Amherst, Mass. 01003
wmua.org
live webcast
MARTIAN GARDENS
Sundays 21:00--24:00 EDT
Host: Max Shea
online playlists: Martian Gardens blog
email: maxtshea@gmail.com
Program for September 12, 2010
SET ONE
Meredith Monk: Urban March (Shadow)
NYFA Collection -- 25 Years of New York New Music #
Innova Recordings/2010
piano, voice, arrangement: Anthony De Mare; recorded at Ralston Recital Hall, Banff Centre, Banff, Alberta, 11/02/08
Anthony De Mare: Paris (M. Monk)
Pianos and Voices
Koch Classics/1992
Anne LeBaron: Intermezzo
1,2,4,3
Innova Recordings/2010
bass clarinet: Wolfgang Fuchs; violin: Ronit Kirchman; bass: Torsten Müller; harp: A. LeBaron; recorded at Polestar New Music Festival, Seattle, 2004
Larry Polansky: tooaytood(s)
a. tooaytood 1: ≤too
b. tooaytood 2: ≤too<-
c. tooaytood 3:
d. tooaytood 5: boo k (lullaby for anna)
e. tooaytood 6
f. tooaytood 7: iiviinii
g. tooaytood 9: loopitood
h. tooaytood 11: onceaii
The World's Longest Melody
New World Records/2010
ZWERM--electric guitar quartet: Toon Callier, Matthias Koole, Joannes Westendorp, Kobe Van Cauwenbergh; arr. T. Callier; recorded at Studio Champ d'Action, Antwerp, December, 2008
Thomas DeLio: as though
Thomas DeLio/James Dashow
Capstone Records/1997
percussion solo: Tom Goldstein; recorded at UMBC Studio, 1997
SET TWO
John Luther Adams: Triadic Iteration Lattices (for four air-raid sirens)
Strange and Sacred Noise
Mode Records/2005
Percussion Group Cincinnati; recorded at Patricia Corbett Theater, University of Cincinnati; November, 1998
John Luther Adams: Wail
The Mathematics of Resonant Bodies
Cantaloupe Music
percussion (with air-raid siren): Steven Schick; recorded at the University of Alaska Fairbanks (2002/2003)
J.C. Combs:
a. Cross Station
b. Dispatch
Safe Passage
Electroshock Records/2010
created for ImprovFriday
SET THREE
John Cage: Cartridge Music/11 Instruments
a CAGE of saxophones -- The Works For Saxophones Volumes 3&4
Mode Records/2010
intersax -- soprano saxophone, artistic director: Ulrich Krieger, alto saxophone: Martin Losert, tenor saxophone: Tobias Rüger, baritone saxophone: Reimar Volker; guests -- violin: Burkhard Schlothauer; viola: Johannes Platz; cello: Ulrich Maiß; contrabass: Alexander Frangenheim; piano: Michael Iber; accordion: Gerhard Scherer; percussion: Andreas Peters; recorded at several locations, mastered at the π-Farm, 2004
Julia Wolfe: LAD, part 1 (for nine bagpipes)
Dark Full Ride -- Music in Multiples
Cantaloupe Music/2009
bagpipes: Matthew Welch; recorded at St. Peter's Episcopal Church, NYC
SET FOUR
Javier Garavaglia: Arte Poética (I. Stanza)
Florida Electroacoustic Music Festival, Volume 1 #
Electronic Music Foundation/2002
text: Jorge Luis Borges; produced at ICEM, Folkwang Hochschule Essen
Gilles Gobeil: Le Miroir Triste
Trois Songes DVD
empreintes DIGITALes/2008
realized at Zentrum für Kunst und Medientechnologie Karlsruhe, summer, 2007
SET FIVE
Milica Paranosic:
a. Venus Song
b. Bojano
Give To Grow
Electroshock Records/2010
text, voice (a): Roger Bonair-Agard
David Mahler: Only Music Can Save Me Now
Only Music Can Save Me Now
New World Records/2010
piano: Nurit Tilles; recorded at the American Academy of Arts and Letters, NYC, November, 2009
SET SIX
Iannis Xenakis: Paille in the Wind
Works with Piano
Mode Records/2010
piano: Aki Takahashi; cello: Rohan de Saram; recorded at Teldex Studio, Berlin, 10/27/07
Daniel Goode: Tuba Thrush
NYFA Collection -- 25 Years of New York New Music #
Innova Recordings/2010
The Flexible Orchestra, conductor: Tara Simoncic; recorded at St. Peter's Episcopal Church, NYC, 10/16/09
SET SEVEN
Mario Verandi: Figuras Flamencas
Orillas Distantes/Distant Shores
Electronic Music Foundation/2001
texts: Federico Garcia Lorca from "Bodas de Sangre" (Blood Wedding); produced at the Electronic Music Studios, University of Birmingham, UK
Jocy De Oliveira: Women Dreams
Illud Tempus
O.O. Discs/2000
soprano: Gabriela di Geanx; actress: Marilena Bibas; clarinet: Paulo Passos; percussion: Paraguassú Abrahão; synthesizers, electronics, libretto: J. De Oliveira; recorded live at the Haus Der Kulturen der Welt, Berlin, March, 1995
--FIN--
