joseph Freiherr von Echendorff; recorded at Duncan Hall, The Shepherd School of Music, Rice University, February, 2007&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Tod Machover: Flora&lt;br /&gt;Flora&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/1990&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice samples: Karol Bennett; recorded at the MIT Media Lab, 1989&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Ingram Marshall: Fog Tropes II&lt;br /&gt;Kingdom Come&lt;br /&gt;&lt;a href="http://www.nonesuch.com/"&gt;Nonesuch Records&lt;/a&gt;/2001&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Kronos Quartet; fog horns recorded in San Francisco Bay; recorded at Skywalker Sound, August, 1996&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Arvo Pärt: Movement III&lt;br /&gt;Symphony No. 4 "Los Angeles"&lt;br /&gt;&lt;a href="http://www.ecmrecords.com/"&gt;ECM Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Los Angeles Philharmonic, conductor: Esa-Pekka Salonen; recorded at Walt Disney Concert Hall, Los Angeles, January, 2009&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;John Cage:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Our Spring Will Come&lt;br /&gt;b. And the Earth Shall Bear Again&lt;/span&gt;&lt;br /&gt;Complete Short Works for Prepared Piano&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;prepared piano: Philipp Vandré; recorded at the Hessischer Rundfunk, Frankfurt, 2001-2002&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Martin Bresnick: For the Sexes -- The Gates of Paradise (1 &amp;amp; 2)&lt;br /&gt;The Essential Martin Bresnick [DVD supplement]&lt;br /&gt;&lt;a href="http://www.cantaloupemusic.com/"&gt;Cantaloupe Music&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano and voice: Lisa Moore; text and images: William Blake; computer animation: Puppetsweat Theater&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Steve Reich: Double Sextet, Movement I -- Fast&lt;br /&gt;Double Sextet -- 2 x 5&lt;br /&gt;&lt;a href="http://www.nonesuch.com/"&gt;Nonesuch Records&lt;/a&gt;/2010&lt;span style="font-style: italic;font-size:85%;" &gt;&lt;br /&gt;Eighth Blackbird; recorded at WFMT Studio, Chicago, August 27-28, 2009&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Mark Applebaum:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Martian Anthropology 7&lt;br /&gt;b. Martian Anthropology 8&lt;br /&gt;c. Martian Anthropology 9&lt;/span&gt;&lt;br /&gt;Sock Monkey&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2008&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;The Paul Dresher Ensemble Electro-Acoustic Band; recorded at Theater Artaud, San Francisco, March 31 &amp;amp; April 1, 2006&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Pierre Alexandre Tremblay: La Rage (Raging Rabies)&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Renard Fou&lt;br /&gt;b. Techno-Sexe: vol d'aeroport&lt;br /&gt;c. Entrevue Avec le Proprio&lt;br /&gt;d. Prendre le Contrôle de la Tour&lt;br /&gt;e. Epilogue: pas d'avenir&lt;/span&gt;&lt;br /&gt;La Rage&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/bio/tremblay_pi/discog/"&gt;empreintes DIGITALes&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;recorded at the Electroacoustic Music Studios at the University of Huddersfield, UK, 2004-2005&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;Pierre Schaeffer: Cinq études de bruits (Five Studies of Noises)&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Railroad Study&lt;br /&gt;b. Whirligig Study&lt;br /&gt;c. Study in Purple&lt;br /&gt;d. Study in Black&lt;br /&gt;e. Study in Pathos&lt;/span&gt;&lt;br /&gt;L' Oeuvre Musicale&lt;br /&gt;&lt;a href="http://www.emf.org/"&gt;Electronic Music Foundation&lt;/a&gt;/1998&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Musique Concrete recorded in France, 1948&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;César Bolaños: Intesidad y Altura&lt;br /&gt;Peruvian Electroacoustic and Experimental Music (1964-1970)&lt;br /&gt;&lt;a href="http://www.pogus.com/"&gt;Pogus Productions&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;premiered in the hall of the Instituto Di Tella, Buenos Aires, 11/21/64&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Hildegard Westerkamp: Für Dich -- For You&lt;br /&gt;Trans_Canada (ZKM/Karlsruhe)#&lt;br /&gt;&lt;a href="http://www.electrocd.com/en/cat/imed_09100/pistes/"&gt;empreintes DIGITALes&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electroacoustic recordings: H. Westerkamp; text: Rainer Maria Rilke "Liebes-Lied," translated by Norbert Ruebsaat; readers: Wendelin Bartley, Susan Benson, Anne Bourne, Loui Ettling, Peter Grant, Andra McCartney, Norbert Ruebsaat, R. Murray Schafer, Agnes Westerkamp, H. Westerkamp; realized at Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany, and Simon Fraser University, Vancouver, 2005&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;David Tudor: Rainforest (1968)&lt;br /&gt;David Tudor &amp;amp; Gordon Mumma&lt;br /&gt;&lt;a href="http://www.newworldrecords.com/"&gt;New World Records&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;performance with the Merce Cunningham Dance Company, Teatro Novo, Rio de Janeiro, Brazil, 7/30/68&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Gordon Mumma: Song Without Words (In Memoriam David Tudor)&lt;br /&gt;ibid.&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;solo piano: G. Mumma&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-2667741599501998180?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/2667741599501998180/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=2667741599501998180' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/2667741599501998180'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/2667741599501998180'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2010/12/martian-gardens-for-12262010.html' title='Martian Gardens for 01/02/2011'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-2096135052244411648</id><published>2010-12-18T13:39:00.008-05:00</published><updated>2010-12-20T09:57:43.145-05:00</updated><title type='text'>Martian Gardens for 12/19/2010</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EST&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for December 19, 2010&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Extended Edition&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;William S. Burroughs: The Junky's Christmas&lt;br /&gt;Spare Ass Annie &amp;amp; Other Tales&lt;br /&gt;Island Records/1993&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;narration, text: W.S. Burroughs; music: Michael Franti, The Disposable Heroes of Hiphoprisy&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Frank Zappa and the Mothers of Invention: Uncle Bernie's Farm&lt;br /&gt;Absolutely Free&lt;br /&gt;Rykodisc/1994 (orig. 1967)&lt;br /&gt;&lt;br /&gt;Shelley Hirsch/Jon Rose/Chris Cutler: &lt;br /&gt;After Hours/The Colour of BLOOD&lt;br /&gt;The ReR Quarterly Vol. 4/No.2 #&lt;br /&gt;&lt;a href="http://www.rerusa.com/"&gt;ReR Megacorp&lt;/a&gt;/1997&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice: S. Hirsch; violin, keyboard, voice: J. Rose; electronics, percussion: C. Cutler&lt;/span&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;; recorded at Radio Student, Ljublana, Slovenia, 11/15/93&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Laurie Anderson: New York Social Life&lt;br /&gt;Women in Electronic Music 1977 #&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice, telephone: L. Anderson; tambura: Scott Johnson&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;If, Bwana: DTTO Lisa&lt;br /&gt;"Assemble.age!"&lt;br /&gt;&lt;a href="http://www.mutablemusic.com/"&gt;Mutable Music&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;voice: Lisa Barnard Kelley&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Shelley Hirsch: Blanche Dubois (Hirsch/Weinstein)&lt;br /&gt;States&lt;br /&gt;Tellus--Harvestworks/1997&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;text, vocals: S. Hirsch; keyboards, vocals: David Weinstein; recorded at Roulette, New York City&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Linda Dusman: Magnificat 4 -- Ida Ida&lt;br /&gt;Singing Out! [DVD] #&lt;br /&gt;&lt;a href="http://www.everglade.org/"&gt;Everglade Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;"&gt;voice: L. Dusman, text: Gertrude Stein&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Linda Dusman: Becoming Becoming Gertrude&lt;br /&gt;Music/Text II #&lt;br /&gt;&lt;a href="http://www.capstone.org/"&gt;Capstone Records&lt;/a&gt;/2001&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;tape: L. Dusman; readers: Susan McCully, readers: Phil Maki; text: Gertrude Stein; recorded at W.I.N.C. Studio, West Newton, Massachusetts&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET THREE&lt;br /&gt;Eric Chasalow&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Fast Forward&lt;br /&gt;b. Over the Edge&lt;/span&gt;&lt;br /&gt;Over The Edge&lt;br /&gt;&lt;a href="http://www.newworldrecords.org/"&gt;New World Records&lt;/a&gt;/1993&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;(a) percussion: Amy Knoles, Arthur Jarvinen, tape: E. Chasalow (b) flute: Patricia Spencer, tape: E. Chasalow; realized at BEAM, Brandeis, University&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Robert Dick &amp;amp; Thomas Buckner: In The Land of Perfect Days&lt;br /&gt;Flutes &amp;amp; Voices&lt;br /&gt;&lt;a href="http://www.mutablemusic.com/"&gt;Mutable Music&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;vocalizations: T. Buckner; flutes: R. Dick; recorded by Tom Hamilton at Systems Two, Brooklyn, 6/18/09&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;So Percussion:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;a. Recitative (track 5)&lt;br /&gt;b. Chorus (track 6)&lt;/span&gt;&lt;br /&gt;Threads (Music by Paul Lansky)&lt;br /&gt;&lt;a href="http://www.cantaloupemusic.com/"&gt;Cantaloupe Music&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Eric Beach, Jason Treuting, Josh Quillen, Adam Sliwinski: percussion; recorded at Avatar Studios, 2008&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FOUR&lt;br /&gt;Arvo Pärt: Movement I -- Con Sublimità&lt;br /&gt;Symphony No. 4, "Los Angeles"&lt;br /&gt;&lt;a href="http://www.ecmrecords.com/"&gt;ECM Records&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Los Angeles Philharmonic, Esa-Pekka Salonen, conductor; recorded at Walt Disney Concert Hall, Los Angeles, January, 2009&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Martin Bresnick: I. Semplice, Inesorabile (from Trio for piano, violin, and cello)&lt;br /&gt;The Essential Martin Bresnick&lt;br /&gt;&lt;a href="http://www.cantaloupemusic.com/"&gt;Cantaloupe Music&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;performed by the Jupiter Trio; recorded at Sprague Hall, Yale University, 12/16/05&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Giacinto Scelsi: Uaxuctum--The Legend of the Mayan City&lt;br /&gt;&lt;span style="font-size:85%;"&gt;(which they themselves destroyed for religious reasons) I-V&lt;/span&gt;&lt;br /&gt;The Orchestral Works 2&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2006&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Vienna Radio Symphony Orchestra; conductor: Peter Rundel; Concentus Vocalis, director: Herbert Böck; recorded at the Festival 'Wien Modern,' Vienna Concert House 11/04/05&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET FIVE&lt;br /&gt;Judith Shatin: Penelope's Song&lt;br /&gt;Tower of the Eight Winds&lt;br /&gt;&lt;a href="http://www.innova.mu/"&gt;Innova Recordings&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;electronics: J. Shatin; violin: Hasse Borup&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Stuart Saunders Smith: Books of Flutes&lt;br /&gt;Double Image&lt;br /&gt;&lt;a href="http://www.smith-publications.com/"&gt;11 West Records&lt;/a&gt;/2005&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;flute: Gisela Mashayekhi-Beer&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET SIX&lt;br /&gt;Alvin Curran: For MG&lt;br /&gt;Lost Marbles&lt;br /&gt;&lt;a href="http://www.tzadik.com/"&gt;Tzadik Records&lt;/a&gt;/2004&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;piano, tape: A. Curran; recorded for the Trisha Brown Dance Company, 1992&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Ingrid Drese: Papillon, abîme, nuit (Butterfly, Abyss, Night)&lt;br /&gt;Interstices&lt;br /&gt;&lt;a href="http://www.electrocd.com/"&gt;empreintes DIGITALes&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;realized at Drese's studio, Belgium, 1999&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET SEVEN&lt;br /&gt;Frances White: Like the Lily&lt;br /&gt;Centre Bridge -- Electroacoustic Works&lt;br /&gt;&lt;a href="http://www.moderecords.com/"&gt;Mode Records&lt;/a&gt;/2007&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;viola: Liuh-Wen Ting; double bass: Troy Rinker, Jr., electronics: F. White&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Natasha Barrett: Sub Terra Cycle -- Sand Island&lt;br /&gt;Bouteilles de Klein&lt;br /&gt;&lt;a href="http://www.electrocd.com/"&gt;empreintes DIGITALes&lt;/a&gt;/2010&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;realized at Barrett's studio, Oslo, 2007&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SINGLE PLAY&lt;br /&gt;Dimitri Voudouris: 1:ΘΦ4&lt;br /&gt;ΑΛΘ=Φ/UVIVI/1:ΘΦ4/ΟΝΤΑ&lt;br /&gt;&lt;a href="http://www.pogus.com/"&gt;Pogus Productions&lt;/a&gt;/2010&lt;br /&gt;&lt;br /&gt;--FIN--&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-2096135052244411648?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/2096135052244411648/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=2096135052244411648' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/2096135052244411648'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/2096135052244411648'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2010/12/martian-gardens-for-12192010.html' title='Martian Gardens for 12/19/2010'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-8066475249042147653</id><published>2010-12-18T10:14:00.004-05:00</published><updated>2010-12-19T09:57:17.683-05:00</updated><title type='text'>Barrett and Pärt</title><content type='html'>Oslo-based sound artist Natasha Barrett (b. 1972 Norwich, UK) performs section from her "Sub Terra Cycle" for German radio:&lt;br /&gt;&lt;br /&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/eak2JHwHpQ0?fs=1&amp;amp;hl=en_US&amp;amp;rel=0&amp;amp;color1=0x006699&amp;amp;color2=0x54abd6"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/eak2JHwHpQ0?fs=1&amp;amp;hl=en_US&amp;amp;rel=0&amp;amp;color1=0x006699&amp;amp;color2=0x54abd6" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Performance from Arvo Pärt's Symphony No. 4 "Los Angeles"&lt;br /&gt;(Mvt. III - Deciso) (Arvo Pärt, b. 1935 Estonia)&lt;br /&gt;&lt;br /&gt;&lt;object width="640" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/dAhK2fEkJjw?fs=1&amp;amp;hl=en_US&amp;amp;rel=0&amp;amp;color1=0x006699&amp;amp;color2=0x54abd6"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/dAhK2fEkJjw?fs=1&amp;amp;hl=en_US&amp;amp;rel=0&amp;amp;color1=0x006699&amp;amp;color2=0x54abd6" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="640" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Philharmonia Orchestra&lt;br /&gt;Esa-Pekka Salonen - conductor&lt;br /&gt;&lt;br /&gt;Royal Albert Hall&lt;br /&gt;Friday 20 August 2010 - UK Premiere&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5172855888455534181-8066475249042147653?l=martiangardens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://martiangardens.blogspot.com/feeds/8066475249042147653/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5172855888455534181&amp;postID=8066475249042147653' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/8066475249042147653'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5172855888455534181/posts/default/8066475249042147653'/><link rel='alternate' type='text/html' href='http://martiangardens.blogspot.com/2010/12/barrett-and-part.html' title='Barrett and Pärt'/><author><name>Martian Gardens</name><uri>http://www.blogger.com/profile/03674178692741987194</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5172855888455534181.post-4209135470033528873</id><published>2010-12-12T12:53:00.004-05:00</published><updated>2010-12-13T00:45:47.793-05:00</updated><title type='text'>Martian Gardens for 12/12/2010</title><content type='html'>WMUA FM 91.1&lt;br /&gt;Amherst, Mass. 01003&lt;br /&gt;&lt;a href="http://www.blogger.com/www.wmua.org/"&gt;wmua.org&lt;/a&gt;&lt;br /&gt;live webcast&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MARTIAN GARDENS&lt;/span&gt;&lt;br /&gt;Sundays 21:00--24:00 EST&lt;br /&gt;Host: Max Shea&lt;br /&gt;online playlists: &lt;a href="http://www.martiangardens.blogspot.com/"&gt;Martian Gardens blog&lt;/a&gt;&lt;br /&gt;email: maxtshea@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Program for December 12, 2010&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Extended Edition&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET ONE&lt;br /&gt;Elliott Carter: Luimen&lt;br /&gt;The Music of Elliott Carter Volume Four&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2002&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Speculum Musicae --  trumpet: Raymond Mase, trombone: Michael Powell, harp: June Han, mandolin: William Anderson, guitar: David Starobin, vibraphone: Pablo Rieppi, conductor: William Purvis; recorded at Mastersound, NYC September, 2000&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;In honor of &lt;a href="http://www.sequenza21.com/2010/12/happy-102nd-birthday-elliott-carter/"&gt;Elliott Carter's 102nd Birthday&lt;/a&gt;, December 11th, 2010&lt;br /&gt;&lt;br /&gt;Ursula Mamlok: String Quartet No. 1&lt;br /&gt;&lt;span style="font-size:85%;"&gt;I. With Intensity&lt;br /&gt;II. Very Rhythmic&lt;br /&gt;III. Still, as if suspended&lt;/span&gt;&lt;br /&gt;Music of Ursula Mamlok Volume One&lt;br /&gt;&lt;a href="http://www.bridgerecords.com/"&gt;Bridge Records&lt;/a&gt;/2009&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;Daedalus Quartet -- first violin: Kyu-Young Kim, second violin: Min-Young Kim, viola: Jessica Thompson, cello: Raman Ramakrishnan; recorded at the Performing Arts Center, Theater C, Purchase, NY, 10/09/07&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SET TWO&lt;br /&gt;Jan Garbarek/The Hilliard Ensemble: Most Holy Mother of God (A. Pärt)&lt;br /&gt;Officium Novum&lt;br /&gt;&lt;a href="http://www.ecmrecords.com/"&gt
